View allAll Photos Tagged SoundDesign

Julio Costa www.ojulio.com/ no ICBA - Salvador, BA

 

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visioponto.blogspot.com/

 

Blog oficial para network do projeto VISIO. cujo foco são as Artes Visuais e suas expressões na contemporaneidade.

 

Como o próprio nome sugere, é um ponto de encontro para troca de informações, exibição de técnicas, estilos e inspirações das artes plásticas, fotografia, arte digital, design gráfico, videoarte, web art, live act, dentre outros.

 

Nas edições presenciais, são apresentados projetos colaborativos desenvolvidos em rede; registros e veiculação instantânea de ações artísticas; produções audiovisuais; laboratório de criação e também atividades informais como o coletivo de desenho livre Canetarium; mini-oficinas; instalações, performances e exposições de artes.

 

A programação gratuita visa, fundamentalmente, a maior aproximação ao universo particular desta classe em seus processos criativos na formação de uma rede cooperativa com utilização de mídias tradicionais e móveis.

 

Equipe:

 

Conceito/ curadoria/ produção geral: Andrea May aka Happy Downlady

 

Consultoria em Arte e Tecnologia: Karla Brunet

 

Sound designer: Junix

 

Assessoria artística: Flávia Bomfim e Juliana Bestetti

 

Coordenação de produção: Erica Telles

 

Produção executiva: Jandyra Fernandes

 

Assistencia de produção: Pedro May

 

ANG NINANAIS

(Refrains Happen Like Revolutions In A Song)

 

a film by John Torres

music & sound design by Teresa Barrozo

Gitarre: Eric Hunziker

Keyboards: Vincent Membrez

Schlagzeug: Fred Bürki

Laptop: Tobias Reber

Video: Julia Maria Morf

 

Vocal-Samples: Nina Salis

Sprach-Samples: Rahel Sternberg

Sounddesign: Thomas Winkler

Komposition: Thomas Fischer

 

_AR38422-2

www.musicworksnyc.com

 

photo credit: Erich Woodrum (www.afropop.org)

 

Fatoye Chris Theberge, Aurelio Martinez, Youssou N'Dour @ MusicworksNYC studios

Image taken during the recording stage of the Microsphere sample library from Glitchmachines.

 

www.glitchmachines.com/products/microsphere

 

Sound Designer: Ivo Ivanov

 

www.ivanovsound.com

Sandra Suárez

www.artesandrasuarez.com

artedemirar.blogspot.com/

sandrasuarez.artelista.com/

twitter.com/#!/arte_de_mirar

 

ICBA - Salvador, BA

 

- - -

 

visioponto.blogspot.com/

Blog oficial para network do projeto VISIO. cujo foco são as Artes Visuais e suas expressões na contemporaneidade.

 

Como o próprio nome sugere, é um ponto de encontro para troca de informações, exibição de técnicas, estilos e inspirações das artes plásticas, fotografia, arte digital, design gráfico, videoarte, web art, live act, dentre outros.

 

Nas edições presenciais, são apresentados projetos colaborativos desenvolvidos em rede; registros e veiculação instantânea de ações artísticas; produções audiovisuais; laboratório de criação e também atividades informais como o coletivo de desenho livre Canetarium; mini-oficinas; instalações, performances e exposições de artes.

 

A programação gratuita visa, fundamentalmente, a maior aproximação ao universo particular desta classe em seus processos criativos na formação de uma rede cooperativa com utilização de mídias tradicionais e móveis.

 

Equipe:

Conceito/ curadoria/ produção geral: Andrea May aka Happy Downlady

 

Consultoria em Arte e Tecnologia: Karla Brunet

 

Sound designer: Junix

 

Assessoria artística: Flávia Bomfim e Juliana Bestetti

 

Coordenação de produção: Erica Telles

 

Produção executiva: Jandyra Fernandes

 

Assistencia de produção: Pedro May

 

Auszug aus dem Fachmagazin PROSOUND, Ausg. 2/2012, zum Sounddesign beim Musical Rebecca in Stuttgart:

 

- Seite 1 von 8 unter www.flickr.com/photos/audiotechnicade/7361406246/in/photo...

- Seite 2 von 8 unter www.flickr.com/photos/audiotechnicade/7361406814/in/photo...

- Seite 3 von 8 unter www.flickr.com/photos/audiotechnicade/7176183561/in/photo...

