View allAll Photos Tagged Structural
A national juried exhibition with a focus on structure, both natural and human-made. The exhibition features painting, sculpture, photography, drawing, and more by 30 artists from across the country.
The work for this exhibition was chosen by our wonderful jurors, Peter Gabak and Joanna Poag. Join us for the opening reception, where $1,000 in cash awards will be announced!
Artists Included:
Deborah Beardslee (NY), Jackie Brown (ME), Christina Cassone (PA), Theresa Devine (AZ), Zach Dietl (NY), Julianne French (FL), Nate Hodge (NY), Ellie Honl (IN), Kristy Hughes (IN), Jim Jacobs (UT), Yasemin Kackar-Demirel (NY), Ella Kampelman (MN), Susan Kaye (NY), Namdoo Kim (NY), Sassoon Kosian (NJ), Tom Kredo (NY), Yoonjee Kwak (NY), Pamela Markman (CA), Vanessa Michalak (MA), Nicole Mongelluzzo (NY), Kelly Nye (OH), Colleen O’Hara (NY), Chris Oliver (NY), Nancy Ridenour (NY), Ruth Simon McRae (GA), Jean Stephens (NY), Susan Stuart (NY), Tracy Wascom (MI), Doerte Weber (TX), Jere Williams (VA)
May 9–June 30, 2015
Opening Reception: Saturday, May 9, 4–7p.m.
A national juried exhibition with a focus on structure, both natural and human-made. The exhibition features painting, sculpture, photography, drawing, and more by 30 artists from across the country.
The work for this exhibition was chosen by our wonderful jurors, Peter Gabak and Joanna Poag. Join us for the opening reception, where $1,000 in cash awards will be announced!
Artists Included:
Deborah Beardslee (NY), Jackie Brown (ME), Christina Cassone (PA), Theresa Devine (AZ), Zach Dietl (NY), Julianne French (FL), Nate Hodge (NY), Ellie Honl (IN), Kristy Hughes (IN), Jim Jacobs (UT), Yasemin Kackar-Demirel (NY), Ella Kampelman (MN), Susan Kaye (NY), Namdoo Kim (NY), Sassoon Kosian (NJ), Tom Kredo (NY), Yoonjee Kwak (NY), Pamela Markman (CA), Vanessa Michalak (MA), Nicole Mongelluzzo (NY), Kelly Nye (OH), Colleen O’Hara (NY), Chris Oliver (NY), Nancy Ridenour (NY), Ruth Simon McRae (GA), Jean Stephens (NY), Susan Stuart (NY), Tracy Wascom (MI), Doerte Weber (TX), Jere Williams (VA)
May 9–June 30, 2015
Opening Reception: Saturday, May 9, 4–7p.m.
There is not much of the interior left in the old Oak Knoll mortuary structure.When I was younger...err much younger...these ruins were extensive and easily seen from route 40.In this image you can get a sense of the inner construction,and why this structure is still around after 150 plus years...
From the book Structural Packaging by Josep Garrofé. Cut and cut-scored on my Craft ROBO from the book’s CD-ROM in less than 5 minutes.
040602-N-8148A-022
Atlantic Ocean (June 2, 2004) - USS Ronald Reagan (CVN 76) Sailors, Aviation Structural Mechanics 2nd Class David Pierce, of Mannford, Okla., and Warren Earle, of Phoenix, drill rivet holes in a new patch for a C-2A Greyhound aircraft rudder assigned to the "Rawhides" of Fleet Logistic Support Squadron Three Zero (VRC-30). Reagan and its crew are underway circumnavigating South America as they make their way to their new homeport in San Diego. U.S. Navy photo by Photographer's Mate 3rd Class Kitt Amaritnant.
A national juried exhibition with a focus on structure, both natural and human-made. The exhibition features painting, sculpture, photography, drawing, and more by 30 artists from across the country.
The work for this exhibition was chosen by our wonderful jurors, Peter Gabak and Joanna Poag. Join us for the opening reception, where $1,000 in cash awards will be announced!
