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Students from the Sound Design for Visual Media program take a field trip to Granville Island to capture the sounds of a print shop.

 

Find out more about VFS's one-year Sound Design for Visual Media program at vfs.com/sounddesign.

Sound Design for Visual Media grad Millar Montgomery (The Vampire Diaries, Fringe, Sucker Punch) stopped by VFS to share a few tricks of the trade with Sound Design students.

 

Find out more about VFS's one-year Sound Design for Visual Media program at vfs.com/sounddesign.

Make sure to watch the film past the credits, enjoy!

 

After running on over 100 festivals BOB finally reached Vimeo with his little running wheel. We would like to thank everyone who enjoyed the film, voted for us on festivals and gave us a laugh during the screenings. It's an incredible feeling to make people happy.

 

This was the first time we created an 3d animated movie during our studies at the Filmakademie Baden-Wuerttemberg and we would have never thought that it became that successful.

There are a lot of things we would have done differently nowadays but for a small team, six months and almost no knowledge of the software, we are proud with the result and finally want to share it with everyone.

 

Credits:

BOB: Tom Zahner

student producer: Anna Matacz

director: Jacob Frey & Harry Fast

script: Jacob Frey & Stefanie Ren

character design: Harry Fast

lighting & rendering: Michael Lederhuber

music: Karol Obara

sounddesign: Marco Manzo

 

for further info check out www.bob-film.com and leave us a comment in our guestbook.

 

Watch this video on Vimeo. Video created by Jacob Frey.

Foley is the art of recording post-production sound effects in real time to match the picture. VFS has its own Foley studios full of all the usual - and unusual - props.

 

Find out more about VFS's one-year Sound Design for Visual Media program at vfs.com/sounddesign.

 

Foley is the art of recording post-production sound effects in real time to match the picture. VFS has its own Foley studios full of all the usual - and unusual - props.

 

Find out more about VFS's one-year Sound Design for Visual Media program at vfs.com/sounddesign.

 

Sound Design for Visual Media hosted Microsoft Game Studios’ Head of Audio Mark Yeend, who stopped by to share his 20 years of experience in audio with current students and faculty.

 

Find out more about VFS's one-year Sound Design for Visual Media program at www.vfs.com/sounddesign.

Sound Design students take their recording equipment behind the scenes at the Vancouver Aquarium to capture the sounds of the resident wildlife and augment their sound effect libraries.

 

Find out more about VFS's one-year Sound Design for Visual Media program at vfs.com/sounddesign.

 

Sound Design for Visual Media students get up close and personal with the animals of the Vancouver Aquarium to capture the sounds of various wildlife, from seals to beluga whales.

 

Find out more about VFS's one-year Sound Design for Visual Media program at vfs.com/sounddesign.

On Location: Ray Beckett teaches Sound Design students how to record background and ambient sounds.

 

Find out more about VFS's one-year Sound Design for Visual Media program at vfs.com/sounddesign.

Sound Design students take their recording equipment behind the scenes at the Vancouver Aquarium to capture the sounds of the resident wildlife and augment their sound effect libraries.

 

Find out more about VFS's one-year Sound Design for Visual Media program at vfs.com/sounddesign.

 

Find out more about VFS's one-year Sound Design for Visual Media program at vfs.com/sounddesign

www.musicworksnyc.com

 

William Riley - Master vocal coach

Pam Manders - Body healer, massage therapist

   

photo credit: Kia Michelle Photography kiamichelle.wordpress.com/

 

Sound Design students go behind the scenes at the Abbotsford Airshow and get the chance to capture the roar of a jet bus that can reach speeds of up to 590km/h.

 

Find out more about VFS's one-year Sound Design for Visual Media program at vfs.com/sounddesign.

 

Sound Design for Visual Media grad Millar Montgomery (The Vampire Diaries, Fringe, Sucker Punch) stopped by VFS to share a few tricks of the trade with Sound Design students.

 

Find out more about VFS's one-year Sound Design for Visual Media program at vfs.com/sounddesign.

