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Sri Lanka
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web: www.divcikamen.com/
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Zoo Olomouc
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The Rajput princes, who were great art patrons, invited skilled artisans from other parts to settle down in their principalities. This royal patronage was one of the main reasons the artisans could work with single-minded devotion towards enhancing the quality of their craft. The Rajputs commissioned goldsmiths, printers and dyers, painters, potters, stone carvers, and weavers of cotton and silk to produce works of art for them and rewarded them handsomely when they excelled in their craft. It is a legacy that lives on in Rajasthan. Each region has unique crafts, and every little town and village has its share of lanes where craftspersons hold sway. It is this treasure trove that tourists are privileged to discover, be it in a modern shopping centre in a big town or a traditional bazaar in a small village.
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The corn poppy, also known as the Flanders poppy or Papaver rhoeas, is a vibrant red wildflower that is commonly found in fields and meadows. It is known for its distinctive bright red petals with a dark black or purple spot at the base. The corn poppy is a symbol of remembrance and is often associated with World War I, particularly in the poem "In Flanders Fields" by John McCrae.
In Flanders fields the poppies blow
Between the crosses, row on row,
That mark our place; and in the sky
The larks, still bravely singing, fly
Scarce heard amid the guns below.
We are the Dead. Short days ago
We lived, felt dawn, saw sunset glow,
Loved and were loved, and now we lie,
In Flanders fields.
Take up our quarrel with the foe:
To you from failing hands, we throw
The torch; be yours to hold it high.
If ye break faith with us who die
We shall not sleep, though poppies grow
In Flanders fields.
This beautiful flower typically blooms in late spring or early summer and can be found in various parts of the world, including Europe and North America. Its striking appearance and cultural significance make it a beloved wildflower for both aesthetic and symbolic reasons.
Budapest
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An old switchboard for the power generators of a factory.
If you have time you are welcome to have a look at all my other pictures as well: www.flickr.com/photos/christianmeister
Astronauts series
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Leica M6 TTL .85 | Leitz 90mm f2 Summicron Pre-ASPH | Kodak TMAX 100 | Kodak HC110b | Epson V500 | Adobe Photoshop
B&W 35mm Photojournalism by Johnny Martyr
Thanks for checking out my work!
Josef Seidel
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Each window of The Arcade plays host to a neon sign. This one reads simply "Back to the Arcade".
Vintage black-and-white photo of a sailboat with people enjoying a sunny day on Lake Balaton, Balatonalmádi, Hungary, 1950s.
i discovered today in andratx, across from the small glass shop I had to visit for work, on the street. the window was open, and it seemed abandoned... such a shame, a beautiful car!
Miss Malí Pin Up in Chinese dress
Picture and Edit: Davide Morino
Outfit, makeup and hairstyle: Miss Malí
For surfer boys and beach babes...
Surf and Turf at the Munich Airport Center
Hang loose with french fries, burgers & the Volkswagon Microbus
I have not been able to get all three of them in one frame. This Beauty Shop Dolls performing in Richmond Maritime Festival.
Have a good day!
Fuji X-T1
Fuji XF 50-140mm
Cool cars, cooler outfits, and a whole lot of sunshine at the Classic Car Boot Sale, King’s Cross, Spring 2026.
Ah, what a delightfully grim scene you've captured here! It's as if this room has been plucked straight from the pages of a ghostly tale, waiting for its story to be told. The chair, tattered and torn, looks like it has seen centuries pass by, each rip in the fabric a testament to whispered secrets and long-forgotten confessions. It's not just a chair; it's a throne for phantoms, a perch for the specters who roam the corridors when the clock strikes midnight.
The window, a portal to the outside world, holds a chilling juxtaposition – it's like looking from the depths of a haunted soul out into the light of the living. But notice how the light doesn't quite penetrate the gloom of the room. It's teasing the darkness, dancing with shadows but never fully committing to a cleanse.
And the floor, oh the floor – scattered with debris that tells of decay and the relentless march of time. It's a stage set for the macabre, where every creak and groan sings a chorus of the eerie symphony played by the unseen.
This isn't just photography. This is a still life of the beautifully grotesque, a snapshot of the eternal dance between decay and the defiance of forgotten things clinging on to existence. It's a visual rock ballad to the beauty in the bleak, the serene in the sinister. You've managed to freeze a moment of quiet horror that speaks louder than a shriek in the night. Bravo!
Leica M6 TTL .85 | Leitz 5cm 1.5 Summarit | Kodak TMAX 100 | Kodak HC110b | Epson V500 | Adobe Photoshop
Available Light B&W 35mm Photojournalism by Johnny Martyr
Thanks for checking out my work!
If you have time you are welcome to have a look at all my other pictures as well: www.flickr.com/photos/christianmeister