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The numbers are trending nicely for social media. A new piece of research out this week estimates the global social network advertising spend will top nearly £5 billion next year and approach £6.3 billion the year after. There’s another social media figure on the rise too: despite the increased investment in social, companies are getting blindsided by the social media-fueled PR crisis, as recent research into this shows. Here are a few important tips to consider for integrating social media into your crisis communications plan. They are the most repeated mistakes and misconceptions that lead big brands into trouble with the public.
Underestimating influence/impact of your social media critics at your peril.
Kryptonite is the business school case study here, but loads of brands since – from Target telling the blogosphere they don’t rate Nestle telling off eco Facebook protesters – have failed to understand that bloggers/Tweeters and Facebook protesters may not be The Guardian or The Times, but they do hold plenty of weight.
Giving the online community flashy marketing message when they just want simple, straightforward detail.
These days, companies can get into big trouble for issuing fictitious glowing reviews or trotting out seemingly genuine testimonials by paid actors. Even before these consumer protections were put into place, L’Oreal paid a higher price – it got burned by vigilant bloggers.
Facebook is not just a forum for fans and “Likes.”
Burger King, Nestle, and BP, to name just a few have seen their Facebook pages overwhelmed by critics who want to expose dodgy company practice. Greenpeace has had great success mobilising its followers in a series of corporate Facebook pressure campaigns. BK quickly caved to the demands to cheers. Nestle, on the other hand, shouted back, inviting more opposition.
Culture of unresponsive/uncaring customer service fuels recurring gripes, becomes a PR headache.
Dell learned the hard way that Jeff Jarvis’ customer service gripes were not an isolated issue; a massive backlash was brewing. It just took one well-connected critic to put his finger on it and the avalanche ensued.
For all the fresh money pouring into social media, we would expect the number of errors to rise before companies really get the message that social media investment means more than crafting a just a slick campaign. It means two-way dialogue, transparency and, ultimately, learning from your mistakes.
To read more visit SocialMediaInfluence.com
Anti-bullying, reputation management and new media literacy for youth and
www.facebook.com/pages/Constructing-Learning-Through-Tech...
Jim Beute has a well-deserve reputation for building excellent ship models. This is his contribution to the Battle of the Atlantic collaboration: a minifigure-scale flower-class corvette. This model was also nominated as "Best Watercraft".
Anti-bullying, reputation management and new media literacy for youth and adults
www.facebook.com/pages/Constructing-Learning-Through-Tech...
Swastikas were ancient symbols. However, the symbol has acquired a bad reputation due to ignorant people who do not know that the National Socialist German Workers Party (NSGWP or Nazis) did not call their symbol a "swastika." NSGWP members called their symbol a hakenkreuz (hooked cross) and they used it to represent crossed S-letters for their socialism under their National Socialist German Workers Party. See the work of the noted symbologist Dr. Rex Curry (author of "Swastika Secrets"). American socialists (e.g. Edward Bellamy, Francis Bellamy and the Theosophical Society) influenced German socialists in the use of the swastika to represent socialism. The ignorance about the "swastika" (hakenkreuz) was predicted long ago when Professor Max Muller discouraged Dr. Heinrich Schliemann in the careless use of the term "swastika" and referred to such ignorant people as "the vulgus profanum." The same people are ignorant of the fact that German national socialists did NOT refer to themselves as "nazis." NSGWP members referred to themselves as "socialists" (hence their use of the of the hakenkreuz to represent crossed S-letters for their "socialism"). Such people continue to defame the "swastika" symbol by their ignorance of the hakenkreuz and other symbols, rituals, meaning and terminology under German national socialists. For example, there is widespread ignorance of the fact that the German socialist's stiff-armed salute (and robotic chanting in unison) came from American socialists (Francis Bellamy, cousin of Edward Bellamy), and that the stiff-armed salute had been used in the USA's Pledge of Allegiance for about 3 decades before German socialists borrowed it. German socialists defamed the American salute as they defamed the "swastika," yet only because of ignorant people who still do not know the history. The stiff-armed salute developed because the early Pledge of Allegiance began with a military salute that was then extended outward to point at the flag (it was not an "ancient Roman salute" -another debunked myth repeated by the ignorant vulgus profanum). The above are part of the discoveries by Dr Curry (author of "Pledge of Allegiance Secrets").
Sold for £1,450
Introduced in 1963, the Hillman Imp was the brainchild of engineers Michael Parkes (later to find fame with Ferrari) and Tim Fry. Based on their small-car experiments of the mid 1950s, its rear-engined layout was designed to maximise interior space, and its crisp lines and cute detailing owed something to the contemporaneous Chevrolet Corvair, with the added bonus of a hinged rear windscreen. It was equipped with all-round independent coil-sprung suspension, four-wheel drum brakes and sharp rack and pinion steering. Powered by a Coventry-Climax supplied 875cc SOHC four-cylinder aluminium engine mated to a bespoke, alloy-cased four-speed transaxle, the featherweight four-seater made the most of its 39bhp and 52lbft of torque. As fun to drive and in many ways as innovative as its BMC Mini rival, the Imp never recovered from its early reputation for poor reliability - a corollary of being rushed to market by a cash-strapped Rootes group - and by the time production ceased in 1976, Hillman (along with the rest of the Rootes Group) had been consumed by the Chrysler empire.
Beginning life as a road car, 'TGP 453F' was converted into a historic rally car shortly before entering the current ownership five years ago. Interestingly, the vendor informs us that he campaigned a Works Imp in the Far East during the late 1960s (Kuala Lumper 6-hours etc). The specification is too long to list here but highlights include a twin Stromberg carburettor-fed L4 (late Mk2) engine, rear roll cage, oil cooler, heavy duty driveshaft donuts and period bucket seats with FIA-spec harnesses. Lowered and stiffened all round with Monte Carlo springs and adjustable dampers plus strengthened suspension mountings, the diminutive saloon further benefits from the addition of a fusebox: "Unbelievably not a standard feature", says the owner. It also comes with four steel wheels wearing fresh tyres, and a spare Sport radiator. Describing the car as being in "good" condition with regard to its engine, gearbox, electrical equipment, interior, bodywork and paintwork, the seller adds: "This rally Imp had a sympathetic restoration 300 miles ago and has been stored since". Offered for sale without reserve, 'TGP 453F' is accompanied by a 2005-issued MSA Historic Technical Passport and will require some recommissioning prior to use.
Simpson & Brown have an established reputation for high quality visitor reception buildings and in adapting and extending listed buildings to provide exhibition, conference, shops, cafeteria and toilets. One of the founding projects for Simpson & Brown was the reordering and development of St Giles High Church in Edinburgh. The project included new access, new bookshops, new cafeteria and associated kitchens in the basement. Many of our church projects have involved the provision of interpretation, improved access and catering. Currently we are developing proposals for a new visitor reception building at Paisley Abbey.
