View allAll Photos Tagged SoundDesign
Photos from the dress rehearsal for SCLOrk concert inside the Music Recital Hall on March 16, 2017.
SCLOrk (the Santa Clara Laptop Orchestra) is an innovative ensemble of up to sixteen players dedicated to the creation and performance of live electronic music. Created in the Spring of 2012 by SCU faculty Bruno Ruviaro and students, this interdisciplinary group explores the intersection of music composition, live performance, human/computer interaction, programming, and sound design, with emphasis on musical creativity based on cutting-edge technologies.
(Photo by Joanne H. Lee/Santa Clara University)
Project: Creation of a Sonic Toolkit
Production: Radium Audio
Agency: Baby Creative
Brand: Action for Children
Background: When Advertising Agency, Baby Creative asked Radium Audio to develop the sonic identity for a growing brand - the children’s charity, Action for Children - Creative Director Andrew Diey seized the opportunity for Radium Audio to deliver a ‘sonic toolkit’ for use across all the charity’s media touch points.
As marketing professionals become aware of the importance of the sonic identity in relation to communication of a brand, Radium Audio is at the forefront of this development.
The ‘sonic toolkit’ contains 15 individual sonic tools: Extended versions of the “as long it takes” advertising campaign music score, sound mnemonics at varying durations, digital button clicks for online & Powerpoint use, Action for Children themes which have been extended for phone systems, and a master theme for use at live events and presentations.
How we did it: Radium Creative Director, Andrew Diey explains the approach, “Having scored the music for 4 of the TVC and Radio adverts last year we knew people had empathy for the work of the charity and we wanted to extend this affinity through emotive connection into as many platforms as possible. When we were asked by Baby Creative to develop a sonic identity, we felt that there was a deeper connection to be made between Action for Children and its supporters so we suggested that Radium Audio creates a “sonic toolkit” for all possible channels and varying lengths, formats etc. We gave Action for Children rights to use the content across as many channels as they needed”
Baby Creative was receptive to the idea and worked with Radium Audio to develop a brief for the ‘Sonic Toolkit’.
Says Diey, “We specialize in articulating the essence and soul of a brand using sound and as this sonic toolkit is a global first for a charity, we created a short film to accompany the creative process behind the story”
Sounds we created include: Sonic Ident, Music Beds, Mnemonics
Watch this video on Vimeo. Video created by Radium Audio Ltd.
Rob Blake, Audio Lead for the Mass Effect franchise at BioWare and member of the VFS Sound Design Advisory Board, stopped by VFS to provide an exclusive talk to Sound Design students. Rob described his role at Bioware, and went on to share the lessons learned over his nine years in the industry.
Read more about Rob’s visit on the VFS Blog.
Find out more about VFS’s one-year Sound Design program at vfs.com/sounddesign.
Publiek op de rode loper van het NIEUWE FILMERS
FESTIVAL 8 september in de Verkadefabriek in Den Bosch – feestelijke première avond met 5 korte films gemaakt tijdens het One Week Film Project 2018 en interviews met de filmmakers. Na het voorlezen van het juryrapport volgde de spetterende uitreiking van de film award Het Paradepaardje 2018 mét de Hermes Kunst & Cultuurfondsprijs t.w.v. 500 euro, de BudgetCamera waardecoupon t.w.v. 750 euro, vertoning als voorfilm in de Verkadefabriek en een wildcard voor het Eindhovens Film Festival.
De jury reikte ook categorieprijzen uit voor ‘Beste regie’, ‘Beste scenario’, ‘Beste acteur m/v’, ‘Beste sounddesign’, Beste camera DOP’ (director of photography), ‘Beste editing’ en’ Beste production design!’ Het publiek koos de winnaar van de Publieksprijs. Afsluitend was er een ‘afterparty’ en meet en greet met de filmmakers in de foyer van de Verkadefabriek.
Foto's Hannelore van Balkom
NIEUWE FILMERS is onderdeel van SOLOS
After a brief introduction, everyone was sharing information and discussing why designers would be better than CEOs and likewise the other way around.
This video is an website intro and a id for the interior designer Jorge Varela.
