The art of sowing stars / A arte de semear estrelas
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spiny sow thistle
Rauhe Gänsedistel
[Sonchus asper]
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She and her two cubs were resting in a shaded area behind this dead tree. Before she allowed the cubs to come out, she wanted to make sure it was safe to do so.
BTW, I was on the opposite side of the creek so I was not in any danger,,,,,
A monotone photo of the Glick–Sower House, also known as the Susie Sower House, in Marshalltown, Iowa. The house was built in 1859 for Dr. George Glick, a physician and early founder of Marshalltown. He sold the home to George Sower in 1870 who had started the Marshall Times, now known as the Marshalltown Times Republican. The home was owned by the Sower family until 1952, when Susie Sower willed the estate to the citizens of Marshall County.
The architectural style is Gothic Revival with Italianate trim.
Developed with Darktable 4.8.0.
Conversion: Color calibration= B&W Ilford HP5+ (preset)
Van Gogh said: " I work as diligently on my canvases as the laborers do in their fields."
The sower in particular was a figure that Van Gogh saw in terms of representing the eternal cycle of agricultural life, of honorable endeavor and tradition, and symbolized these qualities to the artist. The sun was also a symbolic element for Van Gogh, and in many of these paintings, it shines with an unearthly luminescence.
Van Gogh a dit: Je travaille mes toiles avec autant de diligence que les ouvriers dans leurs champs.
Le semeur en particulier était une figure que Van Gogh considérait comme représentant le cycle éternel de la vie agricole, des efforts honorables et de la tradition, et symbolisait ces qualités pour l'artiste. Le soleil était également un élément symbolique pour Van Gogh, et dans nombre de ces peintures, il brille d'une luminescence surnaturelle.
This grizzly sow paused to give me eye contact as she climbed over the fallen trees. Another special moment!
Vergangenen Herbst hatte ich in meinem Fotostream bereits Bilder vom Keiler und vom Frischling gezeigt. Heute wird die Wildschwein Familie mit einem Foto einer Bache vervollständigt. Sie ist nicht so massiv wie der Eber, und sie schaut auch nicht so schlecht gelaunt. Dennoch sollte man auch ihr wohl nicht zu dicht auf die Borsten rücken. Ein Wildschwein ist kein Streicheltier.
Mehr Fotos von den zotteligen Biestern findet ihr in meinem Wildschwein Album
Last autumn, I already posted pictures of the boar and the piglet in my photo stream. Today, the wild boar family is completed with a photo of a sow. She is not as massive as the boar, and she doesn't look as grumpy either. Nevertheless, it's probably best not to get too close to her. A wild boar is not a pet.
More photographs of these wild beasts can be found in my boar album
This female Black Bear was on the move with two yearling cubs in Algonquin Provincial Park, Ontario, Canada
This beautiful Grizzly Bear was working her way through a meadow eating dandelions. She had a cub with her and it was raining which didn't seem to bother them at all.
Banff, Albera, Canada
The River Sow is a tributary of the River Trent in Staffordshire. Between 1816 and the 1920s, the section between Stafford and Baswich was navigable, and was known as the River Sow Navigation.
The river flows past Shugborough Hall.
Shugborough Estate was owned by the Bishops of Lichfield until the dissolution of the monasteries, upon which it passed through several hands before being purchased in 1624 by William Anson, a local lawyer and ancestor of the Earls of Lichfield.
The light was terrible as it was pouring rain, and this Grizzly Bear (Sow) was gorging herself on dandelions.
Banff National Park, Banff, Alberta, Canada
Adult sow coastal brown bear takes a pause and looks back at the water after digging for clams during low tide. Taken at Clark Lake National Park & Preserve in Alaska. She was a beautiful bear to watch.
The Sowing is a virtual installation originally designed for the exhibition "Digital is Art. Art is Digital" at Museo Vostell Malpartida. A project conceived by CapCat Ragu, Meilo Minotaur and Takio Ra, 2016.
This is a remake we made in Craft World, unfortunately without Takio Ra soundscape. We did the a first remake in 2021 for the exhibition Parallel Worlds, for the Avanca Festival.
This is a new 2022 remake, with some changes from the 2016 original. Some parts were lost and can’t be recovered, but we didn’t enhance nothing, we used all the assets from that year that we had, and rebuilt some that we had lost, but in the same spirit.
We had promised a long time ago to have this online, for everybody to enjoy, it is long overdue!
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