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With two replacement characters B and Z cut out of linoleum. I especially love the ligatures or mulit-graphs of Reporter, like “ent”, “ung” and “keit”.
Wood type at the Pavillion Presse Weimar
Texas Tribune reporter Corrie MacLaggan moderates the 'Latinos and the Republican Party' panel featuring Adryana Boyne, Aaron Peña, and state Reps. Larry Gonzales, Marisa Márquez, and Alfonso 'Poncho' Nevárez at The Texas Tribune Festival on Sep. 28, 2013. (Photo by Callie Richmond)
Sadly, merely owning the same type of notebook Hemingway porportedly used has not improved my writing.
„Schrift oder Ätzung. Reporter. Schmallaufend und kalanderfest.“
Aus: Prospekt der Schriftgiesserei und Messinglinienfabrik Johannes Wagner, Ingolstadt. Gefertigt in der Hausdruckerei.
I don't actually know their names, but both of these ladies make regular appearances on daytime "wide" shows here in Japan.
Hakuho Fan Club Party, Hana no Mai, Ryogoku, Tokyo.
May 27, 2006
Polaroid Reporter
$1 hamfest bargain
Canon 40D
Canon 50mm Compact Macro
On camera flash (I got lazy)
Background is white polystyrene
Esquadrilha da Fumaça é o nome popular do "Esquadrão de Demonstração Aérea - EDA", um grupo de pilotos e mecânicos da Força Aérea Brasileira que fazem demonstrações de acrobacias aéreas pelo Brasil e pelo mundo.
Sua finalidade, de acordo com o EDA, é aproximar os meios aeronáuticos civil e militar, contribuir para a maior integração entre a Aeronáutica e as demais Forças Armadas e marcar a presença da FAB em eventos no Brasil e no exterior. (Wikipédia).
mais imagens: Álbum Foto-Repórter =>
www.flickr.com/photos/wilsonhouck/sets/72157634629050510/
mais imagens: google-panoramio =>
CBS 13 reporter Neda Iranpour, covers the story.
More than 2,000 firefighters, friends and family attend a large somber memorial at CSUS Hornet Stadium in Sacramento and Cal Expo, for Sac Metro Firefighter James C. Saunders who suffered a heart attack while working a grass fire, and died October 7, 2010. Saunders is the first firefighter to die in the line of duty in the departments 10 year history.
Note: I back dated the rest of this 43 image set, so not to clutter the top of my stream. Set URL is:
“O cristianismo é uma religião.
Quem é cristão acredita em Deus.
Os cristãos comemoram a Páscoa com a Santa Ceia.
O vinho significa o sangue de Jesus, e o pão significa o corpo de Jesus.”
The Flash Gordon serials are remembered for being the science fiction predecessors to everything the fifties and beyond would bring. They are believed to be the influence behind the "Star Wars" series and the "Indiana Jones" trilogy. This chapter, which features Flash with his ever ready raygun, and Ming, the Merciless with his army.
www.youtube.com/watch?v=HZ2HUfD0QSw&feature=share&...
Universal, 15 Chapters, 1938. Starring Larry “Buster” Crabbe, Jean Rogers, Charles Middleton, Frank Shannon, Beatrice Roberts, Richard Alexander, Donald Kerr, C. Montague Shaw, Wheeler Oakman.
Flash Gordon’s Trip to Mars picks up almost exactly where Flash Gordon left off, with our courageous trio of interplanetary adventurers–Flash Gordon (Larry “Buster” Crabbe), Dale Arden (Jean Rogers), and Dr. Zarkov (Frank Shannon)–returning to Earth from the planet Mongo. They are greeted to a royal welcome, since their voyage has saved the Earth from being destroyed by the late Emperor Ming of Mongo. Zarkov, however, attempts to curb the Earthlings’ ebullience by cautioning them that the defeat and death of Ming does not mean that their planet is free from other threats of extraterrestrial invasion. As usual, Zarkov is correct; shortly after his warning speech, the Martian Queen Azura (Beatrice Roberts) begins an operation designed to siphon off the “nitron” (aka nitrogen) in the Earth’s atmosphere. Azura’s primary goal is to create nitron-powered weapons with which to wage a war against her mortal foes, the Clay People of Mars. She’s indifferent to the devastating effect that it will have on the Earth, while her chief adviser and military consultant regards the destruction of Earth as the main attraction of the plan. That adviser is none other than Ming (Charles Middleton), still very much alive and longing for revenge on Flash and Zarkov for toppling him from his throne and driving him into exile on Mars.
