ROBOTS: technology + pop culture
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Robot II (24x24mm)
Schneider - Kreuznach Xenon 40mm F1.9
ILFORD HP5 + 400
HC110 1+31, 19c , 5:40mins
Fix 7mins
© All Rights Reserved
Robot II (24x24mm)
Schneider - Kreuznach Xenon 40mm F1.9
ILFORD HP5 + 400
HC110 1+31, 19c , 5:40mins
Fix 7mins
© All Rights Reserved
Robot II (24x24mm)
Schneider-Kreuznach 40mm F1.9
Kodak 5222 (ISO250)
D-96 19c , 8:35mins
Fix 10mins
© All Rights Reserved
Robot II (24x24mm)
Schneider-Kreuznach Tele-Xenon 75mm F3.8
ILFORD HP5 + 400
HC110 1+31, 19c , 5:40mins
Fix 7mins
© All Rights Reserved
Robot II (24x24mm)
Schneider-Kreuznach Tele-Xenon 75mm F3.8
Kodak 5222 (ISO200)
D-96 19c , 7:10mins
Fix 10mins
© All Rights Reserved
wie wenden wir den technischen Fortschitt an dass er gut für die Menschheit ist eine Frage die uns immer noch beschäftigt ist...
www.sueddeutsche.de/kultur/im-kino-fritz-langs-metropolis...
Fritz Lang erweckte 1927 in Metropolis die erste Roboterfrau „Maria“ zum Leben. Maria: ein „Maschinenmensch“; ein stählern, glänzender Roboter mit weiblichen Geschlechtsmerkmalen, also nicht nur Roboter sondern auch Androide. Androide: aus dem Griechischen, künstlicher Mensch, menschenähnliche Maschine.
www.youtube.com/watch?v=HRKAhKKMDuc&list=PLIZCFeWrjv6...
IMG_1419abr
#MacroMondays
#Pareidolia
Tom knew he was destined for greater things. He was fed up with his kitchen job, day in, day out scraping the ceramic hob whenever the stupid humans in the house had been unattentive (again) and something had boiled over. Something he knew would never happen to him. Didn't they know he was an intelligent, sentient being? In his dreams, he was a fully-fledged robot with superpowers, and a famous, Michelin star-decorated Chef. His robotic swiftness and razor-sharp mind would revolutionise how the world cooked and ate. But here he was, inside a kitchen drawer, waiting for the next "Great Boil-over". As he was about to work himself into a rage of indignity (while his drawer mates sighed, eyes rolling: "Oh no, not another tantrum, Tom, come on!"), he heard the distant voice of one of the humans, and then the drawer opened. "There you are! Great! Come on, I need your help with a photo assignment, it will be fun!" "Finally she recognises my true talents", Tom huffed more to himself. "Well, it's not as if you were doing the scraping job alone, right? Because behind every ceramic hob scraper is a human hand that leads it. Isn't it?", the human said. "No need to be so over-dramatic...", Tom grumbled. But inside, Tom was smiling.
I didn't expect this to be so straightforward. Usually, pareidolia just "happens" but it's difficult when I'm deliberately looking for it. So I rummaged through the kitchen shelves and drawers with little hope of finding something I hadn't already used for a pareidolia-themed photo before, such as the old phone (its underside resembled E.T. but it has long been discarded) or the toaster's crumb tray (that had a surprisingly happy smile). But then I found "him", the unfortunate ceramic hob scraper that (or rather: who) has an even nastier job than the crumb tray and the cutest surprised face. On its flipside, there is the "GS" logo (GS = "Geprüfte Sicherheit", "Tested Safety", a voluntary certification mark for technical equipment), the production number, and the manufacturer's logo which I first misread as "TOM" (wrong glasses) but says "TCM". So "Tom" it was.
To make Tom look more interesting than possible with just the bland steel tone and the hint of rust on the pretty well-used blade aka his "hair", I used my makeshift colour filters to jazz him up a little and enhance the robot look.
A first single test shot already looked nice but since an image like this works best with all-over sharpness, I did in-camera stacking (15 Raw files combined in Helicon Focus, method B, R 8, S4). Size info: Tom is 4,5 cm/1,77 inches at his widest.