- Seite 4 von 8 unter www.flickr.com/photos/audiotechnicade/7176183793/in/photo...

- Seite 5 von 8 unter www.flickr.com/photos/audiotechnicade/7176183715/in/photo...

- Seite 6 von 8 unter www.flickr.com/photos/audiotechnicade/7361407654/in/photo...

- Seite 7 von 8 unter www.flickr.com/photos/audiotechnicade/7176184201/in/photo...

- Seite 8 von 8 unter www.flickr.com/photos/audiotechnicade/7176184389/in/photo...

 

Weitere Bilder und Impressionen von der Installation des Systems finden sich unter: www.flickr.com/photos/audiotechnicade/sets/72157630063400...

 

Weitere Informationen zur Technik von APG im Produktkatalog von Audio-Technica unter eu.audio-technica.com/de/about/catalogues.asp ODER auf der Website von APG unter uk.apg.tm.fr/​downloads-the-loudspeakers-​apg-france....

 

Weitere Informationen zum Magazin PROSOUND unter www.prosound.de

 

Wir danken PROSOUND für die Bereitstellung.

Sound Design for Visual Media Summer Intensive.

 

Find out more about VFS Summer Intensive programs at vfs.com/summerintensives.

Exploring Sonic Interaction with Artefacts in Everyday Contexts

 

Hands-on sonic interaction design workshop on 23 June 2008 at IRCAM (Paris, France).

Part of the 14th International Conference on Auditory Display, 24-27 June 2008

Organizers: Karmen Franinovic, Lalya Gaye, Frauke Behrendt

Workshop website: sonicinteraction.wordpress.com.

Jamo outdoor speakers allow you to take that immersing sound experience from your indoors to those free and wild outdoors. Take that immaculate ambience out on your walk way, that cozy patio or by your garden. Redesigned from the ground up for even better sound from smaller form factors, these speakers deliver an enveloping experience while virtually disappearing into the landscape. Explore Jamo outdoor speakers with Soundfield

 

For more information on offers in Kerala, please DM, WhatsApp or call +916238156817, Visit: www.soundfield.in/

 

#SoundField #HomeTheatre #Acoustics #ProAudio #Theatre #Kerala #India #SoundDesign #SoundFieldIndia #SoundFieldKerala #hometheaterinstallation #speakers #speakersystem #luxurylifestyle #soundbar #audiovisual #jamo #jamoDealers #jamoServiceKerala #jamoSalesKerala #jamoDealersKerala #Kerala #Calicut #Trivandrum #India #BestSpeakers

Central machine room

Talking House, San Francisco CA

More info thpro.com/

Main live room

Talking House, San Francisco CA

More info thpro.com/

Image taken during the recording stage of the Microsphere sample library from Glitchmachines.

 

www.glitchmachines.com/products/microsphere

 

Sound Designer: Ivo Ivanov

 

www.ivanovsound.com

Studio Kouz Production à Paris, France. Kouz production est spécialisé dans la production sonore et la supervision musicale. Paris, le 11/04/2015. Photo : Fabrice Dunou.

 

Kouz Production Studio in Paris, France. Kouz Production is specialized in audio production and music supervision. Paris, 11/04/2015. Photo: Fabrice Dunou

Moor ist Leben, Leben ist Kunst! Begleite die FH Salzburg bei der Umsetzung und Koordination dieses einzigartigen Projekts. Mit eindrucksvollen Bildern, spektakulären Sequenzen und einzigartiger Inszenierung versteht es die Gruppe rund um Florian Reittner Moor völlig neu in Szene zu setzen. Anfang März 2017 haben wir den Start dieses atemberaubenden Projekts angekündigt. Erlebe jetzt die ersten Eindrücke im Making Of.

 

Ein Projekt im Ramen des Multimedia Art Studienganges der FH Salzburg

 

Regie: Florian Reittner

DOP: Andreas Eymannsberger

Produktion: Sarah Hackenberger, Nina Pintis

Sounddesign: Johannes Lugstein, Julia Grall

Regieassistenz: Lukas Ganahl

Aufnahmeleitung: Raphael Maier

Script /Continuity: David Prokop

B Kamera: Cornelia Ohnmacht

A Kameraassistent: Georg Sommer

B Kameraassistent: Maximilan Miller

Materialassistent: Johannes Hagn

Oberbeleuchter: Ben Költringer

Best Boy: Maxi Obermair

Grip: Christopher Eberle

Kostüm: Kerstin Gatterbauer

Maske: Lisa Schwab

DIT: Jonas Wenzl

Technical Director: Bernhard Schröcker

3D Supervisor: Patrick Dunkl

3D Compositing: Bernhard Schröcker

Schnit: Jonas Wenzl

PA: Silvio Ebner, Magdalena Eymannsberger, Nadja Költringer, Philip Kemmer, Daniel Solymar

