View allAll Photos Tagged SoundDesign
In occasione della Settimana delle energie sostenibili Lombardini22 prende parte all’iniziativa Studi di Progettazione Aperti, il ciclo di eventi promossi da MCE e Green Building Council Italia.
Insieme ai principali player del green building internazionale abbiamo aperto le porte del nostro Studio e raccontato il nostro impegno nell’ambito della sostenibilità edilizia. Prima attraverso le energie e la passione della business unit dedicata, L22 Engineering & Sustainability, e da oggi anche attraverso il nuovo brand Atmos, specializzato in fisica degli elementi e in principi sensoriali che muovono la qualità degli ambienti. Come funzionano gli edifici? Quali sono gli elementi che lo fanno vivere? Atmos accorpa soluzioni di ingegneria, architettura e psicologia. Integra nel processo progettuale la composizione delle variabili fisiche e calibra attentamente la percezione degli spazi.
Top Hollywood sound duo, Perry Robertson and Scott Sanders, spend a week with VFS Sound Design students and share their experiences working on films like ‘Up in the Air’ and ‘Rambo’.
Learn more about VFS’s one-year Sound Design for Visual Media program at vfs.com/sounddesign
Music department artist-in-residence Adam Matta is a human beatboxer and vocal performance artist from New York City. Here he is playing with students in a Sound Design (Music 34) class taught by Spencer Topel. His style fuses elements of hip-hop, rock electronic, jazz, contemporary and Middle Eastern music, sometimes all in the same composition. (photo by Eli Burakian '00)
The Sound Design for Visual Media program welcomes Sound Designers Ben McCullough and Nick Bedell of United Front Games to their campus.
Find out more about VFS's one-year Sound Design program at vfs.edu/sounddesign.
Sound Design students go behind the scenes at the Abbotsford Airshow and get the chance to capture the roar of a jet bus that can reach speeds of up to 590km/h.
Find out more about VFS's one-year Sound Design for Visual Media program at vfs.com/sounddesign.
Read a guest post by student John Born (right) about his time with Ray Beckett on the VFS Blog.
Find out more about VFS's one-year Sound Design for Visual Media program at vfs.com/sounddesign.
Foley is the art of recording post-production sound effects in real time to match the picture. VFS has its own Foley studios full of all the usual - and unusual - props.
Find out more about VFS's one-year Sound Design for Visual Media program at vfs.com/sounddesign.
Sound Design students spend the day at Mission Raceway Park capturing the sounds of various speedy cars, from dragsters to muscle cars.
Listen in on the VFS Blog.
Find out more about VFS's one-year Sound Design for Visual Media program at vfs.com/sounddesign.
Sound Design students spend the day at Mission Raceway Park capturing the sounds of various speedy cars, from dragsters to muscle cars.
Listen in on the VFS Blog.
Find out more about VFS's one-year Sound Design for Visual Media program at vfs.com/sounddesign.
VFS welcomed Oscar-nominated sound designer Craig Berkey (X-Men: First Class, The Tree of Life) for a special visit and mentoring session with Sound Design for Visual Media students. Craig received three Academy Award nominations for his work on the recent Coen brothers’ films No Country for Old Men and True Grit.
Find out more about VFS’s one-year Sound Design for Visual Media program at vfs.com/sounddesign
Top Hollywood sound duo, Perry Robertson and Scott Sanders, spend a week with VFS Sound Design students and share their experiences working on films like ‘Up in the Air’ and ‘Rambo’.
Learn more about VFS’s one-year Sound Design for Visual Media program at vfs.com/sounddesign
Sound Design for Visual Media students get up close and personal with the animals of the Vancouver Aquarium to capture the sounds of various wildlife, from seals to beluga whales.
Find out more about VFS's one-year Sound Design for Visual Media program at vfs.com/sounddesign.
Sound Design for Visual Media students get up close and personal with the animals of the Vancouver Aquarium to capture the sounds of various wildlife, from seals to beluga whales.
