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VFS Sound Design students need to collect a wide range of sounds to use in the soundscapes of their final projects.
This recording session was organized by current student Ryan Thompson for his final project, which required a lot of car noise. The students rented a "Dyno" from a local tuning shop in order to accelerate the car to exceedingly high speeds without the risk of actually taking it on the road.
Find out more about VFS's one-year Sound Design for Visual Media program at vfs.com/sounddesign.
Sound Design students spend the day at Mission Raceway Park capturing the sounds of various speedy cars, from dragsters to muscle cars.
Listen in on the VFS Blog.
Find out more about VFS's one-year Sound Design for Visual Media program at vfs.com/sounddesign.
On Location: Ray Beckett teaches Sound Design students how to record background and ambient sounds.
Find out more about VFS's one-year Sound Design for Visual Media program at vfs.com/sounddesign.
The Sound Design for Visual Media program welcomes Sound Designers Ben McCullough and Nick Bedell of United Front Games to their campus.
Find out more about VFS's one-year Sound Design program at vfs.edu/sounddesign.
photo credit: Erich Woodrum (www.afropop.org)
Artist Aurelio Martinez, leading voice of the Garifuna Community, was Honduras' first Senator of African descent. Aurelio was selected by the Rolex Mentor Protege Initiative as a protege of Youssou N'Dour. He served as co-host of this MusicWorks NYC Studio Reception.
The Garifuna community in the U.S dates back to the 1800's and number an estimated 40,000 strong in New York alone.
More info on the Garifuna people:
Sound Design for Visual Media students get up close and personal with the animals of the Vancouver Aquarium to capture the sounds of various wildlife, from seals to beluga whales.
Find out more about VFS's one-year Sound Design for Visual Media program at vfs.com/sounddesign.
Sound Design for Visual Media students get up close and personal with the animals of the Vancouver Aquarium to capture the sounds of various wildlife, from seals to beluga whales.
Find out more about VFS's one-year Sound Design for Visual Media program at vfs.com/sounddesign.
Sound Design students spend the day at Mission Raceway Park capturing the sounds of various speedy cars, from dragsters to muscle cars.
Listen in on the VFS Blog.
Find out more about VFS's one-year Sound Design for Visual Media program at vfs.com/sounddesign.
Music department artist-in-residence Adam Matta is a human beatboxer and vocal performance artist from New York City. Here he is playing with students in a Sound Design (Music 34) class taught by Spencer Topel. His style fuses elements of hip-hop, rock electronic, jazz, contemporary and Middle Eastern music, sometimes all in the same composition. (photo by Eli Burakian '00)
Sound Design for Visual Media recently visited Science World to entertain and educate a young audience of sound aficionados. VFS instructors Curtis Wright and Brad Hillman were on hand to show the audience how to recreate the sounds of “Big Weather”.
Read more about VFS Sound Design’s visit to Science World on the VFS Blog.
Find out more about VFS's one-year Sound Design for Visual Media program at vfs.com/sounddesign.
VFS Sound Design students need to collect a wide range of sounds to use in the soundscapes of their final projects.
This recording session was organized by current student Ryan Thompson for his final project, which required a lot of car noise. The students rented a "Dyno" from a local tuning shop in order to accelerate the car to exceedingly high speeds without the risk of actually taking it on the road.
Find out more about VFS's one-year Sound Design for Visual Media program at vfs.com/sounddesign.
Gary Bourgeois, one of the film industry’s top re-recording mixers, visited the Sound Design for Visual Media campus, enthralling students for nearly four hours with his experiences. Gary has been active in the industry since the early 1970′s, working on Pretty in Pink, Pleasantville, Charlie’s Angels, and The Bourne Supremacy.
Find out more about VFS's one-year Sound Design for Visual Media program at www.vfs.com/sounddesign .
Sound Design students spend the day at Mission Raceway Park capturing the sounds of various speedy cars, from dragsters to muscle cars.
Listen in on the VFS Blog.
Find out more about VFS's one-year Sound Design for Visual Media program at vfs.com/sounddesign.