Cast: Daniel Limmer, Jazz Brantsch, Sophie Itzlinger, Shereen Deen, Farah Deen, Lali Strasser, Sandra Schwann, Mathias Lillich, Günter Ettinger, Gisela Gruber, Ahmed El Wafi, Erich Hufnagl, Claudia Krippl, Thomas Kaserer, Berghof-Alpakas Hallein, Lisa Schwab, Tom Langer, Sebastian Smus, Marwin Wallner, Richard Hofmann Apostolou, Andrea Pastötter, Jeremy Miliker, Julian Wenzel

Image taken during the recording stage of the Microsphere sample library from Glitchmachines.

 

www.glitchmachines.com/products/microsphere

 

Sound Designer: Ivo Ivanov

 

www.ivanovsound.com

Image taken during the recording stage of the Microsphere sample library from Glitchmachines.

 

www.glitchmachines.com/products/microsphere

 

Sound Designer: Ivo Ivanov

 

www.ivanovsound.com

Part of CINECITY 2016, The Sound of Story presented a three-day programme of stimulating talks, masterclasses and workshops featuring a stellar line-up of world-class sound professionals.

 

Taking part were Ann Kroeber (Blue Velvet, Dead Poets Society), Catherine Hodgson (Atonement, Jane Eyre), Jo Jackson (Long Walk to Freedom, Suffragette), Judi Lee-Headman AMPS (Homeland, The Bible), Paul Davies (Hunger, The Queen, ’71, We Need to Talk About Kevin), Neil Cargill and Simon James (Akiha Den Den), Matthew Herbert (Life in a Day, Bodily Functions, One Pig), and Mike Brett (Notes on Blindness).

 

Photo by Adam Bronkhorst (adambronkhorst.com)

OUR TEAM

Our studio is found in 2005 in Sofia, Bulgaria. Our team consists in young professionals with lots of experience in all fields of music recording business.

Image taken during the recording stage of the Microsphere sample library from Glitchmachines.

 

www.glitchmachines.com/products/microsphere

 

Sound Designer: Ivo Ivanov

 

www.ivanovsound.com

Moor ist Leben, Leben ist Kunst! Begleite die FH Salzburg bei der Umsetzung und Koordination dieses einzigartigen Projekts. Mit eindrucksvollen Bildern, spektakulären Sequenzen und einzigartiger Inszenierung versteht es die Gruppe rund um Florian Reittner Moor völlig neu in Szene zu setzen. Anfang März 2017 haben wir den Start dieses atemberaubenden Projekts angekündigt. Erlebe jetzt die ersten Eindrücke im Making Of.

 

Ein Projekt im Ramen des Multimedia Art Studienganges der FH Salzburg

 

Regie: Florian Reittner

DOP: Andreas Eymannsberger

Produktion: Sarah Hackenberger, Nina Pintis

Sounddesign: Johannes Lugstein, Julia Grall

Regieassistenz: Lukas Ganahl

Aufnahmeleitung: Raphael Maier

Script /Continuity: David Prokop

B Kamera: Cornelia Ohnmacht

A Kameraassistent: Georg Sommer

B Kameraassistent: Maximilan Miller

Materialassistent: Johannes Hagn

Oberbeleuchter: Ben Költringer

Best Boy: Maxi Obermair

Grip: Christopher Eberle

Kostüm: Kerstin Gatterbauer

Maske: Lisa Schwab

DIT: Jonas Wenzl

Technical Director: Bernhard Schröcker

3D Supervisor: Patrick Dunkl

3D Compositing: Bernhard Schröcker

Schnit: Jonas Wenzl

PA: Silvio Ebner, Magdalena Eymannsberger, Nadja Költringer, Philip Kemmer, Daniel Solymar

Cast: Daniel Limmer, Jazz Brantsch, Sophie Itzlinger, Shereen Deen, Farah Deen, Lali Strasser, Sandra Schwann, Mathias Lillich, Günter Ettinger, Gisela Gruber, Ahmed El Wafi, Erich Hufnagl, Claudia Krippl, Thomas Kaserer, Berghof-Alpakas Hallein, Lisa Schwab, Tom Langer, Sebastian Smus, Marwin Wallner, Richard Hofmann Apostolou, Andrea Pastötter, Jeremy Miliker, Julian Wenzel

Meri Amber went to King Sound Studios to record the vocals for her Mini-P. Meri and her producer Joey enjoyed a lot of fruit whilst there. www.meriamber.com/blog/2013/04/recording-the-vocals-for-m...