VIDEO www.vimeo.com/16694805
website launch soon.
client / Jorge Varela
sound- design / Olivier Girardot
video / Me
With Focal trio11 B, you will be ready to witness a powerful combination of precision and versatility. The loudspeaker dedicated to nearfield and midfield, trio offers high efficiency and immaculate power handling. It brings to you dynamic control, perfect bass definition and high excursion, enabling even more linearity of the subwoofer, now at Soundfield
For more information on offers in Kerala, please DM, WhatsApp or call +91 8589007362
#SoundField #premiumspeakers #poweredmonitors #Keraladealer #HomeTheatre #Acoustics #ProAudio #Kerala #India #SoundDesign #SoundFieldIndia #SoundFieldKerala #kochi #trivandrum #calicut #trivandrumdiaries #kerala360 #hometheaterinstallation #speakers #speakersystem #luxurylifestyle #audiovisual #LuxuryAudioSystem #LuxuryHomes #LuxuryHomesKerala
Creative production studio +1 (www.plusoneamsterdam.com) has made a new promotional video for Images for the Future. The assignment was to portray the main goals of the project in a short amount of time. With this beautifully made movie we can explain to everyone what Images for the Future represents.
+1 made the clip with a wonderful mix of old-fashioned cutting and pasting (with scissors, paper and glue) and advanced 3D technology. Check out the pictures to see a glimpse behind the scenes.
Credits
Direction: Martijn Hogenkamp
Production: Marcel Vrieswijk
D.O.P.: Bob Joosten
Handmodels: Koen, Julie, LSDP, Aanaa, Mustapha
Edit: Martijn Hogenkamp
3D: Tim van der Wiel
Additional 2D design: Mustapha Boutrah
Roto artists: Mustapha Boutrah, Cas Prins, Geert Jansen
Sounddesign: Matthias Kiewiet
Copy: Marcel Oosterwijk, Thijs van Exel
Image taken during the recording stage of the Microsphere sample library from Glitchmachines.
www.glitchmachines.com/products/microsphere
Sound Designer: Ivo Ivanov
Last November, sound sculptor Ranjit Bhatnagar visited Berklee's Valencia campus to offer a seminar on interactive sound art and installations. He also handcrafts original music instruments.
Part of CINECITY 2016, The Sound of Story presented a three-day programme of stimulating talks, masterclasses and workshops featuring a stellar line-up of world-class sound professionals.
Taking part were Ann Kroeber (Blue Velvet, Dead Poets Society), Catherine Hodgson (Atonement, Jane Eyre), Jo Jackson (Long Walk to Freedom, Suffragette), Judi Lee-Headman AMPS (Homeland, The Bible), Paul Davies (Hunger, The Queen, ’71, We Need to Talk About Kevin), Neil Cargill and Simon James (Akiha Den Den), Matthew Herbert (Life in a Day, Bodily Functions, One Pig), and Mike Brett (Notes on Blindness).
Photo by Adam Bronkhorst (adambronkhorst.com)
Commission by TOCA ME.
OPENING TITLE / vimeo.com/86607700
SPEAKERS / vimeo.com/86607101
Design / Animation: Martin Böttger
Music / Sounddesign: Bruno Dias
TOCA ME Design Conference in Munich 2014, international renowned speakers were invited to deliver insight into their work.
The speakers included BROSMIND, JESSICA WALSH, BRANDAN DAWES, GMUNK, HELLICAR & LEWIS, EIKE KÖNIG, ERIK JOHANSSON.
Image taken during the recording stage of the Microsphere sample library from Glitchmachines.
www.glitchmachines.com/products/microsphere
Sound Designer: Ivo Ivanov
Monster Date was written, directed, and produced by Writing for Film & Television students Elsa Morena and Amy Doherty, in collaboration with students and grads from the Makeup Design for Film & Television, Acting for Film & Television, Film Production, 3D Animation & Visual Effects, and Sound Design for Visual Media programs.
Read how everything came together and watch the video on the VFS Blog.
Find out more about VFS's 13 programs at vfs.com/programs.
