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Exploring Sonic Interaction with Artefacts in Everyday Contexts
Hands-on sonic interaction design workshop on 23 June 2008 at IRCAM (Paris, France).
Part of the 14th International Conference on Auditory Display, 24-27 June 2008
Organizers: Karmen Franinovic, Lalya Gaye, Frauke Behrendt
Workshop website: sonicinteraction.wordpress.com.
Exploring Sonic Interaction with Artefacts in Everyday Contexts
Hands-on sonic interaction design workshop on 23 June 2008 at IRCAM (Paris, France).
Part of the 14th International Conference on Auditory Display, 24-27 June 2008
Organizers: Karmen Franinovic, Lalya Gaye, Frauke Behrendt
Workshop website: sonicinteraction.wordpress.com.
Music for the dance piece 'La ville en grâce' by the Korean choreographer Young-Ho Nam.
Composition, mix & production : David Lavaysse.
Available on CD & digital.
CD version limited to 100 copies wrapped in ‘Hanji’ Korean paper hand-made from a dough of mulberry tree cultivated in Korea.
> 1fuse.fr/la-ville-en-grace/lveg-english.html
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Musique de la pièce chorégraphique 'La ville en grâce' de Young-ho Nam.
Composition, mixage et production : David Lavaysse.
Disponible en CD & digital.
Édition de 100 CD enveloppés dans du papier coréen ‘Hanji’ fabriqué à la main à partir d’une pâte de mûrier cultivé en Corée.
> 1fuse.fr/la-ville-en-grace
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Die Marke mit dem Skorpion erstaunt auf der ganzen Welt mit seinem neuen Abarth 500e und seinem einzigartigen Soundgenerator. Das erste vollelektrische Fahrzeug der Skorpion-Reihe integriert in der Top Version ein exklusives Soundsystem, das von einem speziellen Sounddesign-Team in Zusammenarbeit mit den Sound Design Studios entwickelt wurde. Das Sounddesign, seine Entwicklung und seine Integration wurden in der italienischen NVH-Abteilung (Noise Vibration and Harshness) von Stellantis durchgeführt. Deren Ingenieure haben vor einigen Jahren bereits mit Erfolg den Sound der historischen Record-Monza-Abgasanlage in die Gegenwart transferiert.
#Abarth500 #Elektromobilität
www.kleinwagenblog.de/abarth-500e-mehr-als-6-000-std-fuer...
THE VALLEY MISSION CARE
by Russel Legaspi
direction: Missy Maramara
lighting design: Meliton Roxas, Franz Beo
video design: Winter David
music and sound design: Teresa Barrozo
stage management: Noah Suena
cast:
Siegfried Sepulveda
Mayen Estanero
Richard S. Cunanan
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photo by Teresa Barrozo
Exploring Sonic Interaction with Artefacts in Everyday Contexts
Hands-on sonic interaction design workshop on 23 June 2008 at IRCAM (Paris, France).
Part of the 14th International Conference on Auditory Display, 24-27 June 2008
Organizers: Karmen Franinovic, Lalya Gaye, Frauke Behrendt
Workshop website: sonicinteraction.wordpress.com.
Agency: StrawberryFrog
Director: Buck
Music & Sound Design: Antfood
Watch this video on Vimeo. Video created by Antfood.
Man wird nur einmal 200! Wir feiern Anton Bruckner, kommen Sie mit! Besuchen Sie in einem geführten Walk unsere begehbaren und interaktiven Klangerlebnisse und tauchen so in die Welt Bruckners ein. Was könnte ihn damals inspiriert haben? Finden Sie es heraus und spielen doch Sie mal die „erste Geige“ im Bruckner Orchester.
Credits:
Ars Electronica Futurelab, Sounddesign by Julian P. Schmiederer, OÖ KulturEXPO Anton Bruckner 2024
Photo: Ars Electronica / Magdalena Sick-Leitner
Vancouver Post Alliance - to act as a catalyst and partner for knowledge exchange & professional development to the BC Post Production community
THE VALLEY MISSION CARE
by Russel Legaspi
direction: Missy Maramara
lighting design: Meliton Roxas, Franz Beo
video design: Winter David
music and sound design: Teresa Barrozo
stage management: Noah Suena
cast:
Siegfried Sepulveda
Mayen Estanero
Richard S. Cunanan
-----
photo by Teresa Barrozo
"Music and sound have become essential elements in the nonfiction narrative. What is the
intricate relationship between music and documentary films? How can you successfully utilize
sound design in a documentary? Style and instrumentation are dictated by the project, and
songwriter, composer and producer Todd Griffin (The Overnighters, E-Team) presents several
examples, leading us through this creative process."
with David Teague and Thom Paul
"Music and sound have become essential elements in the nonfiction narrative. What is the
intricate relationship between music and documentary films? How can you successfully utilize
sound design in a documentary? Style and instrumentation are dictated by the project, and
songwriter, composer and producer Todd Griffin (The Overnighters, E-Team) presents several
examples, leading us through this creative process."
with David Teague and Thom Paul
Exploring Sonic Interaction with Artefacts in Everyday Contexts
Hands-on sonic interaction design workshop on 23 June 2008 at IRCAM (Paris, France).
Part of the 14th International Conference on Auditory Display, 24-27 June 2008
Organizers: Karmen Franinovic, Lalya Gaye, Frauke Behrendt
Workshop website: sonicinteraction.wordpress.com.
Mixing console is illuminated with colorful lights, ready for a live performance at a music venue. Stage equipment is visible in the background, creating an energetic atmosphere.
"Music and sound have become essential elements in the nonfiction narrative. What is the
intricate relationship between music and documentary films? How can you successfully utilize
sound design in a documentary? Style and instrumentation are dictated by the project, and
songwriter, composer and producer Todd Griffin (The Overnighters, E-Team) presents several
examples, leading us through this creative process."
with David Teague and Thom Paul
Solarity Studios provides agencies and clients in need of video production, post-production, music production, aerial cinematography and photography, the luxurious ability to build value into their products in order to strengthen the connection to their target audience or market.
Man wird nur einmal 200! Wir feiern Anton Bruckner, kommen Sie mit! Besuchen Sie in einem geführten Walk unsere begehbaren und interaktiven Klangerlebnisse und tauchen so in die Welt Bruckners ein. Was könnte ihn damals inspiriert haben? Finden Sie es heraus und spielen doch Sie mal die „erste Geige“ im Bruckner Orchester.
Credits:
Ars Electronica Futurelab, Sounddesign by Julian P. Schmiederer, OÖ KulturEXPO Anton Bruckner 2024
Photo: Ars Electronica / Magdalena Sick-Leitner
Man wird nur einmal 200! Wir feiern Anton Bruckner, kommen Sie mit! Besuchen Sie in einem geführten Walk unsere begehbaren und interaktiven Klangerlebnisse und tauchen so in die Welt Bruckners ein. Was könnte ihn damals inspiriert haben? Finden Sie es heraus und spielen doch Sie mal die „erste Geige“ im Bruckner Orchester.
Credits:
Ars Electronica Futurelab, Sounddesign by Julian P. Schmiederer, OÖ KulturEXPO Anton Bruckner 2024
Photo: Ars Electronica / Magdalena Sick-Leitner