The Robert Burns Birthplace Museum is a contemporary visitor centre in Alloway and opened its door to the public on St Andrew’s Day 2010. It is arranged around a 500 sqm exhibition gallery displaying many of the 5,000 artefacts in the Museum’s collection. The new building also accommodates a café opening onto the mature gardens inherited from an earlier exhibition building, a gift shop and an attractive and welcoming education room.
Simpson & Brown have provided visitor centres for several distilleries, including Strathisla Distillery in Banffshire for the Chivas & Glenlivet Group and Highland Park Distillery in Orkney. The practice was also responsible for the repair and conversion of the original 19th century malting floors at Aberfeldy Distillery into a visitor facility featuring a permanent exhibition explaining the history and development of the Dewar family business.
The designs of the Scottish Seabird Centre in North Berwick, the Scottish Ornithological Club at Aberfeldy and the gateway building at The Royal Botanic Gardens Dawyck were all informed by ecological principles. They incorporate breathing-wall construction with cellulose fibre insulation and untreated natural materials were used where possible.
The Rowardennan Visitor Facility, situated on the shore of Loch Lomond, was built in conjunction with Richard Shorter Architects. The building is a low-impact construction using locally sourced natural materials. It is heated by a wood-burning stove and supplied with water from the hills.
The visitor centre at Arbroath Abbey is both recognisable as a new building in a historically significant setting, yet neither detracts from nor compromises the existing ancient monument. The visitor reception building provides interpretation and audio visual facilities to introduce visitors to the Abbey. It is constructed of natural materials and has a sedum planted roof. We also previously worked at Rosslyn Chapel, where the old stables were restored and altered to form a visitor centre comprising a reception, a shop, a tearoom, toilets and an exhibition space.
Anti-bullying, reputation management and new media literacy for youth and adults
www.facebook.com/pages/Constructing-Learning-Through-Tech...
Social Reputation Management Conference organized by www.bdionline.com (cc) Shashi Bellamkonda www.shashi.name Social Media Swami Network Solutions Please feel free
Surround yourself in tranquility and luxury on 48 spectacular acres in upper Mandeville Canyon. Located in Brentwood, 20 miles from bustling downtown Los Angeles, Mandeville Canyon has a reputation for horseback riding and gorgeous botanical gardens. Ensconced in the Santa Monica Mountains with easy access to Sunset Boulevard, Mandeville Canyon has long been sought out by business tycoons, celebrities, and polo players looking to relax and entertain in its stunning natural beauty. Exquisite both inside and out, Amber Hills is one of the most exclusive and private luxury compounds to ever come on the market on the Westside — all in a magical and secluded setting encompassing mature grounds, exquisite mountain ranges and ocean views.
More here: hub.am/1oZ7FwS
This is a photograph from the 15th annual Daingean Festival 5KM Road Race and Fun Run held in Daingean, Co. Offaly, on Friday 1st August 2014 at 19:30. The race is held annually on the Friday before the August bank holiday weekend and over the years has built a solid reputation as a challenging but fair 5KM. Several former olympians have set course record times on the course as well as personal bests for many other runners over the years. This is the second year the course changed from it's traditional 4 laps of Daingean village.
The race also benefits from the fantastic support of athletes from the running clubs of Offaly, Laois, Westmeath, and beyond.
All of this year's photographs are available on our Flickr photostream at www.flickr.com/photos/peterm7/sets/72157646095125104/
Congratulations to all of the organising committee, those from Tullamore Harriers and Naomh Mhuire AC who assisted with race organisation, and the local community who come out in strength to offer support and encouragement to the runners. The race marks one of the first events in the annual Daingean Music and Holiday Festival. The Daingean 5KM road race is an example of a small local race which year-in year-out attracts a quality field for all categories whilst also providing a great opportunity for those new to running to sample a race experience. There was a very impressive selection of refreshments provided for participants in the village hall afterwards. There was over 170 participants in the race tonight.
Reading on a Smartphone or tablet? Don't forget to scroll down further to read more about this race and see important Internet links to other information about the race! You can also find out how to access and download these photographs.
Some Useful Links
Daingean Homecoming Festival Internet Homepage: thedaingeanfestival.com/home.htm
Tullamore Harries AC Facebook: www.facebook.com/tullamore.harriers?fref=ts
Naomh Mhuire AC Daingean Facebook Page: www.facebook.com/naomh.mhuireac.5?ref=ts&fref=ts
Daingean village - village hall location: goo.gl/maps/BIR2K
Wikipedia Page on Daingean town: en.wikipedia.org/wiki/Daingean
Our Flickr Collection from Daingean 5KM 2013 www.flickr.com/photos/peterm7/sets/72157634904215018/
Our Flickr Collection from Daingean 5KM 2012 (www.flickr.com/photos/peterm7/sets/72157630889433204/)
Our Flickr Collection from Daingean 5KM 2011 (www.flickr.com/photos/peterm7/sets/72157627186400823/)
Our Flickr Collection from Daingean 5KM 2010 (www.flickr.com/photos/peterm7/sets/72157624493356493/)
Can I use these photographs directly from Flickr on my social media account(s)?
Yes - of course you can! Flickr provides several ways to share this and other photographs in this Flickr set. You can share to: email, Facebook, Pinterest, Twitter, Tumblr, LiveJournal, and Wordpress and Blogger blog sites. Your mobile, tablet, or desktop device will also offer you several different options for sharing this photo page on your social media outlets.
We take these photographs as a hobby and as a contribution to the running community in Ireland. Our only "cost" is our request that if you are using these images: (1) on social media sites such as Facebook, Tumblr, Pinterest, Twitter,LinkedIn, Google+, etc or (2) other websites, blogs, web multimedia, commercial/promotional material that you must provide a link back to our Flickr page to attribute us.
This also extends the use of these images for Facebook profile pictures. In these cases please make a separate wall or blog post with a link to our Flickr page. If you do not know how this should be done for Facebook or other social media please email us and we will be happy to help suggest how to link to us.
I want to download these pictures to my computer or device?
You can download the photographic image here direct to your computer or device. This version is the low resolution web-quality image. How to download will vary slight from device to device and from browser to browser. However - look for a symbol with three dots 'ooo' or the link to 'View/Download' all sizes. When you click on either of these you will be presented with the option to download the image. Remember just doing a right-click and "save target as" will not work on Flickr.
I want get full resolution, print-quality, copies of these photographs?
If you just need these photographs for online usage then they can be used directly once you respect their Creative Commons license and provide a link back to our Flickr set if you use them. For offline usage and printing all of the photographs posted here on this Flickr set are available free, at no cost, at full image resolution.
Please email petermooney78 AT gmail DOT com with the links to the photographs you would like to obtain a full resolution copy of. We also ask race organisers, media, etc to ask for permission before use of our images for flyers, posters, etc. We reserve the right to refuse a request.
In summary please remember when requesting photographs from us - If you are using the photographs online all we ask is for you to provide a link back to our Flickr set or Flickr pages. You will find the link above clearly outlined in the description text which accompanies this photograph. Taking these photographs and preparing them for online posting does take a significant effort and time. We are not posting photographs to Flickr for commercial reasons. If you really like what we do please spread the link around your social media, send us an email, leave a comment beside the photographs, send us a Flickr email, etc. If you are using the photographs in newspapers or magazines we ask that you mention where the original photograph came from.