Jazz an der HfM

Eine konzertante Klanginstallation

„What you hear is what you hear“

(frei nach Frank Stella, Minimalartist USA)

 

Big Band der HfM Detmold

Shawn Grocott: Leitung, Posaune

Kim Efert: Kompositionen, Arrangements, Gitarre

– unter Einbeziehung der Wellenfeldsynthese –

[Generalprobe]

 

3rds Circle – Saxophone: Georg Schmitt, David Waldeyer, Anna-Lena Delger, Magdalena Haßelbacher, Hörner: Lukas Pfundt, Lukas Kuhn, Posaunen: Simon Pfundt, Friedrich Hultsch, Trompeten: Andreas Herrnleben, Tabea Löbbecke, Javier Jiménez Villarán, Malte Mittrowann – Harfe: Milena Hoge, Klavier/Akkordeon: Michael Rettig, Kontrabass: Marius Strootmann, Schlagzeug/Vibraphon: Jens Korte, Schlagzeug/Klavier: René Pauls – Wellenfeldsynthese/Sounddesign: Sascha Etezazi, Leonard Loock, Juan Moreno, Programmierung der Klangquellensteuerung: Alexander Leemhuis, Sounddesign: Sebastian Breiter, Beschallung: Marco Adamczyk, Florian Götz, Licht: Manuel Grunden – Dank an Malte Heins, Prof. Malte Kob und Prof. Michael Schubert, für die große Unterstützung für dieses Projekt [Quelle: www.hfm-detmold.de]

Last November, sound sculptor Ranjit Bhatnagar visited Berklee's Valencia campus to offer a seminar on interactive sound art and installations. He also handcrafts original music instruments.

Image taken during the recording stage of the Microsphere sample library from Glitchmachines.

 

www.glitchmachines.com/products/microsphere

 

Sound Designer: Ivo Ivanov

 

www.ivanovsound.com

Overlooking the insert stage, our 5.1 audio suite hosts a Pro Tools HD system, an automated digital mixing console, two voiceover booths, and extensive music and sound effects libraries. From VO record and sound design to surround sound mix-to-picture, our audio suite rounds out our complete full service post capabilities.

Services

• VO record

• Sound design

• Mix-to-picture

• Music/sfx search/license

• ADR/loopingSpecs

• Dual 1.8 G5, Pro Tools HD system

• Mackie HUI

• TL Audio 5001 quad valve preamp

• Neumann TLM 103 microphone

• Bon Jovi style keyboard stand

Jazz an der HfM

Eine konzertante Klanginstallation

„What you hear is what you hear“

(frei nach Frank Stella, Minimalartist USA)

 

Big Band der HfM Detmold

Shawn Grocott: Leitung, Posaune

Kim Efert: Kompositionen, Arrangements, Gitarre

– unter Einbeziehung der Wellenfeldsynthese –

[Generalprobe]

 

3rds Circle – Saxophone: Georg Schmitt, David Waldeyer, Anna-Lena Delger, Magdalena Haßelbacher, Hörner: Lukas Pfundt, Lukas Kuhn, Posaunen: Simon Pfundt, Friedrich Hultsch, Trompeten: Andreas Herrnleben, Tabea Löbbecke, Javier Jiménez Villarán, Malte Mittrowann – Harfe: Milena Hoge, Klavier/Akkordeon: Michael Rettig, Kontrabass: Marius Strootmann, Schlagzeug/Vibraphon: Jens Korte, Schlagzeug/Klavier: René Pauls – Wellenfeldsynthese/Sounddesign: Sascha Etezazi, Leonard Loock, Juan Moreno, Programmierung der Klangquellensteuerung: Alexander Leemhuis, Sounddesign: Sebastian Breiter, Beschallung: Marco Adamczyk, Florian Götz, Licht: Manuel Grunden – Dank an Malte Heins, Prof. Malte Kob und Prof. Michael Schubert, für die große Unterstützung für dieses Projekt [Quelle: www.hfm-detmold.de]

Notes On Blindness - Mike Brett.