HMM, Everyone!
“Artificial intelligence is growing up fast, as are robots whose facial expressions can elicit empathy and make your mirror neurons quiver.”
—Diane Ackerman
Jacob Epstein - Torso in Metal from "The Rock Drill"
www.tate.org.uk/context-comment/blogs/story-jacob-epstein...
We are never weird on the internet
Stuff:
Wearing:
valHelmetsCalotte_
Eudora3d Sigrun Headpiece
CUREMORE / Selenopolis / Maschinenmensch Arms
AZOURY Sunglass - IGIT (White - Yellow)
Caboodle - Latex Suit - Maitreya
The Boys:
CUREMORE / Punk Chick / Anarchy Neon / Pure
[Kres] Confused Robot - Horace standing (Deco)
[Kres] Confused Robot - Bartholomew Standing (Deco)
A Very Brief History of Otto Berning Co. and the Robot Camera
Heinz Kilfitt was born in Germany in 1898. The son of a watchmaker, he worked repairing watches in his youth, and was acutely interested in photography. While working at an optical company in Berlin, he designed a compact, half-frame, spring-driven camera, and attempted to sell the design in 1931 to Kodak and Agfa, being rejected by each. Soon after, he successfully sold the design to Hans Heinrich Berning, who with financial backing from his father established Otto Berning & Co.
Otto Berning & Co. was granted its first patent for a Robot camera in 1934, with a United States patent following closely in 1936. The Robot I was an astoundingly compact half-frame, interchangeable-lens, viewfinder camera made of stainless steel, with a spring-loaded motor drive capable of firing four semi-automatic frames in one second using a rotary shutter capable of speeds from 1 second to 1/500th of a second. This camera used a proprietary Robot film cassette likely based on the existing Agfa cassette, and featured a built-in user-selectable yellow filter.
The Robot II was released in 1938, and was generally similar to the Robot I. Some improvements were made to ergonomics, such as a redesigned but still proprietary film cassette, and the camera was simplified in other ways, including elimination of the built-in yellow filter. At the outset of World War II, production of Robot cameras for civilian use was halted while the company focused its attention on producing cameras for the German military (mostly the Luftwaffe).
In the early 1950s, the Robot line expanded dramatically. In addition to a new version of the Robot II made to accept standard 35mm film cartridges (now called the Robot IIA), the firm created the Model III and the Robot Royal. Released in models exposing the 24x24mm and the standard 24x36mm image area, the Robot Royal 24 and 36 (as they are called) were among the final and most advanced iterations on the Robot formula. These cameras were full-featured machines with built-in rangefinders and automatic motors capable of firing up to eight frames per second (in the case of the Royal 24). These and other models would continue to be produced from 1951 to the 1990s.
Robot still exists today under a different name and as part of a larger group of industrial optical companies. For our purposes, this is irrelevant.
What is a Robot Royal 24?
Of all the cameras in the Robot lineup, the most interesting to me is the Robot Royal 24. With its built-in rangefinder, interchangeable bayonet lens mount accepting Schneider or Zeiss-made lenses, and its 24x24mm image area, it combines the highest capability with the most unique functionality.
On the top of the camera we find the film rewind knob, threaded shutter release button, a cold accessory shoe, and a film frame counter. Beyond these, the top plate is devoid of controls, which are instead mounted on the front of the camera.
Holding the camera to the eye as if to take a photo, the front left houses a protruding knob for selection of shutter speeds from 1/2 second to 1/500th of a second, plus Bulb mode for long exposure. Front right we find a similar knob with a lever attached. This switches the camera from single shot to burst mode. Additional front controls reside on the lens; manual focus and aperture selection rings. Underneath the lens is a large tab that looks deceptively like the manual focus tab found on many rangefinder lenses, but is in fact the lens release. Swinging this tab with the camera held to one’s eye as if it were a focusing tab will inevitably cause the lens to fall to the floor of an Italian camera shop in an element-shattering cascade (a lesson learned and subsequently passed on to me by a friend of mine who learned the hard way).
