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Sound Design students spend the day at Mission Raceway Park capturing the sounds of various speedy cars, from dragsters to muscle cars.
Listen in on the VFS Blog.
Find out more about VFS's one-year Sound Design for Visual Media program at vfs.com/sounddesign.
Moor ist Leben, Leben ist Kunst! Begleite die FH Salzburg bei der Umsetzung und Koordination dieses einzigartigen Projekts. Mit eindrucksvollen Bildern, spektakulären Sequenzen und einzigartiger Inszenierung versteht es die Gruppe rund um Florian Reittner Moor völlig neu in Szene zu setzen. Anfang März 2017 haben wir den Start dieses atemberaubenden Projekts angekündigt. Erlebe jetzt die ersten Eindrücke im Making Of.
Ein Projekt im Ramen des Multimedia Art Studienganges der FH Salzburg
Regie: Florian Reittner
DOP: Andreas Eymannsberger
Produktion: Sarah Hackenberger, Nina Pintis
Sounddesign: Johannes Lugstein, Julia Grall
Regieassistenz: Lukas Ganahl
Aufnahmeleitung: Raphael Maier
Script /Continuity: David Prokop
B Kamera: Cornelia Ohnmacht
A Kameraassistent: Georg Sommer
B Kameraassistent: Maximilan Miller
Materialassistent: Johannes Hagn
Oberbeleuchter: Ben Költringer
Best Boy: Maxi Obermair
Grip: Christopher Eberle
Kostüm: Kerstin Gatterbauer
Maske: Lisa Schwab
DIT: Jonas Wenzl
Technical Director: Bernhard Schröcker
3D Supervisor: Patrick Dunkl
3D Compositing: Bernhard Schröcker
Schnit: Jonas Wenzl
PA: Silvio Ebner, Magdalena Eymannsberger, Nadja Költringer, Philip Kemmer, Daniel Solymar
Cast: Daniel Limmer, Jazz Brantsch, Sophie Itzlinger, Shereen Deen, Farah Deen, Lali Strasser, Sandra Schwann, Mathias Lillich, Günter Ettinger, Gisela Gruber, Ahmed El Wafi, Erich Hufnagl, Claudia Krippl, Thomas Kaserer, Berghof-Alpakas Hallein, Lisa Schwab, Tom Langer, Sebastian Smus, Marwin Wallner, Richard Hofmann Apostolou, Andrea Pastötter, Jeremy Miliker, Julian Wenzel
On Location: Ray Beckett teaches Sound Design students how to record background and ambient sounds.
Find out more about VFS's one-year Sound Design for Visual Media program at vfs.com/sounddesign.
Full album in free download here More free music on the netlabel profile archive.org/details/le-colibri-necrophile The last news are here ello.co/ed_end
Sound Design for Visual Media students get up close and personal with the animals of the Vancouver Aquarium to capture the sounds of various wildlife, from seals to beluga whales.
Find out more about VFS's one-year Sound Design for Visual Media program at vfs.com/sounddesign.
Sound Design students go behind the scenes at the Abbotsford Airshow and get the chance to capture the roar of a jet bus that can reach speeds of up to 590km/h.
Find out more about VFS's one-year Sound Design for Visual Media program at vfs.com/sounddesign.
Sound Design students go behind the scenes at the Abbotsford Airshow and get the chance to capture the roar of a jet bus that can reach speeds of up to 590km/h.
Find out more about VFS's one-year Sound Design for Visual Media program at vfs.com/sounddesign.
Monster Date was written, directed, and produced by Writing for Film & Television students Elsa Morena and Amy Doherty, in collaboration with students and grads from the Makeup Design for Film & Television, Acting for Film & Television, Film Production, 3D Animation & Visual Effects, and Sound Design for Visual Media programs.
Read how everything came together and watch the video on the VFS Blog.
Find out more about VFS's 13 programs at vfs.com/programs.
Sound Design for Visual Media grad Millar Montgomery (The Vampire Diaries, Fringe, Sucker Punch) stopped by VFS to share a few tricks of the trade with Sound Design students.
Find out more about VFS's one-year Sound Design for Visual Media program at vfs.com/sounddesign.
Sound Design for Visual Media grad Millar Montgomery (The Vampire Diaries, Fringe, Sucker Punch) stopped by VFS to share a few tricks of the trade with Sound Design students.
Find out more about VFS's one-year Sound Design for Visual Media program at vfs.com/sounddesign.
World music superstar Youssou N'Dour listening to mix of Tributo at MusicWorks NYC studios with recording artists Jay Rodriguez and Aurelio Martinez
David Mollerstedt (Head of Audio, DICE) and Joel Deziel (Audio Specialist, EA Blackbox) spoke about video game audio to a class of Sound Design for Visual Media students at VFS.
