View allAll Photos Tagged Signorelli
Monte Oliveto Maggiore.
The Great Cloister 1426-1443.
Fresco cycle on the Life of Saint Benedict, by Sodoma (1505) and Luca Signorelli (1495).
In the summer of 1447 Fra Angelico, assisted by Benozzo Gozzoli and several other minor artists, had painted a fresco of the Prophets in one of the triangular ceiling vanes and Christ the Judge in another in the Chapel of San Brizo, a large Gothi construction built around 1408 in the Orvieto Cathedral. The remaining sections of the ceiling were painted by Luca Signorelli in 1499-1500.
Shots of the Sodoma/Signorelli frescoes of scenes from the life of St Benedict in the Cloister at Monteoliveto Maggiore (1503 to 1508). They repay viewing at original size.
Shots of the Sodoma/Signorelli frescoes of scenes from the life of St Benedict in the Cloister at Monteoliveto Maggiore (1503 to 1508). They repay viewing at original size.
Monte Oliveto Maggiore.
The Great Cloister 1426-1443.
Fresco cycle on the Life of Saint Benedict, by Sodoma (1505) and Luca Signorelli (1495).
Monte Oliveto Maggiore.
The Great Cloister 1426-1443.
Fresco cycle on the Life of Saint Benedict, by Sodoma (1505) and Luca Signorelli (1495).
U of Arkansas Cooperative Extension Service team of 25 departs from the Capitol as part of National Bike to Work Day, May 18, 2012. The team has been training for eight weeks as part of an employee wellness initiative. (University of Arkansas System Division of Agriculture photo by Mary Hightower)
Mesa de conversación: género, política y diversidad en la Literatura Infantil.
Sala Acario Cotapos.
Una invitación especial para profesores y promotores de la lectura: ¿Cómo mediar estos temas, poco presentes y complejos, a través de los libros?.
Participan: Neva Milicic, Claudio Aguilera y Varinia Signorelli.
Foto: Victor Tabja
Santiago 10-11-2017
Shots of the Sodoma/Signorelli frescoes of scenes from the life of St Benedict in the Cloister at Monteoliveto Maggiore (1503 to 1508). They repay viewing at original size.
The only one of the busts of philosophers and poets that can be identified with certainty is Dante Alighieri, and some of the loveliest and most famous of the monochromes are illustrations of episodes from the Divine Comedy - for the most part from Purgatory. In these Orvieto frescoes Signorelli proves that he is a talented illustrator of Dante, but what is truly fascinating is that he has succeeded in giving an interpretation of the Divine Comedy that is evocative and visionary, so similar to more modern styles that one can't help but compare it to the work of such artists as Fuseli, Blake, Gustave Doré. If one is still searching for evidence of Luca Signorelli's inventive genius and of his astonishing versatility, then these decorations will provide it.
WATER BREAK -- Members of the U of Arkansas Cooperative Extension Service Bike to Work team takes a break at the Central High Visitors Center as part of National Bike to Work Day, May 18, 2012. The team has been training for eight weeks as part of an employee wellness initiative. (University of Arkansas System Division of Agriculture photo by Mary Hightower)
Fotos para matéria optativa de fotografia avançada. O tema do ensaio foi "minha moda é ler" e as fotos foram inspiradas no livro Gossip Girl. Crédito coletivo: Adriana Dieuzeide, Eduardo Bravin, Érica Signorelli, Izaias Buson, Priscilla Cabral, Rafael De Angel e Thiago Coutinho
Shots of the Sodoma/Signorelli frescoes of scenes from the life of St Benedict in the Cloister at Monteoliveto Maggiore (1503 to 1508). They repay viewing at original size.
Luca Signorelli
Madonna & Child in Glory with Saints & Prophets and the Patron Niccolo Gamurrini
1519-22
Edición especial Día de la Mujer de Uterinando, acontecimiento por mujeres, organizado por el colectivo EPTM (Encuentro Permanente de Teatristas de Morón Independientes)
Exposición:
Nina Signorelli Heim
Agustina Patrón
Gabriela Pascual
Por la sala pasarón:
Miriam De Luca y Laura Rodríguez con "Vidita Cruel"
Ayelén Rodríguez con "Plusvalía, explosión de la explotación"
una performance en trapecio
Cecilia Moreno Ocampo - Vane Conedera
Claudio Sanabria - Jeremías García en "La maté porque era mía"
Maicha Zaballa y Lucía Méndez con
"Suripantas, humor musical"
Ana González Seligra y Mercedes Di Napoli
danzando y cantando contra la trata
Y Ciela Asad compartirá sus poemas
-------------------------------
Foto y Edición: Damián Ríos
U of Arkansas Cooperative Extension Service team of 25 departs from the Capitol as part of National Bike to Work Day, May 18, 2012. The team has been training for eight weeks as part of an employee wellness initiative. (University of Arkansas System Division of Agriculture photo by Mary Hightower)
Monte Oliveto Maggiore.