Universität der Künste Berlin, Sound Studies, Martin Supper, Matthias Krebs
berlin university of the arts, soundstudies
Jazz an der HfM
Eine konzertante Klanginstallation
„What you hear is what you hear“
(frei nach Frank Stella, Minimalartist USA)
Big Band der HfM Detmold
Shawn Grocott: Leitung, Posaune
Kim Efert: Kompositionen, Arrangements, Gitarre
– unter Einbeziehung der Wellenfeldsynthese –
[Generalprobe]
3rds Circle – Saxophone: Georg Schmitt, David Waldeyer, Anna-Lena Delger, Magdalena Haßelbacher, Hörner: Lukas Pfundt, Lukas Kuhn, Posaunen: Simon Pfundt, Friedrich Hultsch, Trompeten: Andreas Herrnleben, Tabea Löbbecke, Javier Jiménez Villarán, Malte Mittrowann – Harfe: Milena Hoge, Klavier/Akkordeon: Michael Rettig, Kontrabass: Marius Strootmann, Schlagzeug/Vibraphon: Jens Korte, Schlagzeug/Klavier: René Pauls – Wellenfeldsynthese/Sounddesign: Sascha Etezazi, Leonard Loock, Juan Moreno, Programmierung der Klangquellensteuerung: Alexander Leemhuis, Sounddesign: Sebastian Breiter, Beschallung: Marco Adamczyk, Florian Götz, Licht: Manuel Grunden – Dank an Malte Heins, Prof. Malte Kob und Prof. Michael Schubert, für die große Unterstützung für dieses Projekt [Quelle: www.hfm-detmold.de]
Image taken during the recording stage of the Microsphere sample library from Glitchmachines.
www.glitchmachines.com/products/microsphere
Sound Designer: Ivo Ivanov
Sound Design students take their recording equipment behind the scenes at the Vancouver Aquarium to capture the sounds of the resident wildlife and augment their sound effect libraries.
Find out more about VFS's one-year Sound Design for Visual Media program at vfs.com/sounddesign.
Sandra Suárez
ICBA - Salvador, BA
- - -
Blog oficial para network do projeto VISIO. cujo foco são as Artes Visuais e suas expressões na contemporaneidade.
Como o próprio nome sugere, é um ponto de encontro para troca de informações, exibição de técnicas, estilos e inspirações das artes plásticas, fotografia, arte digital, design gráfico, videoarte, web art, live act, dentre outros.
Nas edições presenciais, são apresentados projetos colaborativos desenvolvidos em rede; registros e veiculação instantânea de ações artísticas; produções audiovisuais; laboratório de criação e também atividades informais como o coletivo de desenho livre Canetarium; mini-oficinas; instalações, performances e exposições de artes.
A programação gratuita visa, fundamentalmente, a maior aproximação ao universo particular desta classe em seus processos criativos na formação de uma rede cooperativa com utilização de mídias tradicionais e móveis.
Equipe:
Conceito/ curadoria/ produção geral: Andrea May aka Happy Downlady
Consultoria em Arte e Tecnologia: Karla Brunet
Sound designer: Junix
Assessoria artística: Flávia Bomfim e Juliana Bestetti
Coordenação de produção: Erica Telles
Produção executiva: Jandyra Fernandes
Assistencia de produção: Pedro May
Image taken during the recording stage of the Microsphere sample library from Glitchmachines.
www.glitchmachines.com/products/microsphere
Sound Designer: Ivo Ivanov
Jazz an der HfM
Eine konzertante Klanginstallation
„What you hear is what you hear“
(frei nach Frank Stella, Minimalartist USA)
Big Band der HfM Detmold
Shawn Grocott: Leitung, Posaune
Kim Efert: Kompositionen, Arrangements, Gitarre
– unter Einbeziehung der Wellenfeldsynthese –
[Generalprobe]
3rds Circle – Saxophone: Georg Schmitt, David Waldeyer, Anna-Lena Delger, Magdalena Haßelbacher, Hörner: Lukas Pfundt, Lukas Kuhn, Posaunen: Simon Pfundt, Friedrich Hultsch, Trompeten: Andreas Herrnleben, Tabea Löbbecke, Javier Jiménez Villarán, Malte Mittrowann – Harfe: Milena Hoge, Klavier/Akkordeon: Michael Rettig, Kontrabass: Marius Strootmann, Schlagzeug/Vibraphon: Jens Korte, Schlagzeug/Klavier: René Pauls – Wellenfeldsynthese/Sounddesign: Sascha Etezazi, Leonard Loock, Juan Moreno, Programmierung der Klangquellensteuerung: Alexander Leemhuis, Sounddesign: Sebastian Breiter, Beschallung: Marco Adamczyk, Florian Götz, Licht: Manuel Grunden – Dank an Malte Heins, Prof. Malte Kob und Prof. Michael Schubert, für die große Unterstützung für dieses Projekt [Quelle: www.hfm-detmold.de]
Image taken during the recording stage of the Microsphere sample library from Glitchmachines.