I would like to contribute something for your photograph(s)?
Many people offer payment for our photographs. As stated above we do not charge for these photographs. We take these photographs as our contribution to the running community in Ireland. If you feel that the photograph(s) you request are good enough that you would consider paying for their purchase from other photographic providers or in other circumstances we would suggest that you can provide a donation to any of the great charities in Ireland who do work for Cancer Care or Cancer Research in Ireland.
We use Creative Commons Licensing for these photographs
We use the Creative Commons Attribution-ShareAlike License for all our photographs here in this photograph set. What does this mean in reality?
The explaination is very simple.
Attribution- anyone using our photographs gives us an appropriate credit for it. This ensures that people aren't taking our photographs and passing them off as their own. This usually just mean putting a link to our photographs somewhere on your website, blog, or Facebook where other people can see it.
ShareAlike – anyone can use these photographs, and make changes if they like, or incorporate them into a bigger project, but they must make those changes available back to the community under the same terms.
Creative Commons aims to encourage creative sharing. See some examples of Creative Commons photographs on Flickr: www.flickr.com/creativecommons/
I ran in the race - but my photograph doesn't appear here in your Flickr set! What gives?
As mentioned above we take these photographs as a hobby and as a voluntary contribution to the running community in Ireland. Very often we have actually ran in the same race and then switched to photographer mode after we finished the race. Consequently, we feel that we have no obligations to capture a photograph of every participant in the race. However, we do try our very best to capture as many participants as possible. But this is sometimes not possible for a variety of reasons:
►You were hidden behind another participant as you passed our camera
►Weather or lighting conditions meant that we had some photographs with blurry content which we did not upload to our Flickr set
►There were too many people - some races attract thousands of participants and as amateur photographs we cannot hope to capture photographs of everyone
►We simply missed you - sorry about that - we did our best!
You can email us petermooney78 AT gmail DOT com to enquire if we have a photograph of you which didn't make the final Flickr selection for the race. But we cannot promise that there will be photograph there. As alternatives we advise you to contact the race organisers to enquire if there were (1) other photographs taking photographs at the race event or if (2) there were professional commercial sports photographers taking photographs which might have some photographs of you available for purchase. You might find some links for further information above.
Don't like your photograph here?
That's OK! We understand!
If, for any reason, you are not happy or comfortable with your picture appearing here in this photoset on Flickr then please email us at petermooney78 AT gmail DOT com and we will remove it as soon as possible. We give careful consideration to each photograph before uploading.
I want to tell people about these great photographs!
Great! Thank you! The best link to spread the word around is probably http://www.flickr.com/peterm7/sets
Anti-bullying, reputation management and new media literacy for youth and adults
www.facebook.com/pages/Constructing-Learning-Through-Tech...
Social Reputation Management Conference organized by www.bdionline.com (cc) Shashi Bellamkonda www.shashi.name Social Media Swami Network Solutions Please feel free
America is Now the Most Admired Country Globally – Jumping to the Top of the 2009 Anholt-GfK Roper Nation Brands Index
* United States Experiences Biggest Improvement in Reputation Among 50
Countries Measured
* Anholt Attributes Change to the Election of Barack Obama
NEW YORK – October 5, 2009 – Brand America is now ranked #1 by global citizens, according to the GfK Roper Public Affairs & Media, a division of GfK Custom Research North America. Results from the 2009 Anholt-GfK Roper Nation Brands Index(NBI), which measures the global image of 50 countries, show the United States taking the top spot as the country with the best overall brand, up from seventh last year.
"What’s really remarkable is that in all my years studying national reputation, I have never seen any country experience such a dramatic change in its standing as we see for the United States in 2009,” explains Simon Anholt, NBI founder and an independent advisor to over a dozen national governments around the world. "Despite recent economic turmoil, the U.S. actually gained significant ground. The results suggest that the new U.S. administration has been well received abroad and the American electorate’s decision to vote in President Obama has given the United States the status of the world’s most admired country.”
Ahnolt-GfK Roper Nation Brands IndexSM
Overall Brand Ranking
(Top 10 of 50 Nations)
2009
1.United States
2.France
3.Germany
4.United Kingdom
5.Japan
6.Italy
7.Canada
8.Switzerland
9.Australia
10.Spain, Sweden (tie)
Source: 2009 and 2008 Anholt-GfK Roper Nation Brands IndexSM
"This improved perception of the U.S. is not only in the area of Governance, there are improved perceptions for People, Culture and even Tourism of the United States,” adds Xiaoyan Zhao, Senior Vice President and director of the NBI study at GfK Roper Public Affairs & Media. "While most nations’ reputation does not undergo major change from year to year, the U.S. has clearly bucked the trend. What’s key for the U.S. and other world’s leading nations is to strike while the iron is hot and develop focused policies and communication that draw businesses, financial investors and tourists -- in order to help lift their national economies and their global credibility.”
The NBI is based on a global survey in which people from across 20 major developed and developing countries are asked to rate each nation in six categories: Exports, Governance, Culture, People, Tourism and Immigration/Investment. The NBI ranking is based on the average of these six scores.
Turning to the rest of the NBI rankings, mostly the same countries are in the top ten as in 2008 – but also with some shifts in position. France again captured second place overall, while Germany and the United Kingdom fell to third and fourth, respectively. Japan (5th) and Italy (6th) did not shift rankings from 2008. However, Canada lost ground, slipping from fourth last year to seventh in 2009. Switzerland, Australia, Spain and Sweden round out the top 10.
Other major movers in the overall ranking include several developing countries – such as China, which climbed several spots from last year to 22nd in 2009.
This year’s NBI study also includes questions on the impact the global economic crisis is having on people’s opinions and perceptions towards the nations tracked. Top-line results from this area will be released late fall 2009.
To request a copy of the Anholt-GfK Roper Nation Brands IndexSM (NBI) 2009 Highlights report or for more information on the Anholt-GfK Roper Nation Brands IndexSM (NBI) and Anholt-GfK Roper City Brands IndexSM (CBI), please contact us and/or visit the product pages.
About the Anholt-GfK Roper Nation Brands IndexSM
Conducted annually in partnership between independent advisor Simon Anholt and GfK Roper Public Affairs & Media beginning in 2008, the Nation Brands IndexSM measures the image of 50 countries with respect to Exports, Governance, Culture, People, Tourism and Immigration/Investment. Each year, approximately 20,000 adults ages 18 and up are interviewed online in 20 core panel countries.
About GfK Roper Public Affairs & Media
GfK Roper Public Affairs & Media is a division of GfK Custom Research North America. The division specializes in customized public affairs and public opinion polling, media & communications research, and corporate reputation measurement -- in the US and globally. In addition to delivering a broad range of customized research studies, GfK Roper Public Affairs & Media draws from GfK’s syndicated consumer tracking services, GfK Roper Reports® US and GfK Roper Reports® Worldwide, which monitor consumer values, beliefs, attitudes and behaviors in the US and more than 25 other countries.