As the Earth begins to experience catastrophic floods and storms, due to the effects of Azura’s “Nitron Lamp,” Zarkov, Flash, and Dale launch another interplanetary trip to discover the cause of the catastrophes, which Zarkov has determined are due to a beam that emanates from outer space. They discover an unexpected stowaway aboard after takeoff–reporter “Happy” Hapgood (Donald Kerr), who had set out to track down Zarkov and get his opinion of the world-wide disasters. Not long after arriving on Mars, our quartet of Earth adventurers find themselves embroiled in the war between Azura and the Clay People. The latter are one-time rivals of the Queen, who have been transformed into living clay by Azura’s magical powers and banished to underground caverns from whence they carry on a guerilla war against Azura’s forces. The Clay People’s king enlists the aid of Flash and his party, as both of them want to stop Azura’s nitron-collecting plans, and, with additional aid from Prince Barin (Richard Alexander)–who arrives on Mars to try to convince the Martians to expel Ming–Flash and his party pit themselves against Azura’s magic, Ming’s machinations, Ming’s savage allies the Forest People, and many other hazards, in their quest to save the Earth.
Flash Gordon’s Trip to Mars is fully as good as the first Flash Gordon serial, although its strengths are in slightly different areas. While Trip to Mars doesn’t measure up to Flash Gordon when it comes to colorful characters and fantastic monsters, its focused plotline surpasses the episodic story of the earlier serial. In Flash Gordon, the protagonists merely responded to the perpetual perils that were hurled at them by Ming, King Vultan, and King Kala, while Ming’s own plans for destroying the Earth were largely abandoned after the first chapter in favor of his attempts to marry Dale and destroy Flash. In Trip to Mars, Flash, Dale, and Zarkov initiate events instead of just coping with them, and Ming’s new grand design drives the plot far more strongly than his earlier one, giving the good guys a clear-cut objective (the destruction of the Nitron Lamp) beyond simple escape from Mongo.
While Trip to Mars has no characters to rival Flash Gordon’s King Vultan and no bizarre beasts like the Orangopoid or the Fire Dragon, it still has excellent other-worldly atmosphere. The sets are not as varied and intricate as in the first serial, but still surpass the backdrops of almost any other chapterplay. Especially striking are Ming’s “powerhouse,” with its laboratory equipment and its disintegration room, Azura’s massive palace with its unique architectural design (particularly the futuristic pocket doors), the Clay People’s eerie caves, and the wonderfully-designed realm of the Forest People, with its twisted trees, climbing vines, hidden tunnels amid tree roots, and treehouse-like observation platforms.
In addition to the big sets, there are dozens of other major and minor props and special effects that make Trips to Mars memorably atmospheric; there’s the the Martians’ flying capes, the Martian televiewer screens (which are cleverly incorporated into the recap sequences at the beginning of each chapter), the Clay People’s vapor-healing chamber, and the bridge of light that connects Azura’s rocket tower to the rest of her palace and is powered by a simple switch like any Earthling lamp (the scene where Flash and Zarkov are first forced to cross the unsafe-looking thing is quite funny), to name but a few. I also appreciate the fact that Azura’s spaceship squadrons–her “stratosleds”–are designed differently than any of the ships in the first Flash Gordon serial; one would expect the aerial fleets of differing planets to differ in appearance. Another neat touch of internal consistency is the use of three completely different forms of salute by the three principal Martian races–Queen Azura’s subjects, the Clay People, and the Forest People.
The serial’s screenplay maintains good continuity with the previous Flash outing, despite being the work of a completely different team of writers–Ray Trampe, Norman S. Hall, Wyndham Gittens, and Herbert Dalmas. The new writing team avoids any of the clunky lines that occasionally crept into Flash Gordon’s dialogue exchanges; they also, despite having to resort to a few flashbacks to the first serial for padding purposes, manage to make their plot fit its fifteen-chapter length quite nicely. The major plot thread of the heroes’ attempts to destroy Ming and Azura’s Nitron Lamp is skillfully interwoven with several subplots–the Clay People’s efforts to regain their natural shape, the attempts by both Flash and Ming to get hold of the Black Sapphire of Kalu (a talisman that can neutralize Azura’s magic), and Ming’s plot to undermine Azura and seize the Martian throne.
