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One of the two coal stackers at Port Kembla coal terminal. It runs on rails along the coal storage, which is around 800 metres long.
One of the coal reclaimers (it retrieves coal from the stack for loading onto ships) is in the background.
some people very patiently stacked these rocks on the beach. ten minutes later the tide rolled in and these were obliterated by waves
Stacking Experiement.
After this one similar phot few days ago, I tried more of that, but with a bit more control, so digital base photos. Not every subject is suited, but I think this is a variant of „multiexposure“ I like better that the 2 or 3 overlays you have usually. But, honestly, I don't know whether I will put more time in this.
Foma Retropan 320 Soft film test. Shot with Olympus OM10, stand developed in RO9 One Shot 1+100 for one hour.
photo-analogue.blogspot.co.uk/2015/08/foma-retropan-320-s...
This is my redesigned stacking machine:. The camera is continuously moved but very slowly moved during the shooting. The speed can be adusted by varying the voltage between 3V and 12V. Furthermore, two worm drives provide 2 different rpm for each voltage. Thus, the speed of the camera movement can be varied between 4.35 hours and 3.8min for 100µm distance (100µm is a typical distance for a flat btterfly wing). The actual stacking step width is adjusted by an interval timer.
With the slowest speed setting one can realize average step widths of a mere 0.05µm!
Proof that stacking on comet vs stacking on stars does make a difference, even for slow-moving comets.
This is comet C/2013 R1 (Lovejoy) on December 22, 2013.
Vintage shirts and dresses I picked up at the thrift store, op shop, charity store today. Fabric heaven. :)
Pembrokeshire. Home to many guillemots, noisy ones too, and smelly with the wind in the right direction!
A collection of surf boards and canoes stacked in front of the beach hotel for the night.
Fuji Pro 400H, Konica Autoreflex T3N.
40m tall chimney stack, remnant of the old copper mine in Burraga. Built in the late 1800's, closed down in the early 1900's.
47km from Oberon, NSW.
These ercol stacking chairs formed part of the ercol-Wallpaper chair arch that formed the centre-piece of the London Design Festival. The double arch was designed by Martino Gamper who helped paint the chairs at ercol's Princes Risborough factory. The arch was installed in the courtyard of the V&A Museum.
This was a test image using Magic Lantern, a firmware addon for the Canon 7D (and other DSLRs) to script and run an automatically generated focus shift across a number of frames (209, in this case!). The other photograph in this set (the colour image) is an example of one of the shots generated, which shows the very shallow depth of field. The focus stacking allows the series of images to be merged to show everything in focus.
My stacked image of 21 sub-exposures seemed a little flat, so I had a go with it in Photoshop.
Actually, I went a little crazy, and this is the result of layering five copies of the original stacked image, using the Overlay blend mode, and setting subsequent layers to reciprocal opacity (i.e. layer 2 at 1/2 [50%], layer 3 at 1/3 [33%] and so on. After layer merging I pulled up the levels again, perhaps a third of way across from the right. At least it pumps some colour into the proceedings.