Music for the dance piece 'La ville en grâce' by the Korean choreographer Young-Ho Nam.

Composition, mix & production : David Lavaysse.

Available on CD & digital.

CD version limited to 100 copies wrapped in ‘Hanji’ Korean paper hand-made from a dough of mulberry tree cultivated in Korea.

> 1fuse.fr/la-ville-en-grace/lveg-english.html

////////////////////////////////////

Musique de la pièce chorégraphique 'La ville en grâce' de Young-ho Nam.

Composition, mixage et production : David Lavaysse.

Disponible en CD & digital.

Édition de 100 CD enveloppés dans du papier coréen ‘Hanji’ fabriqué à la main à partir d’une pâte de mûrier cultivé en Corée.

> 1fuse.fr/la-ville-en-grace

////////////////////////////////////

Thinking on some foley - the image view where i imagine on a solution.....

Direção: Eduardo Barrio e Danilo Pschera

Trilha Sonor: Ulisses Galetto

Exploring Sonic Interaction with Artefacts in Everyday Contexts

Hands-on sonic interaction design workshop on 23 June 2008 at IRCAM (Paris, France).

Part of the 14th International Conference on Auditory Display, 24-27 June 2008

Organizers: Karmen Franinovic, Lalya Gaye, Frauke Behrendt

Workshop website: sonicinteraction.wordpress.com.

"Music and sound have become essential elements in the nonfiction narrative. What is the

intricate relationship between music and documentary films? How can you successfully utilize

sound design in a documentary? Style and instrumentation are dictated by the project, and

songwriter, composer and producer Todd Griffin (The Overnighters, E-Team) presents several

examples, leading us through this creative process."

with David Teague and Thom Paul

THE VALLEY MISSION CARE

by Russel Legaspi

direction: Missy Maramara

lighting design: Meliton Roxas, Franz Beo

video design: Winter David

music and sound design: Teresa Barrozo

stage management: Noah Suena

cast:

Siegfried Sepulveda

Mayen Estanero

Richard S. Cunanan

-----

photo by Teresa Barrozo

teresabarrozo.webs.com/

CD cover design for sound design course at IED.

Exploring Sonic Interaction with Artefacts in Everyday Contexts

Hands-on sonic interaction design workshop on 23 June 2008 at IRCAM (Paris, France).

Part of the 14th International Conference on Auditory Display, 24-27 June 2008

Organizers: Karmen Franinovic, Lalya Gaye, Frauke Behrendt

Workshop website: sonicinteraction.wordpress.com.

A musician plays an electric guitar intensely on stage

Music for the dance piece 'La ville en grâce' by the Korean choreographer Young-Ho Nam.

Composition, mix & production : David Lavaysse.

Available on CD & digital.

CD version limited to 100 copies wrapped in ‘Hanji’ Korean paper hand-made from a dough of mulberry tree cultivated in Korea.

> 1fuse.fr/la-ville-en-grace/lveg-english.html

////////////////////////////////////

Musique de la pièce chorégraphique 'La ville en grâce' de Young-ho Nam.

Composition, mixage et production : David Lavaysse.

Disponible en CD & digital.

Édition de 100 CD enveloppés dans du papier coréen ‘Hanji’ fabriqué à la main à partir d’une pâte de mûrier cultivé en Corée.

> 1fuse.fr/la-ville-en-grace

////////////////////////////////////

THE VALLEY MISSION CARE

by Russel Legaspi

direction: Missy Maramara

lighting design: Meliton Roxas, Franz Beo

video design: Winter David

music and sound design: Teresa Barrozo

stage management: Noah Suena

cast:

Siegfried Sepulveda

Mayen Estanero

Richard S. Cunanan

-----

photo by Teresa Barrozo

teresabarrozo.webs.com/

Exploring Sonic Interaction with Artefacts in Everyday Contexts

Hands-on sonic interaction design workshop on 23 June 2008 at IRCAM (Paris, France).

Part of the 14th International Conference on Auditory Display, 24-27 June 2008

Organizers: Karmen Franinovic, Lalya Gaye, Frauke Behrendt

Workshop website: sonicinteraction.wordpress.com.

