View allAll Photos Tagged StandOut
August 19, 2020. Boston, MA.
We Want to Go Back! But #OnlyWhenItsSafe!
Teachers protested at a socially distant standout to call on Governor Baker to take action in support of safe and healthy public schools and colleges. Supporters urged Governor Baker to:
1. Establish a uniform requirement for all districts to start the year with a comprehensive distance learning plan. Provide immediate support for access to the internet where it is lacking.
2. Set clear health and safety standards that must be met for the gradual return of in-person learning, including:
•Indoor air quality and ventilation in school buildings that meet appropriate regulatory and industry standards.
•Rapid COVID-19 testing that is accessible, routine, and free to students and staff.
•Community and public health benchmarks are established, met, and reported transparently.
Pierce Cole standout sophomore goalie on the 2013 Mission Vista Timberwolves Varsity Soccer Team makes a diving save against his opponent. He continues to have a huge impact on his teams increased win percentage this season.
Pierce's recruiting profile can be found at new.berecruited.com/athletes/1660745
This Demo Day featured an unforgettable experience, showcasing some of Dr. Simeone's most cherished automobiles. A celebration of both innovation and timeless design which introduced attendees to the captivating stories behind these incredible machines and revealed why these vehicles earned a special place in Dr. Simeone's heart.
On this unique demo day, attendees had the opportunity to explore a selection of remarkable vehicles from the museum's world-class collection, each having a significant meaning to Dr. Simeone himself. The lecture delved into the cars histories, unique features, and shared why they represented such significant milestones in the Automotive World, from historically noteworthy French racers to iconic American record setters, these vehicles have been selected for their standout performances, groundbreaking design, and compelling history.
Featured Cars Included the 1936 Bugatti Type 57G Tank, 1938 Alfa Romeo 8C 2900B Mille Miglia, 1958 Ferrari 250 Testa Rossa, and the 1964 Shelby Cobra Daytona Coupe.
Photo by Andrew Taylor
Standout Stickers pulled off this rush job for me like champs! Their site said 3-5 business days to print, & I sent them an e-mail asking if it would be possible to get them sooner. The next day I got a message saying they were on the way. Great prices too. Awesome!
The standout, unique feature of the HotmixPRO Gastro, is its ability to process many types of food when hot - up to 190°C (374°F), including the caramelization of the sugar, such as creams, sauces, and jams, for example - avoiding the many intermediate steps involved when preparing recipes that require constant attention and repeated handling to ensure a successful outcome.
The convenience factor is that all the ingredients can be put into the bowl and the desired end-result achieved with minimum difficulty, thanks to the ultra-precise temperature control, electronically storing one's own recipes in a simple and direct way.
The HotmixPRO Gastro will also mix the contents of the bowl steadily and uniformly, at the exact speed selected, so that a faultless preparation is assured every time.
Given the facility of setting and maintaining an ideal temperature, preparations can proceed without any pointless waste of time, which in turn guarantees that quality will never fall below expectations.
from ift.tt/1ETqY1Y
What does it take to be an Entrepreneur? Join us as Rakan Alfadalah shares his Entrepreneurial mindset and an inside glance at his journey of becoming a successful Entrepreneur from Kuwait.
In Entreprenergy’s breakout interview, Rakan Alfadalah of Chocolateness, talks about how they started their initiative at university with a simple booth, and then generated their first million dollars after the third year of creating the company. Listen to the mindset of an entrepreneur who is passionate about food and get ready for the ENERGY.
Success Quote
“For every hard-worker, a share.”
Business Failure
Starting an advertising agency posting ads inside toilets, was a big failure for Rakan. His lessons include, FOCUS, market study, and creating awareness to his clients. Listen to the full story and takeaways.
Entrepreneurial IDEA Moment
The idea started for fun, with a booth at university serving the molten cake, then based on the success of doing it 3 times, Rakan and his co-founders turned the home business into a company, and factories, serving thousands of clients and generating millions of dollars. Listen to the IDEA story and other stories and takeaways from Rakan.
