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Sound Design students take their recording equipment behind the scenes at the Vancouver Aquarium to capture the sounds of the resident wildlife and augment their sound effect libraries.

 

Find out more about VFS's one-year Sound Design for Visual Media program at vfs.com/sounddesign.

 

Moor ist Leben, Leben ist Kunst! Begleite die FH Salzburg bei der Umsetzung und Koordination dieses einzigartigen Projekts. Mit eindrucksvollen Bildern, spektakulären Sequenzen und einzigartiger Inszenierung versteht es die Gruppe rund um Florian Reittner Moor völlig neu in Szene zu setzen. Anfang März 2017 haben wir den Start dieses atemberaubenden Projekts angekündigt. Erlebe jetzt die ersten Eindrücke im Making Of.

 

Ein Projekt im Ramen des Multimedia Art Studienganges der FH Salzburg

 

Regie: Florian Reittner

DOP: Andreas Eymannsberger

Produktion: Sarah Hackenberger, Nina Pintis

Sounddesign: Johannes Lugstein, Julia Grall

Regieassistenz: Lukas Ganahl

Aufnahmeleitung: Raphael Maier

Script /Continuity: David Prokop

B Kamera: Cornelia Ohnmacht

A Kameraassistent: Georg Sommer

B Kameraassistent: Maximilan Miller

Materialassistent: Johannes Hagn

Oberbeleuchter: Ben Költringer

Best Boy: Maxi Obermair

Grip: Christopher Eberle

Kostüm: Kerstin Gatterbauer

Maske: Lisa Schwab

DIT: Jonas Wenzl

Technical Director: Bernhard Schröcker

3D Supervisor: Patrick Dunkl

3D Compositing: Bernhard Schröcker

Schnit: Jonas Wenzl

PA: Silvio Ebner, Magdalena Eymannsberger, Nadja Költringer, Philip Kemmer, Daniel Solymar

Cast: Daniel Limmer, Jazz Brantsch, Sophie Itzlinger, Shereen Deen, Farah Deen, Lali Strasser, Sandra Schwann, Mathias Lillich, Günter Ettinger, Gisela Gruber, Ahmed El Wafi, Erich Hufnagl, Claudia Krippl, Thomas Kaserer, Berghof-Alpakas Hallein, Lisa Schwab, Tom Langer, Sebastian Smus, Marwin Wallner, Richard Hofmann Apostolou, Andrea Pastötter, Jeremy Miliker, Julian Wenzel

Students from the Sound Design for Visual Media program take a field trip to Granville Island to capture the sounds of a print shop.

 

Find out more about VFS's one-year Sound Design for Visual Media program at vfs.com/sounddesign.

Sound Design for Visual Media students get up close and personal with the animals of the Vancouver Aquarium to capture the sounds of various wildlife, from seals to beluga whales.

 

Find out more about VFS's one-year Sound Design for Visual Media program at vfs.com/sounddesign.

Sound Design for Visual Media students get up close and personal with the animals of the Vancouver Aquarium to capture the sounds of various wildlife, from seals to beluga whales.

 

Find out more about VFS's one-year Sound Design for Visual Media program at vfs.com/sounddesign.

Find out more about VFS's one-year Sound Design for Visual Media program at vfs.com/sounddesign.

The Movie 5.1 from Miller & Kreisel makes for a visually pleasant unassuming appearance and brings an unparalleled advantage to surround sound. It effectively offers minimum space requirements, astonishing sound and outstanding price-performance. This stellar system offers crystal clear dialogue reproduction. Explore MK movie 5.1 system, now at Soundfield

 

For more information on offers in Kerala, please DM, WhatsApp or call +91 8589007362

 

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Sound Design students take their recording equipment behind the scenes at the Vancouver Aquarium to capture the sounds of the resident wildlife and augment their sound effect libraries.

 

Find out more about VFS's one-year Sound Design for Visual Media program at vfs.com/sounddesign.

 

VFS Sound Design students need to collect a wide range of sounds to use in the soundscapes of their final projects.

 

This recording session was organized by current student Ryan Thompson for his final project, which required a lot of car noise. The students rented a "Dyno" from a local tuning shop in order to accelerate the car to exceedingly high speeds without the risk of actually taking it on the road.

