View allAll Photos Tagged Reporter
Photography by Jeff Mawer
Reporter
www.holocenemusic.com/artists/reporter
Lighting Info: Handheld lower left; Nikon SB-800 speedlight with TTL cord (set on Manual)
Reunião de pauta com estudantes do curso Repórter do Futuro, antes da viagem à Amazônia para reportagens. Descobrir a Amazônia - Descobrir-se Repórter.
“Bassano Sposi Reporters" è una equipe creata da "Franco Ferri Mala PhotoTeam". Un Team professionale per i Vostri servizi Fotografici. Siamo a Bassano del Grappa in Via Museo 35, Tel.0424.220798- Cell.346.8872914.
mail: francoferrimala56@gmail.com
facebook: business.facebook.com/Sposi-Reporters-654734891378196/?bu...
Realizziamo Matrimoni professionali Memorabili.
With two replacement characters B and Z cut out of linoleum. I especially love the ligatures or mulit-graphs of Reporter, like “ent”, “ung” and “keit”.
Wood type at the Pavillion Presse Weimar
U.S. Secretary of State John Kerry and Vietnamese Deputy Prime Minister and Foreign Minister Pham Binh Minh address reporters during a joint news conference following a bilateral meeting on August 7, 2015, at the Vietnamese Ministry of Foreign Affairs Guesthouse in Hanoi, Vietnam. [State Department photo/ Public Domain]
I don't actually know their names, but both of these ladies make regular appearances on daytime "wide" shows here in Japan.
Hakuho Fan Club Party, Hana no Mai, Ryogoku, Tokyo.
May 27, 2006
Polaroid Reporter
$1 hamfest bargain
Canon 40D
Canon 50mm Compact Macro
On camera flash (I got lazy)
Background is white polystyrene
Internet Archive Link for all 12 Chapters
archive.org/search.php?query=subject:%22%20Undersea%20Kin... 1966, NTA released Sharad of Atlantis in television syndication. It was a feature edited from the 1936 Republic serial, Undersea Kingdom. Starring Ray "Crash" Corrigan, Lon Chaney Jr., Monte Blue, Smiley Burnette. Directed by B. Reeves "Breezy" Eason.
Starring Ray "Crash" Corrigan, Lon Chaney Jr., Monte Blue, Smiley Burnette. Directed by B. Reeves "Breezy" Eason. Crash Corrigan dives to Atlantis in a submarine with his friends, Lois Wilde, C. Montague Shaw and Lee Van Atta, to save the world from the Black Robes, led by Unga Khan (Monte Blue).
Crash Corrigan, a recent graduate of Annapolis, and Diana, a go-getting reporter, join Professor Norton for a search for the source of a string of earthquakes, Atlantis. They ride Prof. Norton's rocket submarine searching the sea and little Billy Norton, the professor's son stows away, of course. When they find Atlantis they are caught in a war between peaceful Atlanteans, note their white capes, and war-monging Atlanteans, note their black capes. After many harrowing moments for Crash, Diana, Prof. Norton and Billy, they barely get away with their lives when they escape a tower of Atlantis raised to the surface for the sole purpose of dominating or destroying the Earth (Which one depends on the compliance of the upper world dwellers.)