Energy Round
Fear of risk, and failure was the number one cause, holding Rakan from starting his own business, in addition to his time management issues. “To start with the minimum available resources” an advice given during a training at the Sillicon Valley. Going our of the routine, is the first success habit for Rakan, starting his day with a good new meal, to innovate and generate new solutions and ideas. He believes that he needs to be a Happy Person during the morning to be productive during the day. Listen to the answers and get your ENERGY.
Online Resource
Photoshop for design.
Talabat, Q8 Desserts to deliver food.
Best Business Book
Rich Dad Poor Dad: What The Rich Teach Their Kids About Money That the Poor and Middle Class Do Not! by Robert T. Kiyosaki.
The Founder’s Dilemmas: Anticipating and Avoiding the Pitfalls That Can Sink a Startup (The Kauffman Foundation Series on Innovation and Entrepreneurship) by Noam Wasserman.
The post 56: Rakan Alfadalah: Co-Founder Chocolateness – How to Standout in a competitive market appeared first on Entreprenergy.
August 19, 2020. Boston, MA.
We Want to Go Back! But #OnlyWhenItsSafe!
Teachers protested at a socially distant standout to call on Governor Baker to take action in support of safe and healthy public schools and colleges. Supporters urged Governor Baker to:
1. Establish a uniform requirement for all districts to start the year with a comprehensive distance learning plan. Provide immediate support for access to the internet where it is lacking.
2. Set clear health and safety standards that must be met for the gradual return of in-person learning, including:
•Indoor air quality and ventilation in school buildings that meet appropriate regulatory and industry standards.
•Rapid COVID-19 testing that is accessible, routine, and free to students and staff.
•Community and public health benchmarks are established, met, and reported transparently.
Pierce Cole Standout Sophomore from Southern California saves a goal for his club team in an important tournament and shows that no goal will be scored on him.
branding unique_brand vibrant_brand odd audience 2014 standout vibrant reach_people odd_one_out unique marketing consultancy colors marketing_consultancy special social_media design brand_design
www.lcrapid.com/aluminum-extrusion/
ALUMINUM EXTRUSION SERVICE
LC Rapid aluminum extrusion service offers high quality, cost effective extrusion parts. With our professional and experienced engineering team and advanced machines, we not only make excellent tools but we also offer complex extruded parts as a manufacturer of aluminum extrusions. You can be rest assured because we exercise strict quality control through the whole manufacturing process guided by high quality standards of aluminium extrusion technology. Regular testing and verifying at various stages of manufacturing ensure us deliver an extraordinary quality product every time.
Aluminium Extrusion Technology
Aluminum extrusion is the process of forming the aluminum into the desired shape and geometry. Firstly, the mold is fabricated according to the drawing. And then extrude different types of custom aluminum extrusion profiles from the mold by heating and forcing the aluminum billet through the die.
Aluminum extrusions are known for their great strength, lightweight, and good conductivity, which make them an outstanding choice for diverse end-use applications (e.g. enclosures and heat sinks). It is the most cost-effective for high-volume production runs of metal parts due to the significantly low unit price.
Advantages of Custom Aluminium Extrusion
Part ProductionPart Production
Piece price is significantly lower with standard aluminium extrusion services versus other metal forming process.
StrengthStrength
Fabricated aluminium extrusions are very strong, making them suitable for cold weather applications that require high strength. Aluminum extrusions also have high rust and corrosion resistance.
Finishes SelectionFinishes Selection
Aluminum extrusions can be anodized, powder coated, polished, and etc.
PrecisionPrecision
We can conform to very tight tolerances base on customers requirements.
Aluminum Extrusion Process
After we receive your order, we will:
Step 1: Supply a complete cross-sectional drawing for you after review and discuss about your CAD files.
Step 2: Fabricate dies and extrude a sample to get your approval.
Step 3: Make the modification on the die if needed.
Step 4: Exercise process control when extruding your parts.
Step 5: Select from a variety of finishes processing to achieve the effect you want.
Step 6: Inspect finished extruded parts to avoid any dimension deviation.