 

Find out more about VFS's one-year Sound Design for Visual Media program at vfs.com/sounddesign.

VFS Sound Design students need to collect a wide range of sounds to use in the soundscapes of their final projects.

 

This recording session was organized by current student Ryan Thompson for his final project, which required a lot of car noise. The students rented a "Dyno" from a local tuning shop in order to accelerate the car to exceedingly high speeds without the risk of actually taking it on the road.

 

Find out more about VFS's one-year Sound Design for Visual Media program at vfs.com/sounddesign.

Jazz an der HfM

Eine konzertante Klanginstallation

„What you hear is what you hear“

(frei nach Frank Stella, Minimalartist USA)

 

Big Band der HfM Detmold

Shawn Grocott: Leitung, Posaune

Kim Efert: Kompositionen, Arrangements, Gitarre

– unter Einbeziehung der Wellenfeldsynthese –

[Generalprobe]

 

3rds Circle – Saxophone: Georg Schmitt, David Waldeyer, Anna-Lena Delger, Magdalena Haßelbacher, Hörner: Lukas Pfundt, Lukas Kuhn, Posaunen: Simon Pfundt, Friedrich Hultsch, Trompeten: Andreas Herrnleben, Tabea Löbbecke, Javier Jiménez Villarán, Malte Mittrowann – Harfe: Milena Hoge, Klavier/Akkordeon: Michael Rettig, Kontrabass: Marius Strootmann, Schlagzeug/Vibraphon: Jens Korte, Schlagzeug/Klavier: René Pauls – Wellenfeldsynthese/Sounddesign: Sascha Etezazi, Leonard Loock, Juan Moreno, Programmierung der Klangquellensteuerung: Alexander Leemhuis, Sounddesign: Sebastian Breiter, Beschallung: Marco Adamczyk, Florian Götz, Licht: Manuel Grunden – Dank an Malte Heins, Prof. Malte Kob und Prof. Michael Schubert, für die große Unterstützung für dieses Projekt [Quelle: www.hfm-detmold.de]

Moor ist Leben, Leben ist Kunst! Begleite die FH Salzburg bei der Umsetzung und Koordination dieses einzigartigen Projekts. Mit eindrucksvollen Bildern, spektakulären Sequenzen und einzigartiger Inszenierung versteht es die Gruppe rund um Florian Reittner Moor völlig neu in Szene zu setzen. Anfang März 2017 haben wir den Start dieses atemberaubenden Projekts angekündigt. Erlebe jetzt die ersten Eindrücke im Making Of.

 

Ein Projekt im Ramen des Multimedia Art Studienganges der FH Salzburg

 

Regie: Florian Reittner

DOP: Andreas Eymannsberger

Produktion: Sarah Hackenberger, Nina Pintis

Sounddesign: Johannes Lugstein, Julia Grall

Regieassistenz: Lukas Ganahl

Aufnahmeleitung: Raphael Maier

Script /Continuity: David Prokop

B Kamera: Cornelia Ohnmacht

A Kameraassistent: Georg Sommer

B Kameraassistent: Maximilan Miller

Materialassistent: Johannes Hagn

Oberbeleuchter: Ben Költringer

Best Boy: Maxi Obermair

Grip: Christopher Eberle

Kostüm: Kerstin Gatterbauer

Maske: Lisa Schwab

DIT: Jonas Wenzl

Technical Director: Bernhard Schröcker

3D Supervisor: Patrick Dunkl

3D Compositing: Bernhard Schröcker

Schnit: Jonas Wenzl

PA: Silvio Ebner, Magdalena Eymannsberger, Nadja Költringer, Philip Kemmer, Daniel Solymar

Cast: Daniel Limmer, Jazz Brantsch, Sophie Itzlinger, Shereen Deen, Farah Deen, Lali Strasser, Sandra Schwann, Mathias Lillich, Günter Ettinger, Gisela Gruber, Ahmed El Wafi, Erich Hufnagl, Claudia Krippl, Thomas Kaserer, Berghof-Alpakas Hallein, Lisa Schwab, Tom Langer, Sebastian Smus, Marwin Wallner, Richard Hofmann Apostolou, Andrea Pastötter, Jeremy Miliker, Julian Wenzel

Sound Design for Visual Media Summer Intensive.