Moor ist Leben, Leben ist Kunst! Begleite die FH Salzburg bei der Umsetzung und Koordination dieses einzigartigen Projekts. Mit eindrucksvollen Bildern, spektakulären Sequenzen und einzigartiger Inszenierung versteht es die Gruppe rund um Florian Reittner Moor völlig neu in Szene zu setzen. Anfang März 2017 haben wir den Start dieses atemberaubenden Projekts angekündigt. Erlebe jetzt die ersten Eindrücke im Making Of.

 

Ein Projekt im Ramen des Multimedia Art Studienganges der FH Salzburg

 

Regie: Florian Reittner

DOP: Andreas Eymannsberger

Produktion: Sarah Hackenberger, Nina Pintis

Sounddesign: Johannes Lugstein, Julia Grall

Regieassistenz: Lukas Ganahl

Aufnahmeleitung: Raphael Maier

Script /Continuity: David Prokop

B Kamera: Cornelia Ohnmacht

A Kameraassistent: Georg Sommer

B Kameraassistent: Maximilan Miller

Materialassistent: Johannes Hagn

Oberbeleuchter: Ben Költringer

Best Boy: Maxi Obermair

Grip: Christopher Eberle

Kostüm: Kerstin Gatterbauer

Maske: Lisa Schwab

DIT: Jonas Wenzl

Technical Director: Bernhard Schröcker

3D Supervisor: Patrick Dunkl

3D Compositing: Bernhard Schröcker

Schnit: Jonas Wenzl

PA: Silvio Ebner, Magdalena Eymannsberger, Nadja Költringer, Philip Kemmer, Daniel Solymar

Cast: Daniel Limmer, Jazz Brantsch, Sophie Itzlinger, Shereen Deen, Farah Deen, Lali Strasser, Sandra Schwann, Mathias Lillich, Günter Ettinger, Gisela Gruber, Ahmed El Wafi, Erich Hufnagl, Claudia Krippl, Thomas Kaserer, Berghof-Alpakas Hallein, Lisa Schwab, Tom Langer, Sebastian Smus, Marwin Wallner, Richard Hofmann Apostolou, Andrea Pastötter, Jeremy Miliker, Julian Wenzel

Sound Design for Visual Media recently visited Science World to entertain and educate a young audience of sound aficionados. VFS instructors Curtis Wright and Brad Hillman were on hand to show the audience how to recreate the sounds of “Big Weather”.

 

Read more about VFS Sound Design’s visit to Science World on the VFS Blog.

 

Find out more about VFS's one-year Sound Design for Visual Media program at vfs.com/sounddesign.

 

Notes On Blindness - Mike Brett.

 

Part of CINECITY 2016, The Sound of Story presented a three-day programme of stimulating talks, masterclasses and workshops featuring a stellar line-up of world-class sound professionals.

 

Taking part were Ann Kroeber (Blue Velvet, Dead Poets Society), Catherine Hodgson (Atonement, Jane Eyre), Jo Jackson (Long Walk to Freedom, Suffragette), Judi Lee-Headman AMPS (Homeland, The Bible), Paul Davies (Hunger, The Queen, ’71, We Need to Talk About Kevin), Neil Cargill and Simon James (Akiha Den Den), Matthew Herbert (Life in a Day, Bodily Functions, One Pig), and Mike Brett (Notes on Blindness).

 

Photo by Adam Bronkhorst (adambronkhorst.com)

Controll Room 1 of the Klanglabor Tanner.

 

www.klanglab.ch

 

On Location: Ray Beckett teaches Sound Design students how to record background and ambient sounds.

 

Find out more about VFS's one-year Sound Design for Visual Media program at vfs.com/sounddesign.

The Sound Design for Visual Media program welcomes Sound Designers Ben McCullough and Nick Bedell of United Front Games to their campus.

 

Find out more about VFS's one-year Sound Design program at vfs.edu/sounddesign.

Italie | 2018 | 18m | doc. exp. | HD | Noir & Blanc et Couleur | 4:3 | Stéréo

_______________________________________________________________________________________

 

Dans la ville de Rome, la lutte pour le droit au logement – conduite surtout par des femmes et des ouvriers du bâtiment – a commencé dans les années '40 mais elle est toujours d’actualité. Elle ne peut donc que s’articuler et s’exposer qu'à travers les archivés du passé et les archives du présent.