The Great Cloister 1426-1443.
Fresco cycle on the Life of Saint Benedict, by Sodoma (1505) and Luca Signorelli (1495).
U of Arkansas Cooperative Extension Service team enjoys some healthy treats after completing its commute on National Bike to Work Day ride on May 18, 2012. The team has been training for eight weeks as part of an employee wellness initiative. (University of Arkansas System Division of Agriculture photo by Mary Hightower)
1st Place
From the left are Lynne Kesselman, founder and president of the Computer Science Teachers Association South Jersey chapter (CSTA-SNJ), Matthew Signorelli, Kate Kennelly and Joe Signorelli, of Toms River North High School, and Adam Swift, CSTA-SNJ vice president.
Photo: Susan Allen/ Stockton University
Shots of the Sodoma/Signorelli frescoes of scenes from the life of St Benedict in the Cloister at Monteoliveto Maggiore (1503 to 1508). They repay viewing at original size.
PAGE 3
The fifth of six major works completed by sculptor Robert Cremean in his studio in France between 2016 and 2021. The entire body of work is titled FRENCH SHELVES.
THREE BUSTS OF ROBERT DLV VIEWING SCROLL
Back right sculpture: 16"w x 13.5" deep x 69"h
Back left sculpture: 16.5"w x 13.5" deep x 69"h
Central sculpture: 16"w x 16" deep x 67"h
Scroll: 67"w x 14"deep x 55"h
This portrait consists of four separate sculptures, three busts mounted on tripods facing a sculpture mounted on two trestles. This fourth piece, titled SCROLL, consists of clusters four male and four female figures and a permanently attached sketchbook containing sixty-nine double pages of notes and drawings, thoughts and ideas entered from time by the artist during the entirety of the time of the creation of this work.The entries were made from one side of the sculpture and from the other depending upon where the artist was working at the time of entry. Below the photograph of each double page is a transcription of the written words whenever appropriate.
-------------------
PAGE 3
Left Page:
Only in the Making
can Art be Made
This is no less
true of the viewer
as of the viewed…
Right Page:
There is no way my story
will end with a whimper
rather than with a bang
(If there is to be an end-
ing as you contend).
I did not what this…
I have existed quite
comfortably within your
narrative…until now…
But you
are beautiful with your
gently rounded buttocks…
No wonder Signorelli expresses
such praise and wonderment
in his frescoes on the walls of
the duomo in Orvieto. No wonder…but
you carry completion…the disease
of linearity and endings. You must be
diminished, diverted, excised, and re-
moved…
Monte Oliveto Maggiore.
The Great Cloister 1426-1443.
Fresco cycle on the Life of Saint Benedict, by Sodoma (1505) and Luca Signorelli (1495).
Monte Oliveto Maggiore.
The Great Cloister 1426-1443.
Fresco cycle on the Life of Saint Benedict, by Sodoma (1505) and Luca Signorelli (1495).
Shots of the Sodoma/Signorelli frescoes of scenes from the life of St Benedict in the Cloister at Monteoliveto Maggiore (1503 to 1508). They repay viewing at original size.
Shots of the Sodoma/Signorelli frescoes of scenes from the life of St Benedict in the Cloister at Monteoliveto Maggiore (1503 to 1508). They repay viewing at original size.
U of Arkansas Cooperative Extension Service team poses on the Capitol steps during a stop on its National Bike to Work Day ride on May 18, 2012. The team has been training for eight weeks as part of an employee wellness initiative. (University of Arkansas System Division of Agriculture photo by Mary Hightower)
Monte Oliveto Maggiore.
The Great Cloister 1426-1443.
Fresco cycle on the Life of Saint Benedict, by Sodoma (1505) and Luca Signorelli (1495).
Borrowing a decoration programme that had already been used in 1494 by Pinturicchio in the Borgia Apartment in Rome, Signorelli decided to decorate the area below his frescoes with grotesque ornamental motifs, busts of philosophers and poets, as well as monochromes illustrating their work. It is possible that the busts of philosophers and poets are intended as symbols of reason and moral values, the only instruments that man can use to keep in check the powerful animal instincts of his nature and to attain the higher spheres of the spirit.