 

Find out more about VFS Summer Intensive programs at vfs.com/summerintensives.

Find out more about VFS's one-year Sound Design for Visual Media program at vfs.com/sounddesign.

Find out more about VFS's one-year Sound Design for Visual Media program at vfs.com/sounddesign.

Sound Design for Visual Media recently visited Science World to entertain and educate a young audience of sound aficionados. VFS instructors Curtis Wright and Brad Hillman were on hand to show the audience how to recreate the sounds of “Big Weather”.

 

Read more about VFS Sound Design’s visit to Science World on the VFS Blog.

 

Find out more about VFS's one-year Sound Design for Visual Media program at vfs.com/sounddesign.

 

CAT ON A HOT TIN ROOF

by Tennessee Williams

Village Players, Toronto

September 29 - October 21, 2000

Directed by Anne Harper

 

Composite CAST photo

Top row:

3 Dixies: Alexandra Heeney, Marta Herman & Samantha Claire Neayem

Fred Dus as Doctor Baugh

Janet Tovey as Sookey; Christine Lambert as Lacey

 

Second Row:

Lynne Terry as Big Mama

John Sugden as Big Daddy

Trudi Deacon as Mae

 

Third Row:

Brandon Barre Brick

Kiran Friesen as Maggie

Paul Shoebridge as Gooper

 

Bottom Row:

Anne Harper, director

Liam Doherty as Reverend Tooker

  

PRODUCTION STAFF

Producer: Françoise Nadeau

Stage Manager: John Rigby

Set Design: Rick Zimmerman

Lighting Design: Bruce Aitken

SoundDesign: J.R. Rudge

Costumes: Theresa Arneaud

Properties : Anita & Françoise

Poster: Katherine Harper

Program: Heather Aitken

Publicity: Jennifer Hubbs

Box Office: Val, Jenn, Heather, Liz, Judith, Françoise

Photography: Greg Tjepkema

  

Gary Bourgeois, one of the film industry’s top re-recording mixers, visited the Sound Design for Visual Media campus, enthralling students for nearly four hours with his experiences. Gary has been active in the industry since the early 1970′s, working on Pretty in Pink, Pleasantville, Charlie’s Angels, and The Bourne Supremacy.

 

Find out more about VFS's one-year Sound Design for Visual Media program at www.vfs.com/sounddesign .

Last November, sound sculptor Ranjit Bhatnagar visited Berklee's Valencia campus to offer a seminar on interactive sound art and installations. He also handcrafts original music instruments.

www.musicworksnyc.com

 

photo credit: Erich Woodrum (www.afropop.org)

 

Youssou N'Dour, Aurelio Martinez, Sandra Bell journeyagents.com

 

Part of the workshop relating to Hilton Copenhagen, headed by Josef Schmid Jr., Director of Operations.

 

PLEASE NOTE: I DID NOT TAKE THIS PHOTO.

Find out more about VFS's one-year Sound Design for Visual Media program at vfs.com/sounddesign.

Sound Design students take their recording equipment behind the scenes at the Vancouver Aquarium to capture the sounds of the resident wildlife and augment their sound effect libraries.

 

Find out more about VFS's one-year Sound Design for Visual Media program at vfs.com/sounddesign.

 

Sound Design for Visual Media Summer Intensive.

 

Find out more about VFS Summer Intensive programs at vfs.com/summerintensives.

Sound Design students take their recording equipment behind the scenes at the Vancouver Aquarium to capture the sounds of the resident wildlife and augment their sound effect libraries.

 

Find out more about VFS's one-year Sound Design for Visual Media program at vfs.com/sounddesign.

 

Sound Design students take their recording equipment behind the scenes at the Vancouver Aquarium to capture the sounds of the resident wildlife and augment their sound effect libraries.

 

Find out more about VFS's one-year Sound Design for Visual Media program at vfs.com/sounddesign.

