View allAll Photos Tagged Signorelli
Shots of the Sodoma/Signorelli frescoes of scenes from the life of St Benedict in the Cloister at Monteoliveto Maggiore (1503 to 1508). They repay viewing at original size.
U of Arkansas Cooperative Extension Service team of 25 departs from the Capitol as part of National Bike to Work Day, May 18, 2012. The team has been training for eight weeks as part of an employee wellness initiative. (University of Arkansas System Division of Agriculture photo by Mary Hightower)
Monte Oliveto Maggiore.
The Great Cloister 1426-1443.
Fresco cycle on the Life of Saint Benedict, by Sodoma (1505) and Luca Signorelli (1495).
Shots of the Sodoma/Signorelli frescoes of scenes from the life of St Benedict in the Cloister at Monteoliveto Maggiore (1503 to 1508). They repay viewing at original size.
Luca Signorelli. The Deeds of the Antichrist. Fresco. 1499-1502. Orvieto Cathedral, San Brizio Chapel, Orvieto, Italy.
Passeio Fotográfico promovido Pelo Grupo de Foto durante da Semana Calórica 2010/2 com os Oficineiros Yuri Barichivich, Patrícia Garcia, Èrica Signorelli, Thiago Coutinho e Thaiana Gomes.
Fotos tiradas no Parque da Pedra da Cebola em Vitória, Espiríto Santo.
Monte Oliveto Maggiore.
The Great Cloister 1426-1443.
Fresco cycle on the Life of Saint Benedict, by Sodoma (1505) and Luca Signorelli (1495).
Monte Oliveto Maggiore.
The Great Cloister 1426-1443.
Fresco cycle on the Life of Saint Benedict, by Sodoma (1505) and Luca Signorelli (1495).
Shots of the Sodoma/Signorelli frescoes of scenes from the life of St Benedict in the Cloister at Monteoliveto Maggiore (1503 to 1508). They repay viewing at original size.
Shots of the Sodoma/Signorelli frescoes of scenes from the life of St Benedict in the Cloister at Monteoliveto Maggiore (1503 to 1508). They repay viewing at original size.
Luca Signorelli completed the overall decoration of the Chapel of San Brizio in the small chapel on the far wall by the figures of Archangels Raphael (with Tobias), Gabriel and Michael (weighing souls and subjugating the devil), by Bishop Saints Brizio and Constant, and the Lamentation over the Dead Christ with Saints Faustinus (left) and Parentius (right).
Foto: Juliano Rodrigues
Styling: Erika Veroneze
Modelos: Wellington Max,Tainara, Stefany e Evandro Signorelli
U of Arkansas Cooperative Extension Service team of 25 departs from the Capitol as part of National Bike to Work Day, May 18, 2012. The team has been training for eight weeks as part of an employee wellness initiative. (University of Arkansas System Division of Agriculture photo by Mary Hightower)
Passeio Fotográfico promovido Pelo Grupo de Foto durante da Semana Calórica 2010/2 com os Oficineiros Yuri Barichivich, Patrícia Garcia, Èrica Signorelli, Thiago Coutinho e Thaiana Gomes.
Fotos tiradas no Parque da Pedra da Cebola em Vitória, Espiríto Santo.
Monte Oliveto Maggiore.
The Great Cloister 1426-1443.
Fresco cycle on the Life of Saint Benedict, by Sodoma (1505) and Luca Signorelli (1495).
In Luca Signorelli's 'The Damned in Hell', the fallen are depicted as being tormented by devils. Orvieto, March 2017
From the museum label: This altarpiece was originally painted for the Gesuati brothers' church of San Giusto, which stood outside the (now destroyed) city gate of Porta a Pinti. When the convent was demolished ahead of the siege of Florence in 1529, the altarpiece was moved to the church of San Giovanni Battista della Calza. Vasari gives the painting to Perugino, but for a long time it was thought to have been painted jointly with Signorelli on account of the figures' accentuated plasticity. It was purchased for the Uffizi by the state in 1904.
U of Arkansas Cooperative Extension Service team of 25 departs from the Capitol as part of National Bike to Work Day, May 18, 2012. The team has been training for eight weeks as part of an employee wellness initiative. (University of Arkansas System Division of Agriculture photo by Mary Hightower)
U of Arkansas Cooperative Extension Service fields team of 25 for National Bike to Work Day, May 18, 2012. The team has been training for eight weeks as part of an employee wellness initiative. (University of Arkansas System Division of Agriculture photo by Mary Hightower)
Monte Oliveto Maggiore.
The Great Cloister 1426-1443.
Fresco cycle on the Life of Saint Benedict, by Sodoma (1505) and Luca Signorelli (1495).
Monte Oliveto Maggiore.
The Great Cloister 1426-1443.
Fresco cycle on the Life of Saint Benedict, by Sodoma (1505) and Luca Signorelli (1495).
