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A highly effective battle robot.
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Finally finished this guy, thanks to everyone for the feedback on the WIP pictures.
Here is the first mech of my new wave, well it is technically a robot since it is not piloted, it has an AI.
Build as the ultimate ground unit, it might look like a tank, but it was built with a wheel system that allows fast and agile movement, long rage is covered by its Anti Air dual particle cannons and a missile bay located on the back, but the main weapons of this mech are its fist, built with a super strong but heavy metal alloy, they can punch thru almost anything, they have an powerful hydraulic system to back it up as well.
This is a “bad guy” mech, hence why it is AI piloted, I was thinking on how to make the bad guys, and robots seemed to fit perfectly as villians, so I might redisign the volta sooner than later.
It was also inspired by old ww2 planes, hopefully you can see some of them here, the head was inspired by cherno alpha from pacific rim
I posted the design of this mech a few days ago, but I just couldn’t not add more to it, it might happen with the others as well, so stay tuned
The Robot Army continues to grow...
Had fun adding some white ink on this one. It's not something I normally do, but I kinda like it! This was a birthday present fro a friend of mine.
This time no motorcycle model from Max. But still a technical construction that moves on wheels! ;-)
Started with the train bits for the cockpit, then used quite a few 92946 slopes - hence the name, oh and it also looks a bit like a rancor.
The Metal Smith is a feared opponent among all groups of metal. He grabs partly formed metallic bars in his teeth and hammers, heats, and pulls the metal against it's will into a final useful form.
An all grey scrapbot with a different background then my norm.
Robot Royal 36
with Schneider-Kreuznach Xenar 2.8/45
What a machine! A 35 mm rangefinder camera with interchangeable lenses and built-in spring driven film advance. It is somewhat bigger and heavier than comparable models (with manual film advance) of the mid-1950ies, like perhaps the Leidolf Lordomat. First of all it has two springs in the bottom, which makes the body higher. Furthermore the Robot features a special rotary shutter. Unlike a behind-the-lens leaf shutter it is placed in the camera body and not in front of it, which makes the body thicker. And finally the camera is just massive, the back door and the hinge are probably the most solid ones I've seen on such a camera. Perhaps it has to be so rigid: it can transport the film with 4 to 5 frames per second, which is as fast as a Nikon F4 without MB-21.
On some items the operation differs from other cameras.
* The big lever under the lens is not for focusing, but for mounting and unmounting the lens. At its end every lens has three segments with a thread. You just attach the lens and turn the lever, then a ring catches that parted thread very tightly. That works quickly, easy and safely.
* There are three little tabs on the focus ring, which make it very comfortable to focus. Especially fine focusing can be done with only one finger.
* The Robot is equipped with a powerful motor drive, so you expect rapid continuous shooting. Most Robots Royal I've seen have a lever at the "Royal 36"-badge at the front side, to choose between single or continuous shooting, but not this one. So, if you fully press down the shutter button at once, the shutter will fire once. If you press the shutter button halfway and hold it, the shutter will fire continuously, until you release it or you press it down completely. You need some practice to that safely, and I don't know if it is a bug or a feature.
* A big item: those film cassettes Robot cameras usually use. You can load a Royal with a common 35 mm cassette, but the "take-up spool" has to be an NR-cassette, which makes film loading not that easy. A nice detail: when the camera back is closed, the mouth of the cassette is opened to reduce the friction, when the film is transported. You can accelerate the film advance further, when you replace the common film cartridge on the feeding side by a TR-cassette, which has the same mechanism. The TR-cassette has to be loaded with film by yourself then.
* The design of the rewind wheel is just awesome. It automatically rises, when it is turned in the direction of the arrow. But the real ingenious idea is, that the shaft inside the camera, which is coupled with the film spool normally, is retracted when the rewind wheel is not in use. So the rewind wheel will not turn during the film advance and the film advance can not be impeded by accident, for example by your awkward left hand.
And when you've rewound a film, don't forget to lower the rewind wheel again, otherwise you can't take out the film cartridge.
* There is a little shifter on the back. In position "red" the shutter button is locked and the viewfinder is half-closed. When using "B" also the pressed shutter button can be locked. Position "R" is for rewinding, then the complete viewfinder is closed.
Some notes:
* The camera may be extraordinary, the viewfinder isn't.
* The frame counter must be reset manually. You have to press the tiny button on top near the shutter button and turn a little wheel on the back.
* You have X-synchronization with all shutter speeds.
* As you can see, the camera has a nice extra foot.
* I often read, that the range of shutter speeds is 1/2 to 1/500 s (and B). My exemplar can do 1/4 to 1/500 s (and B).