 

The exquisite formation wireless technology creates the perfect in room speaker synchronization that allows us to listen to every fine detail in flawless harmony. Explore formation wedges now at Soundfield

For more information on offers in Kerala, please DM, WhatsApp or call +91 8589007362

 

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Two of the biggest names in feature film sound design dropped by VFS, treating a packed house to an in-depth look at their impressive body of work in films from directors like Terrence Malick, the Coen brothers, Martin Scorsese, and more.

 

Find out more about VFS's one-year Sound Design for Visual Media program at vfs.com/sounddesign.

Sound Design students take their recording equipment behind the scenes at the Vancouver Aquarium to capture the sounds of the resident wildlife and augment their sound effect libraries.

 

Find out more about VFS's one-year Sound Design for Visual Media program at vfs.com/sounddesign.

 

Jazz an der HfM

Eine konzertante Klanginstallation

„What you hear is what you hear“

(frei nach Frank Stella, Minimalartist USA)

 

Big Band der HfM Detmold

Shawn Grocott: Leitung, Posaune

Kim Efert: Kompositionen, Arrangements, Gitarre

– unter Einbeziehung der Wellenfeldsynthese –

[Generalprobe]

 

3rds Circle – Saxophone: Georg Schmitt, David Waldeyer, Anna-Lena Delger, Magdalena Haßelbacher, Hörner: Lukas Pfundt, Lukas Kuhn, Posaunen: Simon Pfundt, Friedrich Hultsch, Trompeten: Andreas Herrnleben, Tabea Löbbecke, Javier Jiménez Villarán, Malte Mittrowann – Harfe: Milena Hoge, Klavier/Akkordeon: Michael Rettig, Kontrabass: Marius Strootmann, Schlagzeug/Vibraphon: Jens Korte, Schlagzeug/Klavier: René Pauls – Wellenfeldsynthese/Sounddesign: Sascha Etezazi, Leonard Loock, Juan Moreno, Programmierung der Klangquellensteuerung: Alexander Leemhuis, Sounddesign: Sebastian Breiter, Beschallung: Marco Adamczyk, Florian Götz, Licht: Manuel Grunden – Dank an Malte Heins, Prof. Malte Kob und Prof. Michael Schubert, für die große Unterstützung für dieses Projekt [Quelle: www.hfm-detmold.de]

Sound Design students take their recording equipment behind the scenes at the Vancouver Aquarium to capture the sounds of the resident wildlife and augment their sound effect libraries.

 

Find out more about VFS's one-year Sound Design for Visual Media program at www.vfs.com/sounddesign.

 

Jazz an der HfM

Eine konzertante Klanginstallation

„What you hear is what you hear“

(frei nach Frank Stella, Minimalartist USA)

 

Big Band der HfM Detmold

Shawn Grocott: Leitung, Posaune

Kim Efert: Kompositionen, Arrangements, Gitarre

– unter Einbeziehung der Wellenfeldsynthese –

[Generalprobe]

 

3rds Circle – Saxophone: Georg Schmitt, David Waldeyer, Anna-Lena Delger, Magdalena Haßelbacher, Hörner: Lukas Pfundt, Lukas Kuhn, Posaunen: Simon Pfundt, Friedrich Hultsch, Trompeten: Andreas Herrnleben, Tabea Löbbecke, Javier Jiménez Villarán, Malte Mittrowann – Harfe: Milena Hoge, Klavier/Akkordeon: Michael Rettig, Kontrabass: Marius Strootmann, Schlagzeug/Vibraphon: Jens Korte, Schlagzeug/Klavier: René Pauls – Wellenfeldsynthese/Sounddesign: Sascha Etezazi, Leonard Loock, Juan Moreno, Programmierung der Klangquellensteuerung: Alexander Leemhuis, Sounddesign: Sebastian Breiter, Beschallung: Marco Adamczyk, Florian Götz, Licht: Manuel Grunden – Dank an Malte Heins, Prof. Malte Kob und Prof. Michael Schubert, für die große Unterstützung für dieses Projekt [Quelle: www.hfm-detmold.de]

Jazz an der HfM

Eine konzertante Klanginstallation

„What you hear is what you hear“

(frei nach Frank Stella, Minimalartist USA)

 