_______________________________________________________________________________________

•Meilleur Film au 14° Montreal Underground Film Festival (CANADA)

•Prix du Jury et Prix du Public au 20° Dresdner Schmalfilmtage – International Found Footage Competition (ALLEMAGNE)

•Meilleur Documentaire au Linz International Short Film Festival (AUTRICHE)

•Prix du Jury aux Building Bridges Emerging Filmmaker Awards du 10° Italian Film Festival of Minneapolis-Saint Paul (USA)

•Mention Spéciale au 7° Family Film Project – International Film Festival of Archive, Memory and Ethnography (PORTUGAL)

•Mention Spéciale du Jury International au 3° IsReal, Festival di cinema del reale – Sguardi sul Mediterraneo (ITALIE)

 

Autres sélections et projections :

•Unarchive / Premio Zavattini (ITALIE)

•25º European Film Festival Palić – Young Spirit of Europe (SERBIE)

•13º Vicoli Corti / Cinema di periferia – film d’ouverture (ITALIE)

•Majazzin House Gallery (ITALIE)

•11º PerSe Visioni / Art Factory: short films exhibition, XI éd. (ITALIE)

•2º History Film Festival / International festival of historical documentary films (CROATIE)

•6º Festival dei Claustri / corti in festival (ITALIE)

•Cinebarrio (ITALIE)

•4º Fuori Visioni / Festival di Arte Contemporanea (ITALIE)

•Storia in corto / Prima rassegna dell’audiovisivo storico (ITALIE)

•25º L'Alternativa / Barcelona Independent Film Festival – Alternativa Official (ESPAGNE)

•20º Genova Film Festival – finaliste documentaires (ITALIE)

•13º Lecce Film Fest / Festival del cinema invisibile – Cinema Italiano (ITALIE)

•Solo de visita / Unscheduled (ITALIE)

•11° Budapest Architecture Film Days – Apocalypse Now (HONGRIE)

•12° Glasgow International Short FIlm Festival / Bill Douglas Award 1: Four Walls (ROYAUME UNI)

•Shifting Scenes I: Urban Conflicts – Short Documentary Films (Pays-Bas)

•15° Lucca Film Festival and Europa Cinema – International Short Film Competition (ITALIE)

•2° Festival Bella storia / Narrazioni di strada – Sezione Documentari (ITALIE)

•Cinédébat, PassaParola: Espace de Culture Italienne de Marseille (FRANCE)

•Zsigmond Vilmos International Film Festival (the best of European Film Festival Palić), Szeged (HONGRIE)

•3° Laterale Film Festival (ITALIE) – Dall’esilio

•47° Huesca International Film Festival (ESPAGNE) – Documentary Short Film Contest

•3° Les Yeux Ouverts / Rencontres Documentaires, Paris (FRANCE)

•13° River Film Festival (ITALIE) – Documentary Competition

 

_______________________________________________________________________________________

 

Avec : Gerardo Sperandini, Duilio Del Prete, Tino Schirinzi, Leopoldo Trieste, Edmonda Aldini, Luigi Proietti, Mirko Guidoum Infante et Ysella Infante Vega.

Composition et Montage son/image : Arianna Lodeserto

Étalonnage : Étalo’mobile (Magali Marc)

Mixage et Restauration audio: Akoros - Soundtracks & SoundDesign (Riccardo Cocozza)

Musique : Teleborderline (Enrico Tinelli)

Mastering : Silverlining Studio (Max Ficara)

Production: Desertar-Quai des courts (Arianna Lodeserto)

Co-production : AAMOD (Archivio Audiovisivo del Movimento Operaio e Democratico)

Supervision de projet : Ugo Adilardi et Emanuele Redondi.

Traduction française : Marine De La Loge

Photographie (en affiche) : Annalisa Gonnella

 

Formats de projection : DCP, .mov, .mp4

 

Langues : Italien

Sous-titres : Français, Anglais, Catalan, Espagnol, Serbe.

 

Client: Radium Audio Ltd

Project: BSkyB Arts HD - The Making of Music & Sound

Director: Andrew Diey

 

The 4 x Sky Arts HD idents which we create the music & sound for now have their own "making of" to accompanying the idents.