Aluminum Extrusion Tolerance
The tolerance depends on shape and structure. If you need a very precise tolerance, we can follow it once we confirm your designs.
Aluminum Extrusion Material
Alloy: 6060, 6063, 6061, 6082, 2A12, 2024, 5052, 7075 and etc. (Others Available)
Aluminum Extrusion Finishes
Electrophoresis
After applying electrophoresis, you can get a glossy surface with excellent impact resistance. The electrophoresis layer improves the resistance to chipping, scratching, and fading.
Powder Coating
Typically, powder coating is commonly used on the market to color the aluminum extrusions. It is also applied to cover extrusion lines and defects.
Anodizing
Anodizing is done to improve the corrosion and wear resistance, enhancing the parts durability. Sometimes anodizing is done simply get colors on surfaces, like black, red, blue, gold, and etc.
Aluminum Extrusion Solutions
Solar Energy
Aluminum extrusion is transforming the solar energy industry with its extraordinary physical properties such as strength, malleability, lightweight, and high corrosion resistance. Aluminum is considered to be the preferred state-of-the-art frames and structures for the solar panels, supports and connectors.
Automotive
Aluminum is approximately one-third the weight of steel, but with the similar strength with steel. Aluminum extrusion is helping car makers to reduce vehicle weight precision, create innovative parts. Its quality and mass production technologies have been proven by their actual applications such as bumper beam, motor mount, frame members and other automobile parts.
Electronics
The custom aluminum extrusion has standout durability, high corrosion resistance, weatherproof long-lasting property, which is why there are so many electronics applications made by extrusion, including housings, heat sinks, connectors.
Common Applications of Aluminum Extrusion Technology
Heat Sink
The extruded heat sink is the most commonly used type of heat sinks in the market. The extrusion process makes it cost effectiveness, high quality and excellent thermal conductivity.
Aluminium Profile
Aluminum profile is used in a wide range of applications due to it’s strong tensile strength, flexibility, and durability.
Cylinder Tube
Aluminum cylinder tubes are playing a significant role in various industry sectors.
The standout, unique feature of the HotmixPRO Gastro, is its ability to process many types of food when hot - up to 190°C (374°F), including the caramelization of the sugar, such as creams, sauces, and jams, for example - avoiding the many intermediate steps involved when preparing recipes that require constant attention and repeated handling to ensure a successful outcome.
The convenience factor is that all the ingredients can be put into the bowl and the desired end-result achieved with minimum difficulty, thanks to the ultra-precise temperature control, electronically storing one's own recipes in a simple and direct way.
The HotmixPRO Gastro will also mix the contents of the bowl steadily and uniformly, at the exact speed selected, so that a faultless preparation is assured every time.
Given the facility of setting and maintaining an ideal temperature, preparations can proceed without any pointless waste of time, which in turn guarantees that quality will never fall below expectations.
August 19, 2020. Boston, MA.
We Want to Go Back! But #OnlyWhenItsSafe!
Teachers protested at a socially distant standout to call on Governor Baker to take action in support of safe and healthy public schools and colleges. Supporters urged Governor Baker to:
1. Establish a uniform requirement for all districts to start the year with a comprehensive distance learning plan. Provide immediate support for access to the internet where it is lacking.
2. Set clear health and safety standards that must be met for the gradual return of in-person learning, including:
•Indoor air quality and ventilation in school buildings that meet appropriate regulatory and industry standards.
•Rapid COVID-19 testing that is accessible, routine, and free to students and staff.
•Community and public health benchmarks are established, met, and reported transparently.
The standout unique feature of the HotmixPRO Easy, is its ability to process many types of food when hot - up to 130°C (266°F), such as creams, sauces, and jams, for example - avoiding the many intermediate steps involved when preparing recipes that require constant attention and repeated handling to ensure a successfull outcome.
The convenience factor is that all the ingredients can be put into the bowl and the desired end-result achieved with minimum difficulty, thanks to the ultra-precise temperature control.