www.glitchmachines.com/products/microsphere
Sound Designer: Ivo Ivanov
Jazz an der HfM
Eine konzertante Klanginstallation
„What you hear is what you hear“
(frei nach Frank Stella, Minimalartist USA)
Big Band der HfM Detmold
Shawn Grocott: Leitung, Posaune
Kim Efert: Kompositionen, Arrangements, Gitarre
– unter Einbeziehung der Wellenfeldsynthese –
[Generalprobe]
3rds Circle – Saxophone: Georg Schmitt, David Waldeyer, Anna-Lena Delger, Magdalena Haßelbacher, Hörner: Lukas Pfundt, Lukas Kuhn, Posaunen: Simon Pfundt, Friedrich Hultsch, Trompeten: Andreas Herrnleben, Tabea Löbbecke, Javier Jiménez Villarán, Malte Mittrowann – Harfe: Milena Hoge, Klavier/Akkordeon: Michael Rettig, Kontrabass: Marius Strootmann, Schlagzeug/Vibraphon: Jens Korte, Schlagzeug/Klavier: René Pauls – Wellenfeldsynthese/Sounddesign: Sascha Etezazi, Leonard Loock, Juan Moreno, Programmierung der Klangquellensteuerung: Alexander Leemhuis, Sounddesign: Sebastian Breiter, Beschallung: Marco Adamczyk, Florian Götz, Licht: Manuel Grunden – Dank an Malte Heins, Prof. Malte Kob und Prof. Michael Schubert, für die große Unterstützung für dieses Projekt [Quelle: www.hfm-detmold.de]
Image taken during the recording stage of the Microsphere sample library from Glitchmachines.
www.glitchmachines.com/products/microsphere
Sound Designer: Ivo Ivanov
Two of the biggest names in feature film sound design dropped by VFS, treating a packed house to an in-depth look at their impressive body of work in films from directors like Terrence Malick, the Coen brothers, Martin Scorsese, and more.
Find out more about VFS's one-year Sound Design for Visual Media program at vfs.com/sounddesign.
Sound Design for Visual Media Summer Intensive.
Find out more about VFS Summer Intensive programs at vfs.com/summerintensives.
Sound Design for Visual Media Summer Intensive.
Find out more about VFS Summer Intensive programs at vfs.com/summerintensives.
Garifuna Artist Aurelio Martinez, Gail Davis
photo credit: Kia Michelle Photography kiamichelle.wordpress.com/
Photos from the dress rehearsal for SCLOrk concert inside the Music Recital Hall on March 16, 2017.
SCLOrk (the Santa Clara Laptop Orchestra) is an innovative ensemble of up to sixteen players dedicated to the creation and performance of live electronic music. Created in the Spring of 2012 by SCU faculty Bruno Ruviaro and students, this interdisciplinary group explores the intersection of music composition, live performance, human/computer interaction, programming, and sound design, with emphasis on musical creativity based on cutting-edge technologies.
(Photo by Joanne H. Lee/Santa Clara University)
Image taken during the recording stage of the Microsphere sample library from Glitchmachines.
www.glitchmachines.com/products/microsphere
Sound Designer: Ivo Ivanov
Two of the biggest names in feature film sound design dropped by VFS, treating a packed house to an in-depth look at their impressive body of work in films from directors like Terrence Malick, the Coen brothers, Martin Scorsese, and more.
Find out more about VFS's one-year Sound Design for Visual Media program at vfs.com/sounddesign.
On the set of Monster Date with VFS Acting grad James Swendsen.
Monster Date was written, directed, and produced by Writing for Film & Television students Elsa Morena and Amy Doherty, in collaboration with students and grads from the Makeup Design for Film & Television, Acting for Film & Television, Film Production, 3D Animation & Visual Effects, and Sound Design for Visual Media programs.
Read how everything came together and watch the video on the VFS Blog.
Find out more about VFS's 13 programs at vfs.com/programs.
Each horizontal line of the interface represents the opportunity to create a different set of sounds, rhythms and percussion instruments. By combining a variety of rhythms using several parallel lines of the interface, the musical outcome can be as complex and varied as the polyrhythms of African, Cuban or Latin percussion. (Chris Brown described those musical cultural traditions as being early influences on his work.)