The rear of the camera is sparse. A viewfinder with integrated rangefinder focusing patch, a shutter lock and film rewind switch, and a film frame counter adjustment dial. On the left side is the latch for the hinged swing-away film door where standard rolls of 35mm film are loaded. The bottom plate has a threaded tripod mount, a stand-up foot, and the essential spring motor winding knob.
Here is my robot II
www.flickr.com/photos/emirato/albums/72177720308049090/
© All Rights Reserved
Is he the little maker or the little keeper of the crystals? We may never know; we only know he is adorable! :)
Originally a phone charm, sitting atop a phone case. Crystals and more crystals!
I Robot too.
Apologies to the Isaac Asimov estate for the dreadful pun.
Fuji XT5 and Viltrox 75mm f1.2
ACROS + R
No edits
ArtPrize 2021 - Grand Rapids, MI
Fire shooting robot, notice the person inside controlling the robot. It was so fun to watch.
"Robot Resurrection"
Artist: Shane Evans
Seen at Peppino's
Thanks for views, comments and favs :)
Back in 2005, Ken & I both worked as subcontractors to NASA. A work friend discovered this in the basement of the building we worked in - Building 4610 - on Redstone Arsenal/Huntsville, Alabama. (incidentally the building my Dad worked in as a NASA employee), and we went down to look!
Robot alert! We "think" he was on loan from the Alabama Space & Rocket Center, as a fun exhibit. Made me think of WALL-E.
I just came across these old photos from 2005, looking through my archives for something else- 20 years ago!
"Robot II Luftwaffe Eigentum Black, an outstanding Army Robot Camera.
During the world war II, Otto Berning produced his famous Robot Luftwaffe Eigentum
( Air force property), this was a special production of flight recognized cameras.
This is a beautiful F serial, 4th version of 1942, with Long-long advance knob
(48 exposures) and two holes on top. The F serial comes from the german
word "Flieger" or "Flyer", with the famous Sonnar 7,5 cm lens,
in aluminium body of 1941, a rare war time lens, the most popular lens was the
Tele-Xenar of 7,5 cm, the Biotar 2,0, and the Xenon 1,9 lens. Only a few units of this
versión was fited with the Carl Zeiss 7,5 cm Sonnar.
The camera was used in several German fighter planes like the Messerschmitt BF 109 and 110
and the Focke Wulf 190. In the last one the camera was mounted in a cradle in the right
wing and was connected with the guns. The camera could also be used handheld by the crew
This is a very little master piece of collection. Some research say that 20.000 units
were made."
/ robot-zeiss-kodak.blogspot.com /
Crazy Tuesday - Creased Paper
I made this little character from a scouring sponge and folded paper. The neck, arms and legs are strips of paper folded at right angles to form a paper 'spring' that make the Robot's head and legs 'wobble' !!
As soon as Burning Man 2018 ended, "Robot Resurrection" (right) paid a visit to "Big Charles... (An homage to Charlie Smith)" (left).
Both robots are creations by Shane Evans.
For reproduction rights, please check www.deselliers.info/en/copyright.htm
Photo ref: j8e-22441-ps3
Still working on the larger robot, though progress is slow. The upper arm is mostly done and, being stumped on the torso, I'll probably move onto the legs next.
I cloned out the stand here. Even if the rest of the robot were built, and the arm was attached to something, that elbow joint is not strong enough to hold up the smaller bot.
First Law: A robot may not injure a human being or, through inaction, allow a human being to come to harm.
Second Law: A robot must obey the orders given it by human beings except where such orders would conflict with the First Law.
Third Law: A robot must protect its own existence as long as such protection does not conflict with the First or Second Laws
This one started off experimenting with the body shape. I think it turned out ok but I'm not super excited with it. I imagine that before the Battle for the Moon heated up, both countries established small colonies on the moon and did lunar science. When the war began and the respective militaries took over, these still useful unarmed mecha were retained for utility roles far from the front lines.
a robotic athena...these are the actual colors of the new coeur robotique android gear set /w androidic skin (feminine, but lacking certain "parts" and having others replaced by..errr..steel caps:), steel mohawk, shoulders, spine and chest piece, boots, even a shiny skirt plus a few bonus items made of ductape;)