Directed by B. Reeves Eason and former editor Joseph Kane, this Flash Gordon imitation was the second serial from a then newcomer in the field, Republic Pictures. Actually, it was only the Republic Eagle trademark that was new; Undersea Kingdom was produced by Nat Levine, formerly of Mascot Pictures, a serial kingdom all its own which had been incorporated into Republic in 1935, lock, stock, and Gene Autry. Not to be outdone by Universal's blond superhero, Undersea Kingdom had Ray "Crash" Corrigan, crash-helmet and all, diving into the ocean in a fantastic super submarine. Corrigan and his passengers -- Professor Norton (C. Montague Shaw), the professor's young son (Lee Van Atta), brash newspaperwoman Diana Compton (Lois Wilde), and a couple of sailors -- are headed toward the legendary sunken continent of Atlantis. Upon arrival, the surface people discover that the recent rash of undersea earthquakes are the work of Unga Khan (Monte Blue), the leader of the evil Black Robes whose nefarious goal is to destroy America. Unga Khan's kingdom proves to be a mixture of science-fiction gadgetry and medieval derring-do, both the Black Robes and their enemy, the White Robes, dressed like something out of a Wagnerian nightmare. The surface people ally themselves with the White Robes and in the 12th and final chapter, "Ascent to the Upperworld," Corrigan et al. finally manage to rid both worlds of the evil Khan. Republic threw everything but the kitchen sink at the Saturday matinee crowd this time around, including such veteran action and Western players as William Farnum, Raymond Hatton, Smiley Burnette, Lon Chaney Jr., Lane Chandler, Malcolm McGregor, and John Merton. Undersea Kingdom also employed most of the stunt men whose work would eventually help make Republic the pride of Poverty Row: Eddie Parker, Al Seymour, George de Normand, Tom Steele, and the Yrigoyen brothers, Bill and Joe. Undersea Kingdom was also released in an edited feature version, retitled Sharrad of Atlantis.
One of my all-time favorite serials, goofy over-the-top fun that's hard to beat. Here's the premise: a series of devastating earthquakes are investigated by kindly old Professor Norton, who theorizes that they are somehow being caused by the legendary sunken continent of Atlantis. Luckily, the prof has invented an amazing new super-submarine and he goes to check things out. Unfortunately, his party consists of two goofy stooges, a colorless girl reporter who tags along, and his little son Billy (a thrill freak who stows away). On the other hand, he's sharp enough to also bring along the very athletic and tough Naval lieutenant Ray "Crash" Corrigan, one of the best guys to have at your back in a cliffhanger.
Things get weird awful fast. The sub is drawn into a cavern ten thousand feet below the surface and here they find a lost world. Yes, in a cave deep under the ocean is the land of Atlantis, complete with sunlight and a wide open sky and trees and all that. The Professor doesn't even try to explain this, and frankly, neither will I. You just have to go with it. Atlantis is in theory ruled by the kindly high priest Sharad (finally! a decent high priest), but there is also this usurper named Unga Khan.
Although everyone else is still riding in chariots and fighting with curved swords, Unga Khan has an impressive array of advanced technology. Robots (called Volkites for some reason), flying torpedoes and death rays, an armored tank called the Juggernaut, television spy cameras, everything except Gameboys. Being one of those mad conquest-hungry types (as his name suggests), Khan is determined to bring his metal tower to the surface like a missile and launch an all-out attack on the world above.
Right off the bat, Unga Khan brainwashes Professor Norton to help him with his schemes. Crash Corrigan objects strenuously and we're off on a wild barrage of attacks and deathtraps and wrestling matches and explosions.... all the things that are great to enjoy if you're sitting comfortably on your couch instead of being in the middle of it all. The serial is full of memorable moments, but you really have to love the scene where Crash has been tied to the front of that Juggernaut thing. Behind the wheel, Lon Chaney (of all people) as the brutal Captain Hakur gives him one more chance to co-operate or he'll ram the tank right through the city gates with our hero on the front bumper. Clenching his teeth and speaking with absolute conviction, Crash says, "Go ahead and RAM!" That's the spirit, Corrigan.
It's kind of obvious that UNDERSEA KINGDOM was Republic's response to the successful Universal epic, FLASH GORDON. I mean, "Flash Gordon" - "Crash Corrigan", say them quickly together. The basic plots were the same, but although I thought UNDERSEA KINGDOM moved a bit more briskly and had better action than FLASH GORDON, there were a few areas where the second serial suffered in comparison to its inspiration. Monte Blue was okay as Unga Khan, giving his lines a lot of zest but he certainly was no match for Charles Middleton as Ming. (Now there was a villain who ranked with Fu Manchu and Professor Moriarty.)