Nexcomm's Robin Duner-Fenter www.nexcommedia.com, UK Producer Deewaan www.deewaan.com and Music Works' Chris Theberge
photo credit: Kia Michelle Photography kiamichelle.wordpress.com/
highspeed footage of flying paint.
DoP: Johann Cohrs, Siggi Kuckstein
Editing + Compositing: Michael Koch, Michael Lübben
Music + Sounddesign: Kian Djalili
Music Distribution: chodavez.bandcamp.com/
Contact:
floating.film@gmail.com
Watch this video on Vimeo. Video created by floating.
Jamo outdoor speakers allow you to take that immersing sound experience from your indoors to those free and wild outdoors. Take that immaculate ambience out on your walk way, that cozy patio or by your garden. Redesigned from the ground up for even better sound from smaller form factors, these speakers deliver an enveloping experience while virtually disappearing into the landscape. Explore Jamo outdoor speakers with Soundfield
For more information on offers in Kerala, please DM, WhatsApp or call +916238156817, Visit: www.soundfield.in/
#SoundField #HomeTheatre #Acoustics #ProAudio #Theatre #Kerala #India #SoundDesign #SoundFieldIndia #SoundFieldKerala #hometheaterinstallation #speakers #speakersystem #luxurylifestyle #soundbar #audiovisual #jamo #jamoDealers #jamoServiceKerala #jamoSalesKerala #jamoDealersKerala #Kerala #Calicut #Trivandrum #India #BestSpeakers
Jazz an der HfM
Eine konzertante Klanginstallation
„What you hear is what you hear“
(frei nach Frank Stella, Minimalartist USA)
Big Band der HfM Detmold
Shawn Grocott: Leitung, Posaune
Kim Efert: Kompositionen, Arrangements, Gitarre
– unter Einbeziehung der Wellenfeldsynthese –
[Generalprobe]
3rds Circle – Saxophone: Georg Schmitt, David Waldeyer, Anna-Lena Delger, Magdalena Haßelbacher, Hörner: Lukas Pfundt, Lukas Kuhn, Posaunen: Simon Pfundt, Friedrich Hultsch, Trompeten: Andreas Herrnleben, Tabea Löbbecke, Javier Jiménez Villarán, Malte Mittrowann – Harfe: Milena Hoge, Klavier/Akkordeon: Michael Rettig, Kontrabass: Marius Strootmann, Schlagzeug/Vibraphon: Jens Korte, Schlagzeug/Klavier: René Pauls – Wellenfeldsynthese/Sounddesign: Sascha Etezazi, Leonard Loock, Juan Moreno, Programmierung der Klangquellensteuerung: Alexander Leemhuis, Sounddesign: Sebastian Breiter, Beschallung: Marco Adamczyk, Florian Götz, Licht: Manuel Grunden – Dank an Malte Heins, Prof. Malte Kob und Prof. Michael Schubert, für die große Unterstützung für dieses Projekt [Quelle: www.hfm-detmold.de]
Jazz an der HfM
Eine konzertante Klanginstallation
„What you hear is what you hear“
(frei nach Frank Stella, Minimalartist USA)
Big Band der HfM Detmold
Shawn Grocott: Leitung, Posaune
Kim Efert: Kompositionen, Arrangements, Gitarre
– unter Einbeziehung der Wellenfeldsynthese –
[Generalprobe]
3rds Circle – Saxophone: Georg Schmitt, David Waldeyer, Anna-Lena Delger, Magdalena Haßelbacher, Hörner: Lukas Pfundt, Lukas Kuhn, Posaunen: Simon Pfundt, Friedrich Hultsch, Trompeten: Andreas Herrnleben, Tabea Löbbecke, Javier Jiménez Villarán, Malte Mittrowann – Harfe: Milena Hoge, Klavier/Akkordeon: Michael Rettig, Kontrabass: Marius Strootmann, Schlagzeug/Vibraphon: Jens Korte, Schlagzeug/Klavier: René Pauls – Wellenfeldsynthese/Sounddesign: Sascha Etezazi, Leonard Loock, Juan Moreno, Programmierung der Klangquellensteuerung: Alexander Leemhuis, Sounddesign: Sebastian Breiter, Beschallung: Marco Adamczyk, Florian Götz, Licht: Manuel Grunden – Dank an Malte Heins, Prof. Malte Kob und Prof. Michael Schubert, für die große Unterstützung für dieses Projekt [Quelle: www.hfm-detmold.de]
Image taken during the recording stage of the Microsphere sample library from Glitchmachines.