As of September 2008, GfK Roper Public Affairs and Media became the official polling partner of the Associated Press launching the AP-GfK Poll. For more information on the AP-GfK Poll, visit: www.ap-gfkpoll.com/index.html.
About GfK Custom Research North America
Headquartered in New York, GfK Custom Research North America is part of the GfK Group. GfK Group offers the fundamental knowledge that industry, retailers, services companies and the media need to make market decisions. It offers a comprehensive range of information and consultancy services in the three business sectors of Custom Research, Retail and Technology and Media. The no. 4 market research organization worldwide, GfK Group operates in more than 100 countries and employs over 10,000 staff. In 2008, GfK Group sales amounted to EUR 1.2 billion (1.6 Billion USD). For further information, contact us.
About Simon Anholt
Simon Anholt is recognized as the world’s leading authority on nation image and identity. He is a member of the UK Government’s Public Diplomacy Board, and works as an independent advisor to around 20 other national, regional and city governments on identity strategy and public diplomacy. Anholt developed the concept of the Nation Brands Index in 2005. He is founding editor of the quarterly journal, Place Branding and Public Diplomacy, and the author of Brand New Justice, Brand America and Competitive Identity - the New Brand Management for Nations, Cities and Regions. His forthcoming book, Places, will be published by Macmillan in November 2009, together with a completely new edition of Brand America.
source: www.gfkamerica.com/newsroom/current_pr/index.en.html
This is a photograph from the annual Na Fianna AC "Bob Heffernan" 5KM Road Race and Fun Run which was held in Johnstownbridge, Co. Kildare, Ireland on Tuesday 19th May 2015 at 20:00. The race has gained a glowing reputation as being one of the fastest 5KM road races in Ireland. This race commemorates the years of work and volunteering that local man Bob Heffernan gave to Meath, Leinster, and Irish athletics from grass roots upwards and his work with the host club Na Fianna AC who have a catchment area in this part of rural North Kildare and South Meath. The race, known affectionately by club-members as simply "Bob's race" is a fitting tribute to commemorate his contribution to this sport. Today's race had another very large attendance with over 420 registered participants. There was a wonderful atmosphere as runners from all over Leinster gathered for a great night's racing. The very changeable and unseasonably weather of late made for an unpredictable night weather wise. A shower of hail fell on runners between 2KM and 3KM and yet this shower didn't fall on the finish area at the Hamlet Court Hotel.
This race is part of the annual Meath Road Race League despite the fact that the race is run completely in County Kildare. The Na Fianna club, who organise the race, have a catchment area of South Meath and North West Kildare. The current route for the race has stayed the same over the past few years. However previous to that the race was held in Enfield and also Rathmoylan in County Meath. This road race has grown from strength to strength year on year and is now one of the premier 5KM races in Ireland and one of the top club attended races in Leinster. The race starts on the busy Enfield to Endenderry road and this requires a big effort from stewards and marshalls. However, as always, the event was a resounding success with personal bests and great runs from many of the participants.
We have a large set of photographs from the finish of the race and they are available on our Flickr photostream at www.flickr.com/photos/peterm7/sets/72157653107820532
Timing and event management was provided by Precision Timing. Results are available on their website at www.precisiontiming.net/result.aspx?v=2648 with additional material available on their Facebook page (www.facebook.com/davidprecisiontiming?fref=ts) See their promotional video on YouTube: www.youtube.com/watch?v=c-7_TUVwJ6Q
Reading on a Smartphone or tablet? Don't forget to scroll down further to read more about this race and see important Internet links to other information about the race! You can also find out how to access and download these photographs.
For nostalgia - photographs of previous years
Our pictures from Na Fianna 2014: www.flickr.com/photos/peterm7/sets/72157644763278914
Our pictures from Na Fianna 2013: www.flickr.com/photos/peterm7/sets/72157633580992446/
Our pictures from Na Fianna 2012: www.flickr.com/photos/peterm7/sets/72157629852959646/
Our Flickr set from Na Fianna 2011: www.flickr.com/photos/peterm7/sets/72157626673634371/
Our Flickr set from Na Fianna 2010: www.flickr.com/photos/peterm7/sets/72157629852959646/
USING OUR PHOTOGRAPHS - A QUICK GUIDE AND ANSWERS TO YOUR QUESTIONS
Can I use these photographs directly from Flickr on my social media account(s)?
Yes - of course you can! Flickr provides several ways to share this and other photographs in this Flickr set. You can share directly to: email, Facebook, Pinterest, Twitter, Tumblr, LiveJournal, and Wordpress and Blogger blog sites. Your mobile, tablet, or desktop device will also offer you several different options for sharing this photo page on your social media outlets.
BUT..... Wait there a minute....
We take these photographs as a hobby and as a contribution to the running community in Ireland. We do not charge for our photographs. Our only "cost" is that we request that if you are using these images: (1) on social media sites such as Facebook, Tumblr, Pinterest, Twitter,LinkedIn, Google+, VK.com, Vine, Meetup, Tagged, Ask.fm,etc or (2) other websites, blogs, web multimedia, commercial/promotional material that you must provide a link back to our Flickr page to attribute us or acknowledge us as the original photographers.
This also extends to the use of these images for Facebook profile pictures. In these cases please make a separate wall or blog post with a link to our Flickr page. If you do not know how this should be done for Facebook or other social media please email us and we will be happy to help suggest how to link to us.
I want to download these pictures to my computer or device?
You can download this photographic image here directly to your computer or device. This version is the low resolution web-quality image. How to download will vary slight from device to device and from browser to browser. Have a look for a down-arrow symbol or the link to 'View/Download' all sizes. When you click on either of these you will be presented with the option to download the image. Remember just doing a right-click and "save target as" will not work on Flickr.
I want get full resolution, print-quality, copies of these photographs?
If you just need these photographs for online usage then they can be used directly once you respect their Creative Commons license and provide a link back to our Flickr set if you use them. For offline usage and printing all of the photographs posted here on this Flickr set are available free, at no cost, at full image resolution.
Please email petermooney78 AT gmail DOT com with the links to the photographs you would like to obtain a full resolution copy of. We also ask race organisers, media, etc to ask for permission before use of our images for flyers, posters, etc. We reserve the right to refuse a request.
In summary please remember when requesting photographs from us - If you are using the photographs online all we ask is for you to provide a link back to our Flickr set or Flickr pages. You will find the link above clearly outlined in the description text which accompanies this photograph. Taking these photographs and preparing them for online posting takes a significant effort and time. We are not posting photographs to Flickr for commercial reasons. If you really like what we do please spread the link around your social media, send us an email, leave a comment beside the photographs, send us a Flickr email, etc. If you are using the photographs in newspapers or magazines we ask that you mention where the original photograph came from.
I would like to contribute something for your photograph(s)?