Find out more about VFS's one-year Sound Design for Visual Media program at vfs.com/sounddesign
VFS Sound Design students need to collect a wide range of sounds to use in the soundscapes of their final projects.
This recording session was organized by current student Ryan Thompson for his final project, which required a lot of car noise. The students rented a "Dyno" from a local tuning shop in order to accelerate the car to exceedingly high speeds without the risk of actually taking it on the road.
Find out more about VFS's one-year Sound Design for Visual Media program at vfs.com/sounddesign.
Sound Design for Visual Media recently visited Science World to entertain and educate a young audience of sound aficionados. VFS instructors Curtis Wright and Brad Hillman were on hand to show the audience how to recreate the sounds of “Big Weather”.
Read more about VFS Sound Design’s visit to Science World on the VFS Blog.
Find out more about VFS's one-year Sound Design for Visual Media program at vfs.com/sounddesign.
7 sept 2019 >> NIEUWE FILMERS FESTIVAL – Verkadefabriek Den Bosch – feestelijke première avond van de negen korte films gemaakt tijdens het One Week Film Project 2019 met Q&A met de filmmakers. Na het voorlezen van het juryrapport volgde de spetterende prijsuitreiking van de film award Het Paradepaardje 2019 mét de geldprijs t.w.v. 2750,- door de vakjury aan de winnende regisseur en team! Het prijzengeld bestaat uit de Hermes Kunst & Cultuurfondsprijs t.w.v. 500 euro, de BudgetCamera waardecoupon t.w.v. 750 euro én 1500,- vanuit SOLOS Nieuwe Filmers gefinancierd uit het budget van de Van den Udenhout- Chappin Cultuurprijs. Het prijzengeld moet binnen 1 jaar door de winnaar / het winnende team worden besteed aan de realisatie van een nieuwe film [fictie, docu,animatie]! Nieuwe
Filmers biedt hen in de opstart een filmproducent als coach.
De korte films zijn gemaakt tijdens het One Week Film Project 2019. Teams van een nieuwe generatie jonge filmmakers maakten in 5 dagen tijd ieder een nieuwe korte film in elk denkbaar genre!
Het publiek kiest de winnaar van de Publieksprijs. De jury overhandigde de winnende regisseur en het team een cheque t.w.v. 200 euro + 2 kaarten Industry Day Go Short. >> NEWS >> De geldwaarde van de prijs werd zaterdagavond spontaan verhoogd met 500 euro door een spontane gift van Janneke Rijnders en Jos Claassen uit het publiek!! Wauw!
Ook reikte de jury negen categorieprijzen uit voor Beste regie, Beste scenario, Beste Acteur m/v, Beste Sounddesign, Beste Camera DOP (director of photography), Beste Editing, Beste Production Design en Beste Muziek! Afsluitend was er een ‘afterparty’ en meet en greet met de filmmakers in de foyer van de Verkadefabriek.
Extra prijzen voor alle deelnemende teams in het Natraject : – een One Hour Exclusive Date met filmdistributieprofessional Wouter Janssen van Some Shorts t.b.v. distributiemogelijkheden voor hun film. En een besloten ‘masterclass’ door de jury, n.a.v. het juryrapport, als extra exclusief coaching moment, met bespreking per film.
WINNAAR FILMAWARD het PARADEPAARDJE 2019 >> ‘DIEP IN HET ROOD’ regie Mitchell van Vuren, team Filmmakers Collective
DE PUBLIEKSPRIJS >> ‘LEVENSLUCHT’ regie Joris Sluiter, team Super Media Bros
DE NEGEN CATEGORIEPRIJZEN
Best Editing > Gijs Walstra – ‘DIEP IN HET ROOD’
Best Scenario > Mitchell van Vuren – ‘DIEP IN HET ROOD’
Best Acting [V] > Marcelle Arriëns – ‘DIEP IN HET ROOD’
Best Acting M > duo Askr Caminada & Teun Hermsen ‘SOFIES CONDO’
Best Sounddesign > Dimitri Janssen & Madse Krivokutya – ‘TOMMIE’
Best Music [score] > Arthur Antoine Theunissen – ‘RUSHED’
Best Production Design > Tim Tubée – ‘WEERSCHIJN’
Best Camera > Jouke van Til – ‘WEERSCHIJN’
Best Direction > regisseur Kiki Henger- ‘WEERSCHIJN’
De jury
Sytske van der Ster, veelzijdig actrice, bekend van vele films en televisieseries o.a.; The Blue Virgin, Botanica, Heer en Meester, Vrijland, Zuidas, Levenslied, de coassistent.