Trip to Mars’ script wisely spreads its plot developments over the course of the serial, instead of introducing all its ideas in the first chapter and letting them tread water until the final one: the Clay People aren’t introduced till the second chapter or the Forest People until the sixth, while Prince Barin first arrives in Chapter Seven. The Nitron Lamp is destroyed in Chapter Nine and rebuilt over the course of the following chapters until it must be destroyed again at the climax, and one of the principal villains is killed off in Chapter Thirteen.
The cliffhangers aren’t quite as varied as in the first Flash serial, due to the lack of the various monsters that frequently attacked Flash for chapter-ending purposes in the earlier outing. However, writers still manage to avoid excessive repetition; for instance, while there are three chapter endings involving stratosled crashes, each one is set up differently–the first has Flash crashing a stratosled into another stratosled to stop it from bombing Dale and Happy, the second has a stratosled crashing on top of Flash and Zarkov, and the third has Flash and the pilots of a ’sled grapping for the controls as it soars towards yet another crash. There’s also an excellent cliffhanger in which Flash, Dale, Happy, and Zarkov are surrounded by an ever-narrowing ring of fire in the Forest People’s kingdom, and a memorably unusual one that has a hypnotized Dale stabbing an unsuspecting Flash in the back.
Though Trip to Mars has no swordfights or wrestling matches corresponding to those in Flash Gordon, it still features a nice variety of action scenes–including stratosled dogfights, fights among the vines and treetops of the Forest Kingdom, and chases through Azura’s big palace; the palace sequence in Chapter Five, which has the nimble Flash vaulting through windows to avoid the guards, is a particular standout. Directors Ford Beebe (a Universal serial veteran) and Robert Hill (a talented director who rarely escaped from low-budget independent serials and B-films) do a fine job of orchestrating these action scenes, assisted by stuntmen Eddie Parker (doubling Buster Crabbe), George DeNormand, Tom Steele, Bud Wolfe, and Jerry Frank. All of the aforementioned stuntmen, except Parker, also pop up in minor acting roles.
The performances in Trip to Mars are all first-rate; the returning actors from the first serial are all just as good as they were in Flash Gordon, while the new major players fit in smoothly. Buster Crabbe’s Flash is just as tough, chipper, athletic, and likable as in the first serial–and a good deal more wise and resourceful than before, improvising strategy and coming up with plans in tough situations instead of just trying to batter his way out. Frank Shannon’s Zarkov, as consequence of Flash’s new-found intelligence, has a reduced part, not guiding the good guys’ actions as he did in the first serial; he still functions as the scientific brains of the group, though, and is still as intense, serious, and sincere as before.
Jean Rogers, with her long blonde hair bobbed and dyed brown to better match the comic-strip version of Dale Arden (she’s also dressed in less arresting fashion), isn’t as stunning as in Flash Gordon, but is still a warm, welcome, and lovely presence. Her part here is smaller than in the first serial, though, since Ming is not romantically interested in her this time out (Ming, though no gentleman, evidently prefers blondes). Richard Alexander’s Prince Barin is a lot more self-assured when it comes to delivering dialogue this time around (helped, no doubt, by the absence of any overly high-flown lines), while his convincingly royal bearing and his commanding size are as effective as before.
Charles Middleton’s Ming is even more entertainingly sinister here than he was in Flash Gordon, getting a good deal more screen time and given a more devilish appearance by a notably forked beard. Though still given opportunities to break into tyrannical and bloodthirsty rages (particularly in his insane rant in the final chapter), Middleton spends much of the serial displaying duplicity and sly subtlety instead, since his Ming must pretend to friendship with Azura even while plotting against her. Middleton carries off this slightly more multi-faceted version of Ming masterfully, winning a few laughs with his crafty cynicism while remaining thoroughly sinister and hateful.
Beatrice Roberts does a fine job as Queen Azura, eschewing the sneering, aggressive demeanor of other serial villainesses for a regal, dignified manner (with a wryly humorous undercurrent) that contrasts interestingly with her often cruel behavior. Her Azura comes off as selfish and ruthless, but not an abusive tyrant like Ming. Donald Kerr as reporter Happy Hapgood, the other principal new character, is as controversial among fans as most other serial comedy-relief characters are. Speaking for myself, though, I found him quite likable and entertaining; he provides an amusingly commonplace point-of-view towards the fantastic world of Mars and is never obtrusive, gratingly stupid, or obnoxious. Additionally, his character is allowed to be quite heroic and helpful when the chips are down, a far cry from one-dimensional cowardly “comic” pests like Sonny Ray in Perils of Pauline or Lee Ford in SOS Coast Guard.