www.glitchmachines.com/products/microsphere
Sound Designer: Ivo Ivanov
Drummer Producer Genji Siraisi www.genjisiraisi.com, Bassist Jonathan Maron, Bassist Leon Dorsey
photo credit: Kia Michelle Photography kiamichelle.wordpress.com/
Paul Davies.
Part of CINECITY 2016, The Sound of Story presented a three-day programme of stimulating talks, masterclasses and workshops featuring a stellar line-up of world-class sound professionals.
Taking part were Ann Kroeber (Blue Velvet, Dead Poets Society), Catherine Hodgson (Atonement, Jane Eyre), Jo Jackson (Long Walk to Freedom, Suffragette), Judi Lee-Headman AMPS (Homeland, The Bible), Paul Davies (Hunger, The Queen, ’71, We Need to Talk About Kevin), Neil Cargill and Simon James (Akiha Den Den), Matthew Herbert (Life in a Day, Bodily Functions, One Pig), and Mike Brett (Notes on Blindness).
Photo by Adam Bronkhorst (adambronkhorst.com)
cargocollective.com/stefanodalessio
Out of Countenance
AudioVisual performance
Stefano D'Alessio | Martina Menegon
Vienna 2013
Out of countenance is a dialogue between two faces, deformed and transformed by a digital process into something strange, obsolete. The facial expressions are exaggerated and amplified, drew in a 3-Dimensional space, bringing the common feeling of expression in a different and distorted perception. The human face as known looses its physiognomy, allowing the other face to overlap, mix, fuse within it, turning into a digital creature, an extension of the human being in the digital era.
Two performers stands in front of their computer, positioned one to the extreme left and the other at the extreme right of the stage. The computers capture the performers faces thru their internal webcams, generating an interactive video flow that is projected on a screen. The projection screen fills the whole stage standing between the two performers. The two computers generate also an interactive audio flow. The performers interact with the system thru their movement, the expressions and distortions of their faces, generating different visuals and sounds.
The software in use in the two computers is created within MaxMSP/Jitter, two different patches are running on each computer.
The video images are captured in realtime by the two webcams, combined in different ways, distorted in time and space and transposed in a 3d environment.
Video and audio are always related, in sync and always interacting between each other.
The audio has different natures, pre-made, modified in realtime, realtime generated and generated via webcam interaction. The two software contained in both computer act as one audio visual generating flux and it has a fix time schedule that permit the performance development to have a precise order and execution.
7 sept 2019 >> NIEUWE FILMERS FESTIVAL – Verkadefabriek Den Bosch – feestelijke première avond van de negen korte films gemaakt tijdens het One Week Film Project 2019 met Q&A met de filmmakers. Na het voorlezen van het juryrapport volgde de spetterende prijsuitreiking van de film award Het Paradepaardje 2019 mét de geldprijs t.w.v. 2750,- door de vakjury aan de winnende regisseur en team! Het prijzengeld bestaat uit de Hermes Kunst & Cultuurfondsprijs t.w.v. 500 euro, de BudgetCamera waardecoupon t.w.v. 750 euro én 1500,- vanuit SOLOS Nieuwe Filmers gefinancierd uit het budget van de Van den Udenhout- Chappin Cultuurprijs. Het prijzengeld moet binnen 1 jaar door de winnaar / het winnende team worden besteed aan de realisatie van een nieuwe film [fictie, docu,animatie]! Nieuwe
Filmers biedt hen in de opstart een filmproducent als coach.
De korte films zijn gemaakt tijdens het One Week Film Project 2019. Teams van een nieuwe generatie jonge filmmakers maakten in 5 dagen tijd ieder een nieuwe korte film in elk denkbaar genre!
Het publiek kiest de winnaar van de Publieksprijs. De jury overhandigde de winnende regisseur en het team een cheque t.w.v. 200 euro + 2 kaarten Industry Day Go Short. >> NEWS >> De geldwaarde van de prijs werd zaterdagavond spontaan verhoogd met 500 euro door een spontane gift van Janneke Rijnders en Jos Claassen uit het publiek!! Wauw!