Jazz an der HfM
Eine konzertante Klanginstallation
„What you hear is what you hear“
(frei nach Frank Stella, Minimalartist USA)
Big Band der HfM Detmold
Shawn Grocott: Leitung, Posaune
Kim Efert: Kompositionen, Arrangements, Gitarre
– unter Einbeziehung der Wellenfeldsynthese –
3rds Circle – Saxophone: Georg Schmitt, David Waldeyer, Anna-Lena Delger, Magdalena Haßelbacher, Hörner: Lukas Pfundt, Lukas Kuhn, Posaunen: Simon Pfundt, Friedrich Hultsch, Trompeten: Andreas Herrnleben, Tabea Löbbecke, Javier Jiménez Villarán, Malte Mittrowann – Harfe: Milena Hoge, Klavier/Akkordeon: Michael Rettig, Kontrabass: Marius Strootmann, Schlagzeug/Vibraphon: Jens Korte, Schlagzeug/Klavier: René Pauls – Wellenfeldsynthese/Sounddesign: Sascha Etezazi, Leonard Loock, Juan Moreno, Programmierung der Klangquellensteuerung: Alexander Leemhuis, Sounddesign: Sebastian Breiter, Beschallung: Marco Adamczyk, Florian Götz, Licht: Manuel Grunden – Dank an Malte Heins, Prof. Malte Kob und Prof. Michael Schubert, für die große Unterstützung für dieses Projekt [Quelle: www.hfm-detmold.de]
VFS Sound Design students need to collect a wide range of sounds to use in the soundscapes of their final projects.
This recording session was organized by current student Ryan Thompson for his final project, which required a lot of car noise. The students rented a "Dyno" from a local tuning shop in order to accelerate the car to exceedingly high speeds without the risk of actually taking it on the road.
Find out more about VFS's one-year Sound Design for Visual Media program at vfs.com/sounddesign.
Sound Design students take their recording equipment behind the scenes at the Vancouver Aquarium to capture the sounds of the resident wildlife and augment their sound effect libraries.
Find out more about VFS's one-year Sound Design for Visual Media program at www.vfs.com/sounddesign.
Sound Design students spend the day at Mission Raceway Park capturing the sounds of various speedy cars, from dragsters to muscle cars.
Listen in on the VFS Blog.
Find out more about VFS's one-year Sound Design for Visual Media program at vfs.com/sounddesign.
Jazz an der HfM
Eine konzertante Klanginstallation
„What you hear is what you hear“
(frei nach Frank Stella, Minimalartist USA)
Big Band der HfM Detmold
Shawn Grocott: Leitung, Posaune
Kim Efert: Kompositionen, Arrangements, Gitarre
– unter Einbeziehung der Wellenfeldsynthese –
3rds Circle – Saxophone: Georg Schmitt, David Waldeyer, Anna-Lena Delger, Magdalena Haßelbacher, Hörner: Lukas Pfundt, Lukas Kuhn, Posaunen: Simon Pfundt, Friedrich Hultsch, Trompeten: Andreas Herrnleben, Tabea Löbbecke, Javier Jiménez Villarán, Malte Mittrowann – Harfe: Milena Hoge, Klavier/Akkordeon: Michael Rettig, Kontrabass: Marius Strootmann, Schlagzeug/Vibraphon: Jens Korte, Schlagzeug/Klavier: René Pauls – Wellenfeldsynthese/Sounddesign: Sascha Etezazi, Leonard Loock, Juan Moreno, Programmierung der Klangquellensteuerung: Alexander Leemhuis, Sounddesign: Sebastian Breiter, Beschallung: Marco Adamczyk, Florian Götz, Licht: Manuel Grunden – Dank an Malte Heins, Prof. Malte Kob und Prof. Michael Schubert, für die große Unterstützung für dieses Projekt [Quelle: www.hfm-detmold.de]
The Sound Design for Visual Media program welcomes Sound Designers Ben McCullough and Nick Bedell of United Front Games to their campus.
Find out more about VFS's one-year Sound Design program at vfs.edu/sounddesign.
Top Hollywood sound duo, Perry Robertson and Scott Sanders, spend a week with VFS Sound Design students and share their experiences working on films like ‘Up in the Air’ and ‘Rambo’.
