View allAll Photos Tagged Rodinal
as EI incrases:
shadow detail falls very fast
tonal range becomes compressed
contrast increases/edge effects increase
negatives become thinner
Scene EV: 3
Yashica FX-3, 50mm
HP5+
Rodinal 1:100 1.5hr stand devel w/ agitation every 30 min
I was given three rolls of 35mm Kodak Technical Pan (expired 2002). I hunted around for a development scheme and finally settled on this. Mostly because I had Rodinal. I'm only posting in case some of you still have some in the fridge.
16 EI
Rodinal 1+150 for thirteen minutes
Agitate with 30 seconds initial inversions, then 3 inversions at 10 minutes,7 minutes,4 minutes, and 1minute counting down. (every 3 minutes)
Regular stop, fix and hypo.
I used 5ml of Rodinal in 750ml of H2O. That gives less than the recommended 10ml of Rodinal but the negatives really look great (full tone scale).
I had to figure out a curve profile as I felt (and still do) that the midtones were not right. Technical Pan is also a dust magnet; lots of healing tool. Even with Rodinal there is virtually no grain.
With this last roll I used a Yellow filter which made life easy to post process.
The first roll of film I developed on my own! The walking trail by my house is a good testing grounds...
Foma Fomapan 100, Rodinal 1:50 for nine minutes, Canon T50 with standard 50mm lens
Timeless Nice
Canon EOS 3, EF 40 F2.8 STM, Agfa APX 100, Rodinal 1+50
My Facebook page www.facebook.com/fredographie Please like it;-)
I was given three rolls of 35mm Kodak Technical Pan (expired 2002). I hunted around for a development scheme and finally settled on this. Mostly because I had Rodinal. I'm only posting in case some of you still have some in the fridge.
16 EI
Rodinal 1+150 for thirteen minutes
Agitate with 30 seconds initial inversions, then 3 inversions at 10 minutes,7 minutes,4 minutes, and 1minute counting down. (every 3 minutes)
Regular stop, fix and hypo.
I used 5ml of Rodinal in 750ml of H2O. That gives less than the recommended 10ml of Rodinal but the negatives really look great (full tone scale).
I had to figure out a curve profile as I felt (and still do) that the midtones were not right. Technical Pan is also a dust magnet; lots of healing tool. Even with Rodinal there is virtually no grain.
I was given three rolls of 35mm Kodak Technical Pan (expired 2002). I hunted around for a development scheme and finally settled on this. Mostly because I had Rodinal. I'm only posting in case some of you still have some in the fridge.
16 EI
Rodinal 1+150 for thirteen minutes
Agitate with 30 seconds initial inversions, then 3 inversions at 10 minutes,7 minutes,4 minutes, and 1minute counting down. (every 3 minutes)
Regular stop, fix and hypo.
I used 5ml of Rodinal in 750ml of H2O. That gives less than the recommended 10ml of Rodinal but the negatives really look great (full tone scale).
I had to figure out a curve profile as I felt (and still do) that the midtones were not right. Technical Pan is also a dust magnet; lots of healing tool. Even with Rodinal there is virtually no grain.
A photo walk in Lyon, France, with my French range-finder 35 mm camera Foca PF2B (year 1956) and a Washi film type "Z", a super-panchromatic film with an extended sensitivity to the near infra-red at 750 nm.
The 24-exopsure Washi film type "Z", was exposed for 400 ISO. The film was packaged in France from a stock for aerospace appliances. The film is a a super-panchromatic film sensitized up to 750nm in the red (near infra-red) and coated on PET polyester base and with a water-soluble black-blue anti halation printed on back. Due to optical properties of PET base, -the light maybe conducted ("piped") from the film leader to the film edges (especially around the perforations). This phenomenon is observed on the sides of the 5 first views but does not affect the view areas.
The film was exposed for 400 ISO using a Minolta Autometer III with a 10° finder for selective measurements privileging the shadow areas. The Foca Oplar lens1/2.8 f=5cm was fitted with a FOCA AUV filter and a Genaco metal shade hood.
January 9, 2023
69006 Lyon
France
After exposure, the film was processed using Adox Adonal (Agfa Rodinal) developer at dilution 1+25, 20°C for 7 min.
The film was then digitalized using a Sony A7 body adapted to a Minolta Auto Bellows III and a Minolta Slide Duplicator using a lens Minolta Bellow Macro Rokkor 50mm f/3.5 at a reproduction ratio of 1:1. The reproduced RAW files obtained were processed in LR prior the the final JPEG editions.
All views of the film are presented in the dedicated album either in the printed framed versions and unframed full-size jpeg.
About the camera and the lens:
The Foca type PF2B (PF for "Petit Format") was constructed in France by the company "Optique & Precision de Levallois" (OPL) starting from 1947. It was manufactured in the Chateaudun OPL factory, route de Jallans, France, in 1956 among a late series of the PF2B. The factory, constructed in 1938, is still at the same place under the name of SAFRAN now producing precision devices for aerospace appliances.
The camera is equipped with the collapsible OPLAR lens (a Tessar formula) 1:2.8 f=5cm. The focal shutter of the PF2B has timing of 1/1000, 1/500, 1/200, 1/100, 1/50 and 1/25s plus the B pose. A slow exposure device below 1/25s could be installed by the aftermarket service and was installed in series for the FOCA PF3 type.
Camera: hasselblad 500 cm
planar zeiss 2.8/80mm cfe T*
film: rollei superpan 200
dev rodinal 1+25 8 min 20C.
Torino italy
2013 mars
Zeiss 6x6cm with Kodak VPK (1912) miniscus instaled instead of original lens.
Ilford 3200 developed in Rodinal (1+10 @ 8:30min)
Rodinal 1+25 for however long I watched it develop for under the safe light.
GreySkies | Photography Blog | Tumblr Blog | Abandoned Edinburgh Blog
Zorki 4K
Jupiter 12, 35mm 2.8
Kodalith at ISO (I don't know)
Developed in a day old 1+50 batch of Rodinal for as long as it took for the images to appear in the tank.
Kodalith can be handled under a '1A Light Red' safe light; I was using a dark red safe light for XRay film so I just watched the images appear and forgot to time it.
This is my second time using Rodinal and so far so good.
Trix @400. Developed in rodinal 1:100 for one hour. Semi stand. 30 seconds inversions at the start. 2 inversions after 30 mins. No stop. Fixed for 5 minutes with Ilford Rapid fixer
This is my first roll of Agfaphoto APX100 "New Emulsion". It's quite clear that the new film is manufactured by Ilford for Lupus Imaging. The film comes in the typical black Ilford black tub and the packing has the same style machine print for expiry. The negative has the same font used in the exposure of the film name. The final clue is the identical development times as Ilford's sub brand "Kentmere", 100 film.
Overall it isn't bad I was worried it would horrible as my only other experience has been with Kentmere 400 which wasn't good. This roll was developed in Rodinal for 5.5mins at 1+25. I quite like the tonal levels throughout the film but we'll have to see how it performs with a more modern developer like Kodak's Tmax.
Portraits au Rolleiflex 3.5 A, Foma 400 dans Rodinal (1+50, 11min@20°C).
J'avais volontairement surexposé la pellicule et j'ai une pellicule un peu trop dense et qui manque de contraste par endroit (Flare?). Peut être que am cellule à main (Lunasix) est fausse apr moment...
Les pros de l'argentique, savez vous si au tirage ca peut être meilleur? (un néga trop dense pour un scan).