The HotmixPRO Easy will also mix the contents of the bowl steadlily and uniformly, at the exact speed selected, so that a faultless preparation is assured every time.
Given the facility of setting and maintaining an ideal temperature, preparations can proceed without any pointless waste of time, which in turn guarantees that quality will never fall below expectations.
Using the HotmixPRO Easy, even the most demanding professional will be able to maximize the quality of every single dish and delicacy by virtue of the precision controls built into the machine.
29/365 by .Rachh / © All rights reserved
I don't like this picture..
Anyway, going on holiday to Dundrum in Ireland, not been for a few years, and i'm excittteeddd :D :')
better on black :)
Kerry James Marshall, Born Birmingham, AL 1955
SOB, SOB, 2003, acrylic on fiberglass, 108 x 72 in.
What might this woman be thinking and feeling? Her facial expression, along with the thought bubbles "SOB... SOB...," hints at what artist Kerry James Marshall calls "that place in between where you experience both a certain sadness and also a certain kind of anger about the things that you've discovered."
The book Africa since 1413 sits beside her, and the shelf behind her includes works by prominent Black writers and history volumes on Africa and the African diaspora.
SOB, SOB is an example of Marshall's signature style: monumental paintings with Black figures as their central subject. His work counters the exclusionary narratives in art history and art museums that push Black figures to the margins or off the canvas entirely.
____________________________________
"Women, queer artists, and artists of color have finally become the protagonists of recent American art history rather than its supporting characters. This is the lesson to be learned from the programming at New York’s Whitney Museum of American Art since it reopened in 2015, and it is now the big takeaway in the nation’s capital, at the Smithsonian American Art Museum, whose contemporary art galleries have reopened after a two-year closure.
During that time, architect Annabelle Selldorf refurbished these galleries, which have the challenge of pushing art history’s limits without going too far. Her interventions in these spaces are fairly inoffensive. Mainly, she’s pared down some of the structural clutter, removing some walls that once broke up a long, marble-floored hallway. To the naked eye, the galleries are only slightly different.
What is contained within, however, has shifted more noticeably—and is likely to influence other museums endeavoring to diversify their galleries. For one thing, I have never encountered a permanent collection hang with more Latinx and Native American artists, who, until very recently, were severely under-represented in US museums. That unto itself is notable.
It is a joy to see, presiding over one tall gallery, three gigantic beaded tunics courtesy of Jeffrey Gibson, a Choctaw artist who will represent the US at the next Venice Biennale. Printed with bombastic patterning and hung on tipi poles, they hang over viewers’ heads and allude to the Ghost Shirts used by members of the Sioux to reach ancestral spirits. One says on it “WITHOUT YOU I’M NOTHING.” That statement can also be seen as a confession on behalf of SAAM’s curators to the artists now included in this rehang: a multiplicity of perspectives is more nourishing than having just one.
Something similar can be seen in Judith F. Baca’s Las Tres Marías (1976). The installation features a drawing of a shy-looking chola on one side and an image of Baca as a tough-as-nails Pachuca on the other. These are both Chicana personae—the former from the ’70s, the latter from the ’40s—and the third component, a long looking glass, sutures the viewer into the piece. It’s no surprise this piece is shaped like a folding mirror, an item used to examine how one may present to the outside world. Baca suggests that a single reflection isn’t enough. To truly understand one’s self, many are needed.
It is hardly as though the Smithsonian American Art Museum’s collection ever lacked diversity. Nam June Paik’s Electronic Superhighway: Continental U.S., Alaska, Hawaii (2002), a video installation featuring a map of the country with each state’s borders containing TV monitors, is a crown jewel of the collection. It has returned once more, where it now faces a 2020 Tiffany Chung piece showing a United States strung with thread. So, too, has Alma Thomas’s magnum opus, Red Azaleas Singing and Dancing Rock and Roll Music (1976), a three-part stunner showing an array of petal-like red swatches drifting across white space.