 

Part of CINECITY 2016, The Sound of Story presented a three-day programme of stimulating talks, masterclasses and workshops featuring a stellar line-up of world-class sound professionals.

 

Taking part were Ann Kroeber (Blue Velvet, Dead Poets Society), Catherine Hodgson (Atonement, Jane Eyre), Jo Jackson (Long Walk to Freedom, Suffragette), Judi Lee-Headman AMPS (Homeland, The Bible), Paul Davies (Hunger, The Queen, ’71, We Need to Talk About Kevin), Neil Cargill and Simon James (Akiha Den Den), Matthew Herbert (Life in a Day, Bodily Functions, One Pig), and Mike Brett (Notes on Blindness).

 

Photo by Adam Bronkhorst (adambronkhorst.com)

Jazz an der HfM

Eine konzertante Klanginstallation

„What you hear is what you hear“

(frei nach Frank Stella, Minimalartist USA)

 

Big Band der HfM Detmold

Shawn Grocott: Leitung, Posaune

Kim Efert: Kompositionen, Arrangements, Gitarre

– unter Einbeziehung der Wellenfeldsynthese –

[Generalprobe]

 

3rds Circle – Saxophone: Georg Schmitt, David Waldeyer, Anna-Lena Delger, Magdalena Haßelbacher, Hörner: Lukas Pfundt, Lukas Kuhn, Posaunen: Simon Pfundt, Friedrich Hultsch, Trompeten: Andreas Herrnleben, Tabea Löbbecke, Javier Jiménez Villarán, Malte Mittrowann – Harfe: Milena Hoge, Klavier/Akkordeon: Michael Rettig, Kontrabass: Marius Strootmann, Schlagzeug/Vibraphon: Jens Korte, Schlagzeug/Klavier: René Pauls – Wellenfeldsynthese/Sounddesign: Sascha Etezazi, Leonard Loock, Juan Moreno, Programmierung der Klangquellensteuerung: Alexander Leemhuis, Sounddesign: Sebastian Breiter, Beschallung: Marco Adamczyk, Florian Götz, Licht: Manuel Grunden – Dank an Malte Heins, Prof. Malte Kob und Prof. Michael Schubert, für die große Unterstützung für dieses Projekt [Quelle: www.hfm-detmold.de]

www.musicworksnyc.com

 

Percussionist / Pilot Orlando Q Rodriguez

    

photo credit: Kia Michelle Photography kiamichelle.wordpress.com/

Sandra Suárez

www.artesandrasuarez.com

artedemirar.blogspot.com/

sandrasuarez.artelista.com/

twitter.com/#!/arte_de_mirar

 

ICBA - Salvador, BA

 

- - -

 

visioponto.blogspot.com/

Blog oficial para network do projeto VISIO. cujo foco são as Artes Visuais e suas expressões na contemporaneidade.

 

Como o próprio nome sugere, é um ponto de encontro para troca de informações, exibição de técnicas, estilos e inspirações das artes plásticas, fotografia, arte digital, design gráfico, videoarte, web art, live act, dentre outros.

 

Nas edições presenciais, são apresentados projetos colaborativos desenvolvidos em rede; registros e veiculação instantânea de ações artísticas; produções audiovisuais; laboratório de criação e também atividades informais como o coletivo de desenho livre Canetarium; mini-oficinas; instalações, performances e exposições de artes.

 

A programação gratuita visa, fundamentalmente, a maior aproximação ao universo particular desta classe em seus processos criativos na formação de uma rede cooperativa com utilização de mídias tradicionais e móveis.

 

Equipe:

Conceito/ curadoria/ produção geral: Andrea May aka Happy Downlady

 

Consultoria em Arte e Tecnologia: Karla Brunet

 

Sound designer: Junix

 

Assessoria artística: Flávia Bomfim e Juliana Bestetti

 

Coordenação de produção: Erica Telles

 

Produção executiva: Jandyra Fernandes

 

Assistencia de produção: Pedro May

 

Project: Behind the Scenes Recording Guns

 

Production Company: 226 Radium Films

 

Director: 226 Radium Films

 

Motion Graphics: Clemens Wirth - Austria

Film Kit: Canon 5D Mk II

 

Background: We wanted to capture a behind the scenes to demonstrate our approach at Radium Audio.

