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Sound Design for Visual Media recently visited Science World to entertain and educate a young audience of sound aficionados. VFS instructors Curtis Wright and Brad Hillman were on hand to show the audience how to recreate the sounds of “Big Weather”.
Read more about VFS Sound Design’s visit to Science World on the VFS Blog.
Find out more about VFS's one-year Sound Design for Visual Media program at vfs.com/sounddesign.
Sound Design grad Adolofo Hernandez returned to Vancouver Film School to speak with current students about the pros and cons of freelancing, with a specific focus on Latin America.
You can view Adolfo’s presentation here.
Find out more about VFS's one-year Sound Design for Visual Media program at www.vfs.com/sounddesign.
Moor ist Leben, Leben ist Kunst! Begleite die FH Salzburg bei der Umsetzung und Koordination dieses einzigartigen Projekts. Mit eindrucksvollen Bildern, spektakulären Sequenzen und einzigartiger Inszenierung versteht es die Gruppe rund um Florian Reittner Moor völlig neu in Szene zu setzen. Anfang März 2017 haben wir den Start dieses atemberaubenden Projekts angekündigt. Erlebe jetzt die ersten Eindrücke im Making Of.
Ein Projekt im Ramen des Multimedia Art Studienganges der FH Salzburg
Regie: Florian Reittner
DOP: Andreas Eymannsberger
Produktion: Sarah Hackenberger, Nina Pintis
Sounddesign: Johannes Lugstein, Julia Grall
Regieassistenz: Lukas Ganahl
Aufnahmeleitung: Raphael Maier
Script /Continuity: David Prokop
B Kamera: Cornelia Ohnmacht
A Kameraassistent: Georg Sommer
B Kameraassistent: Maximilan Miller
Materialassistent: Johannes Hagn
Oberbeleuchter: Ben Költringer
Best Boy: Maxi Obermair
Grip: Christopher Eberle
Kostüm: Kerstin Gatterbauer
Maske: Lisa Schwab
DIT: Jonas Wenzl
Technical Director: Bernhard Schröcker
3D Supervisor: Patrick Dunkl
3D Compositing: Bernhard Schröcker
Schnit: Jonas Wenzl
PA: Silvio Ebner, Magdalena Eymannsberger, Nadja Költringer, Philip Kemmer, Daniel Solymar
Cast: Daniel Limmer, Jazz Brantsch, Sophie Itzlinger, Shereen Deen, Farah Deen, Lali Strasser, Sandra Schwann, Mathias Lillich, Günter Ettinger, Gisela Gruber, Ahmed El Wafi, Erich Hufnagl, Claudia Krippl, Thomas Kaserer, Berghof-Alpakas Hallein, Lisa Schwab, Tom Langer, Sebastian Smus, Marwin Wallner, Richard Hofmann Apostolou, Andrea Pastötter, Jeremy Miliker, Julian Wenzel
Sound Design grad Adolofo Hernandez returned to Vancouver Film School to speak with current students about the pros and cons of freelancing, with a specific focus on Latin America.
You can view Adolfo’s presentation here.
Find out more about VFS's one-year Sound Design for Visual Media program at www.vfs.com/sounddesign.
VFS welcomed Oscar-nominated sound designer Craig Berkey (X-Men: First Class, The Tree of Life) for a special visit and mentoring session with Sound Design for Visual Media students. Craig received three Academy Award nominations for his work on the recent Coen brothers’ films No Country for Old Men and True Grit.
Find out more about VFS’s one-year Sound Design for Visual Media program at vfs.com/sounddesign
Sound Design grad Adolofo Hernandez returned to Vancouver Film School to speak with current students about the pros and cons of freelancing, with a specific focus on Latin America.
You can view Adolfo’s presentation here.
Find out more about VFS's one-year Sound Design for Visual Media program at www.vfs.com/sounddesign.
Our newly upgraded facilities include the most industry-relevant technology and software. On powerful Dual Intel iMacs and MacPros you’ll train on the most widely used sound design platform in the world, Digidesign Pro Tools.
Find out more about VFS's one-year Sound Design for Visual Media program at vfs.edu/sounddesign.
VFS welcomed Oscar-nominated sound designer Craig Berkey (X-Men: First Class, The Tree of Life) for a special visit and mentoring session with Sound Design for Visual Media students. Craig received three Academy Award nominations for his work on the recent Coen brothers’ films No Country for Old Men and True Grit.