Net terug van de jurering voor NFF…
Aaron Rookus, award winnende schrijver en regisseur
oa. Zuidas, Van God Los seizoen 4, Woensdagen, Een Goed Leven, I Wish I Could Share the Happiness Of Being Alone With Someone Else. Docent Audiovisuele Media op de HKU.
Jan van den Brink, film programmeur van de Verkadefabriek Den Bosch.
Productie van SOLOS NIEUWE FILMERS 2019
Foto's Jaap Joris Vens
The Sound Design for Visual Media program welcomes Sound Designers Ben McCullough and Nick Bedell of United Front Games to their campus.
Find out more about VFS's one-year Sound Design program at vfs.edu/sounddesign.
Part of the workshop relating to Hilton Copenhagen, headed by Josef Schmid Jr., Director of Operations.
PLEASE NOTE: I DID NOT TAKE THIS PHOTO.
Sound Design for Visual Media students get up close and personal with the animals of the Vancouver Aquarium to capture the sounds of various wildlife, from seals to beluga whales.
Find out more about VFS's one-year Sound Design for Visual Media program at vfs.com/sounddesign.
Sound Design for Visual Media students get up close and personal with the animals of the Vancouver Aquarium to capture the sounds of various wildlife, from seals to beluga whales.
Find out more about VFS's one-year Sound Design for Visual Media program at vfs.com/sounddesign.
VFS welcomed Oscar-nominated sound designer Craig Berkey (X-Men: First Class, The Tree of Life) for a special visit and mentoring session with Sound Design for Visual Media students. Craig received three Academy Award nominations for his work on the recent Coen brothers’ films No Country for Old Men and True Grit.
Find out more about VFS’s one-year Sound Design for Visual Media program at vfs.com/sounddesign
photo credit: Erich Woodrum (www.afropop.org)
Aurelio Martinez & Chris Theberge Drum Jam
Sound Design for Visual Media students get up close and personal with the animals of the Vancouver Aquarium to capture the sounds of various wildlife, from seals to beluga whales.
Find out more about VFS's one-year Sound Design for Visual Media program at vfs.com/sounddesign.
Read a guest post by student John Born (left) about his time with Ray Beckett on the VFS Blog.
Find out more about VFS's one-year Sound Design for Visual Media program at vfs.com/sounddesign.
VFS welcomed Oscar-nominated sound designer Craig Berkey (X-Men: First Class, The Tree of Life) for a special visit and mentoring session with Sound Design for Visual Media students. Craig received three Academy Award nominations for his work on the recent Coen brothers’ films No Country for Old Men and True Grit.
Find out more about VFS’s one-year Sound Design for Visual Media program at vfs.com/sounddesign
Students from the Sound Design for Visual Media program take a field trip to Granville Island to capture the sounds of a print shop.
Find out more about VFS's one-year Sound Design for Visual Media program at vfs.com/sounddesign.
FAHRRÄDER KÖNNTEN EINE ROLLE SPIELEN
Von Marianna Salzmann und Deniz Utlu
Unter Verwendung von Mely Kiyaks Notizen aus dem NSU-Untersuchungsausschuss
Regie: Lukas Langhoff
Uraufführung 23. November 2012
Ballhaus Naunynstraße
Mit: Sebastian Brandes, Simon Brusis, Sema Poyraz, Janin Stenzel, Paul Wollin
Bühne: Lukas Langhoff, Justus Saretz
Kostüm: Ines Burisch
Video: Sönke Hansen
Musik- und Sounddesign: Toby Dope
Dramaturgie: Nora Haakh
Produktionsleitung: Jana Penz
Regieassistenz: Rabia Gökçe Aydal
Eine Produktion von Kultursprünge e.V. im Ballhaus Naunynstraße, gefördert durch die Einzelprojektförderung und die Interkulturelle Projektförderung des Landes Berlin. Aufführungsrechte beim Verlag der Autoren, Frankfurt am Main.
Foto: Ute Langkafel, Maifoto, www.maifoto.de
The Sound Design for Visual Media program welcomes Sound Designers Ben McCullough and Nick Bedell of United Front Games to their campus.
Find out more about VFS's one-year Sound Design program at vfs.edu/sounddesign.
Foley is the art of recording post-production sound effects in real time to match the picture. VFS has its own Foley studios full of all the usual - and unusual - props.
Find out more about VFS's one-year Sound Design for Visual Media program at vfs.com/sounddesign.
Students from the Sound Design for Visual Media program take a field trip to Granville Island to capture the sounds of a print shop.
Find out more about VFS's one-year Sound Design for Visual Media program at vfs.com/sounddesign.
