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Orvieto Cathedral houses the San Brizio Chapel (more correctly the Capella della Madonna di San Brizio) - famous for the fresco cycle by Luca Signorelli (painted 1499 - 1503) depicting visions of paradise, hell and the end of the world. When you walk into the great space, remember that many of the people going there in the 1500s would have believed that the end of the world and the day of judgement were due at any moment. Talk about a fear driven religion - or was it just that Signorelli liked painting naked male bodies?
TEATRO SIGNORELLI (19th century) The Signorelli Theatre is owned by the Accademia degli Arditi. It is located on the corner of Piazza Signorelli, on the spot where there was the ancient Church of Sant'Andrea. It was designed by architect Carlo Gatteschi in 1854 following the Neoclassical style. The loggia has seven arcades and at the interior two rows of eight pilasters covered with lunette vaults. It has always hosted lots of activities and events and is also used as a cinema. www.cortonaweb.net/en/history/14-cortona-civic-palaces
U of Arkansas Cooperative Extension At the Central High Visitors Center. Service fields team of 25 for National Bike to Work Day, May 18, 2012. The team has been training for eight weeks as part of an employee wellness initiative. (University of Arkansas System Division of Agriculture photo by Mary Hightower)
Monte Oliveto Maggiore.
The Great Cloister 1426-1443.
Fresco cycle on the Life of Saint Benedict, by Sodoma (1505) and Luca Signorelli (1495).
La Capilla Sixtina es la capilla más famosa del Palacio Apostólico de la Ciudad del Vaticano, la residencia oficial del Papa. Se encuentra a la derecha de la Basílica de San Pedro y originalmente servía como capilla de la fortaleza vaticana. Es famosa por su arquitectura, evocadora del Templo de Salomón del Antiguo Testamento, y su decoración al fresco, obra de los más grandes artistas del Renacimiento, incluyendo a Miguel Ángel, Rafael y Botticelli. Por orden del papa Julio II, Miguel Ángel decoró la bóveda (1.100 m²) entre 1508 y 1512. A Miguel Ángel no le agradó este encargo, y pensó que su trabajo era sólo para satisfacer la necesidad de grandeza del Papa. Sin embargo, hoy la bóveda, y especialmente El Juicio Final, son considerados como los mayores logros de Miguel Ángel en la pintura.
Fue construida entre 1471 y 1484, por orden del papa Sixto IV, de quien toma su nombre, para restaurar la antigua Capilla Magna. Recién terminadas las obras, un grupo de pintores que incluía a Botticelli, Pietro Perugino, Luca Signorelli y Domenico Ghirlandaiopintaron una serie de paneles al fresco sobre la vida de Moisés (a la izquierda del altar, mirando hacia El Juicio Final) y la deJesucristo (a la derecha del altar), acompañadas por retratos de los Papas que habían gobernado la Iglesia hasta entonces en la zona superior y por cortinas pintadas con trampantojo. Las pinturas fueron concluidas en 1482, y el 15 de agosto de 1483, Sixto IV consagró la primera misa celebrada en la capilla a la Asunción de María.
Desde la época de Sixto IV, la capilla ha servido como lugar de diversas actividades papales. Hoy es la sede del cónclave, la reunión en la que los cardenales eligen a un nuevo
The cathderal in Orvieto contains The Brizio Chapel with frescoes by Luca Signorelli.
"Influenced greatly by Dante's "Divine Comedy," but also and perhaps more vividly by the recent public death by torture of Savonarola, the apocalypse-preaching Florentine zealot, Signorelli created what is perhaps the greatest masterpiece in this treasure trove. The Brizio Chapel is entirely frescoed with scenes depicting the end of the world, the resurrection of the dead, Paradise and Hell."
Monte Oliveto Maggiore.
The Great Cloister 1426-1443.
Fresco cycle on the Life of Saint Benedict, by Sodoma (1505) and Luca Signorelli (1495).
Monte Oliveto Maggiore.
The Great Cloister 1426-1443.
Fresco cycle on the Life of Saint Benedict, by Sodoma (1505) and Luca Signorelli (1495).
Passeio Fotográfico promovido Pelo Grupo de Foto durante da Semana Calórica 2010/2 com os Oficineiros Yuri Barichivich, Patrícia Garcia, Èrica Signorelli, Thiago Coutinho e Thaiana Gomes.
Fotos tiradas no Parque da Pedra da Cebola em Vitória, Espiríto Santo.
Monte Oliveto Maggiore.
The Great Cloister 1426-1443.
Fresco cycle on the Life of Saint Benedict, by Sodoma (1505) and Luca Signorelli (1495).
Orvieto Cathedral houses the San Brizio Chapel (more correctly the Capella della Madonna di San Brizio) - famous for the fresco cycle by Luca Signorelli (painted 1499 - 1503) depicting visions of paradise, hell and the end of the world. When you walk into the great space, remember that many of the people going there in the 1500s would have believed that the end of the world and the day of judgement were due at any moment. Talk about a fear driven religion - or was it just that Signorelli liked painting naked male bodies?