Artists Included:
Deborah Beardslee (NY), Jackie Brown (ME), Christina Cassone (PA), Theresa Devine (AZ), Zach Dietl (NY), Julianne French (FL), Nate Hodge (NY), Ellie Honl (IN), Kristy Hughes (IN), Jim Jacobs (UT), Yasemin Kackar-Demirel (NY), Ella Kampelman (MN), Susan Kaye (NY), Namdoo Kim (NY), Sassoon Kosian (NJ), Tom Kredo (NY), Yoonjee Kwak (NY), Pamela Markman (CA), Vanessa Michalak (MA), Nicole Mongelluzzo (NY), Kelly Nye (OH), Colleen O’Hara (NY), Chris Oliver (NY), Nancy Ridenour (NY), Ruth Simon McRae (GA), Jean Stephens (NY), Susan Stuart (NY), Tracy Wascom (MI), Doerte Weber (TX), Jere Williams (VA)
May 9–June 30, 2015
Opening Reception: Saturday, May 9, 4–7p.m.
Greg Mitchell Photography and Tactile Photo are exclusively represented by Hammond Art Consuting Services: for consultation, design, delivery and installation on commercial, healthcare and hospitality projects, please contact Alan Hammond at (916) 205-3925 or visit their website at www.hammondartconsulting.com
SOUTH LOS ANGELES - When significant structural damage from a non-injury vehicle collision threatened to displace residents of a two story apartment building in the 800 block of East 79th Street, crews from the Los Angeles Fire Department - including an LAFD Urban Search and Rescue unit, quickly swung into action on September 3, 2016. Stabilizing the building to the satisfaction of an on-site Inspector from the City's Department of Building & Safety, the LAFD effort allowed the occupants of 4 apartment units to safely remain in their homes throughout the long holiday weekend, until permanent repairs could be made.
LAFD Incident: 090316-0648
Photo Use Permitted via Creative Commons - Credit: LAFD Photo | Jim Holland
Connect with us: LAFD.ORG | News | Facebook | Instagram | Reddit | Twitter: @LAFD @LAFDtalk
This engine section structural test article for NASA's Space Launch System is being prepared to be shipped on the barge Pegasus from #NASAMichoud to NASA's Marshall Space Flight Center in Huntsville, Alabama. Once it arrives at #NASAMarshall it will undergo structural testing.
The engine section will house four RS-25 engines and power the core stage of #NASASLS, the world's most powerful rocket.
Architects; Michael Scott & Partners, 1939-1953.
Project Architect; Wilfrid Cantwell, Patrick Scott, Robin Walker; Kevin Roche and many more. Structural Engineers; Ove Arup.
This building occupies a pivotal position in the history of modern architecture in Ireland initiated by Michel Scott in his shamrock shaped 1939 Irish Pavilion in New York and half-bloomed in Busaras. The British were coming out of their WWII experience with 1951 Festival of Britain Exhibition in London starting to whet their design appetites which in some ways picked up lots of random ‘jig-saw’ pieces of influence from Le Corbusier and Mies either directly or sometimes via Irish architects who worked in USA and returned to Ireland.
It is not difficult to see glimpses of Corb’s Swiss Pavilion, Cite Universitaire or Salvation Army in Busaras. The inclusion of art as an integral part has been crowned by very inventive yet economical cantilever canopy by Ove Arup.
The most memorable and exciting contribution for Dubliners must have been their ability to get a free lift ride from the reception/waiting area of Busaras to the roof restaurant during the day and night-club in the evening.
The canopied balconies, columns, light domes were covered in mosaic by Patrick Scott (without any symbolism but simply as cheerful decorations) must have given users a rare birds eye view of Dublin with the excitement of using lifts from a modern delightful public space.
Unfortunately, the same can not be said about the office accommodation in between these two levels. The building has been an unending battleground with various client departments, office users right from the inception till now. It can be easily described as one of the most hated office buildings of this era. Could this be due to lack of knowledge/funding for an adequate air handling plant to provide comfortable spaces for the occupiers?
Des Hill's photo here and in comments below.