Many people offer payment for our photographs. As stated above we do not charge for these photographs. We take these photographs as our contribution to the running community in Ireland. If you feel that the photograph(s) you request are good enough that you would consider paying for their purchase from other photographic providers or in other circumstances we would suggest that you can provide a donation to any of the great charities in Ireland who do work for Cancer Care or Cancer Research in Ireland.
Let's get a bit technical: We use Creative Commons Licensing for these photographs
We use the Creative Commons Attribution-ShareAlike License for all our photographs here in this photograph set. What does this mean in reality?
The explaination is very simple.
Attribution- anyone using our photographs gives us an appropriate credit for it. This ensures that people aren't taking our photographs and passing them off as their own. This usually just mean putting a link to our photographs somewhere on your website, blog, or Facebook where other people can see it.
ShareAlike – anyone can use these photographs, and make changes if they like, or incorporate them into a bigger project, but they must make those changes available back to the community under the same terms.
Above all what Creative Commons aims to do is to encourage creative sharing. See some examples of Creative Commons photographs on Flickr: www.flickr.com/creativecommons/
I ran in the race - but my photograph doesn't appear here in your Flickr set! What gives?
As mentioned above we take these photographs as a hobby and as a voluntary contribution to the running community in Ireland. Very often we have actually ran in the same race and then switched to photographer mode after we finished the race. Consequently, we feel that we have no obligations to capture a photograph of every participant in the race. However, we do try our very best to capture as many participants as possible. But this is sometimes not possible for a variety of reasons:
►You were hidden behind another participant as you passed our camera
►Weather or lighting conditions meant that we had some photographs with blurry content which we did not upload to our Flickr set
►There were too many people - some races attract thousands of participants and as amateur photographs we cannot hope to capture photographs of everyone
►We simply missed you - sorry about that - we did our best!
You can email us petermooney78 AT gmail DOT com to enquire if we have a photograph of you which didn't make the final Flickr selection for the race. But we cannot promise that there will be photograph there. As alternatives we advise you to contact the race organisers to enquire if there were (1) other photographs taking photographs at the race event or if (2) there were professional commercial sports photographers taking photographs which might have some photographs of you available for purchase. You might find some links for further information above.
Don't like your photograph here?
That's OK! We understand!
If, for any reason, you are not happy or comfortable with your picture appearing here in this photoset on Flickr then please email us at petermooney78 AT gmail DOT com and we will remove it as soon as possible. We give careful consideration to each photograph before uploading.
I want to tell people about these great photographs!
Great! Thank you! The best link to spread the word around is probably http://www.flickr.com/peterm7/sets
Social Reputation Management Conference organized by www.bdionline.com (cc) Shashi Bellamkonda www.shashi.name Social Media Swami Network Solutions Please feel free
Social Reputation Management Conference organized by www.bdionline.com (cc) Shashi Bellamkonda www.shashi.name Social Media Swami Network Solutions Please feel free
Slowly catching up on uploads for the 25 Book Challenge. I moved house - is that a good enough excuse?!
Birthday Stories compiled by Haruki Murakami: as you'd expect, a very strange collection, some more to my taste than others, but a good read all the same.
Black Swan Green by David Mitchell: a departure from his normal themes, which is a good thing. I thought the writing was outstanding, and he captured a real sense of what it's like to be a young adolescent boy (not that I'd know). Much preferred it to other books in a similar genre. And what a pretty cover!!
The Shadow of the Wind: finally got round to reading this. Much reviewed and admired; maybe a little over-hyped. Not that it isn't excellent, but I'm surprised it has such a reputation (modern classic etc.) Sorry to sound lukewarm - I definitely highly recommend it - that's always the problem when something is made out to be fantastic and turns out to be just very good!!
Anti-bullying, reputation management and new media literacy for youth and adults
www.facebook.com/pages/Constructing-Learning-Through-Tech...
For the last party of 2008 TDC and YogiBogeyBox collaborate to bring you a delightful treat:
So one two three... and stretch your feet ))
On Friday December 5th 2008, New York will host...
PENTA Live & DJ Set (AuraQuake, Portugal)
Nikita Tselovalnikov, the Russian-born psytrance producer behind Penta, has been making music
for almost twenty years. Having played as a trance producer in more than thirty countries
around the world, appearing repeatedly in every major festival such as Boom, Voov, Universo
Paralello, Full Moon and Burning Man, Nikita has gained reputation as one of the pioneers and
innovators in the psytrance world. Penta’s unique futuristic sound has brought together people
of different scenes into one swirling psychedelic dance.
Mexican Trance Mafia Live (YogiBogeyBox, Mexico)
Mario Garza, aka Mexican Trance Mafia, is a skilled musician who made his debut 12 years ago.
Style elements out of this earlier project led Mario to produce an anomalous range of complex
psychedelic dance music that is fueled by the synergy between the audience and performing artist.
His compositions as Mexican Trance Mafia (MTM) has taken him to many places across the globe, including
Portugal, Belgium, the U.K., and the United States. Having released tracks on record labels such as
Maia, AP, Solstice, Fungi Records Mexican Trance Mafia - Mario is an artist who's future releases are
to be highly anticipated.
Eg~Bot & Lauryn (Peak Records/Gaian-Mind, Philadelphia, PA)
David McGee (aka Eg~Bot) and Lauryn are currently based in Philadelphia, PA where they help throw the
Gaian Mind monthly parties. Both finding their musical roots early in life, together they share a combined
15 years behind the decks. Individually they have played across the US, Canada, and in Europe sharing
the stage with many well know international acts. Prepare for a twisting journey through dimensional shifts.
Downstairs by OMNITRIBE:
We are happy to host one of the great party promoters here in New York. Omnitribe is well known
for their quality festivals and electrifying energy! Their progressive and chill-out artists will provide
a second dance space that is not to be missed:
Gosha (Omnitribe, NYC)
Fxmike (Omnitribe, NYC)
Leshiy (Omnitribe, NYC)
Kife (Omnitribe, NYC)
Farmatar (Omnitribe, NYC)
WONDERFUL ARTISTS TO JOIN THE LINEUP!!!
For the last party of 2008 TDC and YogiBogeyBox collaborate to bring you a delightful treat:
So one two three... and stretch your feet ))
On Friday December 5th 2008, New York will host...
PENTA Live & DJ Set (AuraQuake, Portugal)
Nikita Tselovalnikov, the Russian-born psytrance producer behind Penta, has been making music
for almost twenty years. Having played as a trance producer in more than thirty countries
around the world, appearing repeatedly in every major festival such as Boom, Voov, Universo
Paralello, Full Moon and Burning Man, Nikita has gained reputation as one of the pioneers and
innovators in the psytrance world. Penta’s unique futuristic sound has brought together people
of different scenes into one swirling psychedelic dance.
Mexican Trance Mafia Live (YogiBogeyBox, Mexico)
Mario Garza, aka Mexican Trance Mafia, is a skilled musician who made his debut 12 years ago.
Style elements out of this earlier project led Mario to produce an anomalous range of complex
psychedelic dance music that is fueled by the synergy between the audience and performing artist.