Passeio Fotográfico promovido Pelo Grupo de Foto durante da Semana Calórica 2010/2 com os Oficineiros Yuri Barichivich, Patrícia Garcia, Èrica Signorelli, Thiago Coutinho e Thaiana Gomes.
Fotos tiradas no Parque da Pedra da Cebola em Vitória, Espiríto Santo.
Aunque nacido en Alba, parece que su formación tuvo lugar en otro sitio indeterminado. Sus primeras obras muestran una probable influencia lombarda, probablemente de Ambrogio Bergognone. Algunos estudiosos sugieren un posible viaje a la Italia central, tal vez a Roma.
Este viaje tal vez le permitiera conocer la obra de los grandes maestros que trabajaban en la ciudad pontificia, como Perugino y Luca Signorelli. Su estilo muestra una gran afinidad con el de Pinturicchio, lo que ha alimentado la teoría de que Macrino tal vez hubiese frecuentado su taller. Con él comparte el gusto por las arquitecturas monumentales en sus paisajes.
De vuelta a la patria, Macrino trajo consigo todas las innovaciones aprendidas. Consiguió la protección de los Marqueses de Montferrato, aunque su posición no fue indiscutida, pues tuvo que entrar en competencia con Gandolfino da Roreto.
Macrino fue un buen retratista. En este campo intentó asimilar las lecciones de Leonardo, aunque no le podemos considerar seguidor suyo, pues nunca olvidó lo aprendido en Roma. En sus últimas obras podemos observar una mayor maestría en la composición y una más profunda penetración psicológica, no muy lejana de la de su colega y rival piamontés, Gian Martino Spanzotti.
First morning in Cortona, I stumbled out of le Gelosie in search of a coffee. I hadn't brushed my teeth or my hair, but it was 8 am on Sunday. Surely the Piazza Signorelli would be empty, right? Wrong. It was market day, and I forgot all about my hair, and the coffee, for about an hour.
Orvieto Cathedral houses the San Brizio Chapel (more correctly the Capella della Madonna di San Brizio) - famous for the fresco cycle by Luca Signorelli (painted 1499 - 1503) depicting visions of paradise, hell and the end of the world. When you walk into the great space, remember that many of the people going there in the 1500s would have believed that the end of the world and the day of judgement were due at any moment. Talk about a fear driven religion - or was it just that Signorelli liked painting naked male bodies?
Riders head to the state Capitol in Little Rock. U of Arkansas Cooperative Extension Service fields team of 25 for National Bike to Work Day, May 18, 2012. The team has been training for eight weeks as part of an employee wellness initiative. (University of Arkansas System Division of Agriculture photo by Mary Hightower)
The frescoes in the abbey of Monte Oliveto Maggiore are by Lucca Signorelli (1497-98) and il Sodoma (1505-).
Monte Oliveto Maggiore.
The Great Cloister 1426-1443.
Fresco cycle on the Life of Saint Benedict, by Sodoma (1505) and Luca Signorelli (1495).
Monte Oliveto Maggiore.
The Great Cloister 1426-1443.
Fresco cycle on the Life of Saint Benedict, by Sodoma (1505) and Luca Signorelli (1495).
The individual apostles cannot be identified with the exception of Peter and John, who stand in the panel to the left of the Christ-Thomas grouping. The idea of presenting pairs of apostles in debate is borrowed from the bronze doors that Donatello created for the Old Sacristy at San Lorenzo, Florence. Signorelli borrowed not only some of the compositional features of Donatello's reliefs but also specific iconographic details. Like Donatello, he depicts his apostles barefoot and draped in classical garments, eschewing any identifying attributes and even halos.
Edición especial Día de la Mujer de Uterinando, acontecimiento por mujeres, organizado por el colectivo EPTM (Encuentro Permanente de Teatristas de Morón Independientes)
Exposición:
Nina Signorelli Heim
Agustina Patrón
Gabriela Pascual
Por la sala pasarón:
Miriam De Luca y Laura Rodríguez con "Vidita Cruel"
Ayelén Rodríguez con "Plusvalía, explosión de la explotación"
una performance en trapecio
Cecilia Moreno Ocampo - Vane Conedera
Claudio Sanabria - Jeremías García en "La maté porque era mía"
Maicha Zaballa y Lucía Méndez con
"Suripantas, humor musical"
Ana González Seligra y Mercedes Di Napoli
danzando y cantando contra la trata
Y Ciela Asad compartirá sus poemas
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Foto y Edición: Damián Ríos
National Gallery, London.
The Triumph of Chastity: Love Disarmed and Bound
Artist Luca Signorelli
Artist dates about 1440/50 - 1523
Series Three Frescoes from Palazzo del Magnifico, Siena
Date made about 1509
Monte Oliveto Maggiore.
The Great Cloister 1426-1443.
Fresco cycle on the Life of Saint Benedict, by Sodoma (1505) and Luca Signorelli (1495).