Ook reikte de jury negen categorieprijzen uit voor Beste regie, Beste scenario, Beste Acteur m/v, Beste Sounddesign, Beste Camera DOP (director of photography), Beste Editing, Beste Production Design en Beste Muziek! Afsluitend was er een ‘afterparty’ en meet en greet met de filmmakers in de foyer van de Verkadefabriek.
Extra prijzen voor alle deelnemende teams in het Natraject : – een One Hour Exclusive Date met filmdistributieprofessional Wouter Janssen van Some Shorts t.b.v. distributiemogelijkheden voor hun film. En een besloten ‘masterclass’ door de jury, n.a.v. het juryrapport, als extra exclusief coaching moment, met bespreking per film.
WINNAAR FILMAWARD het PARADEPAARDJE 2019 >> ‘DIEP IN HET ROOD’ regie Mitchell van Vuren, team Filmmakers Collective
DE PUBLIEKSPRIJS >> ‘LEVENSLUCHT’ regie Joris Sluiter, team Super Media Bros
DE NEGEN CATEGORIEPRIJZEN
Best Editing > Gijs Walstra – ‘DIEP IN HET ROOD’
Best Scenario > Mitchell van Vuren – ‘DIEP IN HET ROOD’
Best Acting [V] > Marcelle Arriëns – ‘DIEP IN HET ROOD’
Best Acting M > duo Askr Caminada & Teun Hermsen ‘SOFIES CONDO’
Best Sounddesign > Dimitri Janssen & Madse Krivokutya – ‘TOMMIE’
Best Music [score] > Arthur Antoine Theunissen – ‘RUSHED’
Best Production Design > Tim Tubée – ‘WEERSCHIJN’
Best Camera > Jouke van Til – ‘WEERSCHIJN’
Best Direction > regisseur Kiki Henger- ‘WEERSCHIJN’
De jury
Sytske van der Ster, veelzijdig actrice, bekend van vele films en televisieseries o.a.; The Blue Virgin, Botanica, Heer en Meester, Vrijland, Zuidas, Levenslied, de coassistent.
Net terug van de jurering voor NFF…
Aaron Rookus, award winnende schrijver en regisseur
oa. Zuidas, Van God Los seizoen 4, Woensdagen, Een Goed Leven, I Wish I Could Share the Happiness Of Being Alone With Someone Else. Docent Audiovisuele Media op de HKU.
Jan van den Brink, film programmeur van de Verkadefabriek Den Bosch.
Productie van SOLOS NIEUWE FILMERS 2019
Foto's Made by Jane
Percussionist / Pilot Orlando Q Rodriguez
photo credit: Kia Michelle Photography kiamichelle.wordpress.com/
Sandra Suárez
ICBA - Salvador, BA
- - -
Blog oficial para network do projeto VISIO. cujo foco são as Artes Visuais e suas expressões na contemporaneidade.
Como o próprio nome sugere, é um ponto de encontro para troca de informações, exibição de técnicas, estilos e inspirações das artes plásticas, fotografia, arte digital, design gráfico, videoarte, web art, live act, dentre outros.
Nas edições presenciais, são apresentados projetos colaborativos desenvolvidos em rede; registros e veiculação instantânea de ações artísticas; produções audiovisuais; laboratório de criação e também atividades informais como o coletivo de desenho livre Canetarium; mini-oficinas; instalações, performances e exposições de artes.
A programação gratuita visa, fundamentalmente, a maior aproximação ao universo particular desta classe em seus processos criativos na formação de uma rede cooperativa com utilização de mídias tradicionais e móveis.
Equipe:
Conceito/ curadoria/ produção geral: Andrea May aka Happy Downlady
Consultoria em Arte e Tecnologia: Karla Brunet
Sound designer: Junix
Assessoria artística: Flávia Bomfim e Juliana Bestetti
Coordenação de produção: Erica Telles
Produção executiva: Jandyra Fernandes
Assistencia de produção: Pedro May
Monica Ryan
Business Card Design
Monica is a super multi-talented sound artist in Chicago. She is a curator, technical director, audio visual coordinator and educator!
Follow Monica on twitter: @MonicaRt312
Contact Monica for all of your SOUND needs!
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