His compositions as Mexican Trance Mafia (MTM) has taken him to many places across the globe, including
Portugal, Belgium, the U.K., and the United States. Having released tracks on record labels such as
Maia, AP, Solstice, Fungi Records Mexican Trance Mafia - Mario is an artist who's future releases are
to be highly anticipated.
Eg~Bot & Lauryn (Peak Records/Gaian-Mind, Philadelphia, PA)
David McGee (aka Eg~Bot) and Lauryn are currently based in Philadelphia, PA where they help throw the
Gaian Mind monthly parties. Both finding their musical roots early in life, together they share a combined
15 years behind the decks. Individually they have played across the US, Canada, and in Europe sharing
the stage with many well know international acts. Prepare for a twisting journey through dimensional shifts.
Downstairs by OMNITRIBE:
We are happy to host one of the great party promoters here in New York. Omnitribe is well known
for their quality festivals and electrifying energy! Their progressive and chill-out artists will provide
a second dance space that is not to be missed:
Gosha (Omnitribe, NYC)
Fxmike (Omnitribe, NYC)
Leshiy (Omnitribe, NYC)
Kife (Omnitribe, NYC)
Farmatar (Omnitribe, NYC)
WONDERFUL ARTISTS TO JOIN THE LINEUP!!!
For the last party of 2008 TDC and YogiBogeyBox collaborate to bring you a delightful treat:
So one two three... and stretch your feet ))
On Friday December 5th 2008, New York will host...
PENTA Live & DJ Set (AuraQuake, Portugal)
Nikita Tselovalnikov, the Russian-born psytrance producer behind Penta, has been making music
for almost twenty years. Having played as a trance producer in more than thirty countries
around the world, appearing repeatedly in every major festival such as Boom, Voov, Universo
Paralello, Full Moon and Burning Man, Nikita has gained reputation as one of the pioneers and
innovators in the psytrance world. Penta’s unique futuristic sound has brought together people
of different scenes into one swirling psychedelic dance.
Mexican Trance Mafia Live (YogiBogeyBox, Mexico)
Mario Garza, aka Mexican Trance Mafia, is a skilled musician who made his debut 12 years ago.
Style elements out of this earlier project led Mario to produce an anomalous range of complex
psychedelic dance music that is fueled by the synergy between the audience and performing artist.
His compositions as Mexican Trance Mafia (MTM) has taken him to many places across the globe, including
Portugal, Belgium, the U.K., and the United States. Having released tracks on record labels such as
Maia, AP, Solstice, Fungi Records Mexican Trance Mafia - Mario is an artist who's future releases are
to be highly anticipated.
Eg~Bot & Lauryn (Peak Records/Gaian-Mind, Philadelphia, PA)
David McGee (aka Eg~Bot) and Lauryn are currently based in Philadelphia, PA where they help throw the
Gaian Mind monthly parties. Both finding their musical roots early in life, together they share a combined
15 years behind the decks. Individually they have played across the US, Canada, and in Europe sharing
the stage with many well know international acts. Prepare for a twisting journey through dimensional shifts.
Downstairs by OMNITRIBE:
We are happy to host one of the great party promoters here in New York. Omnitribe is well known
for their quality festivals and electrifying energy! Their progressive and chill-out artists will provide
a second dance space that is not to be missed:
Gosha (Omnitribe, NYC)
Fxmike (Omnitribe, NYC)
Leshiy (Omnitribe, NYC)
Kife (Omnitribe, NYC)
Farmatar (Omnitribe, NYC)
WONDERFUL ARTISTS TO JOIN THE LINEUP!!!
For the last party of 2008 TDC and YogiBogeyBox collaborate to bring you a delightful treat:
So one two three... and stretch your feet ))
On Friday December 5th 2008, New York will host...
PENTA Live & DJ Set (AuraQuake, Portugal)
Nikita Tselovalnikov, the Russian-born psytrance producer behind Penta, has been making music
for almost twenty years. Having played as a trance producer in more than thirty countries
around the world, appearing repeatedly in every major festival such as Boom, Voov, Universo
Paralello, Full Moon and Burning Man, Nikita has gained reputation as one of the pioneers and
innovators in the psytrance world. Penta’s unique futuristic sound has brought together people
of different scenes into one swirling psychedelic dance.
Mexican Trance Mafia Live (YogiBogeyBox, Mexico)
Mario Garza, aka Mexican Trance Mafia, is a skilled musician who made his debut 12 years ago.
Style elements out of this earlier project led Mario to produce an anomalous range of complex
psychedelic dance music that is fueled by the synergy between the audience and performing artist.
His compositions as Mexican Trance Mafia (MTM) has taken him to many places across the globe, including
Portugal, Belgium, the U.K., and the United States. Having released tracks on record labels such as
Maia, AP, Solstice, Fungi Records Mexican Trance Mafia - Mario is an artist who's future releases are
to be highly anticipated.
Eg~Bot & Lauryn (Peak Records/Gaian-Mind, Philadelphia, PA)
David McGee (aka Eg~Bot) and Lauryn are currently based in Philadelphia, PA where they help throw the
Gaian Mind monthly parties. Both finding their musical roots early in life, together they share a combined
15 years behind the decks. Individually they have played across the US, Canada, and in Europe sharing
the stage with many well know international acts. Prepare for a twisting journey through dimensional shifts.
Downstairs by OMNITRIBE:
We are happy to host one of the great party promoters here in New York. Omnitribe is well known
for their quality festivals and electrifying energy! Their progressive and chill-out artists will provide
a second dance space that is not to be missed:
Gosha (Omnitribe, NYC)
Fxmike (Omnitribe, NYC)
Leshiy (Omnitribe, NYC)
Kife (Omnitribe, NYC)
Farmatar (Omnitribe, NYC)
WONDERFUL ARTISTS TO JOIN THE LINEUP!!!
For the last party of 2008 TDC and YogiBogeyBox collaborate to bring you a delightful treat:
So one two three... and stretch your feet ))
On Friday December 5th 2008, New York will host...
PENTA Live & DJ Set (AuraQuake, Portugal)
Nikita Tselovalnikov, the Russian-born psytrance producer behind Penta, has been making music
for almost twenty years. Having played as a trance producer in more than thirty countries
around the world, appearing repeatedly in every major festival such as Boom, Voov, Universo
Paralello, Full Moon and Burning Man, Nikita has gained reputation as one of the pioneers and
innovators in the psytrance world. Penta’s unique futuristic sound has brought together people
of different scenes into one swirling psychedelic dance.
Mexican Trance Mafia Live (YogiBogeyBox, Mexico)
Mario Garza, aka Mexican Trance Mafia, is a skilled musician who made his debut 12 years ago.
Style elements out of this earlier project led Mario to produce an anomalous range of complex
psychedelic dance music that is fueled by the synergy between the audience and performing artist.
His compositions as Mexican Trance Mafia (MTM) has taken him to many places across the globe, including
Portugal, Belgium, the U.K., and the United States. Having released tracks on record labels such as
Maia, AP, Solstice, Fungi Records Mexican Trance Mafia - Mario is an artist who's future releases are
to be highly anticipated.