But the usual heroes of 20th century art history are notably absent. Partly, that is because the Smithsonian American Art Museum doesn’t own notable works by canonical figures like Andy Warhol, Jasper Johns, and Robert Rauschenberg. (For those artists, you’d have to head to the National Gallery of Art.) Yet it is also partly because the curators want to destabilize the accepted lineage of postwar American art, shaking things up a bit and seeing where they land.
There is, of course, the expected Abstract Expressionism gallery, and while works by Willem de Kooning and Clyfford Still are present, those two are made to share space with artists whose contributions are still being properly accounted for. The standouts here are a prismatic painting by Ojibwe artist George Morrison and a piquant hanging orb, formed from knotted steel wire, by Claire Falkenstein.
This being the nation’s capital, there is also an entire space devoted to the Washington Color School. Come for Morris Louis’s 20-foot-long Beta Upsilon (1960), on view for the first time in 30 years, now minus the pencil marks left on its vast white center by a troublemaking visitor a long time ago. Stay for Mary Pinchot Meyer’s Half Light (1964), a painting that features a circle divided into colored quadrants, one of which has two mysterious dots near one edge.
From there, the sense of chronology begins to blur. The Baca piece appears in a gallery that loosely takes stock of feminist art of the 1970s; a clear picture of the movement’s aims fails to emerge because the various artists’ goals appear so disparate. It’s followed by an even vaguer gallery whose stated focus is “Multiculturalism and Art” during the ’70s and ’80s. Beyond the fact that all five artists included are not white, the gallery doesn’t have much of a binding thesis.
This partial view of recent art history leads to gaps, which is both a good thing and a bad thing. It’s a good thing because it offers due recognition for art-historical nonpareils. Audrey Flack is represented by Queen (1976), a Photorealist painting showing a view of a sliced orange, a rose, photographs, a playing card, and trinkets blown up to a towering size. It’s both gaudy and glorious. Hats off to the curators for letting it shine.
Then there are two totem-like sculptures by the late Truman Lowe, a member of the Ho-Chunk Nation, that are allowed to command a tall space of their own. They feature sticks of peeled willow that zigzag through boxy lumber structures, and they refuse to enjoin themselves to any artistic trend. Later on, there are three deliciously odd paintings by Howard Finster, of Talking Heads album cover fame. One shows Jesus descended to a mountain range strewn with people and cars who scale the peaks. Try cramming that into the confines of an accepted art movement.
That’s just three lesser-knowns who make an impact—there are many others on hand, from Ching Ho Cheng to Ken Ohara. And yet, herein lies this hang’s big problem: its gaping omissions in between them all, which are likely to be visible not just to the literati of the art world but to the general public, too.
Despite the focus of these new galleries being the 1940s to now, Pop, Minimalism, Conceptualism, and their resultant offshoots are skipped over entirely as the curators rush through the postwar era in order to get closer to the present. The Paik installation aside, there is almost no video art in this hang (although there is a newly formed space for moving-image work where a Carrie Mae Weems installation can be found), and no digital art or performance documentation at all, which is a shame, given that the museum owns important works by the likes of Cory Arcangel and Ana Mendieta, respectively. The AIDS crisis of the 1980s and ’90s and its devastating impact on the art world isn’t mentioned a single time in the wall text for these new galleries, and queer art more broadly is a blind spot.
Protest art periodically makes the cut, but any invocation of racism, misogyny, colonialism, and the like is typically abstracted or aestheticized. That all makes a work like Frank Romero’s Death of Rubén Salazar (1986) stand out. The painting depicts the 1970 killing of a Los Angeles Times reporter in a café during an unrelated incident amid a Chicano-led protest against the high number of Latino deaths in the Vietnam War. With its vibrant explosions of tear gas (Salazar was killed when a tear gas canister shot by the LA Sheriff Department struck his head) and its intense brushwork, it is as direct as can be—a history painting for our times. So, too, in a much different way, is Consuelo Jimenez Underwood’s Run, Jane, Run! (2004), a piece that ports over the “Immigrant Crossing” sign, first installed near the US-Mexico border in Southern California in the 1990s, and remakes it as a yellow tapestry that is threaded with barbed wire.