Find out more about VFS's one-year Sound Design for Visual Media program at vfs.com/sounddesign.
Jazz an der HfM
Eine konzertante Klanginstallation
„What you hear is what you hear“
(frei nach Frank Stella, Minimalartist USA)
Big Band der HfM Detmold
Shawn Grocott: Leitung, Posaune
Kim Efert: Kompositionen, Arrangements, Gitarre
– unter Einbeziehung der Wellenfeldsynthese –
[Generalprobe]
3rds Circle – Saxophone: Georg Schmitt, David Waldeyer, Anna-Lena Delger, Magdalena Haßelbacher, Hörner: Lukas Pfundt, Lukas Kuhn, Posaunen: Simon Pfundt, Friedrich Hultsch, Trompeten: Andreas Herrnleben, Tabea Löbbecke, Javier Jiménez Villarán, Malte Mittrowann – Harfe: Milena Hoge, Klavier/Akkordeon: Michael Rettig, Kontrabass: Marius Strootmann, Schlagzeug/Vibraphon: Jens Korte, Schlagzeug/Klavier: René Pauls – Wellenfeldsynthese/Sounddesign: Sascha Etezazi, Leonard Loock, Juan Moreno, Programmierung der Klangquellensteuerung: Alexander Leemhuis, Sounddesign: Sebastian Breiter, Beschallung: Marco Adamczyk, Florian Götz, Licht: Manuel Grunden – Dank an Malte Heins, Prof. Malte Kob und Prof. Michael Schubert, für die große Unterstützung für dieses Projekt [Quelle: www.hfm-detmold.de]
A man lives alone in a small apartment. The little contact he had with other people has dropped to zero since the rabbit appeared. Every attempt to get the rabbit out of his apartment has failed and since he is not sure whether or not pets are allowed in the building, he does not let anybody enter his apartment.
Written, Directed and Animated by Egmont Mayer
Producer: Flora Grolitsch
Effects TD: Stefan Habel
Animation: Michael Schulz, Wolfram Kampffmeyer, Sonja Kumbarji
Character Modelling: Egmont Mayer
Modelling: Paul Stoll, Wolfram Kampffmeyer
Sounddesign and Mixing: Michael J. Diehl
Music: Chris Bremus
Foley Artist: Marcus Neuberger
Textures: Sonja Kumbarji, Frederik Ring
Lighting: Rendering and Compositing Egmont Mayer
Titles: Online Frederik Ring
Created at: Filmakademie Baden-Württemberg
Institute of Animation, Visual Effects and Digital Postproduction
Watch this video on Vimeo. Video created by Egmont Mayer.
Sound Design students take their recording equipment behind the scenes at the Vancouver Aquarium to capture the sounds of the resident wildlife and augment their sound effect libraries.
Find out more about VFS's one-year Sound Design for Visual Media program at vfs.com/sounddesign.
Top Hollywood sound duo, Perry Robertson and Scott Sanders, spend a week with VFS Sound Design students and share their experiences working on films like ‘Up in the Air’ and ‘Rambo’.
Learn more about VFS’s one-year Sound Design for Visual Media program at vfs.com/sounddesign
Jazz an der HfM
Eine konzertante Klanginstallation
„What you hear is what you hear“
(frei nach Frank Stella, Minimalartist USA)
Big Band der HfM Detmold
Shawn Grocott: Leitung, Posaune
Kim Efert: Kompositionen, Arrangements, Gitarre
– unter Einbeziehung der Wellenfeldsynthese –
3rds Circle – Saxophone: Georg Schmitt, David Waldeyer, Anna-Lena Delger, Magdalena Haßelbacher, Hörner: Lukas Pfundt, Lukas Kuhn, Posaunen: Simon Pfundt, Friedrich Hultsch, Trompeten: Andreas Herrnleben, Tabea Löbbecke, Javier Jiménez Villarán, Malte Mittrowann – Harfe: Milena Hoge, Klavier/Akkordeon: Michael Rettig, Kontrabass: Marius Strootmann, Schlagzeug/Vibraphon: Jens Korte, Schlagzeug/Klavier: René Pauls – Wellenfeldsynthese/Sounddesign: Sascha Etezazi, Leonard Loock, Juan Moreno, Programmierung der Klangquellensteuerung: Alexander Leemhuis, Sounddesign: Sebastian Breiter, Beschallung: Marco Adamczyk, Florian Götz, Licht: Manuel Grunden – Dank an Malte Heins, Prof. Malte Kob und Prof. Michael Schubert, für die große Unterstützung für dieses Projekt [Quelle: www.hfm-detmold.de]
Students from the Sound Design for Visual Media program take a field trip to Granville Island to capture the sounds of a print shop.
