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Structure monumentale avec projection vidéo et habillage LED, NYE 2015 « Crazy Night » Val Thorens, savoie
Crédit photo: Lara BOURREL
Exploring Sonic Interaction with Artefacts in Everyday Contexts
Hands-on sonic interaction design workshop on 23 June 2008 at IRCAM (Paris, France).
Part of the 14th International Conference on Auditory Display, 24-27 June 2008
Organizers: Karmen Franinovic, Lalya Gaye, Frauke Behrendt
Workshop website: sonicinteraction.wordpress.com.
Meri Amber joined John Vella for a recording session in John Vella's home studio. www.meriamber.com/blog/2013/12/recording-with-john-vella/
Meri Amber joined John Vella for a recording session in John Vella's home studio. www.meriamber.com/blog/2013/12/recording-with-john-vella/
THE VALLEY MISSION CARE
by Russel Legaspi
direction: Missy Maramara
lighting design: Meliton Roxas, Franz Beo
video design: Winter David
music and sound design: Teresa Barrozo
stage management: Noah Suena
cast:
Siegfried Sepulveda
Mayen Estanero
Richard S. Cunanan
-----
photo by Teresa Barrozo
THE VALLEY MISSION CARE
by Russel Legaspi
direction: Missy Maramara
lighting design: Meliton Roxas, Franz Beo
video design: Winter David
music and sound design: Teresa Barrozo
stage management: Noah Suena
cast:
Siegfried Sepulveda
Mayen Estanero
Richard S. Cunanan
-----
photo by Teresa Barrozo
cargocollective.com/stefanodalessio
Out of Countenance
AudioVisual performance
Stefano D'Alessio | Martina Menegon
Vienna 2013
Out of countenance is a dialogue between two faces, deformed and transformed by a digital process into something strange, obsolete. The facial expressions are exaggerated and amplified, drew in a 3-Dimensional space, bringing the common feeling of expression in a different and distorted perception. The human face as known looses its physiognomy, allowing the other face to overlap, mix, fuse within it, turning into a digital creature, an extension of the human being in the digital era.
Two performers stands in front of their computer, positioned one to the extreme left and the other at the extreme right of the stage. The computers capture the performers faces thru their internal webcams, generating an interactive video flow that is projected on a screen. The projection screen fills the whole stage standing between the two performers. The two computers generate also an interactive audio flow. The performers interact with the system thru their movement, the expressions and distortions of their faces, generating different visuals and sounds.
The software in use in the two computers is created within MaxMSP/Jitter, two different patches are running on each computer.
The video images are captured in realtime by the two webcams, combined in different ways, distorted in time and space and transposed in a 3d environment.
Video and audio are always related, in sync and always interacting between each other.
The audio has different natures, pre-made, modified in realtime, realtime generated and generated via webcam interaction. The two software contained in both computer act as one audio visual generating flux and it has a fix time schedule that permit the performance development to have a precise order and execution.
The Harmony Test
Written by Richard Molloy and directed by Jodi Rilot
About the play:
Newlyweds Zoe and Kash are on a mission to have a baby. From sex schedules to dodgy under-the-counter remedies, increasingly desperate antics begin to take over their lives. With every aspect of their schedules, diets and sex lives revolving around conception, relationship cracks seem inevitable. If they do successfully conceive, what will this mean for Kash’s fledgling acting career? If they don’t, how will Zoe get over losing what she feels is her true purpose in life?
Meanwhile, empty-nesters Charlie and Naomi are facing a different matrimonial challenge, and it looks terminal. Charlie is bewildered that his wife does not share his excitement at finally having the house to themselves. Naomi can’t remember what attracted her to Charlie in the first place. Lacking any meaningful connection in her life, she heads to the gym, where she finds "connection" aplenty in the shape of Rocco, a personal trainer 20 years her junior.
Richard Molloy’s darkly funny drama explores the ups and downs, hilarity and awkwardness that accompany the heart-wrenching journey of trying to conceive.
Performances: Tuesday 12th May - Saturday 16th May 2026
Putney Arts Theatre - Studio
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Best Series Nomination Video | 2024 Septimius Awards Film Ceremony**
This video showcases my video production skills while highlighting the exceptional nominees for Best Series at the 2024 Septimius Awards Film Ceremony. It emphasizes the storytelling, performances, and overall artistry that bring these series to life.
As the creative lead for the nomination videos, marketing materials, and overall artistic direction, I was responsible for curating and editing each video to ensure the nominees received the recognition they deserve. I coordinated closely with each nominee and their teams, ensuring each video highlighted the essence of their work in a way that was visually engaging and true to the spirit of the category.
For this video, I focused on the series’ narrative strength, performances, and the unique aspects that made each series stand out. The pacing, visuals, and sound design were carefully balanced to reflect the mood and tone of each nominee’s project, bringing their contribution to the cinematic landscape to the forefront.
This video is not just a showcase of great work of all involved in each series, it is a tribute to the teams that push boundaries, challenge the norm, and leave a lasting impact on audiences. It celebrates the creative forces behind these projects, honoring their ability to captivate and inspire.
See the full set of nomination videos here:
www.youtube.com/@digitalnavigatorz
See more at:
THE VALLEY MISSION CARE
by Russel Legaspi
direction: Missy Maramara
lighting design: Meliton Roxas, Franz Beo
video design: Winter David
music and sound design: Teresa Barrozo
stage management: Noah Suena
cast:
Siegfried Sepulveda
Mayen Estanero
Richard S. Cunanan
-----
photo by Teresa Barrozo
Sound designer Van is teaching Sound Design 101 in Studio i for teens. Workshops with professionals series.