 

Sky Arts HD Idents here: vimeo.com/15011723

 

This Making of film was created by our creative director Andrew Diey who wanted to capture the magic that goes into the scoring and designing sound to the off-beat and wonderful visuals.

 

This is all about how we go about creating a piece of work .. from initial foley stages through to the end mix process in the studio.

 

How we did it: Filming all aspects of the sound recording process and capturing the performance by Ben who is one of our in-house creative directors. We wanted to be able to share what goes into the sound creation from the musical performances, to the home-brew software [yes we write our own software] and the home-brew boxes which give us a unique spin on how to take our sound design into unusual yet rewarding areas. Magnus also makes an appearance in this film, He is head of production.

 

Clemens Wirth - AfterFX vimeo.com/clemento

weareseventeen - www.weareseventeen.com/

Radium Films is part of www.radium-audio.com

Radium Staff featured: Ben, Chris, Magnus, Peter, Andrew

 

Sounds we created include: Fruit, Child Fruit lunge, organic ambience, musical score,Wood, Deck, Music, Sea, Wind, Plastics, Materials, Hall acoustics, Music Score, Violin Theme, Sound Design, Ribbon, Swooshes, Swishes,Liverpool, Music Score, Atmos, Bike, Sound Design, Ribbon, Swooshes, Swishes

 

Watch this video on Vimeo. Video created by Radium Audio Ltd.

Sound Design students go behind the scenes at the Abbotsford Airshow and get the chance to capture the roar of a jet bus that can reach speeds of up to 590km/h.

 

Find out more about VFS's one-year Sound Design for Visual Media program at vfs.com/sounddesign.

 

VINEX COWBOYS – WINNAAR FILM AWARD HET PARADEPAARDJE 2020!

 

‘De rare en rauwe werkelijkheid deed ons denken aan de begintijd van de ‘intelligente lockdown’

 

We hebben een winnaar ! – ‘VINEX COWBOYS’ de korte film van de Bossche regisseur èn co-scenarist Tim Ewalts en zijn team Kowalski winnen de felbegeerde film award HET PARADEPAARDJE 2020* mét een geldprijs t.w.v. 3000,-! Deze ontvingen zij zaterdag 5 september j.l. tijdens het Nieuwe Filmers Festival in de Verkadefabriek uit handen van de vakjury. De geldprijs dient te worden ingezet voor een nieuwe filmproductie. Nieuwe Filmers biedt hen in de opstart een filmproducent als coach. De film zal binnenkort te zien zijn als voorfilm in de Verkadefabriek.

 

De jury over ‘VINEX COWBOYS’: De jury was aangenaam verrast door deze productie. Echt film, er wordt amper in gesproken. Het niets, het desolate, het vervreemdende komt fijn naar voren. De cameravoering blijft spannend en heeft iets mystieks. De acteurs en de acteursregie zijn top; geen blik of ademhaling te veel. Zelfs het spel buiten beeld voelen we als kijker. De hoofdrolspeler acteert niet of nauwelijks. Deze rare en rauwe werkelijkheid beviel alle juryleden zeer, en deed ons denken aan de begintijd van de ‘intelligente lockdown’.

 

MEER WINNAARS

- DE PUBLIEKSPRIJS* 2020 is gewonnen door regisseur Robin de Ridder en zijn team Romedia Films voor de korte film ‘BARRY’S BAJES’. Het publiek heeft zich daarmee uitgesproken! ‘De leukste prijs om te krijgen ‘ aldus Robin de Ridder! Met de Publieksprijs winnen zij ook 1000,- euro prijzengeld!

- DE 9 CATEGORIE PRIJZEN

De jury heeft ook de individuele filmprijzen uitgereikt in de categorieën:

 

Beste Production Design - Philipp Cleiren, Petra van Geyt en Freek van der Kooij, Team Bruut Unlimited voor ‘Een blik op morgen!

