View allAll Photos Tagged Rodinal
Analogica, Agfa Ambi Silette a telemetro ( 1957 ) priva di esposimetro, Color-Solinar 50 mm 2.8, Fomapan 200 asa, sviluppo con Rodinal. Foto scattate anche con la Pentax S1A ma a colori, ora mangio e poi commento le vostre foto
Analogica, Praktica LTL ( 1970 ), Zeiss Flektogon 35 mm 2.4 F, Fomapan 200 asa, sviluppo con Rodinal
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Nikon F100, E series 50mm 1.8, AP400@400, Rodinal 1+50 21 min, Epson V600
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Alluvial forest
Am Rohrspitz
Gaißau, Vorarlberg
2022
Hasselblad 503 CW, Distagon 3,5/60 mm, Ilford HP5+, Rodinal 1+25
Print onto Oriental WT with Moersch Meritol
Selen MT1
Haasselblad 501CM with 80mm Planar CFE (10 Stop ND Filter) and Kodak T-Max 400 (ASA 200) developed in Rodinal 1:50.
Langsett Barn Woods, West Yorkshire, England.
Mamiya RB67, Mamiya RB 90mm f3.8 Sekor lens, Ilford FP4+ developed in Rodinal 1+50
Photo information:
ISO: 200
Film type: 135
Film name: Rollei RPX 100
Developer: Adox Rodinal
Process: 20°C.
Developer dilution: 1+50
Developing time: 16'30"'
Agitation: in 20 sec every 1 min.
Camera: Exa 0
Lens: Tessar 2.8/50
Filter(s) used: no
Aperture: 11
Exposure time: 1/50
Focal length: 50
Scanner manufacturer: Epson Perfection V550 Photo.
Kentmere 100 rated at 64 ASA, developed in Rodinal 1:25 for 9 minutes. Though I found this development dilution/time for this film, it resulted in severely overdeveloped negatives. Never again, Rodinal. I've come to hate the stuff.
Also, I am getting rid of my remaining stock of Kentmere 120. It lacks sharpness and high value definition, and images from it are difficult to edit. There's a kind of flatness to the results. It's a fine film for students and those who have to stay on-budget, but otherwise it lacks charisma.
Rolleiflex 2.8 E Planar.
And it seemed that many others weren't either.
I felt particularly sorry for the bikers.
Committed to Kodak Tmax 100 using a Rolleicord Va. Developed using Ars-Imago R9 (rodinal) 1:49, dev. time as per the massive dev chart, and scanned with an Epson V850 using Silverfast. Positive conversion and contrast done with Negative Lab Pro. Dust cleaning and final contrast in Photoshop.