Wheeler Oakman is very good as Tarnak, Ming’s wily lab assistant and co-conspirator against Azura. C. Montague Shaw, concealed under heavy makeup for most of the serial, conveys an impressive air of ruined dignity as the King of the Clay People and manages to seem both sinister and sympathetic at different times. Usual hero Kane Richmond brings appropriate depth of characterization to his key role as a Martian pilot, who proves instrumental in helping Flash overthrow Ming in the later chapters. Anthony Warde has a small part as Toran, king of the Forest People, but extracts as much snarling nastiness as possible from the role. Future director Thomas Carr is his second-in-command, Kenne Duncan is the officer in charge of Azura’s airdrome, Lane Chandler and Jack Mulhall both appear as pilots of her Death Squadron, and Warner Richmond has a small role as one of Ming’s palace cohorts.
Hooper Atchley and James Blaine pop up as self-important Earth scientists, propounding ingenious and inaccurate theories as to the causes of the damage brought about by the Nitron Lamp, while Edwin Stanley is the general presiding over a council comprised of these two and additional savants. Louis Merrill (a radio actor who played character roles in several feature films) has a brief but memorable turn as the blunt and slightly uncouth Dr. Metz, who alone among the scientists has the humility to admit that Zarkov is the only one capable of unravelling the riddle of the disasters. Merrill’s characterization is so vivid that one wishes the actor had taken a larger part in this chapterplay or in other serials.
Flash Gordon’s Trip to Mars is a nearly ideal sequel, in that it manages to preserve the basic strengths of its predecessor while deviating from it in some areas and improving on it in others. It’s also a nearly ideal serial, independent of its relation to the earlier Flash Gordon; it balances good acting, atmosphere, action, and plotting in such fine style that it would still be a notable achievement if it were the sole entry in the Flash Gordon series.
Flash, Dale, and Dr. Zarkov return from their former space adventures only to find that their enemy, Ming the Merciless of planet Mongo, has a new weapon: a deadly ray that crosses space to wreak havoc on earth. Earth's only hope is for our heroes to take off again and stop the ray at its source on Mars, where they (and a stowaway) familiar to sci-fi serial fans as Happy Hapgood the space traveling reporter). Must battle Ming's ally, Queen Azura, who turns her enemies into lumpish clay people.With the aid of the Clay People and Prince Barin, Flash and his friends are triumphant in destroying the ray and putting an end to the scheme of Ming the Merciless. Can they survive 15 chapters of deadly perils? Find out next week...
The Deadly Ray From Mars was an edited version of the 1938 Universal serial "Flash Gordon's Trip to Mars" that was released to TV in a syndication package in 1966.
Mars Attacks the World was the feature version of the 1938 serial titled Flash Gordon's Trip to Mars. aka "Space Soldiers' Trip to Mars" - USA (TV title)
Mars Attacks the World is the feature compilation version of the serial Flash Gordon's Trip to Mars, while Rocket Ship is the the feature compilation of the serial Flash Gordon.
Jean Rogers as Dale Arden
Charles Middelton as Emperor Ming
Frank Shannon as Dr. Zarkov
Beatrice Roberts as Queen Azura
Richard Alexander as Prince Barin
Montague Shaw as The Clay King
Donald Kerr as Happy Hapgood the space traveling reporter.
The title of this serial was originally going to be "Flash Gordon and the Witch Queen of Mongo." It was changed so that Universal could save money by shooting the outdoor scenes on the back lot and not have to build costly sets, and by reusing the set for Emperor Ming's palace.
In the stock footage from Flash Gordon, shown in this film, as Flash is telling The Clay People about his previous encounter with Emperor Ming, Ming is bald and Dale Arden has blond hair. In this sequel, Ming has "pasted on" hair and Dale is a brunette. It has been reported that Jean Rogers (Dale Arden) had many other film roles pending at that time (1938) which had called for her to portray a brunette.
King Features Syndicate released the 3 Flash Gordon serials as well as "Buck Rogers," Red Barry", "Ace Drummond" and other comic strip cliffhangers to US TV in 1951. Because the television show Flash Gordon, starring Steve Holland as Flash, was in syndication in late 1953, the three Universal Pictures Flash Gordon theatrical serials were retitled for TV broadcast. Flash Gordon became "Space Soldiers", Flash Gordon's Trip to Mars became "Space Soldiers' Trip to Mars", and Flash Gordon Conquers the Universe became "Space Soldiers Conquer the Universe". To this day both the 3 original "Flash Gordon" serial titles and the 3 "Space Soldiers" titles are used.