Find out more about VFS's one-year Sound Design for Visual Media program at vfs.com/sounddesign.
Sound Design students take their recording equipment behind the scenes at the Vancouver Aquarium to capture the sounds of the resident wildlife and augment their sound effect libraries.
Find out more about VFS's one-year Sound Design for Visual Media program at vfs.com/sounddesign.
Sound Design for Visual Media recently visited Science World to entertain and educate a young audience of sound aficionados. VFS instructors Curtis Wright and Brad Hillman were on hand to show the audience how to recreate the sounds of “Big Weather”.
Read more about VFS Sound Design’s visit to Science World on the VFS Blog.
Find out more about VFS's one-year Sound Design for Visual Media program at vfs.com/sounddesign.
VFS Sound Design students need to collect a wide range of sounds to use in the soundscapes of their final projects.
This recording session was organized by current student Ryan Thompson for his final project, which required a lot of car noise. The students rented a "Dyno" from a local tuning shop in order to accelerate the car to exceedingly high speeds without the risk of actually taking it on the road.
Find out more about VFS's one-year Sound Design for Visual Media program at vfs.com/sounddesign.
Sound Design students spend the day at Mission Raceway Park capturing the sounds of various speedy cars, from dragsters to muscle cars.
Listen in on the VFS Blog.
Find out more about VFS's one-year Sound Design for Visual Media program at vfs.com/sounddesign.
Jazz an der HfM
Eine konzertante Klanginstallation
„What you hear is what you hear“
(frei nach Frank Stella, Minimalartist USA)
Big Band der HfM Detmold
Shawn Grocott: Leitung, Posaune
Kim Efert: Kompositionen, Arrangements, Gitarre
– unter Einbeziehung der Wellenfeldsynthese –
3rds Circle – Saxophone: Georg Schmitt, David Waldeyer, Anna-Lena Delger, Magdalena Haßelbacher, Hörner: Lukas Pfundt, Lukas Kuhn, Posaunen: Simon Pfundt, Friedrich Hultsch, Trompeten: Andreas Herrnleben, Tabea Löbbecke, Javier Jiménez Villarán, Malte Mittrowann – Harfe: Milena Hoge, Klavier/Akkordeon: Michael Rettig, Kontrabass: Marius Strootmann, Schlagzeug/Vibraphon: Jens Korte, Schlagzeug/Klavier: René Pauls – Wellenfeldsynthese/Sounddesign: Sascha Etezazi, Leonard Loock, Juan Moreno, Programmierung der Klangquellensteuerung: Alexander Leemhuis, Sounddesign: Sebastian Breiter, Beschallung: Marco Adamczyk, Florian Götz, Licht: Manuel Grunden – Dank an Malte Heins, Prof. Malte Kob und Prof. Michael Schubert, für die große Unterstützung für dieses Projekt [Quelle: www.hfm-detmold.de]
On Location: Ray Beckett teaches Sound Design students how to record background and ambient sounds.
Find out more about VFS's one-year Sound Design for Visual Media program at vfs.com/sounddesign.
Sound Design for Visual Media students get up close and personal with the animals of the Vancouver Aquarium to capture the sounds of various wildlife, from seals to beluga whales.
Find out more about VFS's one-year Sound Design for Visual Media program at vfs.com/sounddesign.