Also, Lois Wilde as pushy reporter Diana makes no impression on me, and apparently Crash wasn't too smitten with her, either. Although most of the cast (including Crash) get to run around in bizarre tunics and crested helmets and flashy robes, Diana stays in her drab professional skirt & jacket ensemble. Compare her with Jean Rogers as Dale Arden in those teeny outfits that still cause testosterone surges in male viewers. Actually, most of the comraderie was between Crash and little Billy Norton, who idolized the big lug in a completely straight, non-suggestive kid brotherly way. Billy even got to save the day a few times, which was more than Diana or the brainwashed professor did.
The biggest misgiving I have about UNDERSEA KINGDOM is that it cheated shamelessly on some of the chapter endings. You see someone clearly drop down an elevator shaft, tumbling roughly to doom; and then next chapter opens with that person catching a projection right after falling in. Boo! Hiss! I can forgive some dodgy solutions to cliffhangers but outright cheating riles me. Showing the hero finding a last minute way out of the burning building or even just leaping out of the car before it blows up is okay, but showing events completely different from what we saw the week before just isn't playing fair.
Crash Corrigan (1902-1976, real name Raymond Bernard) makes a splendid hero. Obviously in terrific shape, he really seems like he can wrestle down two big men at a time and he delivers his lines with conviction. He would not have been a bad choice to play Tarzan or Hercules. Although Corrigan made a lot of Westerns, that's really not my field of interest (maybe someday) and I know him better for all his appearances in that inimitable gorilla suit - in fact, as the horned apelike Orangapoid, he gave Buster Crabbe a rough tangle in FLASH GORDON not long before UNDERSEA KINGDOM. Twenty years later, he played the murderous Martian creature in the very cool drive-in classic IT! THE TERROR FROM BEYOND SPACE, often cited as an inspiration for the ALIEN movies.
„Schrift oder Ätzung. Reporter. Schmallaufend und kalanderfest.“
Aus: Prospekt der Schriftgiesserei und Messinglinienfabrik Johannes Wagner, Ingolstadt. Gefertigt in der Hausdruckerei.
Tintin is a fictional character in The Adventures of Tintin, the series of classic Belgian comic books written and illustrated by Hergé. Tintin is the protagonist of the series, a reporter and adventurer who travels around the world with his dog Snowy.
Tintin debuted in Le Petit Vingtième on 10 January 1929. Tintin was largely based on an earlier character created by Hergé, a chubby boy-scout named Totor. The comics starring Totor, Les aventures de Totor, chef de patrouille des Hannetons (The Adventures of Totor, Leader of the Cockchafer Patrol), appeared in the magazine Le Boy-Scout Belge between 1926 and 1929.
In the later comic book series, Tintin is a young reporter who is drawn to dangerous international intrigues in which his quick thinking, bravery and chronic good luck save the day. Almost every adventure features Tintin sent off to investigate an assignment, but rarely does he actually turn in a story without first getting caught up in an adventure.[1] Although the strip was Belgian, Hergé was inconsistent or vague about assigning Tintin a nationality, depicting him instead as broadly European. In some of the early books, like Tintin in the Congo or The Black Island, a Belgian identity is fairly explicit. In The Secret of the Unicorn, the reader can unmistakably recognise the streets of Brussels at the beginning of the story. In the television series, Tintin states that he and Snowy are from Brussels in the episode of The Crab with the Golden Claws. Brussels is also explicitly mentioned as Tintin's home address in Tintin in the Land of the Soviets. In later adventures, as with other aspects of his character's history and family, Tintin's nationality is usually not directly stated, although some of the street scenes in The Red Sea Sharks have been identified as happening in Brussels.
Readers and critics have described Tintin as a well-rounded, yet open-ended character, noting that his rather neutral personality—sometimes labelled as bland—permits a balanced reflection of the evil, folly and foolhardiness which surrounds him. His boy-scout ideals, which represent Hergé's own, are never compromised by the character, and his status allows the reader to assume his position within the story, rather than merely following the adventures of a strong protagonist.Tintin's iconic representation enhances this aspect, with Scott McCloud noting that it "allows readers to mask themselves in a character and safely enter a sensually stimulating world."