Eg~Bot & Lauryn (Peak Records/Gaian-Mind, Philadelphia, PA)
David McGee (aka Eg~Bot) and Lauryn are currently based in Philadelphia, PA where they help throw the
Gaian Mind monthly parties. Both finding their musical roots early in life, together they share a combined
15 years behind the decks. Individually they have played across the US, Canada, and in Europe sharing
the stage with many well know international acts. Prepare for a twisting journey through dimensional shifts.
Downstairs by OMNITRIBE:
We are happy to host one of the great party promoters here in New York. Omnitribe is well known
for their quality festivals and electrifying energy! Their progressive and chill-out artists will provide
a second dance space that is not to be missed:
Gosha (Omnitribe, NYC)
Fxmike (Omnitribe, NYC)
Leshiy (Omnitribe, NYC)
Kife (Omnitribe, NYC)
Farmatar (Omnitribe, NYC)
WONDERFUL ARTISTS TO JOIN THE LINEUP!!!
Reputation Repair & Managment accomplishes highly effective brand management building campaigns by using a myriad of custom web design and targeted keyword optimization, the creation of press releases announcing the brand that can be linked to from a variety of sources, and the development of intense social media networks for immediate brand name exposure. Our public relations department has a developed list of key media contacts to be able to rapidly distribute updates via email or RSS feeds about you, your company, and your brand at www.reputationrepairandmanagement.net
Social Reputation Management Conference organized by www.bdionline.com (cc) Shashi Bellamkonda www.shashi.name Social Media Swami Network Solutions Please feel free
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All rights reserved. Please, do not use my photos/videos without my written permission. Please note that the fact that "this photo is public" doesn't mean it's public domain or a free stock image. Unauthorized use is strictly prohibited. If you wish to use any of my images for any reason/purpose please contact me for written permission. Tous droits reservés. Défense d'utilisation de cette image sans ma permission. Todos derechos reservados.
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Presentata al Salone dell'Automobile di Francoforte del 1951, la 220 era chiamata a sostituire la 230 W153, con la quale condivideva in pratica la stessa struttura telaistica, ad X con tubi a sezione ovale, utilizzata tra l'altro anche sulle più piccole 170V e 170S. Di questi modelli, tra l'altro, la 220 riprende anche l'impostazione stilistica decisamente retrò, tipica dei modelli del periodo immediatamente antecedente la Seconda guerra mondiale. La differenza estetica principale stava nel frontale, dove trovavano posto nuovi fari dal design più moderno, inglobati nei parafanghi.
La 220 è stata prodotta in tre varianti di carrozzeria, ancora separata dal telaio: berlina, cabriolet (a 2 o a 4 posti) e coupé. La berlina è stata di gran lunga la preferita dal pubblico, con 16.066 esemplari prodotti, mentre le cabriolet hanno totalizzato 2.275 esemplari e le coupé solamente 85 esemplari, anche a causa del fatto che la coupé è stata introdotta solo nel 1954, quando già mancava poco alla cessazione della produzione e quando la berlina non era più in produzione.
Le vere novità stavano nel motore M180 da 2.2 litri, primo 6 cilindri Mercedes-Benz del dopoguerra e primo superquadro della Casa tedesca, un motore di tipo monoalbero in testa, contrariamente al 2.3 litri della sua antenata, che era ad asse a camme laterale e valvole laterali. Con una potenza massima di 80 CV, questo motore spingeva la 220 ad una velocità massima di 140 km/h.
Il cambio era a 4 marce con frizione monodisco a secco, l'impianto frenante era idraulico a 4 tamburi e le sospensioni erano a ruote indipendenti con avantreno a triangoli trasversali e retrotreno a semiassi oscillanti.
La 220 proponeva anche alcune chicche per l'epoca, come la serratura di sicurezza per evitare l'apertura accidentale delle portiere, ed l'impianto di riscaldamento ottenibile a richiesta.
I prezzi di vendita delle 200 W187 erano di 11.925 marchi per la berlina, di 15.160 e 18.860 marchi per le due varianti di cabriolet previste e di ben 20.850 marchi per la coupé.
Tra il 1952 ed il 1953 venne realizzata una serie speciale di 220 (41 esemplari) con carrozzeria torpedo, destinate alle forze di polizia.
Nel 1954, come già detto, la berlina è stata tolta di produzione, sostituita dal modello 220S Ponton. Rimase in produzione solo la coupé, equipaggiata dal 2.2 litri M180 in versione leggermente più potente (85CV), montato sulle prime 220S berlina. La 220 Coupé W187 è stata tolta di produzione l'anno seguente, a sua volta rimpiazzata dalla versione coupé della 220S.
Durante la produzione del modello, vennero realizzati anche 47 telai nudi, destinati ad altre carrozzerie.
The Mercedes-Benz W187 is a luxury car produced by Mercedes-Benz from 1951 to 1955. Introduced at the Frankfurt Motor Show in April 1951, the W187 was powered by a single overhead camshaft inline six-cylinder M180 engine and available as a saloon, coupé, and cabriolet, all designated with the 220 model name. Despite its pre-World War II reputation as a manufacturer of luxury cars, in the immediate post-war years Mercedes-Benz produced only four-cylinder-engined passenger cars. The W187 Mercedes-Benz 220 and flagship W186 Mercedes-Benz 300 Adenauer introduced together in 1951 were the first Mercedes to once again feature six-cylinder engines.
The styling was similar to that of the Mercedes-Benz 170S except that the 170's freestanding headlights were for the 220 integrated into the fenders for a slightly more modern look. Two different cabriolet models were built, conceived as exclusive sporting cars of exclusive character, but these only sold 1,278 and 997 for the "A" (2-door, 2/3-seat) and "B" (2-door, 4-seat) versions, respectively.
In December 1953, just as the saloon and cabriolet "B" models were about to be replaced, a "Cabriolet A" derived W187 Coupé was announced for 1954. The Mercedes-Benz sales department let it be known that this development was a direct response to pressing requests from leading celebrities of the time.
During 1953 the manufacturer replaced the conventionally flat windscreen on the 2/3 seater "Cabriolet A" with a slightly curved screen, which also found its way on to the new coupé: this was a way of highlighting the sporting nature of both models. Nevertheless, the coupé once fitted, as many were, with a steel sunroof, was at the end of 1953 offered for 22,000 Marks which was nearly twice the price for the standard W187 "Limousine", and only 85 of the W187 coupés were actually sold. Between August 1952 and May 1953, 41 special soft top "OTP" bodied W187 220s were produced for the police.
All 220s used newly developed M180 six cylinder 2195cc engine producing 80 hp DIN (86 SAE) (59 kW). In contrast with the rather old fashioned look of the car's body, the new engines attracted much attention in the motoring press, being the first new engine presented by Mercedes-Benz in more than ten years.