PACIFIC OCEAN (Jan. 7, 2021) Aviation Structural Mechanic 2nd Class James Han, from Tian Jin, China, assigned to the “Magicians” of Helicopter Maritime Strike Squadron (HSM) 35, tightens a bolt on a pylon of an MH-60R Sea Hawk on the flight deck of the Arleigh Burke-class guided-missile destroyer USS John Finn (DDG 113) Jan. 7, 2021. John Finn, part of the Theodore Roosevelt Carrier Strike Group, is on a scheduled deployment to the U.S. 7th Fleet area of operations. As the U.S. Navy’s largest forward deployed fleet, with its approximate 50-70 ships and submarines, 140 aircraft, and 20,000 Sailors in the area of operations at any given time, 7th Fleet conducts forward-deployed naval operations in support of U.S. national interests throughout a free and open Indo-Pacific area of operations to foster maritime security, promote stability, and prevent conflict alongside 35 other maritime nations and partners. (U.S. Navy photo by Mass Communication Specialist 3rd Class Jason Waite)
SAIFD AIR Program "Form & Structure" with Kenneth Snauwaert, AIFD.
October 23rd, 2011
(Photo Credit: Sandra Austoni)
A national juried exhibition with a focus on structure, both natural and human-made. The exhibition features painting, sculpture, photography, drawing, and more by 30 artists from across the country.
The work for this exhibition was chosen by our wonderful jurors, Peter Gabak and Joanna Poag. Join us for the opening reception, where $1,000 in cash awards will be announced!
Artists Included:
Deborah Beardslee (NY), Jackie Brown (ME), Christina Cassone (PA), Theresa Devine (AZ), Zach Dietl (NY), Julianne French (FL), Nate Hodge (NY), Ellie Honl (IN), Kristy Hughes (IN), Jim Jacobs (UT), Yasemin Kackar-Demirel (NY), Ella Kampelman (MN), Susan Kaye (NY), Namdoo Kim (NY), Sassoon Kosian (NJ), Tom Kredo (NY), Yoonjee Kwak (NY), Pamela Markman (CA), Vanessa Michalak (MA), Nicole Mongelluzzo (NY), Kelly Nye (OH), Colleen O’Hara (NY), Chris Oliver (NY), Nancy Ridenour (NY), Ruth Simon McRae (GA), Jean Stephens (NY), Susan Stuart (NY), Tracy Wascom (MI), Doerte Weber (TX), Jere Williams (VA)
May 9–June 30, 2015
Opening Reception: Saturday, May 9, 4–7p.m.
Autodesk Inventor Simulation 2011 now includes Frame Analysis for checking the strength of the structural frames created using Frame Generator.
SAIFD AIR Program "Form & Structure" with Kenneth Snauwaert, AIFD.
October 23rd, 2011
(Photo Credit: Sandra Austoni)
A national juried exhibition with a focus on structure, both natural and human-made. The exhibition features painting, sculpture, photography, drawing, and more by 30 artists from across the country.
The work for this exhibition was chosen by our wonderful jurors, Peter Gabak and Joanna Poag. Join us for the opening reception, where $1,000 in cash awards will be announced!
Artists Included:
Deborah Beardslee (NY), Jackie Brown (ME), Christina Cassone (PA), Theresa Devine (AZ), Zach Dietl (NY), Julianne French (FL), Nate Hodge (NY), Ellie Honl (IN), Kristy Hughes (IN), Jim Jacobs (UT), Yasemin Kackar-Demirel (NY), Ella Kampelman (MN), Susan Kaye (NY), Namdoo Kim (NY), Sassoon Kosian (NJ), Tom Kredo (NY), Yoonjee Kwak (NY), Pamela Markman (CA), Vanessa Michalak (MA), Nicole Mongelluzzo (NY), Kelly Nye (OH), Colleen O’Hara (NY), Chris Oliver (NY), Nancy Ridenour (NY), Ruth Simon McRae (GA), Jean Stephens (NY), Susan Stuart (NY), Tracy Wascom (MI), Doerte Weber (TX), Jere Williams (VA)
May 9–June 30, 2015
Opening Reception: Saturday, May 9, 4–7p.m.
1x2 plates with bars are rotated around a 2x2 round brick, then held in place with a LEGO rubber band
The Postcard
A postally unused Real Photo Series postcard published by H.B. of Barnsley.