Learn more about VFS’s one-year Sound Design for Visual Media program at vfs.com/sounddesign
VFS welcomed Oscar-nominated sound designer Craig Berkey (X-Men: First Class, The Tree of Life) for a special visit and mentoring session with Sound Design for Visual Media students. Craig received three Academy Award nominations for his work on the recent Coen brothers’ films No Country for Old Men and True Grit.
Find out more about VFS’s one-year Sound Design for Visual Media program at vfs.com/sounddesign
Sound Design students take their recording equipment behind the scenes at the Vancouver Aquarium to capture the sounds of the resident wildlife and augment their sound effect libraries.
Find out more about VFS's one-year Sound Design for Visual Media program at vfs.com/sounddesign.
Sound Design students take their recording equipment behind the scenes at the Vancouver Aquarium to capture the sounds of the resident wildlife and augment their sound effect libraries.
Find out more about VFS's one-year Sound Design for Visual Media program at vfs.com/sounddesign.
Sound Design students go behind the scenes at the Abbotsford Airshow and get the chance to capture the roar of a jet bus that can reach speeds of up to 590km/h.
Find out more about VFS's one-year Sound Design for Visual Media program at vfs.com/sounddesign.
Foley is the art of recording post-production sound effects in real time to match the picture. VFS has its own Foley studios full of all the usual - and unusual - props.
Find out more about VFS's one-year Sound Design for Visual Media program at www.vfs.com/sounddesign.
Sound Design students take their recording equipment behind the scenes at the Vancouver Aquarium to capture the sounds of the resident wildlife and augment their sound effect libraries.
Find out more about VFS's one-year Sound Design for Visual Media program at vfs.com/sounddesign.
Moor ist Leben, Leben ist Kunst! Begleite die FH Salzburg bei der Umsetzung und Koordination dieses einzigartigen Projekts. Mit eindrucksvollen Bildern, spektakulären Sequenzen und einzigartiger Inszenierung versteht es die Gruppe rund um Florian Reittner Moor völlig neu in Szene zu setzen. Anfang März 2017 haben wir den Start dieses atemberaubenden Projekts angekündigt. Erlebe jetzt die ersten Eindrücke im Making Of.
Ein Projekt im Ramen des Multimedia Art Studienganges der FH Salzburg
Regie: Florian Reittner
DOP: Andreas Eymannsberger
Produktion: Sarah Hackenberger, Nina Pintis
Sounddesign: Johannes Lugstein, Julia Grall
Regieassistenz: Lukas Ganahl
Aufnahmeleitung: Raphael Maier
Script /Continuity: David Prokop
B Kamera: Cornelia Ohnmacht
A Kameraassistent: Georg Sommer
B Kameraassistent: Maximilan Miller
Materialassistent: Johannes Hagn
Oberbeleuchter: Ben Költringer
Best Boy: Maxi Obermair
Grip: Christopher Eberle
Kostüm: Kerstin Gatterbauer
Maske: Lisa Schwab
DIT: Jonas Wenzl
Technical Director: Bernhard Schröcker
3D Supervisor: Patrick Dunkl
3D Compositing: Bernhard Schröcker
Schnit: Jonas Wenzl
PA: Silvio Ebner, Magdalena Eymannsberger, Nadja Költringer, Philip Kemmer, Daniel Solymar
Cast: Daniel Limmer, Jazz Brantsch, Sophie Itzlinger, Shereen Deen, Farah Deen, Lali Strasser, Sandra Schwann, Mathias Lillich, Günter Ettinger, Gisela Gruber, Ahmed El Wafi, Erich Hufnagl, Claudia Krippl, Thomas Kaserer, Berghof-Alpakas Hallein, Lisa Schwab, Tom Langer, Sebastian Smus, Marwin Wallner, Richard Hofmann Apostolou, Andrea Pastötter, Jeremy Miliker, Julian Wenzel
Sound Design for Visual Media students get up close and personal with the animals of the Vancouver Aquarium to capture the sounds of various wildlife, from seals to beluga whales.
Find out more about VFS's one-year Sound Design for Visual Media program at vfs.com/sounddesign.
Sound Design students take their recording equipment behind the scenes at the Vancouver Aquarium to capture the sounds of the resident wildlife and augment their sound effect libraries.
Find out more about VFS's one-year Sound Design for Visual Media program at vfs.com/sounddesign.