Find out more about VFS’s one-year Sound Design for Visual Media program at vfs.com/sounddesign
Sound Design grad Adolofo Hernandez returned to Vancouver Film School to speak with current students about the pros and cons of freelancing, with a specific focus on Latin America.
You can view Adolfo’s presentation here.
Find out more about VFS's one-year Sound Design for Visual Media program at www.vfs.com/sounddesign.
Parsifal, Richard Wagner
Direction musicale Giuliano Betta
Regie Benedikt von Peter
Bühne Natascha von Steiger
Kostüme Karin Wittig Viviane Andereggen
Sounddesign Foyer Jan Fitschen
Dramaturgie Brigitte Heusinger
Regiemitarbeit Daniel Cremer
Studienleitung David Cowan
Chor Henryk Polus
Einstudierung: Markus Teutschbein Knabenkantorei Basel
Korrepetition Giuliano Betta Rolando Garza Leonid Maximov
Regieassistenz Ulrike Jühe
Bühnenbildassistenz Marianna Meyer
Kostümassistenz Raphaela Hutter Claudia Irro
Kostümbildassistenz Swantje Langeheine
Bühnenbildhospitanz Anna Gwerder
Dramaturgiehospitanz Caroline Scheidegger
Inspizienz Jean Pierre Bitterli Thomas Kolbe
Videoinspizienz Dirk Letsch
Beleuchtungsinspizienz u. Übertitelung Claudia Christ
Amfortas Alfred Walker
Der Autor Allan Evans
Gurnemanz Liang Li
Parsifal Rolf Romei
Klingsor Stefan Stoll
Kundry Ursula Füri-Bernhard
Titurel Allan Evans
1. Gralsritter Karl-Heinz Brandt
2. Gralsritter Andrew Murphy
1. Knappe Laurence Guillod
2. Knappe Rita Ahonen
3. Knappe Karl-Heinz Brandt
4. Knappe Michael Feyfar
1. Blumenmädchen Agata Wilewska
2. Blumenmädchen Maud Ryaux-Noudel
3. Blumenmädchen Geraldine Cassidy
II 1, Blumenmädchen Laurence Guillod
II 2. Blumenmädchen Deborah Leonetti
II 3. Blumenmädchen Solenn' Lavanant-Linke
Théâtre de Bâle, 30 avril 2011
Moor ist Leben, Leben ist Kunst! Begleite die FH Salzburg bei der Umsetzung und Koordination dieses einzigartigen Projekts. Mit eindrucksvollen Bildern, spektakulären Sequenzen und einzigartiger Inszenierung versteht es die Gruppe rund um Florian Reittner Moor völlig neu in Szene zu setzen. Anfang März 2017 haben wir den Start dieses atemberaubenden Projekts angekündigt. Erlebe jetzt die ersten Eindrücke im Making Of.
Ein Projekt im Ramen des Multimedia Art Studienganges der FH Salzburg
Regie: Florian Reittner
DOP: Andreas Eymannsberger
Produktion: Sarah Hackenberger, Nina Pintis
Sounddesign: Johannes Lugstein, Julia Grall
Regieassistenz: Lukas Ganahl
Aufnahmeleitung: Raphael Maier
Script /Continuity: David Prokop
B Kamera: Cornelia Ohnmacht
A Kameraassistent: Georg Sommer
B Kameraassistent: Maximilan Miller
Materialassistent: Johannes Hagn
Oberbeleuchter: Ben Költringer
Best Boy: Maxi Obermair
Grip: Christopher Eberle
Kostüm: Kerstin Gatterbauer
Maske: Lisa Schwab
DIT: Jonas Wenzl
Technical Director: Bernhard Schröcker
3D Supervisor: Patrick Dunkl
3D Compositing: Bernhard Schröcker
Schnit: Jonas Wenzl
PA: Silvio Ebner, Magdalena Eymannsberger, Nadja Költringer, Philip Kemmer, Daniel Solymar
Cast: Daniel Limmer, Jazz Brantsch, Sophie Itzlinger, Shereen Deen, Farah Deen, Lali Strasser, Sandra Schwann, Mathias Lillich, Günter Ettinger, Gisela Gruber, Ahmed El Wafi, Erich Hufnagl, Claudia Krippl, Thomas Kaserer, Berghof-Alpakas Hallein, Lisa Schwab, Tom Langer, Sebastian Smus, Marwin Wallner, Richard Hofmann Apostolou, Andrea Pastötter, Jeremy Miliker, Julian Wenzel
VFS Sound Design students need to collect a wide range of sounds to use in the soundscapes of their final projects.