In general, this presentation could use more art like Romero and Jimenez Underwood’s. Yet the curators at least cop to the fact they’re seeking to hold handsome craftmanship and ugly historical events in tension, and the methods on display are productive in that regard.
By way of example, there’s Firelei Báez 2022 painting Untitled (Première Carte Pour L’Introduction A L’Histoire De Monde), which features a spray of red-orange paint blooming across a page from an 18th-century atlas documenting Europe’s colonies. One could say Báez’s blast of color recalls the bloodshed of manifest destiny, but that seems like an unfair interpretation for a work that provides so much visual pleasure. Rather than re-presenting the violence of a bygone era, Báez beautifies it. The result allows history to begin anew—on Báez’s own terms."
www.artnews.com/art-news/reviews/smithsonian-american-art...
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Cardinal standout athlete Adam Martinez shows off state championship awards won in football wrestling and track and field this year. Surrounding him are awards from years past. Martinez who graduates this Friday plans to attend West Point and wrestle for them.
Got a sweet little care package from my friend and fellow Halloweenie, @vintage_halloween_sale. The wax fangs decal I designed, and the plastic fang label I also made. The standout pieces here being the witch on the scooter (it me!) and the totally oddball candy corn dog. Thanks, dude! Happy Halloween! #halloween #vintagehalloween #scooter #witch #witches #waxfangs #vampire #vampirefangs #pumpkin #trickortreat #candycorn #corndog
The standout for me was the Rostaing La Landonne - it had aged beautifully, exhibiting notes of savoury bacon, and a lovely leesy note coming across as vegemite. High notes of white pepper, and violets were also abound. Good backbone of acidity and well-integrated background oak made this elegance personified. The Lafleur was heavy on the Cabernet Franc notes (50%), nice sweet tobacco characters supported by 50% Merlot notes of plum and game. Velvety tannins with solid length it held itself up as very impressive.
August 19, 2020. Boston, MA.
We Want to Go Back! But #OnlyWhenItsSafe!
Teachers protested at a socially distant standout to call on Governor Baker to take action in support of safe and healthy public schools and colleges. Supporters urged Governor Baker to:
1. Establish a uniform requirement for all districts to start the year with a comprehensive distance learning plan. Provide immediate support for access to the internet where it is lacking.
2. Set clear health and safety standards that must be met for the gradual return of in-person learning, including:
•Indoor air quality and ventilation in school buildings that meet appropriate regulatory and industry standards.
•Rapid COVID-19 testing that is accessible, routine, and free to students and staff.
•Community and public health benchmarks are established, met, and reported transparently.
August 19, 2020. Boston, MA.
We Want to Go Back! But #OnlyWhenItsSafe!
Teachers protested at a socially distant standout to call on Governor Baker to take action in support of safe and healthy public schools and colleges. Supporters urged Governor Baker to:
1. Establish a uniform requirement for all districts to start the year with a comprehensive distance learning plan. Provide immediate support for access to the internet where it is lacking.
2. Set clear health and safety standards that must be met for the gradual return of in-person learning, including:
•Indoor air quality and ventilation in school buildings that meet appropriate regulatory and industry standards.
•Rapid COVID-19 testing that is accessible, routine, and free to students and staff.
•Community and public health benchmarks are established, met, and reported transparently.
Near East Dover, Nova Scotia, this Larch tree lives out on a bog,. Being deciduous, it is in the process of changing color and losing its needles, with the passing Autumn season. It also looks a bit like a Christmas tree. This yearly transition is like a celebration of sorts. I love trees!
. seaESCAPE (Winner... Stand-Out Images-Splash Photo of the Week), 2. Simon Says, 3. Leap toward immortality ..., 4. Privacy for Danbo?, 5. mount DOOM, 6. Catty, 7. Neon, 8. tulip3, 9. One Lane Road, 10. untitled, 11. Torre Humana. Uniòn de emociones., 12. 133, 13. 2010PAD-133, 14. eDSC_9921, 15. koinobori., 16. Be love