Sound Design students take their recording equipment behind the scenes at the Vancouver Aquarium to capture the sounds of the resident wildlife and augment their sound effect libraries.
Find out more about VFS's one-year Sound Design for Visual Media program at vfs.com/sounddesign.
Jazz an der HfM
Eine konzertante Klanginstallation
„What you hear is what you hear“
(frei nach Frank Stella, Minimalartist USA)
Big Band der HfM Detmold
Shawn Grocott: Leitung, Posaune
Kim Efert: Kompositionen, Arrangements, Gitarre
– unter Einbeziehung der Wellenfeldsynthese –
[Generalprobe]
3rds Circle – Saxophone: Georg Schmitt, David Waldeyer, Anna-Lena Delger, Magdalena Haßelbacher, Hörner: Lukas Pfundt, Lukas Kuhn, Posaunen: Simon Pfundt, Friedrich Hultsch, Trompeten: Andreas Herrnleben, Tabea Löbbecke, Javier Jiménez Villarán, Malte Mittrowann – Harfe: Milena Hoge, Klavier/Akkordeon: Michael Rettig, Kontrabass: Marius Strootmann, Schlagzeug/Vibraphon: Jens Korte, Schlagzeug/Klavier: René Pauls – Wellenfeldsynthese/Sounddesign: Sascha Etezazi, Leonard Loock, Juan Moreno, Programmierung der Klangquellensteuerung: Alexander Leemhuis, Sounddesign: Sebastian Breiter, Beschallung: Marco Adamczyk, Florian Götz, Licht: Manuel Grunden – Dank an Malte Heins, Prof. Malte Kob und Prof. Michael Schubert, für die große Unterstützung für dieses Projekt [Quelle: www.hfm-detmold.de]
Sound Design students take their recording equipment behind the scenes at the Vancouver Aquarium to capture the sounds of the resident wildlife and augment their sound effect libraries.
Find out more about VFS's one-year Sound Design for Visual Media program at vfs.com/sounddesign.
Sound Design for Visual Media recently visited Science World to entertain and educate a young audience of sound aficionados. VFS instructors Curtis Wright and Brad Hillman were on hand to show the audience how to recreate the sounds of “Big Weather”.
Read more about VFS Sound Design’s visit to Science World on the VFS Blog.
Find out more about VFS's one-year Sound Design for Visual Media program at vfs.com/sounddesign.
Sound Design for Visual Media recently visited Science World to entertain and educate a young audience of sound aficionados. VFS instructors Curtis Wright and Brad Hillman were on hand to show the audience how to recreate the sounds of “Big Weather”.
Read more about VFS Sound Design’s visit to Science World on the VFS Blog.
Find out more about VFS's one-year Sound Design for Visual Media program at vfs.com/sounddesign.
Jazz an der HfM
Eine konzertante Klanginstallation
„What you hear is what you hear“
(frei nach Frank Stella, Minimalartist USA)
Big Band der HfM Detmold
Shawn Grocott: Leitung, Posaune
Kim Efert: Kompositionen, Arrangements, Gitarre
– unter Einbeziehung der Wellenfeldsynthese –
3rds Circle – Saxophone: Georg Schmitt, David Waldeyer, Anna-Lena Delger, Magdalena Haßelbacher, Hörner: Lukas Pfundt, Lukas Kuhn, Posaunen: Simon Pfundt, Friedrich Hultsch, Trompeten: Andreas Herrnleben, Tabea Löbbecke, Javier Jiménez Villarán, Malte Mittrowann – Harfe: Milena Hoge, Klavier/Akkordeon: Michael Rettig, Kontrabass: Marius Strootmann, Schlagzeug/Vibraphon: Jens Korte, Schlagzeug/Klavier: René Pauls – Wellenfeldsynthese/Sounddesign: Sascha Etezazi, Leonard Loock, Juan Moreno, Programmierung der Klangquellensteuerung: Alexander Leemhuis, Sounddesign: Sebastian Breiter, Beschallung: Marco Adamczyk, Florian Götz, Licht: Manuel Grunden – Dank an Malte Heins, Prof. Malte Kob und Prof. Michael Schubert, für die große Unterstützung für dieses Projekt [Quelle: www.hfm-detmold.de]
On Location: Ray Beckett teaches Sound Design students how to record background and ambient sounds.