This recording session was organized by current student Ryan Thompson for his final project, which required a lot of car noise. The students rented a "Dyno" from a local tuning shop in order to accelerate the car to exceedingly high speeds without the risk of actually taking it on the road.
Find out more about VFS's one-year Sound Design for Visual Media program at vfs.com/sounddesign.
Sound Design grad Adolofo Hernandez returned to Vancouver Film School to speak with current students about the pros and cons of freelancing, with a specific focus on Latin America.
You can view Adolfo’s presentation here.
Find out more about VFS's one-year Sound Design for Visual Media program at www.vfs.com/sounddesign.
Sound Design grad Adolofo Hernandez returned to Vancouver Film School to speak with current students about the pros and cons of freelancing, with a specific focus on Latin America.
You can view Adolfo’s presentation here.
Find out more about VFS's one-year Sound Design for Visual Media program at www.vfs.com/sounddesign.
Sound Design grad Adolofo Hernandez returned to Vancouver Film School to speak with current students about the pros and cons of freelancing, with a specific focus on Latin America.
You can view Adolfo’s presentation here.
Find out more about VFS's one-year Sound Design for Visual Media program at www.vfs.com/sounddesign.
Universität der Künste Berlin, Sound Studies, Martin Supper, Matthias Krebs
berlin university of the arts, soundstudies
Our newly upgraded facilities include the most industry-relevant technology and software. On powerful Dual Intel iMacs and MacPros you’ll train on the most widely used sound design platform in the world, Digidesign Pro Tools.
Find out more about VFS's one-year Sound Design for Visual Media program at vfs.edu/sounddesign.
Sound Design grad Adolofo Hernandez returned to Vancouver Film School to speak with current students about the pros and cons of freelancing, with a specific focus on Latin America.
You can view Adolfo’s presentation here.
Find out more about VFS's one-year Sound Design for Visual Media program at www.vfs.com/sounddesign.
Our newly upgraded facilities include the most industry-relevant technology and software. On powerful Dual Intel iMacs and MacPros you’ll train on the most widely used sound design platform in the world, Digidesign Pro Tools.
Find out more about VFS's one-year Sound Design for Visual Media program at vfs.edu/sounddesign.
Our newly upgraded facilities include the most industry-relevant technology and software. On powerful Dual Intel iMacs and MacPros you’ll train on the most widely used sound design platform in the world, Digidesign Pro Tools.
Find out more about VFS's one-year Sound Design for Visual Media program at vfs.edu/sounddesign.
Now Open!
Degenerate Art Ensemble at the Frye Art Museum
An array of warrior princesses, ninjas waging epic battles, hungry ghosts, birds and beasts—shape shifters all—will greet visitors at the Frye Art Museum in Degenerate Art Ensemble, the first art exhibition showcasing the groundbreaking performance company of the same name.
Degenerate Art Ensemble’s (DAE) dynamic, event-based sensorial extravaganzas will be showcased through music, sculpture, props, costumes, musical instruments, animated films, photo and video documentation, and video projections. Signature DAE fairy tales are featured such as Cuckoo Crow (2006), a Frankenstein-like tale of jealousy, revenge, and transformation set in an imaginary forest, and Sonic Tales (2009), a ghost story involving an eternal battle between humans and spirits waged in the rooms of a haunted house. Artworks and sets created by DAE especially for the exhibition include The Hidden One (2011), a giant, glowing girl-theater deftly combining the characters of Little Red Riding Hood and the Wolf.
DAE’s first art exhibition was conceived and executed in a process of dialogue and close collaboration between Frye Art Museum curator Robin Held, DAE artists, and DAE co-artistic directors Haruko Nishimura and Joshua Kohl. The multifaceted, interdisciplinary project continues the Frye’s commitment to present under-recognized work of significance and to engage diverse audiences through interdisciplinary, boundary-breaking artworks-in-progress.
Our newly upgraded facilities include the most industry-relevant technology and software. On powerful Dual Intel iMacs and MacPros you’ll train on the most widely used sound design platform in the world, Digidesign Pro Tools.
Find out more about VFS's one-year Sound Design for Visual Media program at vfs.edu/sounddesign.
Sound Design grad Adolofo Hernandez returned to Vancouver Film School to speak with current students about the pros and cons of freelancing, with a specific focus on Latin America.
You can view Adolfo’s presentation here.