Sound Design for Visual Media students get up close and personal with the animals of the Vancouver Aquarium to capture the sounds of various wildlife, from seals to beluga whales.
Find out more about VFS's one-year Sound Design for Visual Media program at vfs.com/sounddesign.
Sound Design for Visual Media students get up close and personal with the animals of the Vancouver Aquarium to capture the sounds of various wildlife, from seals to beluga whales.
Find out more about VFS's one-year Sound Design for Visual Media program at vfs.com/sounddesign.
Photos from the dress rehearsal for SCLOrk concert inside the Music Recital Hall on March 16, 2017.
SCLOrk (the Santa Clara Laptop Orchestra) is an innovative ensemble of up to sixteen players dedicated to the creation and performance of live electronic music. Created in the Spring of 2012 by SCU faculty Bruno Ruviaro and students, this interdisciplinary group explores the intersection of music composition, live performance, human/computer interaction, programming, and sound design, with emphasis on musical creativity based on cutting-edge technologies.
(Photo by Joanne H. Lee/Santa Clara University)
Sound Design for Visual Media recently visited Science World to entertain and educate a young audience of sound aficionados. VFS instructors Curtis Wright and Brad Hillman were on hand to show the audience how to recreate the sounds of “Big Weather”.
Read more about VFS Sound Design’s visit to Science World on the VFS Blog.
Find out more about VFS's one-year Sound Design for Visual Media program at vfs.com/sounddesign.
Students from the Sound Design for Visual Media program take a field trip to Granville Island to capture the sounds of a print shop.
Find out more about VFS's one-year Sound Design for Visual Media program at vfs.com/sounddesign.
Sound Design students take their recording equipment behind the scenes at the Vancouver Aquarium to capture the sounds of the resident wildlife and augment their sound effect libraries.
Find out more about VFS's one-year Sound Design for Visual Media program at vfs.com/sounddesign.
Sound Design students take their recording equipment behind the scenes at the Vancouver Aquarium to capture the sounds of the resident wildlife and augment their sound effect libraries.
Find out more about VFS's one-year Sound Design for Visual Media program at vfs.com/sounddesign.
VFS Sound Design students need to collect a wide range of sounds to use in the soundscapes of their final projects.
This recording session was organized by current student Ryan Thompson for his final project, which required a lot of car noise. The students rented a "Dyno" from a local tuning shop in order to accelerate the car to exceedingly high speeds without the risk of actually taking it on the road.
Find out more about VFS's one-year Sound Design for Visual Media program at vfs.com/sounddesign.
Gary Bourgeois, one of the film industry’s top re-recording mixers, visited the Sound Design for Visual Media campus, enthralling students for nearly four hours with his experiences. Gary has been active in the industry since the early 1970′s, working on Pretty in Pink, Pleasantville, Charlie’s Angels, and The Bourne Supremacy.
Find out more about VFS's one-year Sound Design for Visual Media program at www.vfs.com/sounddesign .
Sound Design students take their recording equipment behind the scenes at the Vancouver Aquarium to capture the sounds of the resident wildlife and augment their sound effect libraries.
Find out more about VFS's one-year Sound Design for Visual Media program at vfs.com/sounddesign.