The Robot Royal was produced for three frame formats, besides the Royal 36 for 24x36 it was made for the classic Robot square format 24x24 (Royal 24) and for the half-frame format 18x24 (Robot 18). That Robot was also available without viewfinder, then it is called Robot Recorder. There exists also a Recorder 6 for 6x24 frames, and the Recorder was available with (not the 6) or without rewind mechanism. So you can imagine, that those Robots were used a lot in industry and science, and perhaps you've experienced, that Robot cameras were used for traffic surveillance (speed limit control). They are exposure machines; a professional analog 35 mm SLR was planed for perhaps 300.000 exposures, that is a number a Robot can only smile about. Remember, that it has a rotary shutter similar to movie cams. In a movie cam the shutter makes 25 frames a second, several hours a day.
Since the Robot was made for different formats, there are lenses intended only for the smaller 24x24 format, it's like the thing with APS-C and full-frame on digital cameras today. Robot found a way to prevent the use of 24x24 lenses on the Royal 36, practically the camera has two tabs in the bayonet mount and the 24x36 lenses the according two notches, while the 24x24 lenses has only one notch. With that method 24x36 lenses can still be used on the Robot 24. I've read, that there are Robot 36 cams with one notch removed, so for example the standard lenses for the Robot 24 (38 and 40 mm) will fit, but may cause vignetting.
Perhaps you've noticed, that the distance scale on my Xenar is given in feet only. So, the camera certainly was sold in the US, and indeed, a sticker on the bottom says, it was owned by "Stretch" in Los Alamos, New Mexico. I did an Internet research and I really found him. He left a collection of movies and pictures made between 1950 and 1997, archived by the Northern Arizona University and available. His main subjects were rivers, mostly the Colorado River and the Rio Grande. The collections contains nearly 1000 slides, and perhaps some of them were taken with that Robot above. Maybe this link works:
cdm16748.contentdm.oclc.org/digital/collection/cpa/search...
sometimes I do small and personal commissions for nice people who just want me to draw a thing for them - #Jon Boam #Drawing
I designed this fun, little guy for the Between The Pages blog. betweenthepagesblog.typepad.com/between-the-pages-blog/
Polaroid SX-70 Alpha + Impossible PX70 film.
'Roid Week 2011.
Day 2.
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What do you do about servicing remote outposts in space that are too far for humans to travel? You send robots, of course! Equipped with tv screens, fruit machines and fly swatters, these formidable machines will not only conquer anything that dare stand in their way, but they are also well sorted for entertainment.
This is a little "Made in speed" MOC.
I find some Mixels 1st serie (hard to find in France) and when I begin to assembly one of them I saw this Iron builder part... lets try another use of the joint cavity :)
Enjoy !
Aeolus are alien robots used to defend their cities. The units are piloted in simulation chambers located safely on the ground.
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This is a revamp of one of my older mocs that I really liked and felt needed to be "refreshed"
It now has the added feature of being able to stand on it's own!!! :P
Original moc:
Rampax is from a series of six 5" plastic robots made by CGGC in Italy. They were sold in kit form and had to be assembled. I don’t know when they were first produced, but I was given the individually boxed Rampax in 1985.
The six robots were not completely different, but shared components such as arms, legs and feet. These pieces were all interchangeable and it seems that some were randomly packed out, so the makeup of specific robots was inconsistent. Each robot had two distinct, spring launched weapons. The long weapon for the bent right arm protruded from the elbow and hooked in place; pushing up on the hook launched the weapon. The left arm had a mechanism in the shoulder that held the weapon in place while the arm was down, but launched the devise when the arm was raised.
The robots were also distributed in France by a company named Remus, which sold them in two sets of three. The French packaging was quite different from the Italian boxes that I’ve seen, but the plastic parts were still molded in Italy. Again, I have no idea of the original time line for these, but I obtained an incomplete set in 1991.
Five of the robots - Drakis, Torang, Fergus, Argon and Rampax - kept their names for both Italian and French issues. The sixth one, originally Satan in Italy, was renamed Mirox in France. I guess that the French didn’t want kids playing with the devil.
To end it all, here is a smattering of leftover pictures. There are still more robots though, as apparently we are moving into Transformers Week next...
CIA's Office of Advanced Technologies and Programs developed the Unmanned Underwater Vehicle (UUV) fish to study aquatic robot technology. The UUV fish contains a pressure hull, ballast system, and communications system in the body and a propulsion system in the tail. It is controlled by a wireless line-of-sight radio handset.
For more information on CIA history and this artifact please visit www.cia.gov
Model: Keiko Barbie Basic Model No.06 on Made to Move body
Outfit and hairstyling: me and my mom
Red shoes: Barbie S.I.S Babyphat Kara
The 1950s was a particularly good decade to be a toy robot.
In America and Europe, the depiction of robots always had a threatening undertone. In fact, the word "robot" comes from Czech playwright Karel Capek's 1920 play, "R.U.R." or "Rossum's Universal Robots," wherein humanoid machines designed to toil in a factory are given emotions and turn violent, destroying humankind. (Collectors Weekly)
©Kings Davis 2023
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This robot was a bit creepy because it always turned its head in the direction someones face was. It felt much more personal by trying to advertise to you by looking with it's cute big eyes into your from down there.
(Originally published at: jeena.net/photos/351)