Find out more about VFS's one-year Sound Design for Visual Media program at www.vfs.com/sounddesign.
Students from the Sound Design for Visual Media program take a field trip to Granville Island to capture the sounds of a print shop.
Find out more about VFS's one-year Sound Design for Visual Media program at vfs.com/sounddesign.
Sound Design students spend the day at Mission Raceway Park capturing the sounds of various speedy cars, from dragsters to muscle cars.
Listen in on the VFS Blog.
Find out more about VFS's one-year Sound Design for Visual Media program at vfs.com/sounddesign.
Monster Date was written, directed, and produced by Writing for Film & Television students Elsa Morena and Amy Doherty, in collaboration with students and grads from the Makeup Design for Film & Television, Acting for Film & Television, Film Production, 3D Animation & Visual Effects, and Sound Design for Visual Media programs.
Read how everything came together and watch the video on the VFS Blog.
Find out more about VFS's 13 programs at vfs.com/programs.
Universität der Künste Berlin, Sound Studies, Martin Supper, Matthias Krebs
berlin university of the arts, soundstudies
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Our newly upgraded facilities include the most industry-relevant technology and software. On powerful Dual Intel iMacs and MacPros you’ll train on the most widely used sound design platform in the world, Digidesign Pro Tools.
Find out more about VFS's one-year Sound Design for Visual Media program at vfs.edu/sounddesign.
Our newly upgraded facilities include the most industry-relevant technology and software. On powerful Dual Intel iMacs and MacPros you’ll train on the most widely used sound design platform in the world, Digidesign Pro Tools.
Find out more about VFS's one-year Sound Design for Visual Media program at vfs.edu/sounddesign.
On the set of Monster Date with Key Makeup Artist and Makeup Design student Susan Manning.
Monster Date was written, directed, and produced by Writing for Film & Television students Elsa Morena and Amy Doherty, in collaboration with students and grads from the Makeup Design for Film & Television, Acting for Film & Television, Film Production, 3D Animation & Visual Effects, and Sound Design for Visual Media programs.
Read how everything came together and watch the video on the VFS Blog.
Find out more about VFS's 13 programs at vfs.com/programs.
The Sound Design for Visual Media program welcomes Sound Designers Ben McCullough and Nick Bedell of United Front Games to their campus.
Find out more about VFS's one-year Sound Design program at vfs.edu/sounddesign.
Sound Design for Visual Media grad Millar Montgomery (The Vampire Diaries, Fringe, Sucker Punch) stopped by VFS to share a few tricks of the trade with Sound Design students.
Find out more about VFS's one-year Sound Design for Visual Media program at vfs.com/sounddesign.
World renown vocal coach, William Riley (Celine Dion, Angelique Kidjo, Shakira, Stevie Wonder, Lara Fabian, Faith Hill, Paula Cole, Liza Minnelli ) chatting with Music Works Events Director Christianne Cook
Our newly upgraded facilities include the most industry-relevant technology and software. On powerful Dual Intel iMacs and MacPros you’ll train on the most widely used sound design platform in the world, Digidesign Pro Tools.
Find out more about VFS's one-year Sound Design for Visual Media program at vfs.edu/sounddesign.
Foley is the art of recording post-production sound effects in real time to match the picture. VFS has its own Foley studios full of all the usual - and unusual - props.
Find out more about VFS's one-year Sound Design for Visual Media program at vfs.com/sounddesign.
Foley is the art of recording post-production sound effects in real time to match the picture. VFS has its own Foley studios full of all the usual - and unusual - props.
Find out more about VFS's one-year Sound Design for Visual Media program at www.vfs.com/sounddesign.
Monster Date was written, directed, and produced by Writing for Film & Television students Elsa Morena and Amy Doherty, in collaboration with students and grads from the Makeup Design for Film & Television, Acting for Film & Television, Film Production, 3D Animation & Visual Effects, and Sound Design for Visual Media programs.
Read how everything came together and watch the video on the VFS Blog.
Find out more about VFS's 13 programs at vfs.com/programs.
On Location: Ray Beckett teaches Sound Design students how to record background and ambient sounds.
Find out more about VFS's one-year Sound Design for Visual Media program at vfs.com/sounddesign.
Our newly upgraded facilities include the most industry-relevant technology and software. On powerful Dual Intel iMacs and MacPros you’ll train on the most widely used sound design platform in the world, Digidesign Pro Tools.
Find out more about VFS's one-year Sound Design for Visual Media program at vfs.edu/sounddesign.