Find out more about VFS's one-year Sound Design for Visual Media program at vfs.com/sounddesign.
Students from the Sound Design for Visual Media program take a field trip to Granville Island to capture the sounds of a print shop.
Find out more about VFS's one-year Sound Design for Visual Media program at vfs.com/sounddesign.
VFS Sound Design students need to collect a wide range of sounds to use in the soundscapes of their final projects.
This recording session was organized by current student Ryan Thompson for his final project, which required a lot of car noise. The students rented a "Dyno" from a local tuning shop in order to accelerate the car to exceedingly high speeds without the risk of actually taking it on the road.
Find out more about VFS's one-year Sound Design for Visual Media program at vfs.com/sounddesign.
On Location: Ray Beckett teaches Sound Design students how to record background and ambient sounds.
Find out more about VFS's one-year Sound Design for Visual Media program at vfs.com/sounddesign.
Sound Design students spend the day at Mission Raceway Park capturing the sounds of various speedy cars, from dragsters to muscle cars.
Listen in on the VFS Blog.
Find out more about VFS's one-year Sound Design for Visual Media program at vfs.com/sounddesign.
David Mollerstedt (Head of Audio, DICE) and Joel Deziel (Audio Specialist, EA Blackbox) spoke about video game audio to a class of Sound Design for Visual Media students at VFS.
Find out more about VFS's one-year Sound Design for Visual Media program at vfs.com/sounddesign
VFS Sound Design students need to collect a wide range of sounds to use in the soundscapes of their final projects.
This recording session was organized by current student Ryan Thompson for his final project, which required a lot of car noise. The students rented a "Dyno" from a local tuning shop in order to accelerate the car to exceedingly high speeds without the risk of actually taking it on the road.
Find out more about VFS's one-year Sound Design for Visual Media program at vfs.com/sounddesign.
Sound Design for Visual Media students get up close and personal with the animals of the Vancouver Aquarium to capture the sounds of various wildlife, from seals to beluga whales.
Find out more about VFS's one-year Sound Design for Visual Media program at vfs.com/sounddesign.
Sound Design for Visual Media students get up close and personal with the animals of the Vancouver Aquarium to capture the sounds of various wildlife, from seals to beluga whales.
Find out more about VFS's one-year Sound Design for Visual Media program at vfs.com/sounddesign.
Sound Design for Visual Media recently visited Science World to entertain and educate a young audience of sound aficionados. VFS instructors Curtis Wright and Brad Hillman were on hand to show the audience how to recreate the sounds of “Big Weather”.
Read more about VFS Sound Design’s visit to Science World on the VFS Blog.
Find out more about VFS's one-year Sound Design for Visual Media program at vfs.com/sounddesign.
Jazz an der HfM
Eine konzertante Klanginstallation
„What you hear is what you hear“
(frei nach Frank Stella, Minimalartist USA)
Big Band der HfM Detmold
Shawn Grocott: Leitung, Posaune
Kim Efert: Kompositionen, Arrangements, Gitarre
– unter Einbeziehung der Wellenfeldsynthese –
3rds Circle – Saxophone: Georg Schmitt, David Waldeyer, Anna-Lena Delger, Magdalena Haßelbacher, Hörner: Lukas Pfundt, Lukas Kuhn, Posaunen: Simon Pfundt, Friedrich Hultsch, Trompeten: Andreas Herrnleben, Tabea Löbbecke, Javier Jiménez Villarán, Malte Mittrowann – Harfe: Milena Hoge, Klavier/Akkordeon: Michael Rettig, Kontrabass: Marius Strootmann, Schlagzeug/Vibraphon: Jens Korte, Schlagzeug/Klavier: René Pauls – Wellenfeldsynthese/Sounddesign: Sascha Etezazi, Leonard Loock, Juan Moreno, Programmierung der Klangquellensteuerung: Alexander Leemhuis, Sounddesign: Sebastian Breiter, Beschallung: Marco Adamczyk, Florian Götz, Licht: Manuel Grunden – Dank an Malte Heins, Prof. Malte Kob und Prof. Michael Schubert, für die große Unterstützung für dieses Projekt [Quelle: www.hfm-detmold.de]