Big Band der HfM Detmold

Shawn Grocott: Leitung, Posaune

Kim Efert: Kompositionen, Arrangements, Gitarre

– unter Einbeziehung der Wellenfeldsynthese –

[Generalprobe]

 

3rds Circle – Saxophone: Georg Schmitt, David Waldeyer, Anna-Lena Delger, Magdalena Haßelbacher, Hörner: Lukas Pfundt, Lukas Kuhn, Posaunen: Simon Pfundt, Friedrich Hultsch, Trompeten: Andreas Herrnleben, Tabea Löbbecke, Javier Jiménez Villarán, Malte Mittrowann – Harfe: Milena Hoge, Klavier/Akkordeon: Michael Rettig, Kontrabass: Marius Strootmann, Schlagzeug/Vibraphon: Jens Korte, Schlagzeug/Klavier: René Pauls – Wellenfeldsynthese/Sounddesign: Sascha Etezazi, Leonard Loock, Juan Moreno, Programmierung der Klangquellensteuerung: Alexander Leemhuis, Sounddesign: Sebastian Breiter, Beschallung: Marco Adamczyk, Florian Götz, Licht: Manuel Grunden – Dank an Malte Heins, Prof. Malte Kob und Prof. Michael Schubert, für die große Unterstützung für dieses Projekt [Quelle: www.hfm-detmold.de]

Find out more about VFS's one-year Sound Design for Visual Media program at vfs.com/sounddesign.

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This elegantly designed speakers feature compact cabinets with seamless magnetic grille for aesthetic elegance. WaveGuide acoustic technology paired with a 25.4mm (1”) silk dome tweeter for a cleaner sound throughout your space and 102mm (4") poly fiber woofer for a balanced musical low end. Explore Jamo outdoor speakers with Soundfield

 

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Sound Design students take their recording equipment behind the scenes at the Vancouver Aquarium to capture the sounds of the resident wildlife and augment their sound effect libraries.

 

Find out more about VFS's one-year Sound Design for Visual Media program at www.vfs.com/sounddesign.

 

Gary Bourgeois, one of the film industry’s top re-recording mixers, visited the Sound Design for Visual Media campus, enthralling students for nearly four hours with his experiences. Gary has been active in the industry since the early 1970′s, working on Pretty in Pink, Pleasantville, Charlie’s Angels, and The Bourne Supremacy.

 

Find out more about VFS's one-year Sound Design for Visual Media program at www.vfs.com/sounddesign .

Jazz an der HfM

Eine konzertante Klanginstallation

„What you hear is what you hear“

(frei nach Frank Stella, Minimalartist USA)

 

Big Band der HfM Detmold

Shawn Grocott: Leitung, Posaune

Kim Efert: Kompositionen, Arrangements, Gitarre

– unter Einbeziehung der Wellenfeldsynthese –

 

3rds Circle – Saxophone: Georg Schmitt, David Waldeyer, Anna-Lena Delger, Magdalena Haßelbacher, Hörner: Lukas Pfundt, Lukas Kuhn, Posaunen: Simon Pfundt, Friedrich Hultsch, Trompeten: Andreas Herrnleben, Tabea Löbbecke, Javier Jiménez Villarán, Malte Mittrowann – Harfe: Milena Hoge, Klavier/Akkordeon: Michael Rettig, Kontrabass: Marius Strootmann, Schlagzeug/Vibraphon: Jens Korte, Schlagzeug/Klavier: René Pauls – Wellenfeldsynthese/Sounddesign: Sascha Etezazi, Leonard Loock, Juan Moreno, Programmierung der Klangquellensteuerung: Alexander Leemhuis, Sounddesign: Sebastian Breiter, Beschallung: Marco Adamczyk, Florian Götz, Licht: Manuel Grunden – Dank an Malte Heins, Prof. Malte Kob und Prof. Michael Schubert, für die große Unterstützung für dieses Projekt [Quelle: www.hfm-detmold.de]

Jazz an der HfM

Eine konzertante Klanginstallation

„What you hear is what you hear“

(frei nach Frank Stella, Minimalartist USA)

 