Jazz an der HfM
Eine konzertante Klanginstallation
„What you hear is what you hear“
(frei nach Frank Stella, Minimalartist USA)
Big Band der HfM Detmold
Shawn Grocott: Leitung, Posaune
Kim Efert: Kompositionen, Arrangements, Gitarre
– unter Einbeziehung der Wellenfeldsynthese –
3rds Circle – Saxophone: Georg Schmitt, David Waldeyer, Anna-Lena Delger, Magdalena Haßelbacher, Hörner: Lukas Pfundt, Lukas Kuhn, Posaunen: Simon Pfundt, Friedrich Hultsch, Trompeten: Andreas Herrnleben, Tabea Löbbecke, Javier Jiménez Villarán, Malte Mittrowann – Harfe: Milena Hoge, Klavier/Akkordeon: Michael Rettig, Kontrabass: Marius Strootmann, Schlagzeug/Vibraphon: Jens Korte, Schlagzeug/Klavier: René Pauls – Wellenfeldsynthese/Sounddesign: Sascha Etezazi, Leonard Loock, Juan Moreno, Programmierung der Klangquellensteuerung: Alexander Leemhuis, Sounddesign: Sebastian Breiter, Beschallung: Marco Adamczyk, Florian Götz, Licht: Manuel Grunden – Dank an Malte Heins, Prof. Malte Kob und Prof. Michael Schubert, für die große Unterstützung für dieses Projekt [Quelle: www.hfm-detmold.de]
VFS Sound Design students need to collect a wide range of sounds to use in the soundscapes of their final projects.
This recording session was organized by current student Ryan Thompson for his final project, which required a lot of car noise. The students rented a "Dyno" from a local tuning shop in order to accelerate the car to exceedingly high speeds without the risk of actually taking it on the road.
Find out more about VFS's one-year Sound Design for Visual Media program at vfs.com/sounddesign.
Sound Design students take their recording equipment behind the scenes at the Vancouver Aquarium to capture the sounds of the resident wildlife and augment their sound effect libraries.
Find out more about VFS's one-year Sound Design for Visual Media program at vfs.com/sounddesign.
Sound Design for Visual Media recently visited Science World to entertain and educate a young audience of sound aficionados. VFS instructors Curtis Wright and Brad Hillman were on hand to show the audience how to recreate the sounds of “Big Weather”.
Read more about VFS Sound Design’s visit to Science World on the VFS Blog.
Find out more about VFS's one-year Sound Design for Visual Media program at vfs.com/sounddesign.
Sound Design students take their recording equipment behind the scenes at the Vancouver Aquarium to capture the sounds of the resident wildlife and augment their sound effect libraries.
Find out more about VFS's one-year Sound Design for Visual Media program at www.vfs.com/sounddesign.
Gitarre: Eric Hunziker
Keyboards: Vincent Membrez
Schlagzeug: Fred Bürki
Laptop: Tobias Reber
Video: Julia Maria Morf
Vocal-Samples: Nina Salis
Sprach-Samples: Rahel Sternberg
Sounddesign: Thomas Winkler
Komposition: Thomas Fischer
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Sound Design students spend the day at Mission Raceway Park capturing the sounds of various speedy cars, from dragsters to muscle cars.
Listen in on the VFS Blog.
Find out more about VFS's one-year Sound Design for Visual Media program at vfs.com/sounddesign.
VFS Sound Design students need to collect a wide range of sounds to use in the soundscapes of their final projects.
This recording session was organized by current student Ryan Thompson for his final project, which required a lot of car noise. The students rented a "Dyno" from a local tuning shop in order to accelerate the car to exceedingly high speeds without the risk of actually taking it on the road.
Find out more about VFS's one-year Sound Design for Visual Media program at vfs.com/sounddesign.
Top Hollywood sound duo, Perry Robertson and Scott Sanders, spend a week with VFS Sound Design students and share their experiences working on films like ‘Up in the Air’ and ‘Rambo’.
Learn more about VFS’s one-year Sound Design for Visual Media program at vfs.com/sounddesign
On Location: Ray Beckett teaches Sound Design students how to record background and ambient sounds.
Find out more about VFS's one-year Sound Design for Visual Media program at vfs.com/sounddesign.
Sound Design students take their recording equipment behind the scenes at the Vancouver Aquarium to capture the sounds of the resident wildlife and augment their sound effect libraries.
Find out more about VFS's one-year Sound Design for Visual Media program at vfs.com/sounddesign.
Sound Design students take their recording equipment behind the scenes at the Vancouver Aquarium to capture the sounds of the resident wildlife and augment their sound effect libraries.
Find out more about VFS's one-year Sound Design for Visual Media program at vfs.com/sounddesign.