THE VALLEY MISSION CARE
by Russel Legaspi
direction: Missy Maramara
lighting design: Meliton Roxas, Franz Beo
video design: Winter David
music and sound design: Teresa Barrozo
stage management: Noah Suena
cast:
Siegfried Sepulveda
Mayen Estanero
Richard S. Cunanan
-----
photo by Teresa Barrozo
Structure monumentale avec projection vidéo et habillage LED, NYE 2015 « Crazy Night » Val Thorens, savoie
Crédit photo: Cyril CATTIN
THE VALLEY MISSION CARE
by Russel Legaspi
direction: Missy Maramara
lighting design: Meliton Roxas, Franz Beo
video design: Winter David
music and sound design: Teresa Barrozo
stage management: Noah Suena
cast:
Siegfried Sepulveda
Mayen Estanero
Richard S. Cunanan
-----
photo by Teresa Barrozo
This piece was commissioned by Organic's Toronto office in 2008. The tagline of "Get ready for the next hundred years" probably wasn't intended to refer to Chapter 11>Fiat. But you can still dig our sound design, pilgrim.
Creative Director for Organic Toronto: Clare Meridew
Sound design & mix/master by Madsound
madsound.org
info@madsound.org
Exploring Sonic Interaction with Artefacts in Everyday Contexts
Hands-on sonic interaction design workshop on 23 June 2008 at IRCAM (Paris, France).
Part of the 14th International Conference on Auditory Display, 24-27 June 2008
Organizers: Karmen Franinovic, Lalya Gaye, Frauke Behrendt
Workshop website: sonicinteraction.wordpress.com.
Man wird nur einmal 200! Wir feiern Anton Bruckner, kommen Sie mit! Besuchen Sie in einem geführten Walk unsere begehbaren und interaktiven Klangerlebnisse und tauchen so in die Welt Bruckners ein. Was könnte ihn damals inspiriert haben? Finden Sie es heraus und spielen doch Sie mal die „erste Geige“ im Bruckner Orchester.
Credits:
Ars Electronica Futurelab, Sounddesign by Julian P. Schmiederer, OÖ KulturEXPO Anton Bruckner 2024
Photo: Ars Electronica / Magdalena Sick-Leitner
Man wird nur einmal 200! Wir feiern Anton Bruckner, kommen Sie mit! Besuchen Sie in einem geführten Walk unsere begehbaren und interaktiven Klangerlebnisse und tauchen so in die Welt Bruckners ein. Was könnte ihn damals inspiriert haben? Finden Sie es heraus und spielen doch Sie mal die „erste Geige“ im Bruckner Orchester.
Credits:
Ars Electronica Futurelab, Sounddesign by Julian P. Schmiederer, OÖ KulturEXPO Anton Bruckner 2024
Photo: Ars Electronica / Magdalena Sick-Leitner
by MARK PALLMAN & AMANDA SPEVA
sound mixed by ERIK RASMUSSEN at Observatory Studios
Watch this video on Vimeo. Video created by Fruit Bonus.
Exploring Sonic Interaction with Artefacts in Everyday Contexts
Hands-on sonic interaction design workshop on 23 June 2008 at IRCAM (Paris, France).
Part of the 14th International Conference on Auditory Display, 24-27 June 2008
Organizers: Karmen Franinovic, Lalya Gaye, Frauke Behrendt
Workshop website: sonicinteraction.wordpress.com.
Sculpture by Gary Deirmendjian, 2005
Inner is a monumental sandstone installation that aims to evoke and question the
tensions between one’s objective and subjective realities – the former striving for
perspective and the latter for engagement. Sandstone is perhaps the most patient and
humble of materials, formed simply of sand particles bound in a little clay and pressed
under great sedimentary weight over hundreds of millions of years. It is absorbent,
unable to be polished and responds to the slightest changes in moisture and light. It is
considered a suitable metaphor by Deirmendjian for encapsulating the story of human
arrival and its endangered virtues of humility and compassion.
Exploring Sonic Interaction with Artefacts in Everyday Contexts
Hands-on sonic interaction design workshop on 23 June 2008 at IRCAM (Paris, France).
Part of the 14th International Conference on Auditory Display, 24-27 June 2008
Organizers: Karmen Franinovic, Lalya Gaye, Frauke Behrendt
Workshop website: sonicinteraction.wordpress.com.
Photos from the dress rehearsal for SCLOrk concert inside the Music Recital Hall on March 16, 2017.
SCLOrk (the Santa Clara Laptop Orchestra) is an innovative ensemble of up to sixteen players dedicated to the creation and performance of live electronic music. Created in the Spring of 2012 by SCU faculty Bruno Ruviaro and students, this interdisciplinary group explores the intersection of music composition, live performance, human/computer interaction, programming, and sound design, with emphasis on musical creativity based on cutting-edge technologies.
(Photo by Joanne H. Lee/Santa Clara University)
Musicians adjust their equipment on stage, focusing on a variety of guitar effects pedals during a live performance at a downtown venue, creating an energetic atmosphere.
Man wird nur einmal 200! Wir feiern Anton Bruckner, kommen Sie mit! Besuchen Sie in einem geführten Walk unsere begehbaren und interaktiven Klangerlebnisse und tauchen so in die Welt Bruckners ein. Was könnte ihn damals inspiriert haben? Finden Sie es heraus und spielen doch Sie mal die „erste Geige“ im Bruckner Orchester.
Credits:
Ars Electronica Futurelab, Sounddesign by Julian P. Schmiederer, OÖ KulturEXPO Anton Bruckner 2024
Photo: Ars Electronica / Magdalena Sick-Leitner