Sound Design for Visual Media students get up close and personal with the animals of the Vancouver Aquarium to capture the sounds of various wildlife, from seals to beluga whales.
Find out more about VFS's one-year Sound Design for Visual Media program at vfs.com/sounddesign.
Sound Design for Visual Media Summer Intensive.
Find out more about VFS Summer Intensive programs at vfs.com/summerintensives.
Sound Design for Visual Media students get up close and personal with the animals of the Vancouver Aquarium to capture the sounds of various wildlife, from seals to beluga whales.
Find out more about VFS's one-year Sound Design for Visual Media program at vfs.com/sounddesign.
Top Hollywood sound duo, Perry Robertson and Scott Sanders, spend a week with VFS Sound Design students and share their experiences working on films like ‘Up in the Air’ and ‘Rambo’.
Learn more about VFS’s one-year Sound Design for Visual Media program at vfs.com/sounddesign
Sound Design for Visual Media recently visited Science World to entertain and educate a young audience of sound aficionados. VFS instructors Curtis Wright and Brad Hillman were on hand to show the audience how to recreate the sounds of “Big Weather”.
Read more about VFS Sound Design’s visit to Science World on the VFS Blog.
Find out more about VFS's one-year Sound Design for Visual Media program at vfs.com/sounddesign.
In front is Birgitte Rode from Audio Management and behind her is Claus Christensen and Peter Wallevik.
Moor ist Leben, Leben ist Kunst! Begleite die FH Salzburg bei der Umsetzung und Koordination dieses einzigartigen Projekts. Mit eindrucksvollen Bildern, spektakulären Sequenzen und einzigartiger Inszenierung versteht es die Gruppe rund um Florian Reittner Moor völlig neu in Szene zu setzen. Anfang März 2017 haben wir den Start dieses atemberaubenden Projekts angekündigt. Erlebe jetzt die ersten Eindrücke im Making Of.
Ein Projekt im Ramen des Multimedia Art Studienganges der FH Salzburg
Regie: Florian Reittner
DOP: Andreas Eymannsberger
Produktion: Sarah Hackenberger, Nina Pintis
Sounddesign: Johannes Lugstein, Julia Grall
Regieassistenz: Lukas Ganahl
Aufnahmeleitung: Raphael Maier
Script /Continuity: David Prokop
B Kamera: Cornelia Ohnmacht
A Kameraassistent: Georg Sommer
B Kameraassistent: Maximilan Miller
Materialassistent: Johannes Hagn
Oberbeleuchter: Ben Költringer
Best Boy: Maxi Obermair
Grip: Christopher Eberle
Kostüm: Kerstin Gatterbauer
Maske: Lisa Schwab
DIT: Jonas Wenzl
Technical Director: Bernhard Schröcker
3D Supervisor: Patrick Dunkl
3D Compositing: Bernhard Schröcker
Schnit: Jonas Wenzl
PA: Silvio Ebner, Magdalena Eymannsberger, Nadja Költringer, Philip Kemmer, Daniel Solymar
Cast: Daniel Limmer, Jazz Brantsch, Sophie Itzlinger, Shereen Deen, Farah Deen, Lali Strasser, Sandra Schwann, Mathias Lillich, Günter Ettinger, Gisela Gruber, Ahmed El Wafi, Erich Hufnagl, Claudia Krippl, Thomas Kaserer, Berghof-Alpakas Hallein, Lisa Schwab, Tom Langer, Sebastian Smus, Marwin Wallner, Richard Hofmann Apostolou, Andrea Pastötter, Jeremy Miliker, Julian Wenzel
Foley is the art of recording post-production sound effects in real time to match the picture. VFS has its own Foley studios full of all the usual - and unusual - props.
Find out more about VFS's one-year Sound Design for Visual Media program at vfs.com/sounddesign.
VFS welcomed Oscar-nominated sound designer Craig Berkey (X-Men: First Class, The Tree of Life) for a special visit and mentoring session with Sound Design for Visual Media students. Craig received three Academy Award nominations for his work on the recent Coen brothers’ films No Country for Old Men and True Grit.
Find out more about VFS’s one-year Sound Design for Visual Media program at vfs.com/sounddesign
Foley is the art of recording post-production sound effects in real time to match the picture. VFS has its own Foley studios full of all the usual - and unusual - props.
Find out more about VFS's one-year Sound Design for Visual Media program at vfs.com/sounddesign.
Sound Design for Visual Media students get up close and personal with the animals of the Vancouver Aquarium to capture the sounds of various wildlife, from seals to beluga whales.
Find out more about VFS's one-year Sound Design for Visual Media program at vfs.com/sounddesign.