Chapter Titles:
1. New Worlds To Conquer
2. The Living Dead
3. Queen of Magic
4. Ancient Enemies
5. The Boomerang
6. Treemen of Mars
7. Prisoner of Monga
8. Black Sapphire of Kalu
9. Symbol of Death
10. Incense of Forgetfulness
11. Human Bait
12. Ming the Merciless
13. Miracle of Magic
14. Beasts at Bay
15. An Eyes For An Eye
Department Spokesperson Ned Price briefs reporters at the Daily Press Briefing at the U.S. Department of State in Washington, D.C., on February 16, 2022. [State Department photo by Freddie Everett/ Public Domain]
© István Pénzes
Please NOTE and RESPECT the copyright.
17 June 2012
Leicaflex SL2
Summilux 80mm
Agfa APX100 @ 50 ASA
Rodinal 1:50
Coolscan 5000
The SLS AMG reporter Matthew K. posing with two SLR cars in front of the Mercedes-Benz Museum in Stuttgart.
Source: www.sls-amg-reporter.com
The banner "賀佢老母" , "celebrate her mother" mocked the China government to celebrate the National day.
It originated from a police said "記你老母" on 12 June 2019 in admiralty using batons to dispersing the crowd of reporters. The phrase mean "reporter your mother"
As a result, the protests led to the creation of caustic memes such as "reporter your mother" (Chinese:記你老母) , which mocked the police's use of profanity against protesters, "reporter your mother" (Chinese:記你老母)
chain of puns on "diu2 lei5 lou5 mou5*2 屌你老母" ("fuck your mother") was created :
languagelog.ldc.upenn.edu/nll/?p=43271
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Clashes broke out between Hong Kong police and protesters on the 70th anniversary of the founding of the People’s Republic of China on Wednesday, with officers firing tear gas in Wong Tai Sin, Tsuen Wan and Sha Tin.
Meanwhile, thousands marched across Hong Kong island to protest the local administration as well as the Chinese Communist Party.
In direct opposition to the celebrations in Beijing, marchers said that they were marking a “day of mourning.”
“There is no National Day celebration, only a national tragedy,” demonstrators shouted – a new slogan coined specifically for October 1.
The Civil Human Rights Front applied to host a peaceful march on Tuesday, but police said that the organisers were unable to guarantee that no clashes would take place.
An attempt to appeal the ban failed on Monday.
Nevertheless, four pro-democracy activists – veterans Lee Cheuk-yan, Albert Ho, “Long Hair” Leung Kwok-hung as well as Figo Chan – said they would march from Causeway Bay despite the police ban
Separately, violence broke out at rallies held in Wong Tai Sin, Tuen Mun, Tsuen Wan and Sha Tin.
Protesters planned to hold simultaneous rallies across different districts in Hong Kong, starting from 1:30pm.
As of 3pm, police fired tear gas near Lung Cheung Road in Wong Tai Sin, as well as near Yuen Wo Road in Sha Tin.
Sha Tin saw protesters throw petrol bombs and bricks, as police responded with tear gas.
In light of Tuesday’s planned protests, the metro system was put on lockdown. As of lunchtime, MTR station closures included Mong Kok, East Tsim Sha Tsui, Tsuen Wan, Tai Wo Hau, Kwai Hing, Kwai Fong, Sham Shui Po, Prince Edward, Yau Ma Tei, Sai Ying Pun, Admiralty, Wan Chai, Causeway Bay, Diamond Hill, Wong Tai Sin, Sha Tin, Che Kung Temple, Tsuen Wan West, AsiaWorld-Expo and Tuen Mun.
Light rail and Airport Express services are also restricted.
Speaking before the Hong Kong Island march, veteran Labour Party politician Lee Cheuk-yan said that the protest was to mourn “70 years of suppression” at the hands of the Chinese regime.
“We are mourning those who sacrificed for democracy in China,” Lee said.
“In 70 years of Communist Party rule, there are lots of sacrifices, human rights abuses, and the [suppression] of the rights of people in Hong Kong and China.”
“We also condemn the fact that the Hong Kong government, together with the Chinese government, deny the people of Hong Kong the right to democracy.”
Lee also called for the vindication of the 1989 Tiananmen Massacre and the end of one-party rule in mainland China. During the march, he also called for a minute of silence in remembrance of the victims of Chinese rule.
However, crowds of black-clad protesters did not always follow the lead of the veteran pan-democrats, with some opting to chant the familiar slogans such as “Liberate Hong Kong, the revolution of our time.”