This film is was shot by us, music - sound designed and edited and we commissioned Clemens Wirth to create the after fx you see layered on top.

 

The purpose of the film is to capture the approach and support the recent commissions from The Mill and Sky One with 100% genuine sounds.

 

We were commissioned by The Mill to sound design & edit the music for the new Codemasters “Bodycount” promo for E3.

 

And also by Sky One to create music and sound for a new promo with LL Cool J - NCIS TV. Radium founder Andrew Diey has a background in game development and has worked on over 25 games and our approach is to always capture and record sounds for what we work on. We cannot go into too much detail about the gun day, but we recorded all the sounds and our promo work contains 100% original source material, from the guns to the score.

 

How we did it: Set up the mic, testing levels, choose the guns from the armory, lock, load, gun handling, foley,

we didnt want to add any gun sounds to our first, but give you an alternative take on sound design.

 

Sounds we created include: All Music & Sound Design

 

Watch this video on Vimeo. Video created by Radium Audio Ltd.

Image taken during the recording stage of the Microsphere sample library from Glitchmachines.

 

www.glitchmachines.com/products/microsphere

 

Sound Designer: Ivo Ivanov

 

www.ivanovsound.com

cargocollective.com/stefanodalessio

martinamenegon.tumblr.com

 

Out of Countenance

AudioVisual performance

Stefano D'Alessio | Martina Menegon

Vienna 2013

 

Out of countenance is a dialogue between two faces, deformed and transformed by a digital process into something strange, obsolete. The facial expressions are exaggerated and amplified, drew in a 3-Dimensional space, bringing the common feeling of expression in a different and distorted perception. The human face as known looses its physiognomy, allowing the other face to overlap, mix, fuse within it, turning into a digital creature, an extension of the human being in the digital era.

 

Two performers stands in front of their computer, positioned one to the extreme left and the other at the extreme right of the stage. The computers capture the performers faces thru their internal webcams, generating an interactive video flow that is projected on a screen. The projection screen fills the whole stage standing between the two performers. The two computers generate also an interactive audio flow. The performers interact with the system thru their movement, the expressions and distortions of their faces, generating different visuals and sounds.

 

The software in use in the two computers is created within MaxMSP/Jitter, two different patches are running on each computer.

The video images are captured in realtime by the two webcams, combined in different ways, distorted in time and space and transposed in a 3d environment.

Video and audio are always related, in sync and always interacting between each other.

The audio has different natures, pre-made, modified in realtime, realtime generated and generated via webcam interaction. The two software contained in both computer act as one audio visual generating flux and it has a fix time schedule that permit the performance development to have a precise order and execution.

 

old street studios recording suite

Sound Design for Visual Media Summer Intensive.

 

Find out more about VFS Summer Intensive programs at vfs.com/summerintensives.

FAHRRÄDER KÖNNTEN EINE ROLLE SPIELEN

 

Von Marianna Salzmann und Deniz Utlu

Unter Verwendung von Mely Kiyaks Notizen aus dem NSU-Untersuchungsausschuss

Regie: Lukas Langhoff

Uraufführung 23. November 2012

Ballhaus Naunynstraße

 

Mit: Sebastian Brandes, Simon Brusis, Sema Poyraz, Janin Stenzel, Paul Wollin

 

Bühne: Lukas Langhoff, Justus Saretz

Kostüm: Ines Burisch

Video: Sönke Hansen

Musik- und Sounddesign: Toby Dope

Dramaturgie: Nora Haakh

Produktionsleitung: Jana Penz

Regieassistenz: Rabia Gökçe Aydal

 

Eine Produktion von Kultursprünge e.V. im Ballhaus Naunynstraße, gefördert durch die Einzelprojektförderung und die Interkulturelle Projektförderung des Landes Berlin. Aufführungsrechte beim Verlag der Autoren, Frankfurt am Main.

 

Foto: Ute Langkafel, Maifoto, www.maifoto.de

Explore the Klipsch BAR 48 Sound Bar + Wireless Subwoofer, that flaunts a dedicated center channel speaker for enhanced vocal clarity and surround sound capabilities to uplift your TV and movie viewing experience

 

Call or WhatsApp +91 6238 156 817 for details or Visit one of our showrooms in Kochi, Trivandrum or Calicut.