Wentworth Woodhouse
Wentworth Woodhouse is a Grade 1 listed country house near the village of Wentworth, near Rotherham, South Yorkshire.
It's big! - its east front (shown in the photograph) is 606 feet (185m) long, making it the longest country house façade in Europe.
It is also the largest private house in the United Kingdom, with over 200 rooms and 250,000 square feet of floor space.
250,000 square feet is over 5.7 acres! Carpeting such an area at a cost of, say, £36 per square yard would cost a million pounds.
Coal Mining on the Estate
In 1946, on the orders of the Labour Government, a large part of the estate close to the house was mined for coal which was near the surface.
Wentworth Woodhouse became the largest open cast mining site in Great Britain at the time. 132,000 tons of coal were removed solely from the gardens.
Ostensibly the coal was needed in Britain's austere post-war economy in order to fuel the railways, but the decision was widely seen as an act of class-war spite against the coal-owning aristocracy.
Manny Shinwell, Labour's Minister of Fuel and Power, decreed that the mining would continue right up to the door of the house.
What followed saw the mining of 99 acres of lawns and woods, with the destruction of the renowned formal gardens and the showpiece pink shale driveway. Ancient trees were uprooted, and the debris of earth and rubble was piled 50 feet high in front of the family's living quarters
The opencast mining moved into the fields to the west of the house and continued into the early 1950's. The mined areas took many years to return to a natural state, with much of the woodland and the formal gardens never being replaced.
The current owners of the property allege that mining near the house caused substantial structural damage, and lodged a claim in 2012 against the Coal Authority of £100m for remedial work.
Dispersal of the House's Contents
Two sets of death duties in the 1940's and the nationalisation of their coal mines greatly reduced the wealth of the house's owners (the Fitzwilliams).
Accordingly most of the contents of the house were dispersed in auction sales in 1948, 1986 and 1998.
Just some fun with the phone.
Camera: ancient HTC Desire HD
Exposure compensation and blur: Photoshop + Pixeluvo
A national juried exhibition with a focus on structure, both natural and human-made. The exhibition features painting, sculpture, photography, drawing, and more by 30 artists from across the country.
The work for this exhibition was chosen by our wonderful jurors, Peter Gabak and Joanna Poag. Join us for the opening reception, where $1,000 in cash awards will be announced!
Artists Included:
Deborah Beardslee (NY), Jackie Brown (ME), Christina Cassone (PA), Theresa Devine (AZ), Zach Dietl (NY), Julianne French (FL), Nate Hodge (NY), Ellie Honl (IN), Kristy Hughes (IN), Jim Jacobs (UT), Yasemin Kackar-Demirel (NY), Ella Kampelman (MN), Susan Kaye (NY), Namdoo Kim (NY), Sassoon Kosian (NJ), Tom Kredo (NY), Yoonjee Kwak (NY), Pamela Markman (CA), Vanessa Michalak (MA), Nicole Mongelluzzo (NY), Kelly Nye (OH), Colleen O’Hara (NY), Chris Oliver (NY), Nancy Ridenour (NY), Ruth Simon McRae (GA), Jean Stephens (NY), Susan Stuart (NY), Tracy Wascom (MI), Doerte Weber (TX), Jere Williams (VA)
May 9–June 30, 2015
Opening Reception: Saturday, May 9, 4–7p.m.
Lehigh Structural Steel
On the banks of the Lehigh River
Allentown, Pennsylvania
The Lehigh Structural Steel Company was founded in 1919. At its peak, it employed over 500 people, and fabricated steel for everything from bridges to hangars to high-rises.
With the rest of American Steel in decline, the company went down in 1989. This 55-acre complex was sold off in 1990 to local investors. There are plans to redevelop it as "The Waterfront", but for now, the cavernous sheds are leased to local companies.
Sandwich Materials---Perman Collection Image--Please tag these photos so information can be recorded.---Note: This material may be protected by Copyright Law (Title 17 U.S.C.)--Repository: San Diego Air and Space Museum
1924. Gouache on cardboard, bordered with ink, mounted on cardboard. 28,6 x 14 cm. The Metropolitan Museum of Art, Nova York. 1984.315.38. Obra no exposada.