Shots of the Sodoma/Signorelli frescoes of scenes from the life of St Benedict in the Cloister at Monteoliveto Maggiore (1503 to 1508). They repay viewing at original size.
Passeio Fotográfico promovido Pelo Grupo de Foto durante da Semana Calórica 2010/2 com os Oficineiros Yuri Barichivich, Patrícia Garcia, Èrica Signorelli, Thiago Coutinho e Thaiana Gomes.
Fotos tiradas no Parque da Pedra da Cebola em Vitória, Espiríto Santo.
Monte Oliveto Maggiore.
The Great Cloister 1426-1443.
Fresco cycle on the Life of Saint Benedict, by Sodoma (1505) and Luca Signorelli (1495).
TEATRO SIGNORELLI (19th century) The Signorelli Theatre is owned by the Accademia degli Arditi. It is located on the corner of Piazza Signorelli, on the spot where there was the ancient Church of Sant'Andrea. It was designed by architect Carlo Gatteschi in 1854 following the Neoclassical style. The loggia has seven arcades and at the interior two rows of eight pilasters covered with lunette vaults. It has always hosted lots of activities and events and is also used as a cinema. www.cortonaweb.net/en/history/14-cortona-civic-palaces
This was drawn at The at the King’s Gallery where they helpfully supply pencils and paper. This one is a study for his Last Judgment fresco at Orvieto in Tuscany .
U of Arkansas Cooperative Extension Service team of 25 departs from the Capitol as part of National Bike to Work Day, May 18, 2012. The team has been training for eight weeks as part of an employee wellness initiative. (University of Arkansas System Division of Agriculture photo by Mary Hightower)
The frescoes in the abbey of Monte Oliveto Maggiore are by Lucca Signorelli (1497-98) and il Sodoma (1505-).
Passeio Fotográfico promovido Pelo Grupo de Foto durante da Semana Calórica 2010/2 com os Oficineiros Yuri Barichivich, Patrícia Garcia, Èrica Signorelli, Thiago Coutinho e Thaiana Gomes.
Fotos tiradas no Parque da Pedra da Cebola em Vitória, Espiríto Santo.
Monte Oliveto Maggiore.
The Great Cloister 1426-1443.
Fresco cycle on the Life of Saint Benedict, by Sodoma (1505) and Luca Signorelli (1495).
The frescoes in the abbey of Monte Oliveto Maggiore are by Lucca Signorelli (1497-98) and il Sodoma (1505-).
Monte Oliveto Maggiore.
The Great Cloister 1426-1443.
Fresco cycle on the Life of Saint Benedict, by Sodoma (1505) and Luca Signorelli (1495).
The frescoes in the abbey of Monte Oliveto Maggiore are by Lucca Signorelli (1497-98) and il Sodoma (1505-).
Passeio Fotográfico promovido Pelo Grupo de Foto durante da Semana Calórica 2010/2 com os Oficineiros Yuri Barichivich, Patrícia Garcia, Èrica Signorelli, Thiago Coutinho e Thaiana Gomes.
Fotos tiradas no Parque da Pedra da Cebola em Vitória, Espiríto Santo.
In 1498 Luca Signorelli executed a great altarpiece for the Bichi Chapel in the church of Sant'Agostino, Siena. Two wings, now in the Staatliche Museen, Berlin, flanked a statue of Saint Christopher ascribed to Francesco di Giorgio Martini (Musée du Louvre, Paris). The predella is now divided between various museums.
The right wing of the altarpiece represents Saints Augustine, Catherine of Alexandria and the kneeling Anthony of Padua.
Luca Signorelli twice used this figure taken from a roman statue of a young man extracting a thorn (spina in italian) from his foot. The statue is believed to be a copy of an older ellenistic original, now lost.
Monte Oliveto Maggiore.
The Great Cloister 1426-1443.
Fresco cycle on the Life of Saint Benedict, by Sodoma (1505) and Luca Signorelli (1495).
Passeio Fotográfico promovido Pelo Grupo de Foto durante da Semana Calórica 2010/2 com os Oficineiros Yuri Barichivich, Patrícia Garcia, Èrica Signorelli, Thiago Coutinho e Thaiana Gomes.
Fotos tiradas no Parque da Pedra da Cebola em Vitória, Espiríto Santo.
Orvieto Cathedral houses the San Brizio Chapel (more correctly the Capella della Madonna di San Brizio) - famous for the fresco cycle by Luca Signorelli (painted 1499 - 1503) depicting visions of paradise, hell and the end of the world. When you walk into the great space, remember that many of the people going there in the 1500s would have believed that the end of the world and the day of judgement were due at any moment. Talk about a fear driven religion - or was it just that Signorelli liked painting naked male bodies?
Shots of the Sodoma/Signorelli frescoes of scenes from the life of St Benedict in the Cloister at Monteoliveto Maggiore (1503 to 1508). They repay viewing at original size.
Best Small Residential Area
Pictured are John Signorelli, Tom Phelan, John McSweeney and Maurice Quinlan, receiving an award on behalf of Williamstown Village Residents’ Association in the Best Residential Area, Small Category, from Cllr Jack Walsh, Mayor.