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Name: Robotic Fire
Secret Identity: Bob Roberts, Robotic Engineer works with advanced technology at Watt Industries
Age: 30 years old
Skills/Powers:
* Wears an invincible suit of mechanized armor which gives him increased strength
* He is able to shoot fire from his robotic hands
* Wears a jetpack that gives him the ability to fly
Background/Origin Story:
Bob Roberts first became obsessed with robots at age eight when he saw that robots had the ability to help other people. Bob pursued his interest in robotics when he enrolled in college and through hard work he earned his degree in robotic engineering.
After graduation, Bob moved to the city of New Brickton where he became employed by Watt Industries as a robotic engineer. Growing up, Bob was inspired by a hero named Fire Man, a superhero who was tragically lost in a toxic fire accident. Armed with technical knowledge and the ability to build robotic armor, Bob hoped to continue the legacy of his childhood hero.
Soon after crafting a suit of indestructible armor, Bob took on the identity of Robotic Fire. It wasn’t long before Robotic Fire had to test his new suit of armor against an unlikely foe, the former Fire Man. It seems that the toxic fire accident had not claimed the life of Fire Man, but had instead twisted him into a treacherous villain now named Doctor Inferno who wanted to destroy the city and Robotic Fire.
Robotic Fire now fights against Doctor Inferno in hopes of stopping his crazy schemes.
*** At Robbie's request, I watched him this weekend while his mom worked so we could tell the origin story of Robotic Fire. I helped him write the origin story in places and obviously did a bulk of the photography, but he's the one making up the story ideas for this character.
Working with Commander Swanson on our robotic arm onboard training simulator to stay current.
Swanson und ich am Trainingscomputer fuer den ISS Roboterarm, um unsere Qualifikation nicht zu verlieren.
Credits: ESA/NASA
337_1986
The GGE series ("George") robot is a versatile exploration robot of the Federation. With a curious, ingenuous programmed personality substrate, the George series sometimes border on naivety, though the Federation's hardwired Asimov Protocols prevent the excess of curiosity common to this series from resulting in actual harm.
~~~
Classic Space robots are fun. A completely different challenge to the large microscales and just-squeaks-in-as-a-SHIP builds I also enjoy, the difficulty is to get something expressive yet small enough to be reasonably minifigure scaled.
The name of this robot came from the wide-eyed stare of those big trans clear eyes. "George" just seemed to fit with that.
The Robot Army continues to grow...
Had fun adding some white ink on this one. It's not something I normally do, but I kinda like it! This was a birthday present fro a friend of mine.
Huge 1:1 scale Gundam robot temporarily on display to celebrate Gundam's anniversary. The head and arms move, and the vents blow steam.
Click "all sizes" above the photo to view the full size.
More of my travel photos can be found at www.rob-sheridan.com/tourist
This time no motorcycle model from Max. But still a technical construction that moves on wheels! ;-)
Non so se per un modello CB108 si possa parlare di amore, ma credo che lui mi ami. Non è forse la massima prova di amore sacrificare la propria vita per un altro? Inoltre, quello che gli ho chiesto, va contro le leggi della robotica, ma lui ha promesso che lo farà per me. Ho dovuto chiederglielo, non potevo più aspettare, anche se non avrei mai voluto metterlo in questa situazione. Ricordo come fosse ieri il giorno dell’acquisto, ormai quasi ventisette anni fa.
Non era nuovo, ma ricordo che appena il concessionario lo attivò, mi fece subito simpatia. Era uno dei primi modelli della serie, con scocca non ancora ibrida, ma ancora umanoide.
Una volta, si pensava che un aspetto umano si sarebbe inserito meglio all’interno di una famiglia, ma non fu così, gli incidenti causati da tensioni emotive si susseguivano, fino a far decidere di cambiare completamente l’estetica delle serie successive. La CB310 ad esempio, è tutta bianca e di umano ha solo il profilo. La gente è più serena, anzi, secondo me si sente più libera e autorizzata nel maltrattare i robot senza una faccia che li guardi. Ma io non avevo i crediti per un modello nuovo, quindi il problema non mi si poneva. Rob, come lo ho chiamato, aveva un aspetto abbastanza originale per il modello, due baffi a manubrio, capelli a spazzola ed un programma vocale che si era bloccato sull’accento russo. L’unico difetto, mi aveva specificato il rivenditore. Le prime volte risi nel sentirlo parlare con quella cadenza, ma ora non potrei farne a meno, anzi, credo che userei le stesse impostazioni su un modello nuovo, che comunque non avrò.
