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FX-A has a bunch of editable parameters. Again, buttons A-F corresponds to the parameter named above them. In the case of the reverb I'm editing here, "RevTM" refers to the reverb time. Setting larger numbers makes for a larger sounding space.
Structure monumentale avec projection vidéo et habillage LED, NYE 2015 « Crazy Night » Val Thorens, savoie
Crédit photo: Lara BOURREL
Exploring Sonic Interaction with Artefacts in Everyday Contexts
Hands-on sonic interaction design workshop on 23 June 2008 at IRCAM (Paris, France).
Part of the 14th International Conference on Auditory Display, 24-27 June 2008
Organizers: Karmen Franinovic, Lalya Gaye, Frauke Behrendt
Workshop website: sonicinteraction.wordpress.com.
Meri Amber joined John Vella for a recording session in John Vella's home studio. www.meriamber.com/blog/2013/12/recording-with-john-vella/
THE VALLEY MISSION CARE
by Russel Legaspi
direction: Missy Maramara
lighting design: Meliton Roxas, Franz Beo
video design: Winter David
music and sound design: Teresa Barrozo
stage management: Noah Suena
cast:
Siegfried Sepulveda
Mayen Estanero
Richard S. Cunanan
-----
photo by Teresa Barrozo
Bring your sound tracks to life and indulge in exquisite three dimensional realism with bronze AMS. Explore bronze AMS now at Soundfield and embrace clarity, precision and depth of sound
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Sound designer Van is teaching Sound Design 101 in Studio i for teens. Workshops with professionals series.
Vancouver Post Alliance - to act as a catalyst and partner for knowledge exchange & professional development to the BC Post Production community
THE VALLEY MISSION CARE
by Russel Legaspi
direction: Missy Maramara
lighting design: Meliton Roxas, Franz Beo
video design: Winter David
music and sound design: Teresa Barrozo
stage management: Noah Suena
cast:
Siegfried Sepulveda
Mayen Estanero
Richard S. Cunanan
-----
photo by Teresa Barrozo
Man wird nur einmal 200! Wir feiern Anton Bruckner, kommen Sie mit! Besuchen Sie in einem geführten Walk unsere begehbaren und interaktiven Klangerlebnisse und tauchen so in die Welt Bruckners ein. Was könnte ihn damals inspiriert haben? Finden Sie es heraus und spielen doch Sie mal die „erste Geige“ im Bruckner Orchester.
Credits:
Ars Electronica Futurelab, Sounddesign by Julian P. Schmiederer, OÖ KulturEXPO Anton Bruckner 2024
Photo: Ars Electronica / Magdalena Sick-Leitner
Structure monumentale avec projection vidéo et habillage LED, NYE 2015 « Crazy Night » Val Thorens, savoie
Crédit photo: Cyril CATTIN
This piece was commissioned by Organic's Toronto office in 2008. The tagline of "Get ready for the next hundred years" probably wasn't intended to refer to Chapter 11>Fiat. But you can still dig our sound design, pilgrim.
Creative Director for Organic Toronto: Clare Meridew
Sound design & mix/master by Madsound
madsound.org
info@madsound.org
Man wird nur einmal 200! Wir feiern Anton Bruckner, kommen Sie mit! Besuchen Sie in einem geführten Walk unsere begehbaren und interaktiven Klangerlebnisse und tauchen so in die Welt Bruckners ein. Was könnte ihn damals inspiriert haben? Finden Sie es heraus und spielen doch Sie mal die „erste Geige“ im Bruckner Orchester.
Credits:
Ars Electronica Futurelab, Sounddesign by Julian P. Schmiederer, OÖ KulturEXPO Anton Bruckner 2024
Photo: Ars Electronica / Magdalena Sick-Leitner
by MARK PALLMAN & AMANDA SPEVA
sound mixed by ERIK RASMUSSEN at Observatory Studios
Watch this video on Vimeo. Video created by Fruit Bonus.
Exploring Sonic Interaction with Artefacts in Everyday Contexts
Hands-on sonic interaction design workshop on 23 June 2008 at IRCAM (Paris, France).
Part of the 14th International Conference on Auditory Display, 24-27 June 2008
Organizers: Karmen Franinovic, Lalya Gaye, Frauke Behrendt
Workshop website: sonicinteraction.wordpress.com.
Sculpture by Gary Deirmendjian, 2005
Inner is a monumental sandstone installation that aims to evoke and question the
tensions between one’s objective and subjective realities – the former striving for
perspective and the latter for engagement. Sandstone is perhaps the most patient and
humble of materials, formed simply of sand particles bound in a little clay and pressed
under great sedimentary weight over hundreds of millions of years. It is absorbent,
unable to be polished and responds to the slightest changes in moisture and light. It is
considered a suitable metaphor by Deirmendjian for encapsulating the story of human
arrival and its endangered virtues of humility and compassion.
Exploring Sonic Interaction with Artefacts in Everyday Contexts
Hands-on sonic interaction design workshop on 23 June 2008 at IRCAM (Paris, France).
Part of the 14th International Conference on Auditory Display, 24-27 June 2008
Organizers: Karmen Franinovic, Lalya Gaye, Frauke Behrendt
Workshop website: sonicinteraction.wordpress.com.
THE VALLEY MISSION CARE
by Russel Legaspi
direction: Missy Maramara
lighting design: Meliton Roxas, Franz Beo
video design: Winter David
music and sound design: Teresa Barrozo
stage management: Noah Suena
cast:
Siegfried Sepulveda
Mayen Estanero
Richard S. Cunanan
-----
photo by Teresa Barrozo