Trinity Church (Bruck an der Leitha)
Bruck parish church
The Holy Trinity Church is the Roman Catholic parish church to the Holy Trinity in Bruck an der Leitha (Lower Austria).
First phase (1696-1702)
Second phase of construction (1738-40)
Last structural modifications (1782-83)
History
Since the old church of St. Martin before the gates of the "new" city in invasions of the enemy repeatedly was destroyed, for the ever growing population also long since became too small and the existing within the city walls monastery churches and chapels for worship (no longer) could be used, was in the mid-17th Century the decision taken to build a new parish church within the city gates. The siege by the Turks and the appearance of the plague thwarted these plans again and again. After the Ottoman army was defeated in 1683 successfully in the Battle of Vienna and the plague was considered extinct, the City Council in gratitude decided to build a dignified church on the main square newly. The church should be attached to the existing medieval tower. Served as the model the early Baroque Church of Gesù in Rome.
First phase (1696-1702)
Under architect Heinrich Hoffmann the nave was built parallel to the row of houses, which is why the city tower - now converted into a church tower - stands approximately 15 degrees rotated to the north. It was raised by the superstructure of the belfry and received a baroque spire.
Second phase of construction (1738-40)
The austere frontispiece was replaced by architect Johann Georg Windpässinger by the two-storey magnificent facade. The sculptural decoration was designed by Martin Vögerl (Marian column Hainburg an der Donau) and displays above the main portal (City Arms with the year 1740) the figure of St. John of Nepomuk with the representation of the Vltava River bridge at the base. Other figures in the basement are the portraits of the plague saints Sebastian with tree, Rochus with Pestbeule (bubo) at the knee and the Saint Florian with the bucket of water and the Holy Leopold. Upstairs - flanked by volutes crowned by vases from their ornamental vessels the flame of the sacrifice is licking - the representation of the Holy Archangel Michael, crashing Satan with a flaming sword into the abyss. In the tympanum a magnificent edged plate with the inscription: "QUIS UT DEUS" (Who is like God?)
Last structural changes (1782-83)
The spire was raised by the lantern of the death-knell and slightly modified in its shape (tower height: 53,35 m).
Pass away ringing:
The Schiedläuten (pass away ringing), (also: Scheideläuten, Scheidungsläuten, death ringing) means that when a case of death becomes known with the Schiedglocke (pass away bell) - in Switzerland/Austria also with the Zügenglocke (cf. "to be at one's last gasp" ) - is rung. This can be done either at the arrival of the news of the death, after the next Betläuten/Angelus or at another fixed time. In Austria there is also partly still the custom that in the event of death of a man the Schiedglocke rings three times, in the event of death of a woman two times and in the event of death of a child one time (Wikipedia).
Equipment
The interior is 42 meters long and 14 meters wide, the chapel niches on both sides each measure 3 meters. The single naved longhouse is spanned by a four-bay, slightly stuccoed lunette ton. Recessed pilasters, which are divided by double pilasters bear a sharp profiled beams to which join the barrel-vaulted galleries. The straight closing forms the retracted, two-bay choir.
The Baroque high altar from 1704 is a donation of Johann Jakob Stumpf, councillor and personal physician of Emperor Leopold I. Beautiful altarpiece depicting the Holy Trinity from the vicinity of Daniel Gran. Miraculous image of Our Lady of Sorrows (18th century) from the Spittelwaldkapelle (chapel). Statues of the apostles St. Paul (left) and St. Peter (right), of St. Barbara and St. Catherine with crown, sword and palm of victory in the entablature area.
Five side altars from the 2nd Quarter of the 18th century:
Corporis Christi or Corpus Christi altar with altarpiece of Saint Francis of Assisi from the mid-19th Century by the Viennese painter Leopold Schulz (School Professor Kuppelwieser).
Cross altar with an altarpiece Christ on the cross. Statues of Saint Jerome (left) and Augustine (right). Baptismal font from 1700, at the cover (second half of 18th century) the Baptism of Christ in the Jordan River by John the Baptist is shown.