Big Band der HfM Detmold

Shawn Grocott: Leitung, Posaune

Kim Efert: Kompositionen, Arrangements, Gitarre

– unter Einbeziehung der Wellenfeldsynthese –

[Generalprobe]

 

3rds Circle – Saxophone: Georg Schmitt, David Waldeyer, Anna-Lena Delger, Magdalena Haßelbacher, Hörner: Lukas Pfundt, Lukas Kuhn, Posaunen: Simon Pfundt, Friedrich Hultsch, Trompeten: Andreas Herrnleben, Tabea Löbbecke, Javier Jiménez Villarán, Malte Mittrowann – Harfe: Milena Hoge, Klavier/Akkordeon: Michael Rettig, Kontrabass: Marius Strootmann, Schlagzeug/Vibraphon: Jens Korte, Schlagzeug/Klavier: René Pauls – Wellenfeldsynthese/Sounddesign: Sascha Etezazi, Leonard Loock, Juan Moreno, Programmierung der Klangquellensteuerung: Alexander Leemhuis, Sounddesign: Sebastian Breiter, Beschallung: Marco Adamczyk, Florian Götz, Licht: Manuel Grunden – Dank an Malte Heins, Prof. Malte Kob und Prof. Michael Schubert, für die große Unterstützung für dieses Projekt [Quelle: www.hfm-detmold.de]

Photos from the dress rehearsal for SCLOrk concert inside the Music Recital Hall on March 16, 2017.

 

SCLOrk (the Santa Clara Laptop Orchestra) is an innovative ensemble of up to sixteen players dedicated to the creation and performance of live electronic music. Created in the Spring of 2012 by SCU faculty Bruno Ruviaro and students, this interdisciplinary group explores the intersection of music composition, live performance, human/computer interaction, programming, and sound design, with emphasis on musical creativity based on cutting-edge technologies.

 

(Photo by Joanne H. Lee/Santa Clara University)

18 sept. 2015 NIEUWE FILMERS Filmfestival in Theater aan de Parade Den Bosch.

 

De première avond van vijf korte films van jonge filmers gemaakt tijdens de ONE WEEK FILM project [10 t/m 14 aug. jl.], met interviews met de makers én uitreiking van de film award Het Paradepaardje! En bekendmaking eervolle vermeldingen voor best editing, best acting, best sounddesign, best camera DOP.

 

De films

-Mr HERO - team Cinema HYPE, regisseur Vincent Plu

- RUIMEL - team Rebel with a Crew regisseur Joris Sluiter

-SOKPOP - team IN PRINCIPE, regisseur Lenn-Art van Oostenbrugge

-WATERGAMES - team CineRaw, regisseur Robin de Ridder

- ZAP - team Rosebud, regisseur Jan van Ooijen.

 

Jury Marieke Jonker Amstelfilm/ JT bioscopen,

Marinus Groothof Regisseur, Harry Vermeulen directeur TP en Gertjan Stads ambassadeur TP.

 

Presentatie Coen Haver,

NF team Monique van de Wijdeven, Coen Haver, Marjoes Corsten en Marcus Peters

 

Live camera Rolf Jurgens

Techniek Ivan Hidayat

Fotografie Anouk Dalessi, Elise Borsboom, Marcus Peters / film Tristan Verbunt

Sound Design Instructor Curtis Wright (left) with Ray Beckett.

 

Find out more about VFS's one-year Sound Design for Visual Media program at vfs.com/sounddesign.

ITIM ASU. Contemporary dance artist Myra Beltran collaborates with video artist Sherad Anthony Sanchez and sound designer Teresa Barrozo to choreograph a deconstructed version of Virgie Moreno’s play The Onyx Wolf/Itim Asu on November 26 to 28 at Dance Forum Space, 36E West Avenue, Quezon City.

 

www.manilatimes.net/index.php/lifestyle/5767-virgie-moren...

 

www.youtube.com/watch?v=Y6aTSsmOU0s

Find out more about VFS's one-year Sound Design for Visual Media program at vfs.com/sounddesign.

Sound Design for Visual Media Summer Intensive.

 

Find out more about VFS Summer Intensive programs at vfs.com/summerintensives.

Find out more about VFS's one-year Sound Design for Visual Media program at vfs.com/sounddesign.

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