 

Beste Editing - Ties Kalker, Team Kowalski voor ‘Vinex Cowboys’

 

Beste Camera DOP - Rutger-Jan Cleiren, Team Bruut Unlimited voor ‘Een blik op morgen’

 

Beste Music Score - Robin de Ruiter, Team Lil Verhoeven voor ‘Zebra’

 

Beste Sounddesign - Sjeng Muermans, Team Kowalski voor ‘Vinex Cowboys

 

Beste Actrice - Marcelle Arriëns Team Filmmakers Collective, voor haar rol in ‘Toby, kom!’

 

Beste Acteur- Peter Koene, Team Zwart, voor zijn rol in ‘Hof van Aiden’

 

Beste Scenario - Kiki Henger, Team Zwart voor ‘Hof van Aiden’

 

Beste Regie - Tim Ewalts , Team Kowalski voor ‘Vinex Cowboys’

De tien korte films gingen 5 september j.l. in première tijdens het feestelijke Nieuwe Filmers Festival in de Verkadefabriek. Deze zijn gemaakt tijdens het NF One Week Film project 2020 – filmmaken in 5 dagen- door een nieuwe generatie filmmakers uit het hele land. Films van maximaal 10 minuten, in verschillende genres en onderwerpen.

 

Jury: Tamar Baruch actrice – David Jan Bronsgeest regisseur – Mike Weerts producent en acteur en Jan van de Brink programmeur Verkadefabriek.

 

Nieuwe Filmers Festival is een productie van Nieuwe Filmers – SOLOS www.nieuwefilmers.nl

Foto's Nieuwe Filmers JJ Vens

Sound Design students go behind the scenes at the Abbotsford Airshow and get the chance to capture the roar of a jet bus that can reach speeds of up to 590km/h.

 

Find out more about VFS's one-year Sound Design for Visual Media program at vfs.com/sounddesign.

 

Find out more about VFS's one-year Sound Design for Visual Media program at vfs.com/sounddesign.

Sound Design students spend the day at Mission Raceway Park capturing the sounds of various speedy cars, from dragsters to muscle cars.

 

Listen in on the VFS Blog.

 

Find out more about VFS's one-year Sound Design for Visual Media program at vfs.com/sounddesign.

Sound Design for Visual Media grad Millar Montgomery (The Vampire Diaries, Fringe, Sucker Punch) stopped by VFS to share a few tricks of the trade with Sound Design students.

 

Find out more about VFS's one-year Sound Design for Visual Media program at vfs.com/sounddesign.

cargocollective.com/stefanodalessio

martinamenegon.tumblr.com

 

Out of Countenance

AudioVisual performance

Stefano D'Alessio | Martina Menegon

Vienna 2013

 

Out of countenance is a dialogue between two faces, deformed and transformed by a digital process into something strange, obsolete. The facial expressions are exaggerated and amplified, drew in a 3-Dimensional space, bringing the common feeling of expression in a different and distorted perception. The human face as known looses its physiognomy, allowing the other face to overlap, mix, fuse within it, turning into a digital creature, an extension of the human being in the digital era.

 

Two performers stands in front of their computer, positioned one to the extreme left and the other at the extreme right of the stage. The computers capture the performers faces thru their internal webcams, generating an interactive video flow that is projected on a screen. The projection screen fills the whole stage standing between the two performers. The two computers generate also an interactive audio flow. The performers interact with the system thru their movement, the expressions and distortions of their faces, generating different visuals and sounds.

 

The software in use in the two computers is created within MaxMSP/Jitter, two different patches are running on each computer.

The video images are captured in realtime by the two webcams, combined in different ways, distorted in time and space and transposed in a 3d environment.

Video and audio are always related, in sync and always interacting between each other.

The audio has different natures, pre-made, modified in realtime, realtime generated and generated via webcam interaction. The two software contained in both computer act as one audio visual generating flux and it has a fix time schedule that permit the performance development to have a precise order and execution.

 

Radium Audio Music & Sound design showreel for Early 2011.

 

////////////////////////////////////////////////////////////////////////////

 

Founder Foreword: Andrew Diey Dec 2010:

 

Radium Audio is a unique creative audio company hidden deep in the East End of London.

 

Our vision is to provide the highest quality sound & music, being fearless and bold about exploring new areas of creativity in the sonic universe.

 

All the sounds you hear on this showreel are original and have been crafted

organically from real instruments and from objects we have recorded in our

studios ...