A protester surnamed Wong said that it was important to take to the streets on October 1 as a show of defiance to Chinese President Xi Jinping.
“Xi wants the world to think everyone in China loves him. A lot of people here feel the opposite,” he told HKFP. He also wore a Guy Fawkes mask – a protest icon made popular in the dystopian film V for Vendetta.
Rain, an 18-year-old university student, told HKFP that she didn’t want the local protest movement to lose steam, and that she wanted to come out to insist on her freedom of assembly.
“The police are putting a curfew on Hong Kong, making people scared to come out,” she said. “We need to show that we will not give up on our five demands.”
During the march, protesters targeted billboards and posters celebrating National Day, often vandalising them with spray paint.
Similar to the “anti-totalitarianism” march on Sunday, the Hong Kong island protests also saw vandalism against properties owned by food and catering firm Maxim’s, including local branches of Starbucks Coffee
Since June, large-scale peaceful protests against a bill that would have enabled extraditions to China have evolved into sometimes violent displays of dissent over Beijing’s encroachment, democracy and alleged police brutality.
Though the bill has been withdrawn, demonstrators are demanding a fully independent probe into police behaviour, amnesty for those arrested, universal suffrage and a halt to the characterisation of protests as “riots.”
www.hongkongfp.com/2019/10/01/day-mourning-protests-erupt...
【明報專訊】民陣原定昨日發起「沒有國慶只有國殤」集會及遊行，但遭警方反對，上訴亦被駁回。多名民主派元老級成員包括民主黨何俊仁、工黨李卓人等，以個人名義呼籲市民上街。被問到會否擔心被控「煽惑他人參與非法集結」等罪名，發起人稱會承擔法律風險，亦勸喻參與者衡量風險。大批市民昨午身穿黑衣自發到場，擠滿軒尼詩道，遊行發起人之一、民陣副召集人陳皓桓估計有10多萬人參與。
民主派前立法會議員何俊仁、李卓人、梁國雄、楊森，以及民陣副召集人陳皓桓昨承接民陣被否決的遊行路線，以個人身分發起遊行。昨午1時起，大批身穿黑衣的市民陸續前往維園附近「個人遊」，灣仔修頓球場4個看台亦坐滿市民，不時高叫「五大訴求，缺一不可」等口號，亦有市民自製「連儂牆」橫額。
李卓人梁國雄楊森等持橫額領頭
遊行隊頭下午1時15分由銅鑼灣東角道起步，由李卓人、梁國雄及楊森等手持「結束專政，還政於民」橫額出發，沿軒尼詩道遊行至中環遮打道。李卓人表示，要以遊行控訴中共剝奪港人民主權利，縮窄香港的自由空間。梁國雄稱昨日香港已進入「半戒嚴」狀態，明顯壓制港人遊行自由。
參與遊行的市民沿路高叫口號，亦有人撒溪錢及手持聯合國會旗。遊行隊頭下午1時45分左右到達灣仔站後，在修頓球場的市民匯合遊行隊伍，往中環方向前進，隊伍抵達金鐘附近後，有人走上連接太古廣場和金鐘廊的天橋，拆走國慶標語。
隊頭於下午近3時到達終點中環遮打道，陳皓桓呼籲參與者「流水式」散去，並以民陣過往舉辦遊行的經驗，估計有10多萬人參與。
昨日遊行途經的多個港鐵站都已封站，有示威者不滿港鐵做法，在多個港鐵站口堆放雜物、倒洗潔精水及打爛出口。
disp.móvel - Ss. SIII
O Museu Paulista da Universidade de São Paulo, conhecido também como Museu do Ipiranga ou simplesmente Museu Paulista, é um museu localizado na cidade de São Paulo, sendo parte do conjunto arquitetônico do Parque da Independência. É o mais importante museu da Universidade de São Paulo e um dos mais visitados da capital paulista. É responsável por um grande acervo de objetos, mobiliário e obras de arte com relevância histórica, especialmente aquelas que possuem alguma relação com a Independência do Brasil e o período histórico correspondente. Uma das obras mais conhecidas de seu acervo é o quadro de 1888 do artista Pedro Américo, "Independência ou Morte".
mais imagens: álbum/set Arquitetura + Externas =>
www.flickr.com/photos/wilsonhouck/sets/72157645781378601/
mais imagens: Álbum Foto-Repórter =>
www.flickr.com/photos/wilsonhouck/sets/72157634629050510/
mais imagens: google-panoramio =>