Tintin is an intelligent and imaginative character with good powers of deduction. However, while in deep thought, he tends to be absent-minded and fails to notice things around him. He seems to know multiple foreign languages and reads extensively on a variety of subjects. He is skilled at driving automobiles (including a tank), riding horses or motorcycles, and flying aeroplanes and helicopters. Despite his generally delicate and unassuming appearance, Tintin is quite athletic and possesses great physical strength, often getting into fights where he is able to knock out enemies much larger than himself with a single blow. Although he is small as opposed to the other characters, he is an excellent swimmer, has been shown to be a skilled mountaineer, has been shown to do yoga,[4] and can survive falls that would normally cause serious injuries.
Tintin's age is never accurately revealed. Other characters treat him as a worldly young adult, as shown by the absence of concerns like parents or school, as well as by his wide solo travels all over the globe. He's old enough to enter a pub and drink a beer (The Black Island) and old enough to live alone with his dog in his own apartment. However, he is still referred to as a "young boy", and a "puppy" in The Crab with the Golden Claws. A 1979 television interview with Hergé settled the matter, when Hergé stated that when he first thought about Tintin he was 14 or 15 years old, "but now, let's say that he is 17." In one shot in the television series episode The Secret of the Unicorn, Tintin's passport states his birth year as 1929 (the year of his print debut).
Tintin has no family members: any mention of a mother, father or siblings is noticeably absent. He makes no mention of his family throughout the series. Nowhere is it implied that he is an orphan; it could be argued that he meets his family between adventures. Tintin's lack of relatives is irrelevant to his adventuring; it is the adopted family of friends he makes through his exploits that makes up his family unit.
Unlike other characters such as Captain Haddock or Professor Calculus, Tintin has no discernible past prior to the beginning of the series. Whereas Haddock can recall a particularly fierce storm at sea or Calculus can boast of his athletic past, Tintin's roots prior to Land of the Soviets are never discussed. His companions encounter old friends like Captain Chester or Hercule Tarragon, yet Tintin only meets friends or enemies whom he met in previous adventures.
Even the name "Tintin" remains a mystery. Whether it is a first name or a surname is unknown. A possibility is that it is not actually the reporter's real name, but rather a pseudonym that the character uses to protect his identity while writing columns for his newspaper: Le Petit Vingtième. At the time when the stories first came out, journalists' usage of pseudonyms was commonplace. The possibility that it may not be his real name is also hinted in Cigars of the Pharaoh when Tintin is accused of poisoning one of a notable sheik's servants. Having been captured and brought to his tent, the enraged sheik demands Tintin's name. Tintin's characteristically placid answer is: "My name? It won't mean a thing to you... but at home they call me Tintin." A simpler theory for his name is the fact that Franco-Belgian comics at the time generally had heroes with eccentric, memorable single names that could pass off as first names or surnames. Many people tend to think of "Tintin" as a surname, but it is likely that Hergé meant to keep it a mystery. Hergé was a great admirer of Benjamin Rabier and may have derived the name (and hairstyle) from Rabier's Tintin lutin (1897). There also have been theories that Tintin is a nickname for Martin or Augustin. One last theory holds that the name "Tintin" signifies nothing, pointing to the character's cipherous nature. As Paul LaFarge writes,
Tintin was a word before it was a name; it means 'nothing,' and the phrase faire tintin loosely means "to go without." Hergé's boy reporter does not bear the name by accident.
Throughout much of the series, Tintin's attitude is characterised by inquisitive tendencies and a noble, forgiving nature. While his idealism earns him the admiration of many people he meets, it also places him in danger on occasion and serves as a foil to the more sceptical demeanour of other characters such as Captain Haddock. And unlike nearly every other character he meets, Tintin can be relied upon to remain calm and cool-headed, even in the worst of circumstances. Only on very rare occasions, such as after Haddock's drunken antics threatened his friend's lives (Explorers on the Moon), could Tintin actually lose his temper.