 

Often our clients really treasure us ... and return to work with us time and

time again ... because we live and breathe sound and music.

 

What we have learned is this. "People don't just watch. They listen and

watch. People want to experience the brand not just the message... and the

right sound in advertising & branding delivers this.

 

If you choose to work with us, what you will get will be the most authentic

and original ideas.

 

Andrew Diey

 

//////////////////////////////////////////////////////////////////////////////

 

Clip 01: Magic Christmas

Clip 02: Cadburys - Trident Gum

Clip 03: Reebok - The Pump

Clip 04: BSkyB - Little Crackers

Clip 05: Nowtel - NOWI

Clip 06: Nokia - Booklete 3G

Clip 07: MUBI

Clip 08: Nike

Clip 09: Singapore Tourist Board - Yoursingapore.com

Clip 10: Universal Channel

Clip 11: Weareseventeen - Strange Arrangements

--------------------------------

 

Pt 2: Sound Design

 

--------------------------------

 

Our sounds come from objects we record.

We created our own software for our sound design.

 

We are at the beginning of a sound revolution.

Opensource software allows us to realise our creative dreams.

--------------------------------

 

Clip 01: Vh1 - Behind the Music

Clip 02: The Mill - Motion Graphics Reel

Clip 03: The Mill - Games Reel

Clip 04: Rolex - Daytona

Clip 05: Reebok - ZigTech

Clip 06: NCIS - LL Cool J

Clip 07: Nissan - The Digger

Clip 08: Weareseventeen - Strange Arrangements Detail

Clip 09: Ferrari - California

Clip 10: Nowtel - NOWI

 

Contact: carleen@radium-audio.com

Tel: + 44 (0)208 985 9958

www.radium-audio.com

 

Watch this video on Vimeo. Video created by Radium Audio Ltd.

The Sound Design for Visual Media program welcomes Sound Designers Ben McCullough and Nick Bedell of United Front Games to their campus.

 

Find out more about VFS's one-year Sound Design program at vfs.edu/sounddesign.

Moor ist Leben, Leben ist Kunst! Begleite die FH Salzburg bei der Umsetzung und Koordination dieses einzigartigen Projekts. Mit eindrucksvollen Bildern, spektakulären Sequenzen und einzigartiger Inszenierung versteht es die Gruppe rund um Florian Reittner Moor völlig neu in Szene zu setzen. Anfang März 2017 haben wir den Start dieses atemberaubenden Projekts angekündigt. Erlebe jetzt die ersten Eindrücke im Making Of.

 

Ein Projekt im Ramen des Multimedia Art Studienganges der FH Salzburg

 

Regie: Florian Reittner

DOP: Andreas Eymannsberger

Produktion: Sarah Hackenberger, Nina Pintis

Sounddesign: Johannes Lugstein, Julia Grall

Regieassistenz: Lukas Ganahl

Aufnahmeleitung: Raphael Maier

Script /Continuity: David Prokop

B Kamera: Cornelia Ohnmacht

A Kameraassistent: Georg Sommer

B Kameraassistent: Maximilan Miller

Materialassistent: Johannes Hagn

Oberbeleuchter: Ben Költringer

Best Boy: Maxi Obermair

Grip: Christopher Eberle

Kostüm: Kerstin Gatterbauer

Maske: Lisa Schwab

DIT: Jonas Wenzl

Technical Director: Bernhard Schröcker

3D Supervisor: Patrick Dunkl

3D Compositing: Bernhard Schröcker

Schnit: Jonas Wenzl

PA: Silvio Ebner, Magdalena Eymannsberger, Nadja Költringer, Philip Kemmer, Daniel Solymar

Cast: Daniel Limmer, Jazz Brantsch, Sophie Itzlinger, Shereen Deen, Farah Deen, Lali Strasser, Sandra Schwann, Mathias Lillich, Günter Ettinger, Gisela Gruber, Ahmed El Wafi, Erich Hufnagl, Claudia Krippl, Thomas Kaserer, Berghof-Alpakas Hallein, Lisa Schwab, Tom Langer, Sebastian Smus, Marwin Wallner, Richard Hofmann Apostolou, Andrea Pastötter, Jeremy Miliker, Julian Wenzel

The Sound Design for Visual Media program welcomes Sound Designers Ben McCullough and Nick Bedell of United Front Games to their campus.