 

#SoundField #HomeTheatre #Acoustics #ProAudio #Theatre #SoundDesign #HomeTheatreDealersInKerala #HomeCinemaStore #HomeTheaterStore #HomeTheaterStoreInKerala #klipsch #deal #discount #finesse #soundbar #homeaudio #subwoofer #partymusic #interiordesign #architectskerala #sounddesign #musiclovers #kerala #kochi #trivandrum #India

We just inherited a new member to our family this weekend. An old record/8-track player that my wife's grandfather owned. Cleaning it up and getting it in working condition has become my new side-project.

Image taken during the recording stage of the Microsphere sample library from Glitchmachines.

 

www.glitchmachines.com/products/microsphere

 

Sound Designer: Ivo Ivanov

 

www.ivanovsound.com

Jazz an der HfM

Eine konzertante Klanginstallation

„What you hear is what you hear“

(frei nach Frank Stella, Minimalartist USA)

 

Big Band der HfM Detmold

Shawn Grocott: Leitung, Posaune

Kim Efert: Kompositionen, Arrangements, Gitarre

– unter Einbeziehung der Wellenfeldsynthese –

[Generalprobe]

 

3rds Circle – Saxophone: Georg Schmitt, David Waldeyer, Anna-Lena Delger, Magdalena Haßelbacher, Hörner: Lukas Pfundt, Lukas Kuhn, Posaunen: Simon Pfundt, Friedrich Hultsch, Trompeten: Andreas Herrnleben, Tabea Löbbecke, Javier Jiménez Villarán, Malte Mittrowann – Harfe: Milena Hoge, Klavier/Akkordeon: Michael Rettig, Kontrabass: Marius Strootmann, Schlagzeug/Vibraphon: Jens Korte, Schlagzeug/Klavier: René Pauls – Wellenfeldsynthese/Sounddesign: Sascha Etezazi, Leonard Loock, Juan Moreno, Programmierung der Klangquellensteuerung: Alexander Leemhuis, Sounddesign: Sebastian Breiter, Beschallung: Marco Adamczyk, Florian Götz, Licht: Manuel Grunden – Dank an Malte Heins, Prof. Malte Kob und Prof. Michael Schubert, für die große Unterstützung für dieses Projekt [Quelle: www.hfm-detmold.de]

Moor ist Leben, Leben ist Kunst! Begleite die FH Salzburg bei der Umsetzung und Koordination dieses einzigartigen Projekts. Mit eindrucksvollen Bildern, spektakulären Sequenzen und einzigartiger Inszenierung versteht es die Gruppe rund um Florian Reittner Moor völlig neu in Szene zu setzen. Anfang März 2017 haben wir den Start dieses atemberaubenden Projekts angekündigt. Erlebe jetzt die ersten Eindrücke im Making Of.

 

Ein Projekt im Ramen des Multimedia Art Studienganges der FH Salzburg

 

Regie: Florian Reittner

DOP: Andreas Eymannsberger

Produktion: Sarah Hackenberger, Nina Pintis

Sounddesign: Johannes Lugstein, Julia Grall

Regieassistenz: Lukas Ganahl

Aufnahmeleitung: Raphael Maier

Script /Continuity: David Prokop

B Kamera: Cornelia Ohnmacht

A Kameraassistent: Georg Sommer

B Kameraassistent: Maximilan Miller

Materialassistent: Johannes Hagn

Oberbeleuchter: Ben Költringer

Best Boy: Maxi Obermair

Grip: Christopher Eberle

Kostüm: Kerstin Gatterbauer

Maske: Lisa Schwab

DIT: Jonas Wenzl

Technical Director: Bernhard Schröcker

3D Supervisor: Patrick Dunkl

3D Compositing: Bernhard Schröcker

Schnit: Jonas Wenzl

PA: Silvio Ebner, Magdalena Eymannsberger, Nadja Költringer, Philip Kemmer, Daniel Solymar

Cast: Daniel Limmer, Jazz Brantsch, Sophie Itzlinger, Shereen Deen, Farah Deen, Lali Strasser, Sandra Schwann, Mathias Lillich, Günter Ettinger, Gisela Gruber, Ahmed El Wafi, Erich Hufnagl, Claudia Krippl, Thomas Kaserer, Berghof-Alpakas Hallein, Lisa Schwab, Tom Langer, Sebastian Smus, Marwin Wallner, Richard Hofmann Apostolou, Andrea Pastötter, Jeremy Miliker, Julian Wenzel

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