Si farà disattivare per me.
Le tre leggi della robotica recitano:
1- Un robot non può recare danno ad un essere umano ne può permettere che,
a causa del suo mancato intervento, un essere umano riceva danno.
2- Un robot deve obbedire agli ordini impartiti dagli esseri umani,
purché tali ordini non vadano in contrasto alla Prima Legge.
3- Un robot deve proteggere la propria esistenza,
purché la salvaguardia di essa non contrasti con la Prima o la Seconda Legge.
Ma lui mi ucciderà. Glielo ho chiesto io. E per questo sarà disattivato. Sento le sue mani serrarsi attorno alla mia gola e so che non si fermerà. Volevo morire con qualcosa che fosse il più vicino possibile ad un contatto ed il rivestimento sintetico delle sue mani è fino ad ora la cosa più vicina alla pelle umana. Sento nelle orecchie la sua voce : “Buon viaggio padroone”.
Non smetterei mai di ascoltare quelle sue vocali raddoppiate…
Quanto mi piace…!
Nella foto, un opera di
Soledad Agresti
Robot Royal 36
with Schneider-Kreuznach Xenar 2.8/45
What a machine! A 35 mm rangefinder camera with interchangeable lenses and built-in spring driven film advance. It is somewhat bigger and heavier than comparable models (with manual film advance) of the mid-1950ies, like perhaps the Leidolf Lordomat. First of all it has two springs in the bottom, which makes the body higher. Furthermore the Robot features a special rotary shutter. Unlike a behind-the-lens leaf shutter it is placed in the camera body and not in front of it, which makes the body thicker. And finally the camera is just massive, the back door and the hinge are probably the most solid ones I've seen on such a camera. Perhaps it has to be so rigid: it can transport the film with 4 to 5 frames per second, which is as fast as a Nikon F4 without MB-21.
On some items the operation differs from other cameras.
* The big lever under the lens is not for focusing, but for mounting and unmounting the lens. At its end every lens has three segments with a thread. You just attach the lens and turn the lever, then a ring catches that parted thread very tightly. That works quickly, easy and safely.
* There are three little tabs on the focus ring, which make it very comfortable to focus. Especially fine focusing can be done with only one finger.
* The Robot is equipped with a powerful motor drive, so you expect rapid continuous shooting. Most Robots Royal I've seen have a lever at the "Royal 36"-badge at the front side, to choose between single or continuous shooting, but not this one. So, if you fully press down the shutter button at once, the shutter will fire once. If you press the shutter button halfway and hold it, the shutter will fire continuously, until you release it or you press it down completely. You need some practice to that safely, and I don't know if it is a bug or a feature.
* A big item: those film cassettes Robot cameras usually use. You can load a Royal with a common 35 mm cassette, but the "take-up spool" has to be an NR-cassette, which makes film loading not that easy. A nice detail: when the camera back is closed, the mouth of the cassette is opened to reduce the friction, when the film is transported. You can accelerate the film advance further, when you replace the common film cartridge on the feeding side by a TR-cassette, which has the same mechanism. The TR-cassette has to be loaded with film by yourself then.
* The design of the rewind wheel is just awesome. It automatically rises, when it is turned in the direction of the arrow. But the real ingenious idea is, that the shaft inside the camera, which is coupled with the film spool normally, is retracted when the rewind wheel is not in use. So the rewind wheel will not turn during the film advance and the film advance can not be impeded by accident, for example by your awkward left hand.
And when you've rewound a film, don't forget to lower the rewind wheel again, otherwise you can't take out the film cartridge.
* There is a little shifter on the back. In position "red" the shutter button is locked and the viewfinder is half-closed. When using "B" also the pressed shutter button can be locked. Position "R" is for rewinding, then the complete viewfinder is closed.
Some notes:
* The camera may be extraordinary, the viewfinder isn't.
* The frame counter must be reset manually. You have to press the tiny button on top near the shutter button and turn a little wheel on the back.
* You have X-synchronization with all shutter speeds.
* As you can see, the camera has a nice extra foot.
* I often read, that the range of shutter speeds is 1/2 to 1/500 s (and B). My exemplar can do 1/4 to 1/500 s (and B).