 

Find out more about VFS's one-year Sound Design program at vfs.edu/sounddesign.

The Sound Design for Visual Media program welcomes Sound Designers Ben McCullough and Nick Bedell of United Front Games to their campus.

 

Find out more about VFS's one-year Sound Design program at vfs.edu/sounddesign.

Rob Blake, Audio Lead for the Mass Effect franchise at BioWare and member of the VFS Sound Design Advisory Board, stopped by VFS to provide an exclusive talk to Sound Design students. Rob described his role at Bioware, and went on to share the lessons learned over his nine years in the industry.

 

Read more about Rob’s visit on the VFS Blog.

 

Find out more about VFS’s one-year Sound Design program at vfs.com/sounddesign.

The Sound Design for Visual Media program welcomes Sound Designers Ben McCullough and Nick Bedell of United Front Games to their campus.

 

Find out more about VFS's one-year Sound Design program at vfs.edu/sounddesign.

The Sound Design for Visual Media program welcomes Sound Designers Ben McCullough and Nick Bedell of United Front Games to their campus.

 

Find out more about VFS's one-year Sound Design program at vfs.edu/sounddesign.

Sound Design students go behind the scenes at the Abbotsford Airshow and get the chance to capture the roar of a jet bus that can reach speeds of up to 590km/h.

 

Find out more about VFS's one-year Sound Design for Visual Media program at vfs.com/sounddesign.

 

Find out more about VFS's one-year Sound Design for Visual Media program at vfs.com/sounddesign

Photos from the dress rehearsal for SCLOrk concert inside the Music Recital Hall on March 16, 2017.

 

SCLOrk (the Santa Clara Laptop Orchestra) is an innovative ensemble of up to sixteen players dedicated to the creation and performance of live electronic music. Created in the Spring of 2012 by SCU faculty Bruno Ruviaro and students, this interdisciplinary group explores the intersection of music composition, live performance, human/computer interaction, programming, and sound design, with emphasis on musical creativity based on cutting-edge technologies.

 

(Photo by Joanne H. Lee/Santa Clara University)

Art Outside

 

Friday - Sunday, October 22-24

at Apache Pass

Full access to the Art Outside festival Included in the MGFest Austin All Arts Access Badge, or you can buy tickets for Art Outside only.

 

Art Outside is a 3-Day camping festival at the beautiful Apache Pass festival grounds near Rockdale, Texas. The site features hundreds of acres of grassy camping areas and lush pecan trees scattered throughout.

 

Featuring Over 300 Artists including: Random Rab, Gift Culture, Artificial Life Preserver, Psymbolic--visuals, Win Win Creative, VJ Mason Dixon, Michael Christian, Art of Such-N-Such, Life-Size Mousetrap, Ricochet, Elemental Uprising, 999 Eyes Freakshow, Agent Red, Blockhead, God-des and She, Spoonfed Tribe, Community Art Makers, The Art Department, George Krause, Minor Mishap, Gyronauts, T-Bird and the Breaks, Heyoka, Brownout!, Govinda, Anahata Sound, plus many more!

 

MGFest's Art Outside Screening includes: Max Hattler, N.A.S.A., Eric Gunther for OK Go, Roger Ruzanka & The Flashbulb, Jon Satrom, Alan Sondheim, and more.

Sound Design for Visual Media grad Millar Montgomery (The Vampire Diaries, Fringe, Sucker Punch) stopped by VFS to share a few tricks of the trade with Sound Design students.

 

Find out more about VFS's one-year Sound Design for Visual Media program at vfs.com/sounddesign.

This video is an website intro and a id for the interior designer Jorge Varela.

 

VIDEO www.vimeo.com/16694805

 

website launch soon.

client / Jorge Varela

sound- design / Olivier Girardot

www.ogmusik.com

video / Me

www.tsaworks.com

The Sound Design for Visual Media program welcomes Sound Designers Ben McCullough and Nick Bedell of United Front Games to their campus.

 

Find out more about VFS's one-year Sound Design program at vfs.edu/sounddesign.

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