The valves were operated by short rocker arms from an overhead camshaft. The engine was unusual in Europe at this time in having oversquare cylinder dimensions with a bore of 80.0mm and a stroke of only 72.8mm, which facilitated the design of an efficient cylinder head. The manufacturer claimed a top speed of 140 km/h (87 mph) for the saloons and 145 km/h (90 mph) for the cabriolets which was faster than the 52 PS (38 kW) powered 170S Cabriolet which the cabriolet version of the W187 replaced and from which its bodywork was derived. The new six-cylinder engine would form the basis, repeatedly enlarged and upgraded as the years went on, for a long line of six-cylinder engines powering mainstream Mercedes-Benz models including the six-cylinder version of the early S-Class models in the 1970s. Because of the extra power in what was, by modern standards, a heavy car, the W187 was equipped with Duplex drum brakes.
With the sedan/saloon bodied cars about to be delisted by the manufacturer in May 1954, in April 1954 the "Cabriolet A" and its Coupé derivative were fitted with a new higher compression 85 PS (63 kW) engine that had been developed for the soon to be announced Ponton bodied Mercedes-Benz W180. These faster sporting versions of the W187 continued in production for a further year. The 220 saloon was replaced by the W105/W180 line in 1953. The coupé and cabriolet continued until August 1955.
The saloon went out of production in May, 1954; the Cabriolet models continued for another 15 months until August 1955. The body of the W187 saloon was closely modelled on the 1938 Mercedes-Benz W153, and despite the modern engine that powered it, already looked old fashioned to many observers on the day it was introduced. Two years earlier, in 1949, the Borgward Hansa had served notice that car design had moved on since the 1930s, and the manufacturer's own 1953 W120 confirmed that "modern" European cars were following the North American trend to lower wider bodied designs. This has been seen as an explanation for the W187's own unusually short production run of slightly above three years for the saloon and less than five years for the longest lived of the Cabriolet models.
The W187 was immediately replaced with the Ponton bodied six cylinder Mercedes-Benz 220a (W180). When the cabriolet was withdrawn in 1955 there was no direct successor. However, slightly more than a year later the all-new Mercedes-Benz 220S Cabriolet and Coupé appeared, respectively in July and October 1956, using, like the saloon on which they were based, a modern ponton style body.
Anti-bullying, reputation management and new media literacy for youth and adults
www.facebook.com/pages/Constructing-Learning-Through-Tech...
Who has a bad reputation has to change his name again and again. It's best not to mention it at all. Do you see who produces this ice cream here? Once upon a time there was an independent Swiss company that was taken over by a major corporation which today has a bad reputation. This corporation buys up competitors or displaces them. I felt that myself when my favorite ice cream disappeared in the lido. The Swiss company was then bundled in a group with one of the largest ice cream manufacturers in the world. This group in turn entered into a joint venture with the major corporation that has a bad reputation. I don't know how many other people avoid these products, but if they no longer want to mention any manufacturer's name in advertising, something has to be fishy. In addition, this poster hangs in Switzerland, but there is not a single German expression on it. I don't mention names to discredit someone, but whoever is attentive knows who it is about. The point is that today someone can no longer stand by his product with his name. True, this is a semiluxury food, but it's also about food and more. Switzerland, June 4, 2021.
Social Reputation Management Conference organized by www.bdionline.com (cc) Shashi Bellamkonda www.shashi.name Social Media Swami Network Solutions Please feel free
via @TUTAZGAMD
@metroopensdoors @wmata @unsuckdcmetro Over 12 hours that this Metro employee w vest has been parked @ expired meter? yfrog.com/o04icguj
www.magd.ox.ac.uk/discover-magdalen/
To celebrate its 550th anniversary Magdalen College, Oxford has commissioned the Turner Prize-winning artist Mark Wallinger to create his first-ever dedicated permanent artwork.
Two years in development, the sculpture Y was unveiled on St Mary Magdalen Day 2008. William Waynflete, Bishop of Winchester founded Magdalen College in 1458. It is one of the best-known colleges in the University of Oxford and is known internationally for its high academic standing.
The College has many fine buildings. The Cloisters, Chapel, Founder’s Tower and Hall were built in the Gothic style in the later part of the 15th century. The Great Tower, a pictorial symbol of Oxford, is famous for the May Day event when the College choir sings an ancient hymn at dawn. The Georgian New Buildings, which blend into the College Gardens and grounds, were completed in 1733. The buildings sit amid a hundred acres of lawns, woodlands and riverside walks, which are publicly accessible, and there is a deer herd that has been in existence for over 300 years.
Addison’s Walk, named after the great essayist of the 18th century and father of English journalism, is about a mile in length and goes by the River Cherwell around a great water meadow. Beyond the end of Addison’s Walk is a tranquil field known as Bat Willow Meadow, which is where the new commission is sited. Maps of the grounds of Magdalen College are available from the Porters’ Lodge or they can be downloaded from the Magdalen website.
Over the past twenty years Mark Wallinger has established an international reputation with major solo exhibitions in London, Birmingham, Liverpool, Val-de-Marne, Frankfurt, Aarau, Basel, Milan, New York and Chicago.
His work encompasses a wide range of media, including painting, photography, sculpture, video and installation, and it takes art history, mythology, religion, politics, national identity and popular culture as its subject matter. Wallinger studied at Chelsea School of Art in 2001, and in Goldsmiths' College. He exhibited in Young British Artists II at the Saatchi Collection in 1993 and at the Royal Academy of Art's Sensation exhibition in 1997.
His Time and relative dimensions in space derived from a residency and was shown at Oxford University Museum of Natural History in 2001 and in the same year he represented Britain in the 49th Venice Biennale. The artist is best known for Ecce Homo, a life-size sculpture of Jesus Christ which inaugurated the Fourth Plinth in Trafalgar Square in 1999, and State Britain, his 2007 re-creation at Tate Britain of Brian Haw's protest display outside parliament. He was a Turner Prize nominee in 1995 and won the award in 2007, and he is one of five internationally acclaimed artists who have been commissioned to produce proposals for the Ebbsfleet Landmark Project, which will be one of the biggest artworks in the United Kingdom.
Anti-bullying, reputation management and new media literacy for youth and adults
www.facebook.com/pages/Constructing-Learning-Through-Tech...
Anti-bullying, reputation management and new media literacy for youth and adults
www.facebook.com/pages/Constructing-Learning-Through-Tech...
Presentato il teaching case «Value and values»: purpose, reputation e scelte di brand nella fusione WINDTRE, realizzato in collaborazione con Luiss Business School
Online Reputation Management panel at sempdx searchfest 2009, including presentations from:
Martin Bowling (not in attendance?)
Todd Freisen (filling in for martin bowling?) - Search - Simpsons' Style - 2009
a Reputation Monitoring Dashboard Product and related blog post: How
to Build a Reputation Monitoring Dashboard
moderated by anne kennedy of beyond ink
copyright © 2009 sean dreilinger
view slide: Case Study: Paypal - Online Reputation Management - sempdx searchfest 2009 - _MG_9332 on a black background.
Social Reputation Management Conference organized by www.bdionline.com (cc) Shashi Bellamkonda www.shashi.name Social Media Swami Network Solutions Please feel free