Sander Huiberts - Richard van Tol (Creative Heroes)

Typewriter used to create all the clicking sounds used for the touch screen navigation.

www.liminal.org.uk

THE VALLEY MISSION CARE

by Russel Legaspi

direction: Missy Maramara

lighting design: Meliton Roxas, Franz Beo

video design: Winter David

music and sound design: Teresa Barrozo

stage management: Noah Suena

cast:

Siegfried Sepulveda

Mayen Estanero

Richard S. Cunanan

-----

photo by Teresa Barrozo

teresabarrozo.webs.com/

Man wird nur einmal 200! Wir feiern Anton Bruckner, kommen Sie mit! Besuchen Sie in einem geführten Walk unsere begehbaren und interaktiven Klangerlebnisse und tauchen so in die Welt Bruckners ein. Was könnte ihn damals inspiriert haben? Finden Sie es heraus und spielen doch Sie mal die „erste Geige“ im Bruckner Orchester.

Credits:

Ars Electronica Futurelab, Sounddesign by Julian P. Schmiederer, OÖ KulturEXPO Anton Bruckner 2024

Photo: Ars Electronica / Magdalena Sick-Leitner

Matthijs Dierckx (Control Magazine)

Exploring Sonic Interaction with Artefacts in Everyday Contexts

Hands-on sonic interaction design workshop on 23 June 2008 at IRCAM (Paris, France).

Part of the 14th International Conference on Auditory Display, 24-27 June 2008

Organizers: Karmen Franinovic, Lalya Gaye, Frauke Behrendt

Workshop website: sonicinteraction.wordpress.com.

Man wird nur einmal 200! Wir feiern Anton Bruckner, kommen Sie mit! Besuchen Sie in einem geführten Walk unsere begehbaren und interaktiven Klangerlebnisse und tauchen so in die Welt Bruckners ein. Was könnte ihn damals inspiriert haben? Finden Sie es heraus und spielen doch Sie mal die „erste Geige“ im Bruckner Orchester.

Credits:

Ars Electronica Futurelab, Sounddesign by Julian P. Schmiederer, OÖ KulturEXPO Anton Bruckner 2024

Photo: Ars Electronica / Magdalena Sick-Leitner

John's contribution to our campfires... thanks John!

Wie können wir neue Geschichten aus dem kulturellen Erbe erzählen? The Mask of Time ist ein audiovisuelles Werk von Mattia Casalegno und Martux_m, das für die Fondazione Giorgio Cini im Rahmen des Digitalzentrums ARCHiVe geschaffen wurde. Mithilfe von Archivmaterialien und Technologien wie KI, 3D-Modellierung und Sounddesign wird das historische Teatro Verde neu interpretiert – durch photogrammetrische Scans und immersive virtuelle Bühnenbilder. Hyperrealistische Avatare lassen vergangene Inszenierungen wieder aufleben und machen das Theater zu einem Ort, an dem Natur, Kultur und Technologie auf visionäre Weise zusammenfinden.

Foto: Ars Electronica / Birgit Cakir

Going through my Into The Woods script for sound design notes. 400+ pages, holy crap!

old street studios stationary design

Anton Woldhek (Guerrilla Games)

There's nothing better than getting some time in front of a sound board. Checking levels, adjusting settings, it's an endless world of possibilities. Projects are completed in Adobe Audition and Adobe Premier.

Kyle Bottom

BCIT - Radio Arts and Entertainment

2019-2020

Man wird nur einmal 200! Wir feiern Anton Bruckner, kommen Sie mit! Besuchen Sie in einem geführten Walk unsere begehbaren und interaktiven Klangerlebnisse und tauchen so in die Welt Bruckners ein. Was könnte ihn damals inspiriert haben? Finden Sie es heraus und spielen doch Sie mal die „erste Geige“ im Bruckner Orchester.

Credits:

Ars Electronica Futurelab, Sounddesign by Julian P. Schmiederer, OÖ KulturEXPO Anton Bruckner 2024

Photo: Ars Electronica / Magdalena Sick-Leitner