The Robot Royal was produced for three frame formats, besides the Royal 36 for 24x36 it was made for the classic Robot square format 24x24 (Royal 24) and for the half-frame format 18x24 (Robot 18). That Robot was also available without viewfinder, then it is called Robot Recorder. There exists also a Recorder 6 for 6x24 frames, and the Recorder was available with (not the 6) or without rewind mechanism. So you can imagine, that those Robots were used a lot in industry and science, and perhaps you've experienced, that Robot cameras were used for traffic surveillance (speed limit control). They are exposure machines; a professional analog 35 mm SLR was planed for perhaps 300.000 exposures, that is a number a Robot can only smile about. Remember, that it has a rotary shutter similar to movie cams. In a movie cam the shutter makes 25 frames a second, several hours a day.
Since the Robot was made for different formats, there are lenses intended only for the smaller 24x24 format, it's like the thing with APS-C and full-frame on digital cameras today. Robot found a way to prevent the use of 24x24 lenses on the Royal 36, practically the camera has two tabs in the bayonet mount and the 24x36 lenses the according two notches, while the 24x24 lenses has only one notch. With that method 24x36 lenses can still be used on the Robot 24. I've read, that there are Robot 36 cams with one notch removed, so for example the standard lenses for the Robot 24 (38 and 40 mm) will fit, but may cause vignetting.
Perhaps you've noticed, that the distance scale on my Xenar is given in feet only. So, the camera certainly was sold in the US, and indeed, a sticker on the bottom says, it was owned by "Stretch" in Los Alamos, New Mexico. I did an Internet research and I really found him. He left a collection of movies and pictures made between 1950 and 1997, archived by the Northern Arizona University and available. His main subjects were rivers, mostly the Colorado River and the Rio Grande. The collections contains nearly 1000 slides, and perhaps some of them were taken with that Robot above. Maybe this link works:
cdm16748.contentdm.oclc.org/digital/collection/cpa/search...
This is a little "Made in speed" MOC.
I find some Mixels 1st serie (hard to find in France) and when I begin to assembly one of them I saw this Iron builder part... lets try another use of the joint cavity :)
Enjoy !
This is my first ever attempt at a small Lego robot/mecha. Giving it lots of movable joints for posing was an interesting challenge. Which was ultimately futile, because it can only balance when it posed like this. But believe me, the playability is pretty high.
Thanks to Ryan for trading me the perfect parts.
"Robby the Robot is so alone
Robby doesn't want to be so lonesome
He's looking for a robot bride with silver gray eyes
To kiss her, to touch her, and to screw on her."
A picture based on the old German hit song "Robby Roboter (the Robot)" by Das Modul
Rampax is from a series of six 5" plastic robots made by CGGC in Italy. They were sold in kit form and had to be assembled. I don’t know when they were first produced, but I was given the individually boxed Rampax in 1985.
The six robots were not completely different, but shared components such as arms, legs and feet. These pieces were all interchangeable and it seems that some were randomly packed out, so the makeup of specific robots was inconsistent. Each robot had two distinct, spring launched weapons. The long weapon for the bent right arm protruded from the elbow and hooked in place; pushing up on the hook launched the weapon. The left arm had a mechanism in the shoulder that held the weapon in place while the arm was down, but launched the devise when the arm was raised.
The robots were also distributed in France by a company named Remus, which sold them in two sets of three. The French packaging was quite different from the Italian boxes that I’ve seen, but the plastic parts were still molded in Italy. Again, I have no idea of the original time line for these, but I obtained an incomplete set in 1991.
Five of the robots - Drakis, Torang, Fergus, Argon and Rampax - kept their names for both Italian and French issues. The sixth one, originally Satan in Italy, was renamed Mirox in France. I guess that the French didn’t want kids playing with the devil.
The weedy little cartoon legs on the first version had to go. Spent another three hours this morning putting Zeke on steroids. Better?
the Phillipine lego Users group (Phlug) is having a event called mech wars where factions battle it out for supremacy.but i cant go in the event cuz i live in the south and majority of the members lived in the northern part of our country so im just posting it here
CIA's Office of Advanced Technologies and Programs developed the Unmanned Underwater Vehicle (UUV) fish to study aquatic robot technology. The UUV fish contains a pressure hull, ballast system, and communications system in the body and a propulsion system in the tail. It is controlled by a wireless line-of-sight radio handset.
For more information on CIA history and this artifact please visit www.cia.gov
A metal sliver ground off with a slight heat tint and a hint of carbon. Garnished with fine drilled shavings and topped with 5W 40 engine oil.
Taken with Nikon D7000, Nikon 55mm f/2.8 AI-s, PK-13 extension tube, TC-14B teleconverter and SB-80DX flash.
To end it all, here is a smattering of leftover pictures. There are still more robots though, as apparently we are moving into Transformers Week next...