View allAll Photos Tagged Slip
... i know a woman became a wife
these are the very words she uses to describe her life
she says a good day ain't got no rain
and a bad day's when i stay in bed
and think about what might have been
she's slip slidin' away
slip slidin' away
you know the nearer your destination
the more you're slip slidin' away ...
~ paul simon
funny thing, one of my favourite p. simon tunes ever, perfect title but not a lick of slide guitar anywhere. hey, i'd stink it up for him. all he gotta do is ask. `~P
This swatch displays Diamond Slip Stitch. It was hand knit with a US 4 needle by Rox Seabright using KANJI bamboo & silk yarn worked alongside CAREZZA silk, merino, and alpaca yarn. Both yarns were produced by Artfibers.
Artfibers yarns are proudly hand dyed in California by American artists and sold directly to the public on professional cones with no minimums. Samples are available through 4 different Yarntasting programs. Please visit www.artfibers.com for further information.
Image by Heather Allen for The Yarnasting Museum. Contact Heather at:
ok, so it's a bit weird that i am taking pictures of my bruises, but i am amused that in 4 days i manages to get 4 big, colorful bruises. this is very unusual for me to be so banged up. The color quality isn't that great, but just imagine bright blue and purple for the big one.
Slipping By
Suzanne Serviss, Tom Haskell (Barbara Feldman & Dancers)
Educational Center for the Arts, New Haven
1984
Submitted by: Barbara Feldman
Photographer: Jennifer W. Lester
Sock one after great start not so good yesterday evening but first one finished.
Kid Silk Haze Fluffy soft ab=nd a little large. But great ! U conns
This little slip cut into the river's north bank just upstream of the Chalmette Battlefield had three ships parked when we past, each in the process of transferring cargo to river barges.
The ship on the left is the Aramis, a 600-foot cargo ship registered in Panama. There seems to be another Aramis currently in China that the ship trackers confuse with this one, but I eventually found that this ship stayed here another week after we saw it, and didn't leave until February 18, when it went to Houston. It stayed another four days in Houston, then left on February 23 bound for Cape Town, South Africa. The ship tracker didn't expect it to arrive in Cape Town until March 22. You can track it here.
The ship closest to me on the right is the Balsa 96, a 346-foot ship also registered in Panama. This must be Panama row. The existence of the Balsa 96 suggests that there are at least 95 other ships named Balsa, which you wouldn't think, because balsa's not a great wood to use for making cargo ships. But that didn't matter much to the people who name ships, as was evidenced by the fact that I saw Balsa 87 underway about an hour after this. (I'll post that picture tomorrow.) Balsa 96 stayed here until February 18, then went and I guess putzed around the Gulf of Mexico for a while, because it's next listed port was Houston, and it didn't get there until yesterday, March 2. It spent the last day moving to another slip up toward Galveston, which is where it is now. You can track that one here.
There's a ship with a two-word name on the far side of the Balsa 96, but I can only see that the first word is "Lisa." Not knowing the second word, I can't track that one.
This swatch displays Diamond Slip Stitch. It was hand knit with a US 4 needle by Rox Seabright using KANJI bamboo & silk yarn worked alongside CAREZZA silk, merino, and alpaca yarn. Both yarns were produced by Artfibers.
Artfibers yarns are proudly hand dyed in California by American artists and sold directly to the public on professional cones with no minimums. Samples are available through 4 different Yarntasting programs. Please visit www.artfibers.com for further information.
Image by Heather Allen for The Yarnasting Museum. Contact Heather at:
www.flickr.com/photos/lostulalume/ .
Image by Heather Allen for The Yarnasting Museum. Contact Heather at: