ROBOTS: technology + pop culture
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I liked the cute quirkiness of this street art transforming exhaust fans and air conditioning intakes into a robot. Fun!
**All photos are copyrighted**
Robot II (24x24mm)
Schneider-Kreuznach 40mm F1.9
Kodak 5222 (ISO250)
D-96 19c , 8:35mins
Fix 10mins
© All Rights Reserved
Robot II (24x24mm)
Schneider-Kreuznach Tele-Xenon 75mm F3.8
ILFORD HP5 + 400
HC110 1+31, 19c , 5:40mins
Fix 7mins
© All Rights Reserved
“Artificial intelligence is growing up fast, as are robots whose facial expressions can elicit empathy and make your mirror neurons quiver.”
—Diane Ackerman
Jacob Epstein - Torso in Metal from "The Rock Drill"
www.tate.org.uk/context-comment/blogs/story-jacob-epstein...
Hajime Sorayama
Contemporary Artist
Since 1978, Contemporary Japanese artist Hajime Sorayama has been inspired by science fiction. Fusing futurism, cyberpunk, and sex into a breathtaking display of desire, he challenges us to question the boundaries of humanity and technology. With a signature style that has captivated a cult following across fashion and celebrity collectors, Hajime Sorayama’s robot women, dogs, pop culture icons, and cyborg subjects remind us that the edge of reality and fantasy is not always clear. We must be conscious of the space we occupy in an ever-evolving landscape of technology and humanity.
Hajime Sorayama
Hedendaagse Kunstenaar
Sinds 1978 is de hedendaagse Japanse kunstenaar Hajime Sorayama geïnspireerd door sciencefiction. Door futurisme, cyberpunk en seks te combineren tot een adembenemende weergave van verlangen, daagt hij ons uit om de grenzen van menselijkheid en technologie te onderzoeken. Met een kenmerkende stijl die een cult-aanhang heeft betoverd binnen mode en beroemdhedenverzamelaars, herinneren Hajime Sorayama’s robotvrouwen, honden, popcultuuriconen en cyborgs ons eraan dat de grens tussen realiteit en fantasie niet altijd duidelijk is. We moeten ons bewust zijn van onze plek in een steeds veranderend landschap van technologie en menselijkheid.
copyright All rights reserved - Don't use my images on websites, blogs or other media without my explicit permission
We are never weird on the internet
Stuff:
Wearing:
valHelmetsCalotte_
Eudora3d Sigrun Headpiece
CUREMORE / Selenopolis / Maschinenmensch Arms
AZOURY Sunglass - IGIT (White - Yellow)
Caboodle - Latex Suit - Maitreya
The Boys:
CUREMORE / Punk Chick / Anarchy Neon / Pure
[Kres] Confused Robot - Horace standing (Deco)
[Kres] Confused Robot - Bartholomew Standing (Deco)
A Very Brief History of Otto Berning Co. and the Robot Camera
Heinz Kilfitt was born in Germany in 1898. The son of a watchmaker, he worked repairing watches in his youth, and was acutely interested in photography. While working at an optical company in Berlin, he designed a compact, half-frame, spring-driven camera, and attempted to sell the design in 1931 to Kodak and Agfa, being rejected by each. Soon after, he successfully sold the design to Hans Heinrich Berning, who with financial backing from his father established Otto Berning & Co.
Otto Berning & Co. was granted its first patent for a Robot camera in 1934, with a United States patent following closely in 1936. The Robot I was an astoundingly compact half-frame, interchangeable-lens, viewfinder camera made of stainless steel, with a spring-loaded motor drive capable of firing four semi-automatic frames in one second using a rotary shutter capable of speeds from 1 second to 1/500th of a second. This camera used a proprietary Robot film cassette likely based on the existing Agfa cassette, and featured a built-in user-selectable yellow filter.
The Robot II was released in 1938, and was generally similar to the Robot I. Some improvements were made to ergonomics, such as a redesigned but still proprietary film cassette, and the camera was simplified in other ways, including elimination of the built-in yellow filter. At the outset of World War II, production of Robot cameras for civilian use was halted while the company focused its attention on producing cameras for the German military (mostly the Luftwaffe).
In the early 1950s, the Robot line expanded dramatically. In addition to a new version of the Robot II made to accept standard 35mm film cartridges (now called the Robot IIA), the firm created the Model III and the Robot Royal. Released in models exposing the 24x24mm and the standard 24x36mm image area, the Robot Royal 24 and 36 (as they are called) were among the final and most advanced iterations on the Robot formula. These cameras were full-featured machines with built-in rangefinders and automatic motors capable of firing up to eight frames per second (in the case of the Royal 24). These and other models would continue to be produced from 1951 to the 1990s.
Robot still exists today under a different name and as part of a larger group of industrial optical companies. For our purposes, this is irrelevant.
What is a Robot Royal 24?
Of all the cameras in the Robot lineup, the most interesting to me is the Robot Royal 24. With its built-in rangefinder, interchangeable bayonet lens mount accepting Schneider or Zeiss-made lenses, and its 24x24mm image area, it combines the highest capability with the most unique functionality.
On the top of the camera we find the film rewind knob, threaded shutter release button, a cold accessory shoe, and a film frame counter. Beyond these, the top plate is devoid of controls, which are instead mounted on the front of the camera.
Holding the camera to the eye as if to take a photo, the front left houses a protruding knob for selection of shutter speeds from 1/2 second to 1/500th of a second, plus Bulb mode for long exposure. Front right we find a similar knob with a lever attached. This switches the camera from single shot to burst mode. Additional front controls reside on the lens; manual focus and aperture selection rings. Underneath the lens is a large tab that looks deceptively like the manual focus tab found on many rangefinder lenses, but is in fact the lens release. Swinging this tab with the camera held to one’s eye as if it were a focusing tab will inevitably cause the lens to fall to the floor of an Italian camera shop in an element-shattering cascade (a lesson learned and subsequently passed on to me by a friend of mine who learned the hard way).
The rear of the camera is sparse. A viewfinder with integrated rangefinder focusing patch, a shutter lock and film rewind switch, and a film frame counter adjustment dial. On the left side is the latch for the hinged swing-away film door where standard rolls of 35mm film are loaded. The bottom plate has a threaded tripod mount, a stand-up foot, and the essential spring motor winding knob.
Here is my robot II
www.flickr.com/photos/emirato/albums/72177720308049090/
© All Rights Reserved
Is he the little maker or the little keeper of the crystals? We may never know; we only know he is adorable! :)
Originally a phone charm, sitting atop a phone case. Crystals and more crystals!
Robot II (24x24mm)
Schneider - Kreuznach Xenon 40mm F1.9
Lucky 400 SHD @200
Kodak D-76 1+1 20C 15mins
Fix 5mins.
© All Rights Reserved
Leica M-E / Carl Zeiss Tele-Tessar ZM 4/85 mm
Robot II (1939-1951) with Schneider-Kreuznach Xenon 1:1,9/40 mm, Schneider-Kreuznach Xenar 1:2,8/37,5 mm, Schneider-Kreuznach Tele - Xenar 1:3,8/75 mm, Robot daylight rewinder and W&E Actino ligth meter.
More information about this camera in my museum:
TMI Robotics Club prepares for Saturday's Getting Excited About Robots (GEAR) competition at UTSA. They will compete against more than 150 teams with a robot they have designed and programmed to complete various tasks in as limited time as possible.
ArtPrize 2021 - Grand Rapids, MI
Fire shooting robot, notice the person inside controlling the robot. It was so fun to watch.
"Robot Resurrection"
Artist: Shane Evans
Seen at Peppino's
Thanks for views, comments and favs :)
Riddled with program descrepancies and circuiting errors, the Goof Bot has almost no good qualities. It cannot even handle the simplest tasks. Usually only brought out and powered up when in need of a good laugh. It stumbles and stutters and mutters giberish.
Another retro-ish bot while I have all the grey out, and yes the eyes are tied down with string.
A visitor playing with the ‘Robotic Shadow’ in the Tokyo Skytree Town Campus, Chiba Institute of Technology, Tokyo, Japan. The campus awarded the JAPAN MEDIA ARTS FESTIVAL, Entertainment Division, Jury Selections (2013)… The robot is projection on giant screen… single photo not computer graphics.
Official video of the exhibit: youtu.be/zfoALFnUFY8
ROBOTIC SHADOW: In order to create a robot that enriched everyday lives whilst existing in exquisite symbiosis with humanity, a sensor technology able to "feel" persons' intentions and behavior is imperative. This exhibition is precisely about experiencing the kind of sensor technology that is capable of "feeling" human movement and behaviorism. By utilizing the 3D sensor technology, one's duplicate is enacted on a large screen as if a magnetized aggregate of cubes, toward which a sphere is hurled and scatter the cubes; ultimately leading to an otherworldly, wondrous world. By "feeling" human behaviorisms, it is possible to experience mysterious and playful world of imagination from time to time. www.it-chiba.ac.jp/skytree/index_en.html
Combaterwing 4800 DPI Optical USB Wired Professional Gaming Mouse Programmable 10 Buttons RGB Breathing LED Mice (White)
Source by wuyuenn
Crazy Tuesday - Creased Paper
I made this little character from a scouring sponge and folded paper. The neck, arms and legs are strips of paper folded at right angles to form a paper 'spring' that make the Robot's head and legs 'wobble' !!
As soon as Burning Man 2018 ended, "Robot Resurrection" (right) paid a visit to "Big Charles... (An homage to Charlie Smith)" (left).
Both robots are creations by Shane Evans.
For reproduction rights, please check www.deselliers.info/en/copyright.htm
Photo ref: j8e-22441-ps3
Still working on the larger robot, though progress is slow. The upper arm is mostly done and, being stumped on the torso, I'll probably move onto the legs next.
I cloned out the stand here. Even if the rest of the robot were built, and the arm was attached to something, that elbow joint is not strong enough to hold up the smaller bot.
First Law: A robot may not injure a human being or, through inaction, allow a human being to come to harm.
Second Law: A robot must obey the orders given it by human beings except where such orders would conflict with the First Law.
Third Law: A robot must protect its own existence as long as such protection does not conflict with the First or Second Laws
Photos from the Mid-CT Photography Meetup Group photo shoot at the FIRST Robotics Competition at the Convention Center in Hartford, Connecticut.
This is a later creature in my Living machines series of graphite drawings. This one though is (almost) entirely organic, and I've put it in a class of creatures called "Plantimals". Robot 30 is the next in this series, continuing the theme of plantimals... Photo of artwork taken with a Sony alpha 6000, 24 mpx, exterio light, shade on bright-sun day, reduced and edited in gimp for contrast and brights balance.
An ice robot at the end of a Breakwater. See the two pointed things sticking out of the pole halfway up? I saw those as elbows, and now I can't unsee this as a figure with a bug boxy head, wearing robes, standing with its hands on its hips, looking out over the water. Robots don't usually wear robes - but the boxy head makes me think robot. (Pareidolia!)
This is the breakwater at 31st street beach a couple weeks ago before the thaw. Covered in ice that must have built up all winter.
This shot was taken with a polarizer, which is why the colors are a bit different than in some of the other photos of the same breakwater at the same time.
Photographer John Guarino recently noticed this robot face on his back porch, made up of his hat and binoculars, and captured it with his Helios 44-2 58mm M42 lens mounted on his Fujifilm X-T1 with a Fotodiox M42 to FX adapter. Click here to learn more about our lens adapters: bit.ly/3074FHg
And click here to see more of John's work: bit.ly/2B6azh3