Family altar with an altarpiece of the Holy Family: Mary and Joseph with the Infant Jesus, Elisabeth and Zacharias with the infant Saint John. Statues of St. Francis of Assisi (left) and Anthony of Padua (right), 1725 altar of Our Lady or Marie altar with oval image Mariahilf modeled after 16th Century. Baroque glass sarcophagus with relics of St. Theodorus martyr.
Plague altar with image of Saint Sebastian dying as a martyr (2nd half of 17th century), in front of it, lying Santa Rosalia with wreath of roses on her forehead. Statues of St. Rocco and St. Florian to 1730.
Baroque hanging pulpit, basket with relief of the Good Shepherd. Sounding board studded by group of evangelists, angels and tablets of commandments.
The in 1710 by Viennese organ architect Jakob Sippus built organ was enlarged in 1749 and has a statuette of King David at the closing. Currently, 300 wood and 996 tin pipes, the largest of five meters, the smallest one centimeter long.
The Great Bell (Vienna, 1752) shows a relief of the Madonna with Child, Peter, Paul and John of Nepomuk. With a diameter of 158 cm and a height of 150 cm, it sounds pitch h, with a weight of 2400 kg it is one of the largest bells in the province of Lower Austria .
SAIFD AIR Program "Form & Structure" with Kenneth Snauwaert, AIFD.
October 23rd, 2011
(Photo Credit: Sandra Austoni)
View of West Main Street bridge and downtown Columbus from CSX/NS railroad bridge at Miranova Plaza.
A national juried exhibition with a focus on structure, both natural and human-made. The exhibition features painting, sculpture, photography, drawing, and more by 30 artists from across the country.
The work for this exhibition was chosen by our wonderful jurors, Peter Gabak and Joanna Poag. Join us for the opening reception, where $1,000 in cash awards will be announced!
Artists Included:
Deborah Beardslee (NY), Jackie Brown (ME), Christina Cassone (PA), Theresa Devine (AZ), Zach Dietl (NY), Julianne French (FL), Nate Hodge (NY), Ellie Honl (IN), Kristy Hughes (IN), Jim Jacobs (UT), Yasemin Kackar-Demirel (NY), Ella Kampelman (MN), Susan Kaye (NY), Namdoo Kim (NY), Sassoon Kosian (NJ), Tom Kredo (NY), Yoonjee Kwak (NY), Pamela Markman (CA), Vanessa Michalak (MA), Nicole Mongelluzzo (NY), Kelly Nye (OH), Colleen O’Hara (NY), Chris Oliver (NY), Nancy Ridenour (NY), Ruth Simon McRae (GA), Jean Stephens (NY), Susan Stuart (NY), Tracy Wascom (MI), Doerte Weber (TX), Jere Williams (VA)
May 9–June 30, 2015
Opening Reception: Saturday, May 9, 4–7p.m.
Structurally crinkled gyprock from the Permian of New Mexico, USA. (8.4 centimeters across at its widest)
This is a sample of gyprock (rock gypsum), a finely crystalline-textured, chemical sedimentary rock dominated by the mineral gypsum (CaSO4·2H2O - hydrous calcium sulfate). The whitish-gray layers are the gypsum. The dark brown layers are calcite (CaCO3 - calcium carbonate). Gyprock is an evaporite, which forms by the evaporation of water (usually seawater) and the precipitation of dissolved minerals. The dark brown calcite layers were originally straight and horizontal. The fine-scale folding or crinkling seen in this specimen was due to early Cenozoic structural deformation, not gypsum-to-anhydrite (or vice-versa) transformations (see Anderson & Kirkland, 1987).
Stratigraphy: Castile Formation, upper Upper Permian
Locality: State Line outcrop, roadcut on either side of Rt. 180/Rt. 62, between Carlsbad Caverns National Park and Guadalupe Mountains National Park, immediately north of the Texas border, southern Eddy County, southeastern New Mexico, USA (32° 00' 34.2" North latitude, 104° 29' 55.0" West longitude)
--------------------
Reference cited:
Anderson, R.Y. & D.W. Kirkland. 1987. Banded Castile evaporites, Delaware Basin, New Mexico. Rocky Mountain Section of the Geological Society of America, Centennial Field Guide Volume 2: 455-458.