Tintin's political views are generally ambiguous in many of the books and specific expression of his opinions are rare. While in earlier books such as Tintin in the Land of the Soviets and Tintin in the Congo Tintin is characterised as a proud Belgian Catholic, later books avoid specific mention of his views (see Ideology of Tintin). His opinions appear to change over time, though in many situations he can be classified as a pacifist, reflecting a dislike of war. At the beginning of Tintin and the Picaros, he is seen wearing a motorcycle helmet with a Peace symbol on it.
Readers of Tintin books have speculated about his sexuality. Marcel Wilmet, spokesperson of Studios Hergé, has confirmed that Tintin is not gay and, while he has many male friends, they are not boyfriends. However, many still question his ambiguous sexuality.
Towards the end of the series, Tintin's character changes to a degree. In later stories, Tintin no longer actively seeks out adventure but is rather forced into a situation by events beyond his control (such as being kidnapped[10] or motivated to rescue a friend). This is especially evident in Flight 714 and Tintin and the Picaros, where Tintin's loss of enthusiasm for adventure is apparent, and his youthful idealism appears to have been replaced by a somewhat more cynical outlook. There has been much debate among readers and critics about this shift in characterisation, as these final adventures have received varying and sometimes negative responses. Critics argue that these books represent either a late period of eccentricity, or puzzling disappointments, while others claim that Tintin's shift represents a more complex depiction of his character. Hergé commented upon this change, noting that in the late phases of his career, "Tintin has lost control, he is not on top of events anymore, he is subjected to them." However, in the unfinished album Tintin and Alph-Art, Tintin regained much of his old adventurous personality, actively investigating suspicious events and murder threats.
The earlier version of Tintin was apparently inspired, at least in part, by Hergé's younger brother, Paul Remi, a career soldier. Tired of being referred to as "Major Tintin" by his colleagues, Paul later shaved his hair and adopted a more Erich von Stroheim look. Hergé subsequently used Paul's appearance as a model for the villainous Colonel Sponsz in The Calculus Affair. Tintin and Sponsz, although physically very different, have actually quite similar hair spikes.
Hergé may have also been inspired by a Danish boy scout and later actor Palle Huld who was 15 years old when he travelled around the world and wrote Around the World in 44 days by Palle. In the book he describes his tour to Soviet, America, China, Africa etc. and about his dramatic adventures. It was translated into 11 languages and it was read by Hergé. Palle Huld died in 2010 at the age of 98.
However, the inspiration for the clothing Hergé dressed Tintin in lay elsewhere. A fellow student of Hergé's from St Boniface, named Charles, had adopted a similar style of plus fours and argyle socks, which caused him to be the subject of no little ridicule. Harry Thompson notes the inspiration may be tinged slightly, suggesting that if "Hergé had been one of the laughers, an element of guilt was involved."
The first 3 adventures of Tintin visit places visited by photographer-reporter Robert Sexé, recorded in the Belgian press from the mid to late 1920s. Sexé was born in 1890 in La Roche-sur-Yon in Vendée in Western France. Janpol Schulz wrote a biography of Robert Sexé titled "Sexé au pays des Soviets" (Sexé in the Land of the Soviets) to mimic the name of the first Tintin Adventure. This was published in 1996.
Robert Sexé has been noted to have a similar appearance to Tintin, and the Hergé Foundation in Belgium has admitted that it is not too hard to imagine how Hergé could have been influenced by the exploits of Sexé.[16] At that time Sexé had been round the world on a motorcycle made by Gillet of Herstal. René Milhoux was a Grand-Prix champion and motorcycle record holder of the era, and in 1928, while Sexé was in Herstal speaking with Léon Gillet about his future projects, Mr. Gillet put him in contact with his new champion, Milhoux, who had just left Ready motorcycles for Gillet of Herstal. The two men quickly struck up a friendship, and spent hours talking about motorcycles and voyages, Sexé explaining his needs and Milhoux giving his knowledge on mechanics and motorbikes pushed beyond their limits.
Thanks to this union of knowledge and experience, Robert Sexé would head off on numerous trips throughout the world, writing countless press accounts. The General Secretary of the Hergé Foundation in Belgium has admitted that it is not too hard to imagine how a young George Rémi, better known as Hergé, could have been inspired by the well-publicized exploits of these two friends, Sexé with his trips and documentaries and Milhoux with his triumphs and records, to create the characters of Tintin the famous travelling reporter, and his faithful companion Milou (Snowy).
Hergé himself has noted that Tintin existed as his personal expression, and although he recorded in 1947 that he knew "Tintin is no longer me, that, if he is to go on living, it will be by a sort of artificial respiration that I will have to practice constantly and which exhausts me, and will exhaust me more and more",[17] he was also fond of stating "Tintin, c'est moi!" ("Tintin, that's me!").
Shortly before his death, former Belgian Nazi collaborator Léon Degrelle created controversy by stating that the Tintin character was originally based on himself. Degrelle had indeed known Hergé during his early career as a journalist, but this allegation is generally considered a fabrication of the notorious self-booster Degrelle
Esquadrilha da Fumaça é o nome popular do "Esquadrão de Demonstração Aérea - EDA", um grupo de pilotos e mecânicos da Força Aérea Brasileira que fazem demonstrações de acrobacias aéreas pelo Brasil e pelo mundo.
Sua finalidade, de acordo com o EDA, é aproximar os meios aeronáuticos civil e militar, contribuir para a maior integração entre a Aeronáutica e as demais Forças Armadas e marcar a presença da FAB em eventos no Brasil e no exterior. (Wikipédia).
mais imagens: Álbum Foto-Repórter =>
www.flickr.com/photos/wilsonhouck/sets/72157634629050510/
mais imagens: google-panoramio =>
www.starnow.co.uk/christopherw33618
2017 Reel www.starnow.com/media/778224
2016 Reel www.starnow.co.uk/media/623368
2015 Reel www.starnow.co.uk/media/500618
Crew CV <a crew.mandy.com/uk/crew/profile/chris-christopher-wilson
I work full time in the media as a Walk On / Body Double / Skill Double / Stand In or Supporting Artist. I have also worked behind the scenes on a number of Advertisements, Films and TV programs; Previously, I worked for over 17 years as a Professional Musician (Bass Guitar).
I have appeared in a substantial number of Major Films, Short Films, TV Productions, Sketch Shows, Music Videos, and TV Advertisements / Idents. I specialise in playing Authoritarian or Uniformed roles; however, I am very flexible and versatile. I have access to a considerable variety of Genuine and Expensive Uniforms. Please let me know of any Specific requirements, I promise I will do my utmost to help.
I have many excellent connections made over many years in the entertainment industry. I am London based, however, I also have accommodation in Brighton Sussex, Birmingham, Manchester, and Newcastle Upon Tyne. I am very happy to travel and always open to any offers of work. I am prepared to work at short notice; (if available) and can be contacted 24 hours a day, via e-mail.
A Partial CV is available on
Body Double / Stand In CV
www.uk.filmcrewpro.com/view.php?uid=242553
Photo Selection
www.flickr.com/photos/chris-wilson/
Featured in Various You Tube Clips
www.youtube.com/user/CHRISWILSONXX1X?feature=mhum
Facebook Page
“A maior transformação da minha vida aconteceu quando comecei a trabalhar como jornalista. É uma experiência enriquecedora profissional e pessoalmente. Cada personagem das matérias que escrevi foi responsável por alguma mudança em mim. Por meio das histórias que conto, aprendo a ouvir, combato meus medos, reelaboro minhas certezas, diminuo preconceitos e me sinto realizada por ajudar a dar voz àqueles que muitas vezes não são ouvidos.”
Foto: Paulo Paiva/DP/D.A Press.
CBS 13 reporter Neda Iranpour, covers the story.
More than 2,000 firefighters, friends and family attend a large somber memorial at CSUS Hornet Stadium in Sacramento and Cal Expo, for Sac Metro Firefighter James C. Saunders who suffered a heart attack while working a grass fire, and died October 7, 2010. Saunders is the first firefighter to die in the line of duty in the departments 10 year history.
Note: I back dated the rest of this 43 image set, so not to clutter the top of my stream. Set URL is: