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Opening of UN police week 2017
Jean-Pierre Lacroix, Under-Secretary-General for Peacekeeping Operations, Lisa M. Buttenheim, Assistant Secretary-General for Field Support, Alexandre Zouev, Assistant Secretary-General for Rule of Law and Security Institutions and Tayé-Brook Zerihoun, Assistant Secretary-General for Political Affairs provided participants of UN police week an overview of major developments, political trends and strategic priorities and on how they relate to UN policing, followed by a discussion with heads of United Nations police components.
Heads of police components (HOPCs) in UN peacekeeping operations and special political missions came to New York for discussions, as well as briefings to the Special Committee on Peacekeeping Operations and the Security Council.
During the week, Heads of police components considered the recommendations of the Internal Review of the UN Peace and Security Architecture related to UN policing, as well as the status of implementation of the Secretary-General’s reform plan on UN policing as outlined in S/2016/952, following the adoption of Security Council resolution 2382 (2017) on UN policing.
On Monday, the Security Council adopted resolution 2382 (2017), which supports operationalizing the Strategic Guidance Framework for International Police Peacekeeping. The resolution also recognized the important role that United Nations police components play in the protection of civilians, including in preventing and addressing sexual and gender‑based violence, and violations and abuses against children.
In his address to the Security Council, Under‑Secretary‑General for Peacekeeping Operations Jean‑Pierre Lacroix said the United Nations police played a continued vital role in bridging the Organization’s work from prevention and peacekeeping to peacebuilding and development (Video recording). The Police Commissioner of the United Nations Mission for Justice Support in Haiti (MINUJUSTH), Brigardier General Georges-Pierre Monchotte, briefed the Security Council on good practices of reforming the Haiti National Police (video recording). The Police Commissioner of the United Nations Multidimensional Integrated Stabilization Mission in Mali (MINUSMA), Issoufou Yacouba briefed on strengthening the serious and organized crime capacities of the Malian security forces (video recording). Police Commissioner Priscilla Makotose of the African Union/United Nations Hybrid operation in Darfur (UNAMID) briefed the Security Council on gender responsive policing (video recording). Following the briefing, Security Council President, Italian Ambassador Sebastiano Cardi, the Head of UN peacekeeping USG Jean-Pierre Lacroix and Police Adviser Luis Carrilho (UNPOL) delivered a press briefing (video recording).
On Tuesday, the discussions of heads of UN police components focused on partnerships, good practices and challenges of UN capacity-building. More than 11,000 United Nations police officers from 89 countries (as of September 2017), are mandated to assist host-States in reforming their police and other law enforcement institutions.
Building on Security Council resolution 2382 (2017), Police Commissioners focused on Wednesday on how police can be more effective in conflict prevention, peacekeeping and peace sustainment. Heads of UN police components also discussed how to achieve gender-responsive policing. As of September 2017, 1,118 female police officers from 70 countries serve in peacekeeping operations and special political missions. They act as role models for gender equality, inspiring women and girls to advocate for their own rights and pursue careers in law enforcement.
On Thursday, United Nations Secretary-General António Guterres briefly met and took a photo with the Under-Secretary-General for Peacekeeping Operations, Jean-Pierre Lacroix, Assistant Secretary-General for Peacekeeping Operations, Bintou Keita, Assistant Secretary-General for Rule of Law and Security Institutions, Alexandre Zouev, UN Police Adviser Luis Carrilho and Heads of police components in UN peace operations. In his message, Secretary-General Guterres stressed that United Nations police save countless lives, heal community tensions. The Secretary‑General also called for more women in United Nations police command positions.
Earlier on the same day, the UNAMID Police Commissioner Priscilla Makotose, MONUSCO Police Commissioner Awale Abdounasir and MINUSCA Police Commissioner Roland Zamora briefed the Special Committee on Peacekeeping Operations (C-34) on transitioning, gender/electoral security and capacity development respectively.
On Friday, UN police week closed following a session on human rights in UN police activities. The closing remarks were delivered by Alexandre Zouev, Assistant Secretary-General for Rule of Law and Security Institutions, Bintou Keita, Assistant Secretary-General for Rule of Law and Security Institutions and UN Police Adviser Luis Carrilho.
UN Photo/ Hubertus Juergenliemk
via
Tips about how to Prevent Sewer Blockages from Fats, Oils and Grease (FOG) in Horace, North Dakota
What exactly is FOG?
FOG relates particularly to fats, oils and grease getting into the sewer system when put down drain pipes in houses, apartments rentals, eating places, market and public venues.
As a end result of cooking, FOG is normally present in:
Baking goods
Butter, lard, shortening
Cooking oil
Fats and oil from cooked meats
Food scraps
Gravy
Mayonnaise
Salad dressings
Sauces
Sour cream
Why is FOG an issue?
Obstruction can cause sewer line overflows in your yard. More often than not, fats, oils and grease are discarded incorrectly in the course of preparing food and kitchen area clean-up. When put down the sink (drain or floors), FOG can accumulate and form up, obstructing clean sewer lines. This build up but not only cuts down on the capability with the wastewater collection system, additionally it changes its usefulness.
In serious instances, obstruction can result in:
Sewage back ups into businesses and homes and
Sewers that flood on to roads and real estate, ultimately pass into nearby rivers, leading to contaminants.
How will you assist?
The simplest way to resolve the grease issue and assist to stop overflows of raw sewage would be to keep this substance out from the sewer system. As a result of education and learning and also by implementing specific behavior, you can easily reduce FOG places in your own home.
In the kitchen area, fats, oils and grease (FOG) will come mainly from pre-rinsing pots and pans or cleaning cookware. When cooking food FOG is permitted to go down the sink, it cools down within the wastewater system and stays with plumbing, making FOG accumulation. The accumulation leads to blockages and backups in businesses and homes, wastewater overflows, and leaks on personal residences, roadways, and local surface areas. FOG accumulation also raises the expense of sustaining Horace wastewater treatment methods, therefore affecting prices and will also generate community health issues.
Suggestions to maintain your drainpipes fat-free:
Put cooled down fats, oils and grease in to a jar and place the jar inside the garbage. If you do not possess a pot, put aluminum foil in to a coffee mug or comparable, add FOG, let it cool and get rid of.
Prior to cleaning, make use of a paper napkin or paper hand towel to clean FOG from pots and pans and dump it inside the garbage.
Use kitchen sink strainers to capture food items waste materials.
Place food leftovers inside the garbage, not over the garbage disposer.
The easiest method to handle grease and fats will be to clean them off of or put them into storage containers and get rid of them in the garbage disposal. By no means place fats or grease down the kitchen sink drain pipes or in to the commode.
There’s a nationwide marketing campaign called “Can the Grease” all through the USA that promotes using correct removal of FOG.
Restaurants along with other business kitchen areas have to have grease traps or interceptors put in. These companies are controlled by inspection regularly by Local personnel. Make sure you call us to learn more.
Exactly what is a grease trap or grease interceptor and just how do you use it?
Grease traps and interceptors are units built to maintain Fats, Oils and Grease (FOG) from getting into public sewage lines. They may be found inside of or outside of the kitchen area, based on the application. Generally, they are created to keep FOG-laden discharge for enough time for grease within the water to cool down, firm up and separate from the rest of the waste materials. When the grease has split up, it may be discarded correctly.
Should i use a grease trap or interceptor inside my eatery or food service business?
Any business that deals with any kind of food really should use a grease trap or interceptor. Even smaller food providers like coffee houses who serve items with dairy products need to use a grease trap or interceptor to help keep FOG from heading down the sink. A business will have to use a grease trap or interceptor if the side sewer line contains a visually apparent build up of fat, oil or grease. Make reference to the most recent Standard Plumbing Code (offered at your public library) for dimensions requirements.
Just how much will a grease trap or interceptor cost and who should I contact to obtain one to get set up?
They range in price, based on dimension and application and will begin as little as a few hundred to thousands. Make sure you speak to a licensed pluming company in your community for costs.
Who decides if I require a grease trap or interceptor?
In the event your food company business deals with food items and washes pots and pans, you probably have to use a grease trap or interceptor. Your decision depends on the kind of use and decided upon from the professional and local staff.
Who is mainly responsible for setting up a grease interceptor?
Each and every business that deals with food items of any type – from your coffee house offering dairy along with milk products to your bistro preparing deep-fried meals – is likely releasing FOG. All food providers are accountable for putting in a unit to help keep FOG from getting into their side sewer line and also the general public sewer range.
What happens if I do not install a grease trap or interceptor?
If your business handles any food items which contains fat, oil and grease, you may ultimately experience a maintenance issue for instance a obstruction within the building sewer line. A obstruction can certainly create sewage back-up circumstance and consequently a possible health issue for your business. If the issue is within the building sewer line, then your business is directly accountable for having to pay for the clean-up fees and damage to property. A business can also be instructed to shut down the business until an examiner certifies all health problems are solved.
When the obstruction is incorporated in the public sewer main and Horace, North Dakota can validate how the methods of the particular business has resulted in the obstruction, then that business might have to pay for any public clean-up expenses, damage to property and public sewer servicing expenses to alleviate the obstruction. The business may also be instructed to put in a grease trap or interceptor or update a current system to intercept food and FOG.
Septic Tank Cleaning Horace ND
How frequently do i need to thoroughly clean my grease trap/grease interceptor?
A grease trap or interceptor needs to be on a regular basis taken care of in order to meet the 25% Rule – no more than 25%, by volume, from the trap or interceptor ought to accumulate of food and FOG. If in excess of 25% of food and FOG build up within the trap or interceptor, it is more probable not to work correctly and releasing food and FOG to your building sewer line as well as the public sewer system. Exclusions to the 25% Rule are suitable for devices that can keep greater than 25% FOG and will also be exclusively produced in the manufacturers specs.
Every business ought to figure out a particular cleaning routine that suits their organization. Some organizations will have to clean their trap or interceptor more frequently than others. It is very important to keep in mind that using kitchen very best management methods, like scraping your dishes, cooking pots, and pans, will decrease the volume of food and FOG that release right into a trap or interceptor, consequently reducing the regularity for cleaning.
Just how do i keep clean and maintain my grease trap/grease interceptor?
Grease trap maintenance is generally done by maintenance employees or any other workers from the business. Grease interceptor (GI) maintenance, that is generally done by authorized haulers or recyclers, includes taking out the total quantity (liquids and solids) from the GI and effectively getting rid of the FOG in compliance with all federal government, state, and/or local laws. When executed correctly and at the correct regularity, grease interceptor and trap maintenance can help reduce the release of FOG in to the wastewater collection system. The necessary routine maintenance frequency for grease interceptors and traps will depend on significantly on the volume of FOG a center yields together with any best management practices (BMPs) that the business utilizes to cut back the FOG released into its sanitary sewer system. In most cases, a business that utilizes BMPs will recognize financial advantage via a decrease in their needed grease interceptor and trap maintenance regularity.
fromhttp://portaprosepticservices.com/grease-trap-cleaning-horace-nd/
portaprosepticservices.weebly.com/blog/grease-trap-cleani...
Audience members react fondly as world famous Trinidadian calypsonian Lord Relator performs with the University of Southern Mississippi Steel Pan Orchestra and Jazz Lab Band 1 in the Bennett Auditorium of the Hattiesburg campus on April 19, 2013. From left: Aaron Strum, Hilary Bounds, Emilee Randall, and Cleo Lynch.
As most people collect, they end up meeting interesting people that they can relate to. I've certainly met my share of them, and have managed to obtain a few pieces with some assistance from them. As a result, hailing all the4 way from Singapore, we have the Hot Toys Exclusive (whatever that means) Avengers 2: Age of Ultron - Maria Hill figure.
I know they weren't super expensive back in the day (MSRP I mean), but by the time Sideshow got their hands on it, this figure cost $215 USD, which definitely cost more than your run of the mill figure back in the day, all the while being less equipped than they were. I managed to snag one that was opened and resealed in a box for $170 USD shippped.
You get the figure, 3 pairs of hands, walkie talkie, Bluetooth earpiece, and a pistol. Oh, and the usual base/stand.
Now, I learned about Pleather deterioration, but completely forgot about how tropical weather like in Singapore would affect a figure. It's not the worst I've seen, as some of my Widows have similar damage, but they've lived in Canada all their lives.
But it is unfortunate seeing how I didn't exactly score this figure for Garage Sale prices. I'm hoping my coats of leather paint prevents things from getting worse.
What I wasn't expecting was the effect of humidity on paint in contact with plastic. Hot Toys gave the sculpt some lovely blush to accentuate her cheeks. Well, that all turned from pink to yellow, so it looks kinda weird.
Unfortunate, but I treat it as a learning lesson on things to look out for when I finally make my way back to Asia to unleash holy hell on the secondary toy market.
So with the downers out of the way, the rest of the figure is pretty standard. I believe Maria uses a slightly taller version of the Widow body, which is a bit tall and narrow in the torso, but overall is a closer match to Colbie Smulders than Scarlett Johansson.
Maria was made when they still made softer fabric uniforms. I'd describe the feel of what she's wearing as being whatever Jeggings are made from. The upper body generally has full use of its faculties - unfortunately the body doesn't have Butterfly style shoulders, which is unfortunate as Maria could have really used them, especially for her pistol and arm crossed poses. Legs are restricted despite the softer fabric, though isn't as bad as with Winter Soldier Black Widow.
The head sculpt I'm actually quite impressed with. It's not perfect - they never are and if anyone says so, they're probably just not looking hard at the thing... or in some instances, not looking at all. The eyes are off, and the sculpted hair throws things off. But ultimately, it comes down to the jaw being too square, even for Colbie Smulders. On the whole, however, its probably 70 - 80% there, which is a lot more than I can say about any Black Widow up to that point, and Hot Toys accomplished that with one try as well.
Paint, I'm not really in a position to comment on. But, it appears if you can see past the discoloration, you'll see that the usual high quality is there. Build Quality is the usual high level, with nothing falling apart aside from the Pleather.
Overall, despite being a simpler figure I have to say I certainly like this better than I liked AoU Widow, which was just.. weird from a MCU perspective as well as from a Hot Toy perspective. I'll probably have to hunt down a WS Nick Fury to pair with her, but this time I'll be sure to make sure everything is is one piece.
A repository of images relate to Banana (Musa spp) shared by members of MusaNet. The album depicts images from different African, Asian and countries from the Americas where collaborative work on Banana research is done.
©CIAT
Please credit accordingly and leave a comment when you use a CIAT photo.
For more info: alliance-comms@cgiar.org
Track and Field archives
The National Athletics Archive is held at the Cadbury Research Library, University of Birmingham, and comprises an extensive volume of archival materials. These papers primarily relate to the history and development of athletics in the United Kingdom throughout the 1800s and 1900s. In addition to organisational collections, such as the papers of the Amateur Athletics Association, the National Athletics Archive includes various discrete collections of individual athletes. These include papers relating to Sydney Wooderson MBE, 1914-2006. Wooderson was an English athlete who was dubbed ‘The Mighty Atom’. His athletics career peaked in the 1930s and 1940s and he set the world mile record of 04:06:40 at London’s Motspur Park on 28 August 1937. This record stood for nearly five years.
The collection also includes ephemeral and grey literature relating to various athletics clubs, meetings and events. Papers relating to major athletics championships include material generated during the 1958 British Empire and Commonwealth Games held in Cardiff. These Games introduced the ‘Queen’s Baton Relay’ which has been conducted as a prelude to every British Empire and Commonwealth Games since.
Programmes and manuscript results compiled by the athlete and coach, Dennis Cullum, 1913-1985.
Reference: ATH/DC/2/1
The Big Fish also called the Bigfish is a printed ceramic mosaic sculpture by John Kindness. 10 metres long and constructed in 1999 it is located at Donegall Quay in Belfast, near the Lagan Lookout and Custom House. The outer skin of the fish is a cladding of ceramic tiles decorated with texts and images relating to the history of Belfast. Material from Tudor times to present day newspaper headlines are included along with contributions from Belfast school children. The Big Fish also contains a time capsule storing information/images/poetry relating to the City.
This is a leaf from Philip the Chancellors Sermons on the Psalms that was produced in France, probably at Paris c.1200.
The text begins in Sermon 290 (relating to Psalm 129)and continues into Sermon 291 (relating to Psalm 130). Oto Ege erroneously described the text as a “Chain of Psalms. There seems to have been 330 sermons in total relating to the Psalms.
The size of the leaf is 211mm x 154mm (8 3/10ins. x 6 1/20ins.),
The leaf is neither illuminated nor is it decorated However, a space has been provided at the start of lines 27 and 28 for a two-line “S” (“Sicut”) that would have opened Sermon 291
Prickings remain in the outside margin for all horizontal lines. An interesting variation to these prickings is that there are two pricking holes against lines 3, 16, 18 and 31(i.e. the third lines from the top and from the bottom, and either side of the middle line).
On the recto is an original folio number clxxxiii (183).
PROVENANCE: -
The parent manuscript was obtained by Otto Ege sometime after 1935. By 1944 leaves were appearing for sale Leaves from the manuscript became No. 4 in the forty boxes of fifty leaves.
Gwara Handlist 4.
OTHER LEAVES: -
1. There are many leaves in public and institutional collections as part of the forty boxes of fifty leaves and probably the best source for these is ege.denison.edu/index.php. As well as these, there are many others in public, institutional and private collections.
Leaves are offered for sale from time to time and recent offerings have been: -
2. Bloomsbury Auctions, Western and Oriental Manuscripts and Miniatures, 6th. Dec. 2017, Lot 50 at £744 (including buyers premium).
3. Bernard Quaritch, Medieval and Renaissance Manuscripts, Catalogue 1439, 2019, Items 45, 46 and 47, three leaves all at £650 each.
GENERAL COMMENTS: -
This is a nice leaf with little in the way of age related wear. A little yellowed through being in a frame (perhaps for a long time) there is a small natural flaw within the text that has been written around and a small cut towards the bottom of the inside margin. Any leaf associated with Otto Ege is a good addition to any manuscript collection.
I’ll relate to y’all, my beautiful readers, a simple tale of an ordinary average Central Texas Trumpet Case Bear. It was 95 degrees F (35 C) out of doors. Little Texas Aggie Trumpet Case Bear was about to go into heat exhaustion (symptom before heat stroke).
Alamo Basement Fightin’ Texas Aggie Ring whispered to me, “We need to get frozen Margaritas into the little bear immediately before he goes into a coma and dies. Have you looked at the price of black market bears lately?” I pulled out the large container for the Ninja and fired it up.
After about quatro or cinco Margaritas necesitas, Little Texas Aggie Osa (bear) was starting to feel much, much better. At this point, there was a spilt Margarita. It’s not important who spilt the Margarita, but it did totally soak Little Texas Aggie Bear.
I for one, am not about to allow a trumpet case bear who smells of tequila and is all sticky, near my 1947 Rudy Mück jazz trumpet. I had two options — Take him out to the woods and shoot him or — give him a bath in the kitchen sink.
Bears know how to swim. In fact, they love water. In some states, they will come into your backyard and take the waters in your swimming pool or jacuzzi. There are videos on YouTube.
I sanitized the sink and prepared a nice, warm bubble bath for Little Texas Aggie Bear. He hesitantly lowered himself into the sink. He let out a “bear sigh” of pleasure. When I took out the camera, Little Texas Aggie Bear started to cry. “What’s wrong?” asked Alamo Basement Aggie Ring.
“It’s the bubble bath.” sobbed the little bear. “If anyone in the Trumpet Case Bear Union sees those photos, I’ll loose my certification and be forced to become the worst sort of bear ever — a tuba/Sousaphone case bear.”
I assured the little bear that no one would ever see any of these photos and think that he’s some sort of “Barbie Dream House” bear. This seemed to put him at ease and please him.
After I rinsed him a couple of times, Aggie Ring and I realized we had a very, very wet bear to deal with. “If you don’t get him dry soon. He’ll start to smell like wet dog!” said Aggie Ring.
My first thought was, “Well… the ceiling fan will get him dry! I’ll just hang him up by the neck to it.” Sadly, when I turned on the fan, Aggie Bear went flying across the room and onto the hard floor like a child who wasn’t strapped in properly in a Disney World wild ride.
[More to follow]
Kyrgyz aretfacts relating to the Yurt which was based at the Earth Centre, Conisbrough, Doncaster Museum of Sustainability 1999-2004
Yurts
For over a thousand years tents like the yurt and ger have been homes for the nomads of Central Asia.
The yurt was used as a classroom yurt and housed a fascinating exhibition on the sustainable and nomadic lifestyle of the Kyrgyz people.
The felt yurt was made for Earth Centre by a Yurt Master in Kyrgyzstan. The roof is steeply sloped to protect against the rain and snow in the high mountain regions where the nomads lived. The felt covers are laid on a trellis frame usually made of willow. The yurt is light and easy to put up, to pull down and to carry from place to place. It would have taken two camels to transport a yurt this size. Inside, the damp wool smell of the felt is quite distinctive.
The Kyrgyz nomads depended on their animals; sheep, especially, provided their main diet of milk and meat, the hides and wool for their clothing and felt, bones to make into utensils and toys and dung for fuel. Nothing was wasted in the nomadic lifestyle.
Badami (Kannada: ಬದಾಮಿ), formerly known as Vatapi, is a taluk in the Bagalkot district of Karnataka, India. It was the regal capital of the Badami Chalukyas from 540 to 757 AD. It is famous for rock cut and other structural temples. It is located in a ravine at the foot of a rugged, red sandstone outcrop that surrounds Agastya lake.
The name Vatapi has origin in the Vatapi legend of Ramayana relating to Sage Agastya. There were two demon siblings Vatapi and Ilvala. They used to kill all mendicants by tricking them in a peculiar way. The elder Ilvala would turn Vatapi into a ram and would offer its meat to the guest. As soon as the person ate the meat, Ilvala would call out the name of Vatapi. As he had a boon that whomsoever Ilvala calls would return from even the netherland,[citation needed] Vatapi would emerge ripping through the body of the person, thus killing him. Their trick worked until Sage Agastya countered them by digesting Vatapi before Ilvala could call for him, thus ending the life of Vatapi at the hands of Ilvala. Two of the hills in Badami represent the demons Vatapi and Ilvala.
Badami was the capital of the Early Chalukyas, who ruled much of Karnataka and Andhra Pradesh between the 6th and 8th centuries. It was founded in 540 AD by Pulakesi I(535-566 AD),[citation needed] an early ruler of the Chalukyas. His sons Kirthivarman (567-598 AD) and his brother Mangalesha I (598-610 AD) constructed the cave temples. The greatest among them was Pulakesi II (610-642 AD) who defeated many kings but failed to capture Pallava's capital Kanchipuram.
The rock-cut Badami Cave Temples were sculpted mostly between the 6th and 8th centuries. The four cave temples represent the secular nature of the rulers then, with tolerance and a religious following that inclines towards Hinduism,[citation needed] Buddhism and Jainism. cave 1 is devoted to Shiva, and Caves 2 and 3 are dedicated to Vishnu,[citation needed] whereas cave 4 displays reliefs of Jain Tirthankaras. Deep caverns with carved images of the various incarnations of Hindu gods are strewn across the area, under boulders and in the red sandstone. From an architectural and archaeological perspective, they provide critical evidence of the early styles and stages of the southern Indian architecture.
The Pallavas under the king Narasimhavarman I (also called Mamalla Pallava) seized it in 642 AD. Vikramaditya I of Chalukyas drove back Pallavas in 654 AD. and led a successful attack on Kanchipuram, the capital of Pallavas [This statement needs reference]. The Rashtrakutas absorbed karnataka including Badami around 757 AD and the town lost its importance. The later Chalukyas of Kalyani defeated them and were able to keep region from 973 AD to 1189 AD, when it was occupied by the Hoysalas.
Then it passed on to Vijayanagara empire, The Adil Shahis, The Savanur Nawabs, The Marathas,[citation needed] Hyder Ali. The Britishers made it part of the Bombay Presidency.
Badami has eighteen inscriptions, among them some inscriptions are important. The first Sanskrit inscription in old Kannada script, on a hillock dates back to 543 CE, from the period of Pulakesi I (Vallabheswara), the second is the 578 CE cave inscription of Mangalesa in Kannada language and script and the third is the Kappe Arabhatta records, the earliest available Kannada poetry in tripadi (three line) metre. one inscription near the Bhutanatha temple, on a rock, testifies to Mamalla Pallava's victory over the Chalukyas in the year 642 CE. It also has inscriptions dating back to the 12th century in Jain rock-cut temple dedicated to the Tirtankara Adinatha.
In the Karnatic music and Hamsadwani raga the Vatapi Ganapatim Bhaje by the composer Mutthuswamy Deekshitar.[4] The idol of Vatapi Ganapati is now in Tiruchenkaatankudi near Thanjavur of Tamilnadu.
In 7th century, Vatapi Ganapati idol was brought from Badami (Vatapi - Chalukya capital) by Sirutondar(General of Pallavas) who defeated Chalukyas.
The Badami cave temples are a complex of temples located at Badami, a town in the Bagalkot District in the north part of Karnataka, India. They are considered an example of Indian rock-cut architecture, especially Badami Chalukya Architecture. Badami, the capital of the Early Chalukyas, who ruled much of Karnataka in the 6th to 8th centuries, lies at the mouth of a ravine with rocky hills on either side and a town tank in which water from the ravine flows. The town is known for its ancient cave temples carved out of the sandstone hills above.
The Badami cave temples are composed of four caves, all carved out of the soft Badami sandstone on a hill cliff in the late 6th to 7th centuries. The planning of four caves is simple. The entrance is a verandah (mukha mandapa) with stone columns and brackets, a distinctive feature of these caves, leading to a columned mandapa – main hall (also maha mandapa) and then to the small square shrine (sanctum sanctorum, garbhaghrha) cut deep into the cave.[3] The temple caves represent different religious sects. Among them, two (cave 2 and 3) are dedicated to god Vishnu, one to god Shiva (cave 1) and the fourth (cave 4) is a Jain temple. The first three are devoted to the Vedic faith and the fourth cave is the only Jain temple at Badami.
The cave temples date back to 600 and 700 CE. Their architecture is a blend of North Indian Nagara Style and South Indian Dravidian style. As described above each cave has a sanctum sanctorum, a mandapa, a verandah and pillars. The cave temples also bear exquisite carvings, sculptures and beautiful murals.
Important part of historical heritage at Badami cave temples are inscriptions in old Kannada script.
There is also the fifth cave temple in Badami – Buddhist temple in natural cave which can be entered only on all fours.
24.04.2010
My titles don't relate to my pictures, my tags usually relate to what happened that day/what I write, I usually make a list, achieve one thing and then cant find the energy to do anything else. I am oficially on burnout. In the middle of the busiest weekend of my a-levels.
I have to decide between setting myself back and sleeping and then working more efficiently or not sleeping and not being able to work properly. But now I don't have the time to make the choice and I have landed were I am right now.
I still make pictures every day though, albiet within much smaller time frames recently but they still get made nonetheless. I know I will look back at this when the year is over and smile. It really isn't smile worthy at the minute but I intend this project to be a real visual journal, not just a collection of nice concepts and pictures. There will be those too though lol I hope :)
Again I forgot about my driving lesson this morning, slept in, woke up and got ready in a rush in hardly any time at all. I was worried that I would fail epically again after last week's horrendous effort. Got my head all worked up but just eventually had to slow down, ask for some help and go on. And what do you know I got only 5 minors. He said if I keep going like that I would pass with no problem :) Which was a nice confidence boost :)
The rest of the day consisted of finally filling out my student finance forms, got that done, just some financial details to sort with the parents and it can be sent off. I then took this picture. Got that done. Then somehow last.fm got on and nothing happened after that :/ No ICT coursework and no art final peice.
Coffee didnt help and I then deduced that my body is telling me to just go to sleep.
Sorry for writing so much, helps me remember where Im at when I can't remember lol
The above picture was a little experiment with trying to 'see' how something would look blurred, more specifically with a rotation of the camera as apposed to just moving it up/down/left/right. I was thinking along the lines of how last.fm halted all work so the guitar came into play :)
BIG trend.
Really hope you all had a nice day :)
Awesome stuff I found whilst listening to some funky tunes:
The Mindful eye - some decent education right there.
Bryan Adams - some very decent pictures indeed.
Nikola Tomovic - more incredible pictures.
ZOO magazine - no not that one :P music/art/fashion/movies and some nice pictures to boot! Also published by Mr Adams.
立法會過渡性房屋及劏房事宜小組委員會視察劏房及過渡性房屋項目
立法会过渡性房屋及劏房事宜小组委员会视察劏房及过渡性房屋项目
LegCo Subcommittee on Issues Relating to Transitional Housing and Subdivided Units visits subdivided units and transitional housing projects (2021.05.20)
立法會改善基層住户居住環境事宜小組委員會參觀兩個位於元朗的過渡性房屋項目
立法会改善基层住户居住环境事宜小组委员会参观两个位于元朗的过渡性房屋项目
LegCo Subcommittee on Issues Relating to the Improvement of Living Conditions of the Grass-roots Tenants visits two transitional housing projects in Yuen Long (6.6.2022)
Title: Roll call votes relating to the impeachment of President Andrew Johnson on Articles II, III, and XI., 05/26/1868
Production Date: May 26, 1868
Creator(s): U.S. Senate. (03/04/1789 - )
Roll call votes relating to the impeachment of President Andrew Johnson on Articles II, III, and XI., 05/26/1868 ; Senate Papers Pertaining to the Impeachment of Andrew Johnson, ca. 1867 - ca. 1869; Records of the U.S. Senate, 1789 - 2005; Record Group 46; National Archives.
The first Senate vote in the impeachment of President Andrew Johnson was taken on May 16, 1868. Article XI was called the “omnibus article” because it combined all of the charges against the President. As a result of 19 voting “Not Guilty” and 35 voting “Guilty” the Senate fell 1 vote short of the two-thirds majority required for removal. After a 10-day recess, the Senate reconvened and voted on Articles II and III. In each case, the result was identical: Johnson was not guilty by a single vote. The Senate then voted to end the trial.
Persistent URL: arcweb.archives.gov/arc/action/ExternalIdSearch?id=306275
Access Restrictions: Unrestricted
Use Restrictions: Unrestricted
El Relator Rodrigo Escobar Gil atiende solicitudes de entrevistas con miembros de la prensa hondureña e internacional tras la presentación del Informe sobre la Situación de las Personas Privadas de Libertad en Honduras. 2 de agosto de 2013, entrada principal de la Casa Presidencial, Tegucigalpa.
House Bill 980, relating to “Highway Safety” (aka Distracted Driving Bill) – This measure is effective July 1, 2013. While all counties have some form of a distracted driving ordinance in place, this measure establishes a state law that creates consistent requirements across all counties for the use of mobile electronic devices while driving and will simplify enforcement. Crash data from the DOT shows that during 2007, 32 percent (2,871 of the 8,770 collisions) were attributed to inattention to driving.
Senate Bill 4, relating to “Motor Vehicles” (aka Universal Seatbelt Bill) – This measure requires all front seat and back seat occupants to buckle up, effective immediately. Adults and children must use their seat belts and child restraints at all times. Unrestrained back seat passengers were more than three times as likely to have injuries that were fatal or required hospitalization compared to restrained back seat passengers, based on DOH’s analysis of Emergency Medical Services (EMS) records. Additionally, among back seat passengers who were treated for injuries by EMS, average medical charges were nearly tripled among those who did not use seat belts ($11,043), compared to restrained passengers ($3,817).
The bill signings were done in conjunction with the DOT’s launch of the annual “Click It or Ticket” enforcement campaign, held in partnership between the state and counties with federal funding. During the national Click It or Ticket mobilization from May 20 to June 2 and throughout the year, police statewide will be continuing strict enforcement of the state seat belt and child passenger restraint laws.
Several stories circulate relating to this grave, all alas, unsubstantiated. The most popular version appears to stem from a small plaque which one adorned the headstone and bore the following legend...
"it is alleged that this is the grave of a gypsy boy who, while tending sheep, fell asleep in a dike. In remorse he hanged himself because he feared to return to his tribe"
Unwritten tradition maintains that his fear was founded on his belief that, whilst asleep, one of his sheep had strayed. All however were found to be safe when counted home.
Recent researches, would appear to indicate that this story owes its origins to a claim that the original incident was chronicled in the 'Bury and Norwich Post', even giving an approximate date...1841. Substantial research has, to date, failed to identify this account, and part of the original claim verges on pure fantasy.
Prior to 1974 the grave was surrounded by ratten cane hoops similar to those used to fabricate the backs of certain chairs. To these, it is alleged, passing gypsies, on their way to Newmarket races, would tie ribbons corresponding to the colours of the predicted winner of the next big race.
Also about this time, stories began circulating about the mysterious maintenance of the site. Fresh flowers were regularly seen, new vases appeared and the grass was kept close-cropped. Gypsies remorseful of the lad's death, pixies, fairies and sympathetic locals were all attributed with it's upkeep. The reality however, was in fact far more mundane. A lady from Northolt in Middlesex, concerned at the graves apparent neglect, made fortnightly trips to the site.She errected a wooden cross on the grave which bore the words...
To Joseph
An unknown Gypsy Boy
R. I. P.
She subsequently confided that she selected the Mythical name Joseph because of its biblical connections, being that of Mary's husband.
Recently, that cross was replaced by the one pictured above which reads simply:
"Gypsy Boy"
Today it is known that gypsies pay scant regard to the grave, indeed their knowledge would also appear to have been gained from published sources.
Location
The grave, now surrounded by a simple chain link fence, still bears the simple wooden cross which carries the short epitaph. It lies immediately behind the signpost at the crossroads where the Chippenham to Moulton road cosses the one linking Kentford and Newmarket
Location: Washington, United States, North America
Elevation: 5608 ft / 1709 m
Lat/Lon: 47.43960°N / 121.4429°W
Denny Mountain is the prominent peak seen to the northwest of Snoqualmie Pass and to the north of I-90. The mountain consists of a one-mile long ridgeline oriented to the NNW with many jagged outcrops. The southern buttress of Denny can be seen towering above I-90 as the road approaches the pass from the west but the actual highpoint of the summit is hidden from eastbound freeway vantage points. The summit can be spotted by westbound drivers from the pass. Its NE face is home to the notoriously challenging Alpental ski area that boasts of having only 3% "easy" slopes and 75% "expert" with 22% in between.
The mountain was named for a member, (or members) of the Denny family, one of several families who were the first settlers in what is now downtown Seattle. Arthur Denny is most often cited in history books relating the early history of the area but his brother, David who staked a mining claim on nearby Denny Creek in the 1890's, is credited as being the creek's namesake and sometimes, the mountain's.
Northern Ireland's association with the USAAF predominately relates to the training of bomber aircrew and the delivery, repair and servicing of aircraft. Yet for a brief period during 1942 the airfields at Eglinton and Maydown became home to two American Fighter Groups.
On 24 June 1942 an air echelon from the 52nd Fighter Group consisting of 200 Enlisted Men, 87 pilots and 3 medical officers left Grenier Field for overseas deployment. Sailing from New York they arrived at Liverpool first, before proceeding to their new home via Larne and arriving at Eglinton on 14 July. The ground echelon followed later, departing New York on 9 August and arriving at Glasgow before boarding the SS Manhattan for Belfast; finishing their journey to Eglinton by train and rejoining the air echelon there on 19 August. Together the air and ground echelons had a total personnel strength of 196 officers and 1531 other ranks. Overall the 52nd comprised of three Fighter Squadrons (FS) with the Groups HQ and the 4th and 5th FS based at Eglinton while the 2nd FS were stationed at nearby Maydown. Principal senior personnel included Colonel Dixon M. Allison, Commanding Officer; Captain G.W West Executive Officer; 1st Lieutenant J.E. Coward, Operations Officer and 1st Lieutenant R.F Keys and 1st Lieutenant R. Levine, Commanders of No.2 and No.4 Fighter Squadrons respectively.
Previously having flown the Bell P-39 Airacobra, the 52nd was allocated Supermarine Spitfires from RAF sources. To assist the Americans in conversion to the type, one RAF Flight Lieutenant was assigned to the 52nd HQ and one Flying Officer was allocated to each Fighter Squadron to provide instruction in Spitfire handling. In addition dual control Miles Master III trainers were made available for conversion training. On the whole the American pilots were very pleased with their new aircraft which gave them a new range of altitude, manoeuvrability and reliability, all of which had already been proven in combat. Yet the period of operations at Eglinton was not without its hazards, and records show a small number of accidents. However, these were chiefly of a minor nature, an example occurring on the 28 July when two Spitfires were involved in a ground collision. Unfortunately one fatality did occur, when on 11 August a Spitfire crashed near Portrush killing the Pilot, Second Lieutenant Earl L. Sharpe serving with the 4th FS. (Incidentally and the previous day, another Spitfire had made an emergency landing on the East Strand due to and engine fire.)
The 52nd Fighter Groups stay at Eglinton was relatively short lived, and by late August their onward move to three airfields in England had begun. Five C-47 transport aircraft arrived on the 24 August to collect equipment, while those aircraft assigned to the 2FS departed first, routing via Woodvale to RAF Biggin Hill. The next day 4FS left for RAF Kenley, while the administrative and support elements travelled to their new base at RAF Goxhill in Lincolnshire on the 26th, making the journey first by train to Larne, then by ferry to Stranraer, and concluding their journey again by train. Before its aircraft departed the squadron spent 10 days undergoing gunnery training at Ballyhalbert then leaving Eglinton for Goxhill with the remaining aircraft: the Fighter Groups total complement of 66 Spitfires and 4 Miles Masters having all now departed. However, before the end of the year Eglinton would host another Americans Fighter Group, the 82nd - this time flying the Lockheed P-38 Lightning.
IWM.
(FRE 11167)
Original Source: www.iwm.org.uk/collections/item/object/205371206
Dundalk overwhelm Bangor in All Ireland Final
by Roger Corbett
Bangor’s amazing run in the All Ireland Junior Cup came to an abrupt end when they were comprehensively beaten by Dundalk, eventually losing by 55-5.
Where do you start when trying to relate and absorb the events of Saturday’s final at Chambers Park? Firstly, congratulations to worthy winners Dundalk who nullified the Bangor attack, then went on to produce some stunning plays which racked up no less than 8 tries, each by a different player. For Bangor’s part, they were unable to respond to the intensity of Dundalk’s game, and lacked the cutting edge which their opponents used to great effect.
The day started full of promise, as the strong support from North Down made their way to Chambers Park in Portadown, knowing Bangor would be fielding their best team. Once again, the pundits had Bangor as the underdogs – just as they had done so in the previous three rounds! In confounding the experts earlier, Bangor produced some awesome performances against top quality opposition to get to the final. Dundalk had produced some convincing wins in the early rounds of the competition, but had struggled to get past CIYMS in the semi-final, just managing to squeeze ahead at the second time of asking. However, with a number of key players returning to the side in time for this game, they were now back at full strength and would be a formidable force to contend with.
Having won the toss, captain Jamie Clegg elected to play into the stiff wind in the first half. For the first 5 minutes, Bangor doggedly retained possession and tried to play their way into Dundalk’s half through a series of determined forward moves. However, little ground was made and, when possession was finally lost, the Dundalk back line produced a burst that simply cut through the Bangor defence resulting in an easy touch down under Bangor’s posts for a 7-0 lead.
Bangor stuck to their plan and slowly, but patiently, got their attack moving forward, eventually winning a penalty to the left of Dundalk’s posts, but Mark Widdowson’s kick into the wind drifted just wide of the mark.
The contrast in play between the two teams was becoming clear, with Bangor trying to keep the ball close while Dundalk were throwing it wide. The latter strategy was proving to be the more effective as, with 20 minutes gone, a quick back line move with players looping around resulted in an overlap on the right wing which gave a clear run in to again, score under the posts. A further 9 minutes later, they did it again and, although the Bangor defence had sensed the danger and moved across to cover it, their tackling let them down allowing Dundalk to get over in the right hand corner, taking their lead to 19-0.
By now, Bangor were trying to hang on until half time when they could regroup and come out with the wind at their backs. Dundalk, on the other hand were anxious to press home their advantage and give them a more comfortable lead. To Bangor’s credit, although camped on their own line for lengthy spells, they dug in and managed to hold on until the referee’s half time whistle.
As the teams reappeared from the dressing rooms, it was obvious Bangor were ringing the changes, particularly in the backs. With the wind advantage having lessened considerably, Bangor got the second half underway. It was now Dundalk’s turn to adopt the slow, steady approach, just as Bangor had done earlier. However, their more confident off-loading and support play was, once again, taking play deep into Bangor’s territory. Frustration at not being able to gain possession and take play out of their danger area eventually resulted in a yellow card for Clegg after a succession of penalties. Dundalk kicked the penalty to touch, won their lineout and drove for the line. Although initially held up by the Bangor defence, Dundalk’s repeated drives were eventually rewarded with another converted score, extending their lead to 26-0.
From the touchline, the Bangor faithful had felt that if their players had managed to score first in the second half, they may have been able to mount a fight-back and close the gap to their opponents. As it was, this Dundalk score simply bolstered their confidence and pushed Bangor deeper into trouble. With Bangor still a man down, Dundalk added to the score with a penalty and then another score in the corner. Everything was now working for the Leinster men, as even the difficult touchline conversion into the biting wind successfully split the posts, bringing the score to 36-0.
As the game entered the final quarter, and with Dundalk all but holding the cup, Bangor were now on the ropes. By contrast, the Dundalk players were in almost total control, and were not going to slow down now. In a 10 minute spell, they ran in a further 3 tries, making the scoreline 55-0. By now, any sense of dejection the Bangor supporters may have been feeling was now moved to feelings of sympathy for their players. However, pride was at stake and once again Bangor rallied as the game entered its final minutes. At last, the forwards got within striking distance of the Dundalk line and, although their repeated attacks were repelled, they finally managed to do what their opponents had done so effectively, and quickly passed the ball wide to Davy Charles. Even though they were 55 points ahead, the Dundalk defence made Charles work hard to drive through the tackles and score Bangor’s consolation try, bringing the final score to 55-5.
From Bangor’s point of view, the final score doesn’t tell the whole story of this competition. While the final may have resulted in a sad anti-climax for Bangor, the remarkable journey to get there will be remembered for some time. On the day, Dundalk were by far the better side, and Bangor would have to concede that their game was not up to the usual standard. However, there is no doubt the experience of competing at this level is something to relish and the goal now will be to secure a top four place in the league and try again next year.
Everybody at the club has nothing but the highest respect and praise for what has been achieved this year by not just the 1sts, but all the senior teams, and one poor result isn’t going to change that – the welcome at Upritchard Park for the returning players is testament to that. With that in mind, the players now need to put this disappointment behind them and provide the best possible response against a struggling Portadown side at home in the league next Saturday.
Bangor side: J Leary, A Jackson, P Whyte, F Black, G Irvine, R Latimer, J Clegg, C Stewart, R Armstrong, K Rosson, D Charles, M Aspley, M Weir, M Widdowson, C Morgan
Subs: S Irvine, O McIlmurray, D Kelly, M Rodgers, C Harper, D Fusco, M Thompson
Bangor scores: D Charles (1T)
Dundalk Storm To Title Dundalk 55 v Bangor 5 from KnockOn.ie
Dundalk Scorers: Christopher Scully, Owen McNally, Jonathan Williams, John Smyth, Ultan Murphy, Tiernan Gonnelly, James McConnon and Stephen Murphy 1 try each. Ultan Murphy 6 cons, 1 pen.
Bangor Scorers: David Charles 1 try.
In front of a big crowd at Chambers Park on Saturday afternoon Dundalk delivered a stunning and ruthless display to see off the challenge of Bangor and capture the All Ireland Junior Cup title for the very first time.
Three first half tries had them firmly in control at 19-0 ahead having played with the elements at the Portadown venue during the first half and while the wind dropped somewhat after half time the Dundalk intensity most certainly didn’t as they cut loose scoring five more tries.
Dundalk returned to a heroes welcome at their Mill Road clubhouse on Saturday night after a display of pure brilliance throughout the afternoon.
Precision, pace and skill from the Louth men from start to finish left Bangor playing second fiddle for long periods.
Dundalk overwhelm Bangor in All Ireland Final
by Roger Corbett
Bangor’s amazing run in the All Ireland Junior Cup came to an abrupt end when they were comprehensively beaten by Dundalk, eventually losing by 55-5.
Where do you start when trying to relate and absorb the events of Saturday’s final at Chambers Park? Firstly, congratulations to worthy winners Dundalk who nullified the Bangor attack, then went on to produce some stunning plays which racked up no less than 8 tries, each by a different player. For Bangor’s part, they were unable to respond to the intensity of Dundalk’s game, and lacked the cutting edge which their opponents used to great effect.
The day started full of promise, as the strong support from North Down made their way to Chambers Park in Portadown, knowing Bangor would be fielding their best team. Once again, the pundits had Bangor as the underdogs – just as they had done so in the previous three rounds! In confounding the experts earlier, Bangor produced some awesome performances against top quality opposition to get to the final. Dundalk had produced some convincing wins in the early rounds of the competition, but had struggled to get past CIYMS in the semi-final, just managing to squeeze ahead at the second time of asking. However, with a number of key players returning to the side in time for this game, they were now back at full strength and would be a formidable force to contend with.
Having won the toss, captain Jamie Clegg elected to play into the stiff wind in the first half. For the first 5 minutes, Bangor doggedly retained possession and tried to play their way into Dundalk’s half through a series of determined forward moves. However, little ground was made and, when possession was finally lost, the Dundalk back line produced a burst that simply cut through the Bangor defence resulting in an easy touch down under Bangor’s posts for a 7-0 lead.
Bangor stuck to their plan and slowly, but patiently, got their attack moving forward, eventually winning a penalty to the left of Dundalk’s posts, but Mark Widdowson’s kick into the wind drifted just wide of the mark.
The contrast in play between the two teams was becoming clear, with Bangor trying to keep the ball close while Dundalk were throwing it wide. The latter strategy was proving to be the more effective as, with 20 minutes gone, a quick back line move with players looping around resulted in an overlap on the right wing which gave a clear run in to again, score under the posts. A further 9 minutes later, they did it again and, although the Bangor defence had sensed the danger and moved across to cover it, their tackling let them down allowing Dundalk to get over in the right hand corner, taking their lead to 19-0.
By now, Bangor were trying to hang on until half time when they could regroup and come out with the wind at their backs. Dundalk, on the other hand were anxious to press home their advantage and give them a more comfortable lead. To Bangor’s credit, although camped on their own line for lengthy spells, they dug in and managed to hold on until the referee’s half time whistle.
As the teams reappeared from the dressing rooms, it was obvious Bangor were ringing the changes, particularly in the backs. With the wind advantage having lessened considerably, Bangor got the second half underway. It was now Dundalk’s turn to adopt the slow, steady approach, just as Bangor had done earlier. However, their more confident off-loading and support play was, once again, taking play deep into Bangor’s territory. Frustration at not being able to gain possession and take play out of their danger area eventually resulted in a yellow card for Clegg after a succession of penalties. Dundalk kicked the penalty to touch, won their lineout and drove for the line. Although initially held up by the Bangor defence, Dundalk’s repeated drives were eventually rewarded with another converted score, extending their lead to 26-0.
From the touchline, the Bangor faithful had felt that if their players had managed to score first in the second half, they may have been able to mount a fight-back and close the gap to their opponents. As it was, this Dundalk score simply bolstered their confidence and pushed Bangor deeper into trouble. With Bangor still a man down, Dundalk added to the score with a penalty and then another score in the corner. Everything was now working for the Leinster men, as even the difficult touchline conversion into the biting wind successfully split the posts, bringing the score to 36-0.
As the game entered the final quarter, and with Dundalk all but holding the cup, Bangor were now on the ropes. By contrast, the Dundalk players were in almost total control, and were not going to slow down now. In a 10 minute spell, they ran in a further 3 tries, making the scoreline 55-0. By now, any sense of dejection the Bangor supporters may have been feeling was now moved to feelings of sympathy for their players. However, pride was at stake and once again Bangor rallied as the game entered its final minutes. At last, the forwards got within striking distance of the Dundalk line and, although their repeated attacks were repelled, they finally managed to do what their opponents had done so effectively, and quickly passed the ball wide to Davy Charles. Even though they were 55 points ahead, the Dundalk defence made Charles work hard to drive through the tackles and score Bangor’s consolation try, bringing the final score to 55-5.
From Bangor’s point of view, the final score doesn’t tell the whole story of this competition. While the final may have resulted in a sad anti-climax for Bangor, the remarkable journey to get there will be remembered for some time. On the day, Dundalk were by far the better side, and Bangor would have to concede that their game was not up to the usual standard. However, there is no doubt the experience of competing at this level is something to relish and the goal now will be to secure a top four place in the league and try again next year.
Everybody at the club has nothing but the highest respect and praise for what has been achieved this year by not just the 1sts, but all the senior teams, and one poor result isn’t going to change that – the welcome at Upritchard Park for the returning players is testament to that. With that in mind, the players now need to put this disappointment behind them and provide the best possible response against a struggling Portadown side at home in the league next Saturday.
Bangor side: J Leary, A Jackson, P Whyte, F Black, G Irvine, R Latimer, J Clegg, C Stewart, R Armstrong, K Rosson, D Charles, M Aspley, M Weir, M Widdowson, C Morgan
Subs: S Irvine, O McIlmurray, D Kelly, M Rodgers, C Harper, D Fusco, M Thompson
Bangor scores: D Charles (1T)
Dundalk Storm To Title Dundalk 55 v Bangor 5 from KnockOn.ie
Dundalk Scorers: Christopher Scully, Owen McNally, Jonathan Williams, John Smyth, Ultan Murphy, Tiernan Gonnelly, James McConnon and Stephen Murphy 1 try each. Ultan Murphy 6 cons, 1 pen.
Bangor Scorers: David Charles 1 try.
In front of a big crowd at Chambers Park on Saturday afternoon Dundalk delivered a stunning and ruthless display to see off the challenge of Bangor and capture the All Ireland Junior Cup title for the very first time.
Three first half tries had them firmly in control at 19-0 ahead having played with the elements at the Portadown venue during the first half and while the wind dropped somewhat after half time the Dundalk intensity most certainly didn’t as they cut loose scoring five more tries.
Dundalk returned to a heroes welcome at their Mill Road clubhouse on Saturday night after a display of pure brilliance throughout the afternoon.
Precision, pace and skill from the Louth men from start to finish left Bangor playing second fiddle for long periods.
Italien / Toskana - San Gimignano
Porta San Matteo
San Gimignano (Italian pronunciation: [san dʒimiɲˈɲaːno]) is a small walled medieval hill town in the province of Siena, Tuscany, north-central Italy. Known as the Town of Fine Towers, San Gimignano is famous for its medieval architecture, unique in the preservation of about a dozen of its tower houses, which, with its hilltop setting and encircling walls, form "an unforgettable skyline". Within the walls, the well-preserved buildings include notable examples of both Romanesque and Gothic architecture, with outstanding examples of secular buildings as well as churches. The Palazzo Comunale, the Collegiate Church and Church of Sant' Agostino contain frescos, including cycles dating from the 14th and 15th centuries. The "Historic Centre of San Gimignano" is a UNESCO World Heritage Site. The town also is known for saffron, the Golden Ham, pecorino cheese and its white wine, Vernaccia di San Gimignano, produced from the ancient variety of Vernaccia grape which is grown on the sandstone hillsides of the area.
Territory
The municipality of San Gimignano extends for 138 km² and is located on a hill in Val d'Elsa. The altitude difference is between a minimum of 64 meters a.s.l. in the plain of the river Elsa near Certaldo at a maximum of 631 meters in the area of Cornocchio.
History
In the 3rd century BC a small Etruscan village stood on the site of San Gimignano. Chroniclers Lupi, Coppi and Pecori relate that during the Catiline conspiracy against the Roman Republic in the 1st century, two patrician brothers, Muzio and Silvio, fled Rome for Valdelsa and built two castles, Mucchio and Silvia (now San Gimignano). The name of Silvia was changed to San Gimignano in 450 AD after Bishop Geminianus, the Saint of Modena, intervened to spare the castle from destruction by the followers of Attila the Hun. As a result, a church was dedicated to the saint, and in the 6th and 7th centuries a walled village grew up around it, subsequently called the "Castle of San Gimignano" or Castle of the Forest because of the extensive woodland surrounding it. From 929 the town was ruled by the bishops of Volterra.
In the Middle Ages and the Renaissance era, it was a stopping point for Catholic pilgrims on their way to Rome and the Vatican, as it sits on the medieval Via Francigena. The city's development was also improved by the trade of agricultural products from the fertile neighbouring hills, in particular saffron, used in both cooking and dyeing cloth and Vernaccia wine, said to inspire popes and poets.
In 1199, the city made itself independent of the bishops of Volterra and established a podestà, and set about enriching the commune with churches and public buildings. However, the peace of the town was disturbed for the next two centuries by conflict between the Guelphs and the Ghibellines, and family rivalries within San Gimignano. This resulted in competing families building tower houses of increasingly greater heights. Towards the end of the Medieval period, there were 72 tower houses in number, up to 70 metres (230 feet) tall. The rivalry was finally restrained when the local council ordained that no tower was to be taller than that adjacent to the Palazzo Comunale.
While the official patron is Saint Geminianus, the town also honours Saint Fina, known also as Seraphina and Serafina, who was born in San Gimignano 1238 and whose feast day is 12 March. The Chapel of Santa Fina in the Collegiate Church houses her shrine and frescos by Ghirlandaio. The house said to be her home still stands in the town.
On 8 May 1300, San Gimignano hosted Dante Alighieri in his role as ambassador of the Guelph League in Tuscany.
The city flourished until 1348, when it was struck by the Black Death that affected all of Europe, and about half the townsfolk died. The town submitted to the rule of Florence. Initially, some Gothic palazzi were built in the Florentine style, and many of the towers were reduced to the height of the houses. There was little subsequent development, and San Gimignano remained preserved in its medieval state until the 19th century, when its status as a touristic and artistic resort began to be recognised.
Description
The city is on the ridge of a hill with its main axis being north/south. It is encircled by three walls and has at its highest point, to the west, the ruins of a fortress dismantled in the 16th century. There are eight entrances into the city, set into the second wall, which dates from the 12th and 13th centuries. The main gates are Porta San Giovanni on the ridge extending south, Porta San Matteo to the north west and Porta S. Jacopo to the north east. The main streets are Via San Matteo and Via San Giovanni, which cross the city from north to south. At the heart of the town are four squares: the Piazza Duomo, on which stands the Collegiate Church; the Piazza della Cisterna, the Piazza Pecori and the Piazza delle Erbe. To the north of the town is another significant square, Piazza Agostino, on which stands the Church of Sant' Agostino. The locations of the Collegiate Church and Sant' Agostino's and their piazzas effectively divide the town into two regions.
Main sights
The town of San Gimignano has many examples of Romanesque and Gothic architecture. As well as churches and medieval fortifications, there are examples of Romanesque secular and domestic architecture which may be distinguished from each other by their round and pointed arches, respectively. A particular feature which is typical of the region of Siena is that the arches of openings are depressed, with doorways often having a second low arch set beneath a semi-circular or pointed arch. Both Romanesque and Gothic windows sometimes have a bifurcate form, with two openings divided by a stone mullion under a single arch.
Culture
San Gimignano is the birthplace of the poet Folgore da San Gimignano (1270–1332).
A fictionalised version of San Gimignano is featured in E. M. Forster's 1905 novel, Where Angels Fear to Tread as Monteriano.
M. C. Escher's 1923 woodcut San Gimignano depicts the celebrated towers.
Franco Zeffirelli used San Gimignano as a stand-in for the town of Assisi in his 1972 Saint Francis of Assisi biopic Brother Sun, Sister Moon. Most of the "Assisi" scenes were filmed here
Tea with Mussolini, a 1999 drama about the plight of English and American expatriate women in Italy during World War II, was filmed in part in San Gimignano. The frescoes that the women save from being destroyed during the German Army's withdrawal are inside the Duomo, the town's main church. The account of this episode is, to a large extent, fictional, because, although there are reports of intended retribution against the town, there is no evidence of a plan to destroy the churches. However, the reference to risk of cultural destruction is historic, as the Allies bombed the area for ten days.
In the 2005 novel The Broker by John Grisham, Joel Backman takes his second of three wives on vacation in Italy to keep her from divorcing him. They rent a 14th-century monastery near San Gimignano for a month.
A 15th-century version of the town is featured in the 2009 video game Assassin's Creed II.
(Wikpedia)
Piazza della Cisterna is a piazza in San Gimignano, Italy. It has a triangular shape with a slight natural slope and is connected to the nearby Piazza del Duomo by an open passage. The pavement is brick and the piazza is surrounded by houses and medieval towers. There are presently 5 towers onto the square or very near it and the bases of other five are visible on the facade of the various palaces, plus one, the Ridolfi tower, which is no longer in existence having collapsed in 1646 onto the family palace, thus making this relatively small area a concentrate of medieval architecture. In the south-west corner, the piazza meets the Arc of Becci, (l'arco dei Becci), an ancient city gate. The arc is flanked by the massive rectangular towers of Becci (torri dei Becci) on the left and Cugnanesi (torri dei Cugnanesi) on the right.
Past the access to via di Castello, which led down to the original Bishop’s castle, the northern side is characterized by the renaissance Cortesi Palace, which includes la torre del Diavolo, and extends along the north side of the square including the old houses of the Cattani family. There remains of two pre-existing towers are clearly visible onto the facade of the Cortesi Palace.
The west side is adorned with various towers, like the twin towers of Ardinghelli and the tower of palazzo Pellari visible over the roofs.
History
The piazza is located at the intersection of two main streets of the village of San Gimignano: la via Francigena that run north to south and la via Pisa - [[Siena]that runs east to west]. The piazza was used as a market and a stage for festivals and tournaments. Originally the area was divided in two squares by the palace and tall tower of the Ridolfi family, the Piazza dell’ Olmo in the inferior and western part and the Piazza delle Taverne in the eastern side and with the cisterna in the middle. In 1646 the tall Ridolfi tower suddenly collapsed, destroying the palace and thus the two squares were merged into one, the Piazza della Cisterna.
The piazza is named after the underground cistern (Cisterna) built in 1287. The cistern is capped by a travertine octagonal pedestal, which was built in 1346 under the mayor Guccio Malavolti whose coat of arms with the ladder is carved onto the stones, and is close to the center of the square.
(Wikipedia)
San Gimignano ist eine italienische Kleinstadt in der Toskana mit einem mittelalterlichen Stadtkern. San Gimignano wird auch „Mittelalterliches Manhattan“ oder die „Stadt der Türme“ genannt. Die Stadt liegt in der Provinz Siena und hat 7717 Einwohner (Stand 31. Dezember 2019). Sie gehört neben Florenz, Siena und Pisa zu den von Touristen meistbesuchten Zielen in der Toskana.
Allgemeines
Der historische Stadtkern ist seit dem Jahr 1990 Teil des Weltkulturerbes der UNESCO. San Gimignano besitzt noch einige der mittelalterlichen Geschlechtertürme, die in anderen Städten nur als Stümpfe erhalten blieben. Im Mittelalter versuchten die Patrizierfamilien, sich in der Höhe ihres Geschlechterturmes zu übertreffen, obwohl ein luxuriöses Leben darin nicht möglich war. Von den einst 72 Geschlechtertürmen existieren in San Gimignano heute noch 15. Die beiden höchsten, der Torre Grossa aus dem Jahr 1311 und der Torre della Rognosa, weisen eine Höhe von 54 bzw. 51 Metern auf. Die Zisterne auf der Piazza della Cisterna entstand 1287 und wurde 1346 durch den Podestà Guccio Malavolti erweitert.
Geografie
Die Stadt liegt ca. 40 km südwestlich der Regionalhauptstadt Florenz und ca. 28 km nordwestlich der Provinzhauptstadt Siena an der Via Francigena und im Elsatal. San Gimignano liegt in der klimatischen Einordnung italienischer Gemeinden in der Zone D, 2 085 GR/G.
Zu den Ortsteilen gehören Badia a Elmi (94 m, gehört teilweise zu Certaldo), Castel San Gimignano (377 m, gehört teilweise zu Colle di Val d’Elsa), Pancole (272 m), Santa Lucia (268 m) und Ulignano. Weitere wichtige Orte im Gemeindegebiet sind Montauto (277 m), Monteoliveto (275 m) Ranza und San Donato (357 m). Größter Ortsteil ist Ulignano mit ca. 690 Einwohnern.
Die wichtigsten Flüsse im Gemeindegebiet sind der Elsa (4 von 81 km im Gemeindegebiet) sowie die Torrenti Foci (4 von 15 km im Gemeindegebiet) und Riguardi (7 von 7 km im Gemeindegebiet).
Die Nachbargemeinden sind Barberino Tavarnelle (FI), Certaldo (FI), Colle di Val d’Elsa, Gambassi Terme (FI), Poggibonsi und Volterra (PI).
Geschichte
San Gimignano soll bereits um 300 bis 200 v. Chr. von den Etruskern besiedelt worden sein. Erstmals dokumentiert wurde der Ort 929. Den Namen erhielt die Stadt von dem heiligen Bischof von Modena, San Gimignano. Es heißt, er habe das Dorf vor den barbarischen Horden des Totila geschützt.
Diese Stadt verdankt ihre Existenz der Via Francigena (Frankenstraße). Auf diesem Hauptverkehrsweg des mittelalterlichen Italiens zogen Händler und Pilger vom Norden nach Rom. Der Ort bildete sich als Marktstätte zwischen dem frühmittelalterlichen Castello und der Pieve, dem Vorgängerbau der Collegiata. Ein erster Stadtmauerring wurde im 10. Jahrhundert angelegt. Dessen Verlauf markieren zwei noch erhaltene Stadttore, im Norden der Arco della Cancelleria und im Süden der Arco dei Becci.
Vom 11. Jahrhundert an dehnte sich das Stadtgebiet entlang der Frankenstraße in nördlicher und südlicher Richtung aus. An die Existenz des früheren Castello erinnern die Via di Castello, eine der ältesten Straßen, und die Kirche von San Lorenzo, die bei der Zugbrücke lag. Mindestens seit dem Jahr 929 gehörte das Kastell den Bischöfen von Volterra. Diese Bischöfe waren es auch, die die Herrschaft über die sich ausdehnende Stadt ausübten. Erst 1199 gelang es den von den Bürgern gewählten Konsuln, Verträge ohne die Zustimmung des Bischofs zu unterzeichnen. San Gimignano war nie Bischofssitz, sondern gehörte zum kirchlichen Verwaltungsbezirk (Diözese) Volterra und erlangte somit auch keine Stadtrechte. Trotzdem verlief die politische Entwicklung der Landkommune in ähnlichen Schritten wie die der großen Städte. Die Regierung der Konsuln wurde durch den Podestà (einem gewählten Administrator) abgelöst. Diesem standen ein kleiner und ein großer Rat zur Seite. Dem großen Rat gehörte eine bemerkenswert hohe Zahl von 1200 Mitgliedern an, obwohl San Gimignano nur 6000 Einwohner hatte.
Die freie Kommune stritt bis ins 14. Jahrhundert mit den Bischöfen von Volterra in langjährigen Kriegen um Besitzrechte. Sie musste gegen die Nachbarorte Castelfiorentino, gegen Colle und Poggibonsi zu Felde ziehen und nahm auf der Seite des guelfischen Florenz an den großen Machtkämpfen des 13. Jahrhunderts teil. Auch innerhalb der Stadtmauern setzten sich die Kämpfe zwischen Guelfen (Welfen) und Ghibellinen (Waiblinger) fort. Es kam zu blutigen Familienfehden zwischen den Familien der Salvucci (Ghibellinen) und der Ardinghelli (Guelfen).
Ab Mai 1300 hielt sich Dante Alighieri in diplomatischer Mission in San Gimignano auf. Vom 15. Juni bis 15. August 1300 amtierte er als eines von sechs Mitgliedern des Priorats, des höchsten Gremiums der Stadt. Im Jahre 1319 versuchte er in seiner Funktion als führender Florentiner Politiker vergeblich, die verfeindeten Parteien zu versöhnen. Eine Kommune wie San Gimignano konnte sich im 14. Jahrhundert nicht mehr neben den Großmächten behaupten. Im Jahre 1348 wurde die Stadt neben Kriegsverlusten und Familienfehden durch die Pest stark geschwächt. Vier Jahre später, im Jahre 1352, begab sich die Stadt unter den Schutz von Florenz.
Die Blütezeit der Stadt dauerte 160 Jahre an, ihr Wohlstand beruhte auf Handel und dem Anbau von Safran, mit dem man Seidenstoffe färbte. Die Frankenstraße verlor im Spätmittelalter allmählich an Bedeutung, weil der Handel die bequemeren Wege durch die weitgehend trockengelegten Sümpfe der Ebenen vorzog. Die Stadt, die einst Gesetze gegen übertriebenen Luxus erlassen hatte, verarmte.
Hochrenaissance (ca. 1500 bis 1530) und Barock (1575 bis 1770) hinterließen in San Gimignano so gut wie keine Spuren. Die Stadt war niemals ein eigenständiges Kunstzentrum. Künstler aus Siena und Florenz malten die Fresken und Altartafeln. Die Paläste und Kirchen zeigen pisanische, sienesische, lucchesische und florentinische Stilmerkmale. In San Gimignano ist die Zeit scheinbar im Jahr 1563 stehengeblieben. Der erste der toskanischen Großherzöge, Cosimo I. de’ Medici, entschied, es dürfen „auch keine geringen Summen“ mehr in diese Stadt investiert werden. Das musste akzeptiert werden, und so ist San Gimignano geblieben, wie es damals war.
(Wikipedia)
On Saturday the church in Broadfield organised a clean-up session for the shopping parade and surrounding area.
About 60 people turned up, so they were able to pick litter, cut back undergrowth, scrub all the shops' window and door frames and generally smarten the place up.
Look how she relates to my Isabella-girl, a true dog lover, she was a regular at our dog park easily recognizable by feeding kibble to at least 3 dogs, sometimes more, by throwing a ball for them to catch and rewarding them when they were returning the ball. So she combined food and exercise and liberally also shared with other dogs. Her dogs were always happy and excited, active dogs. She had trouble saying no to my girl's begging, but they did have an understanding, they really liked each other, I think it shows in this image form 3.3.09. Not many at the dog park may know that Ruth Anne was an enthusiastic Marimba player who practiced and performed with her own group. I learned only today, this morning, that Ruth Ellen passed on this July 26, 2013. The word is due to cancer. She was only 60 years old, kind and always ready with a smile. I am deeply saddened at this news, but I like to believe that true to her beautiful spirit she would have passed on peacefully. There will be a memorial at the dog park for her on August 17th 9 am.
Track and Field archives
The National Athletics Archive is held at the Cadbury Research Library, University of Birmingham, and comprises an extensive volume of archival materials. These papers primarily relate to the history and development of athletics in the United Kingdom throughout the 1800s and 1900s. In addition to organisational collections, such as the papers of the Amateur Athletics Association, the National Athletics Archive includes various discrete collections of individual athletes. These include papers relating to Sydney Wooderson MBE, 1914-2006. Wooderson was an English athlete who was dubbed ‘The Mighty Atom’. His athletics career peaked in the 1930s and 1940s and he set the world mile record of 04:06:40 at London’s Motspur Park on 28 August 1937. This record stood for nearly five years.
The collection also includes ephemeral and grey literature relating to various athletics clubs, meetings and events. Papers relating to major athletics championships include material generated during the 1958 British Empire and Commonwealth Games held in Cardiff. These Games introduced the ‘Queen’s Baton Relay’ which has been conducted as a prelude to every British Empire and Commonwealth Games since.
Programmes and manuscript results compiled by the athlete and coach, Dennis Cullum, 1913-1985.
Reference: ATH/DC/2/1
Inspired by issues relating to climate change, Water Will Be Here imagines what it might feel like if sea levels rose to the point where cities found themselves underwater.
Water Will Be Here is a site-specific digital video installation that was presented as part of Scotiabank's 2012 Nuit Blanche Festival and was installed at the CICB building in downtown Toronto.
The tree of life is a fundamental archetype in many of the world's mythological, religious, and philosophical traditions. It is closely related to the concept of the sacred tree.[1] The tree of knowledge connecting to heaven and the underworld such as Yggdrasil and the tree of the knowledge of good and evil in Genesis, and the tree of life, connecting all forms of creation, are forms of the world tree or cosmic tree,[2] and are portrayed in various religions and philosophies as the same tree.[3]
Religion and mythology
Main article: Trees in mythology
Various trees of life are recounted in folklore, culture and fiction, often relating to immortality or fertility. They had their origin in religious symbolism. According to professor Elvyra Usačiovaitė, a "typical" imagery preserved in ancient iconography is that of two symmetrical figures facing each other, with a tree standing in the middle. The two characters may variously represent rulers, gods, and even a deity and a human follower.[4]
Ancient Mesopotamia
Assyrian tree of life, from Nimrud panels.
The Assyrian tree of life was represented by a series of nodes and crisscrossing lines. It was apparently an important religious symbol, often attended to in Assyrian palace reliefs by human or eagle-headed winged genies, or the King, and blessed or fertilized with bucket and cone. Assyriologists have not reached consensus as to the meaning of this symbol. The name "Tree of Life" has been attributed to it by modern scholarship; it is not used in the Assyrian sources. In fact, no textual evidence pertaining to the symbol is known to exist.
The Urartian tree of life
The Epic of Gilgamesh is a similar quest for immortality. In Babylonian religion, Etana, the King of Kish, searched for a 'plant of birth' to provide him with a son. This has a solid provenance of antiquity, being found in cylinder seals from the Akkadian Empire (2390–2249 BCE).
Urartu
In Urartu in the Armenian highlands, the tree of life was a religious symbol and was drawn on walls of fortresses and carved on the armor of warriors. The branches of the tree were equally divided on the right and left sides of the stem, with each branch having one leaf, and one leaf on the apex of the tree. Servants stood on each side of the tree with one of their hands up as if they are taking care of the tree.
Ancient Iran
Tree of life on a rhyton from Marlik, Iran, currently at the National Museum of Iran.
In the Avestan literature and Iranian mythology, there are several sacred vegetal icons related to life, eternality and cure, such as Amesha Spenta; Ameretat, the guardian of plants and goddess of trees and immortality; Gaokerena or white haoma, a tree that its vivacity would certify continuance of life in the universe; the bas tokhmak, a tree with remedial attribute, retentive of all herbal seeds, and destroyer of sorrow; Mashya and Mashyana, the parents of the human race; barsom, copped offshoots of pomegranate, gaz (Tamarix gallica), or haoma that Zoroastrians use in their rituals; and haoma, a plant, unknown today, that was the source of sacred potable.[5]
The Gaokerena is a large, sacred haoma planted by Ahura Mazda. Ahriman created a frog to invade the tree and destroy it, aiming to prevent all trees from growing on the earth. As a reaction, Ahura Mazda created two kar-fish staring at the frog to guard the tree. The two fish are always staring at the frog and stay ready to react to it. Ahriman is responsible for all evil including death; Ahura Mazda is responsible for all good (including life).
Haoma is another sacred plant due to the drink made from it. The preparation of the drink from the plant by pounding and the drinking of it are central features of Zoroastrian ritual. Haoma is also personified as a divinity. It bestows essential vital qualities—health, fertility, husbands for maidens, even immortality. The source of the earthly haoma plant is a shining white tree that grows on a paradisiacal mountain. Sprigs of this white haoma were brought to earth by divine birds. The tree is considerably diverse.
Haoma is the Avestan form of the Sanskrit soma. The identity of the two in ritual significance is considered by scholars to point to a salient feature of an Indo-Iranian religion antedating Zoroastrianism.[6][7]
Another related issue in ancient mythology of Iran is the myth of Mashya and Mashyana, two trees that were the ancestors of all living beings. This myth can be considered as a prototype for the creation myth where living beings are created by Gods.
Hinduism
A genre of the sacred books of Hinduism, the Puranas, mention a divine tree called the Kalpavriksha. This divine tree is guarded by gandharvas in the garden of the mythological city of Amaravati under the control of Indra, the king of the devas. In one story, for a very long time, the devas and the asuras decided to churn the milky ocean to obtain amrita, the nectar of immortality, and share it equally. During the churning, along with many other mythical items, emerged the Kalpavriksha. It is described to be gold in colour and bear a mesmerising aura. It is said to be pleased with chanting and offers: when it is pleased, it grants every wish. Hindu tradition holds that there are five separate kalpavrikshas and each of them grant different types of wishes. These trees also appear in the beliefs of Jainism.[8]
Chinese mythology
Bronze Tree with birds, flowers, and ornaments from Sanxingdui
See also: Fusang
In Chinese mythology, a carving of a tree of life depicts a phoenix and a dragon; the dragon often represents immortality. A Taoist story tells of a tree that produces a peach of immortality every three thousand years, and anyone who eats the fruit receives immortality.
An archaeological discovery in the 1990s was of a sacrificial pit at Sanxingdui in Sichuan, China. Dating from about 1200 BCE, it contained three bronze trees, one of them 4 meters high. At the base was a dragon, and fruit hanging from the lower branches. At the top is a bird-like (Phoenix) creature with claws. Also found in Sichuan, from the late Han dynasty (c. 25–220 CE), is another tree of life. The ceramic base is guarded by a horned beast with wings. The leaves of the tree represent coins and people. At the apex is a bird with coins and the Sun.
Christianity
Allegorical painting of the Tree of Life in the Church of San Roque of Arahal (Seville). Oil on canvas by anonymous author. Dated 1723
See also: Tree of life (biblical) and Tree of the knowledge of good and evil § Christianity
The tree of life first appears in Genesis 2:9 and 3:22–24 as the source of eternal life in the Garden of Eden, from which access is revoked when man is driven from the garden. It then reappears in the last book of the Bible, the Book of Revelation, and most predominantly in the last chapter of that book (Chapter 22) as a part of the new garden of paradise. Access is then no longer forbidden, for those who "wash their robes" (or as the textual variant in the King James Version has it, "they that do his commandments") "have right to the tree of life" (v. 14). A similar statement appears in Rev 2:7, where the tree of life is promised as a reward to those who overcome. Revelation 22 begins with a reference to the "pure river of water of life" which proceeds "out of the throne of God". The river seems to feed two trees of life, one "on either side of the river" which "bear twelve manner of fruits" "and the leaves of the tree were for healing of the nations" (v. 1–2).[9] Alternatively, this may indicate that the tree of life is a vine that grows on both sides of the river, as John 15:1 would hint at.
Pope Benedict XVI has said that "the Cross is the true tree of life."[10] Saint Bonaventure taught that the medicinal fruit of the tree of life is Christ himself.[11] Saint Albert the Great taught that the Eucharist, the Body and Blood of Christ, is the Fruit of the Tree of Life.[12] Augustine of Hippo said that the tree of life is Christ:
All these things stood for something other than what they were, but all the same they were themselves bodily realities. And when the narrator mentioned them he was not employing figurative language, but giving an explicit account of things which had a forward reference that was figurative. So then the tree of life also was Christ... and indeed God did not wish the man to live in Paradise without the mysteries of spiritual things being presented to him in bodily form. So then in the other trees he was provided with nourishment, in this one with a sacrament... He is rightly called whatever came before him in order to signify him.[13]
In Eastern Christianity the tree of life is the love of God.[14]
The Church of Jesus Christ of Latter-day Saints
Main article: Tree of life vision
The tree of life vision is described and discussed in the Book of Mormon. According to the Book of Mormon, the vision was received in a dream by the prophet Lehi, and later in a vision by his son Nephi, who wrote about it in the First Book of Nephi. The vision includes a path leading to a tree, the fruit of the tree symbolizing the love of God, with an iron rod, symbolizing the word of God, along the path whereby followers of Jesus may hold to the rod and avoid wandering off the path into pits or waters symbolizing the ways of sin. The vision also includes a large building wherein the wicked look down at the righteous and mock them.
The vision is said to symbolize love of Christ and the way to eternal life and is a well known and cited story with members of The Church of Jesus Christ of Latter-day Saints. A member of the church reflected that the vision is "one of the richest, most flexible, and far-reaching pieces of symbolic prophecy contained in the standard works [scriptures]."[15]
Nag Hammadi Gnosticism
Different views on the Tree of life can be found in the Nag Hammadi library codices, writings belonging to Gnosticism. In On the Origin of the World, the Tree of Life is said to be located to the north of paradise, providing life to the innocent saints who will come out of their material bodies during what is called the consummation of the age. The color of the tree is described as resembling the Sun, its branches are beautiful, its leaves are similar to that of cypress, and its fruit is like clusters of white grapes. However, in the Secret Book of John, the Tree of Life is portrayed negatively. Its roots are described as bitter, its branches are death, its shadow is hatred, a trap is found in its leaves, its seed is desire, and it blossoms in the darkness.[16]
Manichaeism
Manichaeans worshiping the Tree of Life in the Realm of Light. Mid 9th – early 11th century.
In the Gnostic religion Manichaeism, the Tree of Life helped Adam obtain the knowledge (gnosis) necessary for salvation and is identified as an image of Jesus.[17]
Europe
In Greek mythology, Hera is gifted a branch growing golden apples by her grandmother Gaia, which are then planted in Hera's Garden of the Hesperides. The dragon Ladon guards the tree(s) from all who would take the apples. The three golden apples that Aphrodite gave to Hippomenes to distract Atalanta three times during their footrace allowed him to win Atalanta's hand in marriage. Though it is not specified in ancient myth, many assume that Aphrodite gathered those apples from Hera's tree(s). Eris stole one of these apples and carved the words ΤΗΙ ΚΑΛΛΙΣΤΗΙ, "to the fairest", upon it to create the Apple of Discord. Heracles retrieved three of the apples as the eleventh of his Twelve Labors. The Garden of the Hesperides is often compared to Eden, the golden apples are compared to the forbidden fruit of the tree in Genesis, and Ladon is often compared to the snake in Eden, all of which is part of why the forbidden fruit of Eden is usually represented as an apple in European art, even though Genesis does not specifically name nor describe any characteristics of the fruit.
11th century tree of life sculpture at an ancient Swedish church
In Dictionnaire Mytho-Hermetique (Paris, 1737), Antoine-Joseph Pernety, a famous alchemist, identified the tree of life with the Elixir of life and the Philosopher's Stone.
In Eden in the East (1998), Stephen Oppenheimer suggests that a tree-worshipping culture arose in Indonesia and was diffused by the so-called "Younger Dryas" event of c. 10,900 BCE or 12,900 BP, after which the sea level rose. This culture reached China (Sichuan), then India and the Middle East. Finally the Finno-Ugric strand of this diffusion spread through Russia to Finland where the Norse myth of Yggdrasil took root.
The Celtic god Lugus was associated with the Celtic version of the tree of life.
Georgia
The Borjgali (Georgian: ბორჯღალი) is an ancient Georgian tree of life symbol.
Germanic paganism and Norse mythology
In Germanic paganism, trees played (and, in the form of reconstructive Heathenry and Germanic Neopaganism, continue to play) a prominent role, appearing in various aspects of surviving texts and possibly in the name of gods.
The tree of life appears in Norse religion as Yggdrasil, the world tree, a massive tree (sometimes considered a yew or ash tree) with extensive lore surrounding it. Perhaps related to Yggdrasil, accounts have survived of Germanic Tribes honouring sacred trees within their societies. Examples include Thor's Oak, sacred groves, the Sacred tree at Uppsala, and the wooden Irminsul pillar. In Norse Mythology, the apples from Iðunn's ash box provide immortality for the gods.
Islam
Carpet tree of life Iran
Main article: Quranic tree of life
See also: Sidrat al-Muntaha and Ṭūbā
The "Tree of Immortality" (Arabic: شجرة الخلود) is the tree of life motif as it appears in the Quran. It is also alluded to in hadiths and tafsir. Unlike the biblical account, the Quran mentions only one tree in Eden, also called " the tree of immortality and power that never decays",[18] which God specifically forbade to Adam and Eve.[19][20]
The tree in Quran is used as an example of a concept, idea, way of life or code of life. A good concept/idea is represented as a good tree and a bad idea/concept is represented as a bad tree[21] Muslims believe that when God created Adam and Eve, he told them that they could enjoy everything in the Garden except this tree (idea, concept, way of life).Satan appeared to them and told them that the only reason God forbade them to eat from that tree was that they would become angels or they start using the idea/concept of Ownership in conjunction with inheritance generations after generations which Iblis convinced Adam to accept[18][22]
When Adam and Eve ate from this tree their nakedness appeared to them and they began to sew together, for their covering, leaves from the Garden.[23]
The hadiths also speak about other trees in heaven.[24]
The tree of life in Islamic architecture is a type of biomorphic pattern found in many artistic traditions. It is considered to be any vegetal pattern with a clear origin or growth. The pattern in al-Azhar Mosque, Cairo's mihrab, a unique Fatimid architectural variation, is a series of two or three leave palmettes with a central palmette of five leaves from which the pattern originates. The growth is upwards and outwards and culminates in a lantern like flower towards the top of the niche above which is a small roundel. The curvature of the niche accentuates the undulating movement which despite its complexity is symmetrical along its vertical axis. The representations of varying palm leaves hints to spiritual growth attained through prayer while the upwards and side wards movement of the leaves speaks to the different motions of the worshiper while in salah.[25]
Ahmadiyya
According to the Indian Ahmadiyya movement founded in 1889, Quranic reference to the tree is symbolic; eating of the forbidden tree signifies that Adam disobeyed God.[26][27]
Jewish sources
Judaic Kabbalah tree of life 10 Sefirot, through which the Ein Sof unknowable divine manifests Creation. The configuration relates to the first human.
Main articles: Etz Chaim and Biblical tree of life
Etz Chaim (Hebrew: עץ חיים), Hebrew for "tree of life," is a common term used in Judaism. The expression, found in the Book of Proverbs, is figuratively applied to the Torah itself. Etz Chaim is also a common name for yeshivas and synagogues as well as for works of Rabbinic literature. It is also used to describe each of the wooden poles to which the parchment of a Sefer Torah is attached.
The tree of life is mentioned in the Book of Genesis; it is distinct from the tree of the knowledge of good and evil. After Adam and Eve disobeyed God by eating fruit from the tree of the knowledge of good and evil, they were driven out of the Garden of Eden. Remaining in the garden, however, was the tree of life. To prevent their access to this tree in the future, Cherubim with a flaming sword were placed at the east of the garden.[28]
In the Book of Proverbs, the tree of life is associated with wisdom: "[Wisdom] is a tree of life to them that lay hold upon her, and happy [is every one] that retaineth her."[29] In Proverbs 15:4, the tree of life is associated with calmness: "A soothing tongue is a tree of life; but perverseness therein is a wound to the spirit."[30][31]
In the Ashkenazic liturgy, the Eitz Chayim is a piyyut commonly sung as the Sefer Torah is returned to the Torah ark.
The Book of Enoch, generally considered non-canonical, states that in the time of the great judgment, God will give all those whose names are in the Book of Life fruit to eat from the tree of life.[citation needed]
Kabbalah
Main article: Tree of life (Kabbalah)
Jewish mysticism depicts the tree of life in the form of ten interconnected nodes, as the central symbol of the Kabbalah. It comprises the ten Sefirot powers in the divine realm. The panentheistic and anthropomorphic emphasis of this emanationist theology interpreted the Torah, Jewish observance, and the purpose of Creation as the symbolic esoteric drama of unification in the sefirot, restoring harmony to Creation.
From the Renaissance onwards, Kabbalah became incorporated as tradition in Christian Western esotericism as Hermetic Qabalah.
Mandaeism
Mandaean scrolls often include abstract illustrations of trees of life that represent the living, interconnected nature of the cosmos.[32] One of these trees is given the name of Shatrin.[33]
Mesoamerica
A tableau from the Western Mexico shaft tomb tradition, showing a multi-layered tree with birds. It has been proposed that the birds represent souls who have not yet descended into the underworld,[34] while the central tree may represent the Mesoamerican world tree.[35]
Main article: Mesoamerican world tree
The concept of world trees is a prevalent motif in the Mesoamerican cosmovision and iconography, appearing in the pre-Columbian era. World trees embody the four cardinal directions, which represented also the fourfold nature of a central world tree, a symbolic axis mundi connecting the planes of the Underworld and the sky with that of the terrestrial world.[36]
Depictions of world trees, both in their directional and central aspects, are found in the art and mythological traditions of cultures such as the Maya, Aztec, Izapan, Mixtec, Olmec, and others, dating to at least the Mid/Late Formative periods of the Mesoamerican chronology. The tomb of Kʼinich Janaabʼ Pakal of the Maya city-state of Palenque, who became its ajaw or leader when he was twelve years old, has tree of life inscriptions within the walls of his burial place, showing just how important it was.[37] Among the Maya, the central world tree was conceived as or represented by a Ceiba pentandra and is known variously as a wacah chan or yax imix che in different Mayan languages.[38]
The trunk of the tree could also be represented by an upright caiman, whose skin evokes the tree's spiny trunk.[36]
Directional world trees are also associated with the four Year Bearers in Mesoamerican calendars and associated with the directional colors and deities. Mesoamerican codices which have this association outlined include the Dresden, Borgia and Fejérváry-Mayer codices.[36] It is supposed that Mesoamerican sites and ceremonial centers frequently had actual trees planted at each of the four cardinal directions, representing the quadripartite concept.
World trees are frequently depicted with birds in their branches, and their roots extending into earth or water, sometimes atop a "water-monster," symbolic of the underworld. The central world tree has also been interpreted as a representation of the band of the Milky Way.[39]
Northern America
In a myth passed down among the Iroquois, The World on the Turtle's Back, explains the origin of the land in which a tree of life is described. According to the myth, it is found in the heavens, where the first humans lived, until a pregnant woman fell and landed in an endless sea. Saved by a giant turtle from drowning, she formed the world on its back by planting bark taken from the tree.
The tree of life motif is present in the traditional Ojibway cosmology and traditions. It is sometimes described as Grandmother Cedar, or Nookomis Giizhig in Anishinaabemowin.
In the book Black Elk Speaks, Black Elk, an Oglala Lakota (Sioux) wičháša wakȟáŋ (medicine man and holy man), describes his vision in which after dancing around a dying tree that has never bloomed he is transported to the other world (spirit world) where he meets wise elders, 12 men and 12 women. The elders tell Black Elk that they will bring him to meet "Our Father, the two-legged chief" and bring him to the center of a hoop where he sees the tree in full leaf and bloom and the "chief" standing against the tree. Coming out of his trance he hopes to see that the earthly tree has bloomed, but it is dead.[40]
The Oneidas tell that supernatural beings lived in the Skyworld above the waters which covered the earth. This tree was covered with fruits which gave them their light, and they were instructed that no one should cut into the tree otherwise a great punishment would be given. As the woman had pregnancy cravings, she sent her husband to get bark, but he accidentally dug a hole to the other world. After falling through, she came to rest on the turtle's back, and four animals were sent out to find land, which the muskrat finally did.[41]
Serer religion
In Serer religion, the tree of life as a religious concept forms the basis of Serer cosmogony. Trees were the first things created on Earth by the supreme being Roog ("Koox" among the Cangin). In the competing versions of the Serer creation myth, the Somb (Anonychium africana) and the Saas tree (Faidherbia albida) are both viewed as trees of life.[42] However, the prevailing view is that, the Somb was the first tree on Earth and the progenitor of plant life.[42][43] The Somb was also used in the Serer tumuli and burial chambers, many of which have survived for more than a thousand years.[42] Thus, Somb is not only the tree of life in Serer society but the symbol of immortality.[42]
Turkic
The tree of life, as seen as in flag of Chuvashia, a Turkic state in the Russian Federation
Logo of the Ministry of Culture and Tourism of Turkey represents the Tree of Life
The tree of life connects the upper world, middle world and underworld. It is also imagined as the "white creator lord" (yryn-al-tojon),[44] thus synonymous with the creator deity, giving rise to different worlds.
The world tree or tree of life is an important symbol in Turkic mythology.[45] It is a common motif in carpets. It is used in the logo of the Ministry of Culture and Tourism (Turkey) and in 2009 it was introduced as the main design of the common Turkish lira sub-unit 5 kuruş.
Tree of life is known as Ulukayın or Baiterek in Turkic communities. It is a sacred beech tree planted by Kayra Han. Sometimes, it is considered axis mundi.[46]
Baháʼí Faith
The concept of the tree of life appears in the writings of the Baháʼí Faith, where it can refer to the Manifestation of God, a great teacher who appears to humanity from age to age. An example of this can be found in the Hidden Words of Bahá'u'lláh:[47][48]
"Have ye forgotten that true and radiant morn, when in those hallowed and blessed surroundings ye were all gathered in My presence beneath the shade of the tree of life, which is planted in the all-glorious paradise? Awestruck ye listened as I gave utterance to these three most holy words: O friends! Prefer not your will to Mine, never desire that which I have not desired for you, and approach Me not with lifeless hearts, defiled with worldly desires and cravings. Would ye but sanctify your souls, ye would at this present hour recall that place and those surroundings, and the truth of My utterance should be made evident unto all of you."
Also, in the Tablet of Ahmad of Bahá'u'lláh: "Verily He is the Tree of Life, that bringeth forth the fruits of God, the Exalted, the Powerful, the Great".[49]
Bahá'u'lláh refers to his male descendants as branches (Arabic: ﺍﻏﺼﺎﻥ ʾaghṣān)[50] and calls women leaves.[51]
A distinction has been made between the tree of life and the tree of the knowledge of good and evil. The latter represents the physical world with its opposites, such as good and evil and light and dark. In a different context from the one above, the tree of life represents the spiritual realm, where this duality does not exist.[52]
In art and film
Austrian symbolist artist Gustav Klimt portrayed his version of the tree of life in his painting, The Tree of Life, Stoclet Frieze. This iconic painting later inspired the external facade of the "New Residence Hall" (also called the "Tree House"), a colorful 21-story student residence hall at Massachusetts College of Art and Design in Boston, Massachusetts.[53]
Alex Proyas' 2009 film Knowing ends with the two young protagonists directed towards the tree of life.[54]
The 2006 Darren Aronofsky film The Fountain features the Judeo-Christian tree of life as a major plot element in its non-linear narrative. In Central America during the Age of Discovery, it is the sought-after object of a Spanish conquistador, who believes its gift of eternal life will free Spain and its queen from the tyranny of a religious inquisition. In the present day, a sample from what is implied to be the same tree of life is used by a medical researcher—who seeks a cure for his ailing wife—to develop a serum that reverses the biological aging process. In the distant future, a space traveler (implied to be the same man from the present) uses the last vestiges of a tree's bark (again, implied to be the same tree of life) to keep himself alive as he journeys to Xibalba, a fictional dying star lying inside a nebula in the constellation Orion, which he believes will rejuvenate the tree—thereby granting him eternal life—when it explodes.[55]
There are literal and thematic references to the tree in Terrence Malick's free-flowing 2012 film The Tree of Life, including in the title.
The 2021 adventure film Jungle Cruise follows a boat captain (Dwayne Johnson) who takes a scientist (Emily Blunt) on a quest to find the Tree.[56]
Physical "trees of life"
In West Africa, the South Asian Moringa oleifera tree is regarded as a "tree of life" or "miracle tree" by some because it is arguably the most nutritious source of plant-derived food discovered on the planet.[57] Modern scientists and some missionary groups have considered the plant as a possible solution for the treatment of severe malnutrition[58] and aid for those with HIV/AIDS.[59]
en.wikipedia.org/wiki/Tree_of_life
A sacred tree or holy tree is a tree which is considered to be sacred, or worthy of spiritual respect or reverence. Such trees appear throughout world history in various cultures including the ancient Hindu mythology, Greek, Celtic and Germanic mythologies. They also continue to hold profound meaning in contemporary culture in places like Japan (shinboku), Korea (dangsan namu), India (bodhi tree), and the Philippines, among others. Tree worship is core part of religions which include aspects of animism as core elements of their belief, which is the belief that trees, forests, rivers, mountains, etc have a life force ('anime', i.e., alive).
A woman stands next to a large sacred tree.
Tsukise no Osugi is a 1,800-year-old sacred tree in Japan's Nagano Prefecture.
An example of the continued importance of sacred trees in contemporary urban culture is the 700-year old camphor growing in the middle of Kayashima Station. Locals protested against moving the tree when the railway station had to be expanded, so the station was built around it.[1] The sacred Banyan tree is the national tree of India, and the Bodhi Tree under which the Buddha is said to have meditated in Bodh Gaya, is also revered as sacred.
Sacred trees are some times planted in sacred groves, which may also have other types of trees too.[2]
en.wikipedia.org/wiki/Sacred_tree
In Judaism and Christianity, the tree of the knowledge of good and evil (Tiberian Hebrew: עֵץ הַדַּעַת טוֹב וָרָע, romanized: ʿêṣ had-daʿaṯ ṭōḇ wā-rāʿ, [ʕesˤ hadaʕaθ tˤov wɔrɔʕ]; Latin: Lignum scientiae boni et mali) is one of two specific trees in the story of the Garden of Eden in Genesis 2–3, along with the tree of life. Alternatively, some scholars have argued that the tree of the knowledge of good and evil is just another name for the tree of life.[1]
In Genesis
Narrative
Genesis 2 narrates that God places the man, Adam, in a garden with trees whose fruits he may eat, but forbids him to eat from "the tree of the knowledge of good and evil". God forms a woman, Eve, after this command is given. In Genesis 3, a serpent persuades Eve to eat from its forbidden fruit and she also lets Adam taste it. Consequently, God expels them from the garden.
Meaning of good and evil
The phrase in Hebrew, טוֹב וָרָע (tov wa-raʿ) literally translates as "good and evil". This may be an example of the type of figure of speech known as merism, a literary device that pairs opposite terms together in order to create a general meaning, so that the phrase "good and evil" would simply imply "everything". This is seen in the Egyptian expression "evil-good", which is normally employed to mean "everything".[2] However, if "tree of the knowledge of good and evil" is to be understood to mean a tree whose fruit imparts knowledge of everything, this phrase does not necessarily denote a moral concept. This view is held by several scholars.[2][3][4]
Given the context of disobedience to God, other interpretations of the implications of this phrase also demand consideration. Robert Alter emphasizes the point that when God forbids the man to eat from that particular tree, he says that if he does so, he is "doomed to die." The Hebrew behind this is in a form regularly used in the Hebrew Bible for issuing death sentences.[5]
However, there are myriad modern scholarly interpretations regarding the term הדעת טוב ורע (Hada'at tov wa-ra "the knowledge of good and evil") in Genesis 2–3, such as wisdom, omniscience, sexual knowledge, moral discrimination, maturity, and other qualities. According to scholar Nathan French, the term likely means "the knowledge for administering reward and punishment," suggesting that the knowledge forbidden by Yahweh and yet acquired by the humans in Genesis 2–3 is the wisdom for wielding ultimate power.[6]
Religious views
Judaism
Jewish sources suggest different possible identities for the tree: a fig tree (as fig leaves were used to clothe Adam and Eve after the sin), a grape vine (as "nothing brings wailing to the world like wine"), a stalk of wheat (as "a child does not know how to say Father and Mother until he tastes grain"),[7] an etrog (as the description in Genesis 3:6 matches the etrog fruit's beautiful appearance,[8] or else the etrog tree's allegedly tasty bark[9]), or a nut tree.[10]
In Jewish tradition, the Tree of Knowledge and the eating of its fruit represents the beginning of the mixture of good and evil together. Before that time, the two were separate, and evil had only a nebulous existence in potential. While free choice did exist before eating the fruit, evil existed as an entity separate from the human psyche, and it was not in human nature to desire it. Eating and internalizing the forbidden fruit changed this, and thus was born the yetzer hara, the evil inclination.[11][12]
According to Rashi, the sin came about because Eve added an additional clause to the divine command: "Neither shall you touch it." By saying this, Eve added to YHWH's command, and thereby came to detract from it, as it is written: "Do not add to His Words" (Proverbs 30:6).[13] However, In Legends of the Jews, it was Adam who had devoutly forbidden Eve to touch the tree even though God had only mentioned the eating of the fruit.[14]
According to one source, Eve also fed the fruit to the animals, leading to their mortality as well.[15]
In the Kabbalah, the sin of the Tree of Knowledge (called Cheit Eitz HaDa'at) brought about the great task of beirurim, sifting through the mixture of good and evil in the world to extract and liberate the sparks of holiness trapped therein.[16] Since evil no longer had independent existence, it henceforth depended on holiness to draw down the Divine life-force, on whose "leftovers" it then feeds and derives existence.[17] Once evil is separated from holiness through beirurim, its source of life is cut off, causing the evil to disappear. This is accomplished through observance of the 613 commandments in the Torah, which deal primarily with physical objects wherein good and evil are mixed together.[18][19][20] The sin of the Tree caused God's presence (Shechinah) to depart from earth;[21] in kabbalah, the task of beirurim rectifies the sin of the Tree and causes the Shechinah to return.
Christianity
A marble bas relief by Lorenzo Maitani on the Orvieto Cathedral, Italy depicts Eve and the tree
In Christian tradition, consuming the fruit of the tree of knowledge of good and evil was the original sin committed by Adam and Eve that led to the fall of man in Genesis 3.
Augustine of Hippo taught that the "tree" should be understood both symbolically and as a real tree – similarly to Jerusalem being both a real city and a figure of Heavenly Jerusalem.[22] Augustine underlined that the fruits of that tree were not evil by themselves, because everything that God created "was good" (Genesis 1:12). It was disobedience of Adam and Eve, who had been told by God not to eat off the tree (Genesis 2:17), that caused disorder in the creation,[23] thus humanity inherited sin and guilt from Adam and Eve's sin.[24]
In Western Christian art, the fruit of the tree is commonly depicted as the apple, which originated in central Asia. This depiction may have originated as a Latin pun: by eating the mālum (apple), Eve contracted malum (evil).[25][26][27] According to the Bible, there is nothing to show the forbidden fruit of the tree of the knowledge of good and evil was necessarily an apple.[28]
Gnosticism
Uniquely, the Gnostic religion held that the tree was entirely positive or even sacred. Per this saga, it was the archons who told Adam and Eve not to eat from its fruit, before lying to them by claiming they would die after tasting it. Later in the story, an instructor is sent from the Pleroma by the aeons to save humanity and reveal gnosis. This savior does so by telling Adam and Eve that eating the fruit is the way into salvation. Examples of the narrative can be found within the Gnostic manuscripts On the Origin of the World and the Secret Book of John.[29]
Manichaeism, which has been considered a Gnostic sect,[30] echoes these notions as well, presenting the primordial aspect of Jesus as the instructor.[31]
Islam
See also: Tree of life (Quran)
The Quran never refers to the tree as the "tree of the knowledge of good and evil" but rather typically refers to it as "the tree" or (in the words of Iblis) as the "tree of immortality."[32] Muslims believe that when God created Adam and Eve, he told them that they could enjoy everything in the Garden except this tree and so Satan appeared to them, telling them the only reason God forbade them to eat from the tree was that they would become angels or immortal.[33]
When they ate from this tree, their nakedness appeared to them, and they began to sew together leaves from the Garden for their covering.[34] The Quran mentions the sin as being a 'slip'.[35] Consequently, they repented to God and asked for his forgiveness,[36] and were forgiven.[37] In Islamic tradition, the forbidden fruit is considered wheat or barley, not an apple as within Western Christian tradition.[38]
In Quran Al-A'raf 27, God states:
[O] Children of Adam! Let not Satan tempt you as he brought your parents out of the Garden, stripping them of their garments to show them their shameful parts. Surely he [Satan] sees you, he and his tribe, from where you see them not. We have made the Satans the friends of those who do not believe.
Similar depictions in Akkadian seal
A cylinder seal, known as the Adam and Eve cylinder seal, from post-Akkadian periods in Mesopotamia (c. 23rd – 22nd century BCE) has been linked to the Adam and Eve story. Assyriologist George Smith (1840–1876) described the seal as having two facing figures (male and female) seated on each side of a tree, holding out their hands to the fruit, while between their backs is a serpent, giving evidence that the fall of man account was known in early times of Babylonia.[39]
The British Museum disputes this interpretation, and holds that it is a common image from the period depicting a male deity being worshipped by a woman, with no reason to connect the scene with the Book of Genesis.[40]
en.wikipedia.org/wiki/Tree_of_the_knowledge_of_good_and_evil
Credit: LoGIC Project/UNDP Bangladesh
Relates to the UNDP-supported project 'Local Government Initiative on Climate change (LoGIC)': www.bd.undp.org/content/bangladesh/en/home/projects/local...
House Bill 980, relating to “Highway Safety” (aka Distracted Driving Bill) – This measure is effective July 1, 2013. While all counties have some form of a distracted driving ordinance in place, this measure establishes a state law that creates consistent requirements across all counties for the use of mobile electronic devices while driving and will simplify enforcement. Crash data from the DOT shows that during 2007, 32 percent (2,871 of the 8,770 collisions) were attributed to inattention to driving.
Senate Bill 4, relating to “Motor Vehicles” (aka Universal Seatbelt Bill) – This measure requires all front seat and back seat occupants to buckle up, effective immediately. Adults and children must use their seat belts and child restraints at all times. Unrestrained back seat passengers were more than three times as likely to have injuries that were fatal or required hospitalization compared to restrained back seat passengers, based on DOH’s analysis of Emergency Medical Services (EMS) records. Additionally, among back seat passengers who were treated for injuries by EMS, average medical charges were nearly tripled among those who did not use seat belts ($11,043), compared to restrained passengers ($3,817).
The bill signings were done in conjunction with the DOT’s launch of the annual “Click It or Ticket” enforcement campaign, held in partnership between the state and counties with federal funding. During the national Click It or Ticket mobilization from May 20 to June 2 and throughout the year, police statewide will be continuing strict enforcement of the state seat belt and child passenger restraint laws.
Thought on relating to the moon, always changing just as the moon constantly shifts phase to phase. To hold back from letting the dark side be seen, and time to time shinning all so bright in the darkest times.
(Numbers on this photo relate to numbered notes in the text below)
A friend has a long thin garden behind his terraced home. The garden is 16 feet by 50 feet. He wants an area for an 8 feet by 6 feet shed and he would prefer this to be screened from view.
I've come up with this basic design and given him lots of options for how the design can be modified to either give a grass less garden / make it feel more/less informal and ways to reduce the cost of achieving it.
Many of the terraces in my area have gardens twice as long as this one. For those with children who like to play football etc half the garden could be attractive and well planted and the other half basically plain grass where the children can play.
There are numbers on the photo which correspond to the numbers below:_I hope you find the information useful
1. This area is for a shed and general storage. It is screened from the rest of the garden by a fence(no 4) which can be screened by climbing plants
2 Entrance area to the hidden shed/storage area
3 A mirror is positioned on the rear border of the garden. It reflects the garden and makes it appear as though the garden continues much further. The mirror if large enough could be surrounded by an arch structure.
4. This is a screen of some sort to hide the shed/storage area. It could be a brick,stone,concrete wall or a wooden fence. Climbers growing against it will soften the lines.
5.The S shaped path breaks up the lines of the long thin garden. The surface can be grass,gravel,bark,paving.brick-weave depending on your desires/budget The path allows wide and thin borders to each side which can be left as simple borders or circles can be added as in the photo above. Bigger borders give much more room for interesting layered planting
6 and 7 these circular areas are optional. They offer a wide range of possibilities. They could be grass with a brick border around them or one could be a pond . the other could be a sitting area the surface being slabbed,gravelled,decking or brick-weave paving
8. In the photo the path leads to a patio but it could lead straight to a house door.
I wanted to attach links to other relevant photos/information about gardening in this section but Flickr have stopped that facility too so I've put them in the first comment below this section.
This relates to my blog post
www.heatheronhertravels.com/how-to-eat-well-in-sardinia/
This photo is licenced under Creative commons for use including commercial on condition that you link back to or credit http://www.heatheronhertravels.com/.
See my profile for more detail.
立法會鐵路事宜小組委員會視察港鐵金鐘站
立法会铁路事宜小组委员会视察港铁金钟站
LegCo Subcommittee on Matters Relating to Railways visits the MTR Admiralty Station (2015.05.19)
As most people collect, they end up meeting interesting people that they can relate to. I've certainly met my share of them, and have managed to obtain a few pieces with some assistance from them. As a result, hailing all the4 way from Singapore, we have the Hot Toys Exclusive (whatever that means) Avengers 2: Age of Ultron - Maria Hill figure.
I know they weren't super expensive back in the day (MSRP I mean), but by the time Sideshow got their hands on it, this figure cost $215 USD, which definitely cost more than your run of the mill figure back in the day, all the while being less equipped than they were. I managed to snag one that was opened and resealed in a box for $170 USD shippped.
You get the figure, 3 pairs of hands, walkie talkie, Bluetooth earpiece, and a pistol. Oh, and the usual base/stand.
Now, I learned about Pleather deterioration, but completely forgot about how tropical weather like in Singapore would affect a figure. It's not the worst I've seen, as some of my Widows have similar damage, but they've lived in Canada all their lives.
But it is unfortunate seeing how I didn't exactly score this figure for Garage Sale prices. I'm hoping my coats of leather paint prevents things from getting worse.
What I wasn't expecting was the effect of humidity on paint in contact with plastic. Hot Toys gave the sculpt some lovely blush to accentuate her cheeks. Well, that all turned from pink to yellow, so it looks kinda weird.
Unfortunate, but I treat it as a learning lesson on things to look out for when I finally make my way back to Asia to unleash holy hell on the secondary toy market.
So with the downers out of the way, the rest of the figure is pretty standard. I believe Maria uses a slightly taller version of the Widow body, which is a bit tall and narrow in the torso, but overall is a closer match to Colbie Smulders than Scarlett Johansson.
Maria was made when they still made softer fabric uniforms. I'd describe the feel of what she's wearing as being whatever Jeggings are made from. The upper body generally has full use of its faculties - unfortunately the body doesn't have Butterfly style shoulders, which is unfortunate as Maria could have really used them, especially for her pistol and arm crossed poses. Legs are restricted despite the softer fabric, though isn't as bad as with Winter Soldier Black Widow.
The head sculpt I'm actually quite impressed with. It's not perfect - they never are and if anyone says so, they're probably just not looking hard at the thing... or in some instances, not looking at all. The eyes are off, and the sculpted hair throws things off. But ultimately, it comes down to the jaw being too square, even for Colbie Smulders. On the whole, however, its probably 70 - 80% there, which is a lot more than I can say about any Black Widow up to that point, and Hot Toys accomplished that with one try as well.
Paint, I'm not really in a position to comment on. But, it appears if you can see past the discoloration, you'll see that the usual high quality is there. Build Quality is the usual high level, with nothing falling apart aside from the Pleather.
Overall, despite being a simpler figure I have to say I certainly like this better than I liked AoU Widow, which was just.. weird from a MCU perspective as well as from a Hot Toy perspective. I'll probably have to hunt down a WS Nick Fury to pair with her, but this time I'll be sure to make sure everything is is one piece.
Emory relates the history of the party.
A Babylon Falling Studio Visit Preview
Interested in viewing more photographs of Central Illinois? Here are my collections and sets relating to the middle section of the Land of Lincoln:
Central Illinois (excluding Springfield)
Springfield and ONLY Springfield
All About Abe (Lincoln)
And here are a few more "topical" sets that may be of interest to you:
Small Town Churches
Barbers & Barber Shops
Things that are Abandoned, Neglected, Weathered, or Rusty
All Things Political
Thank you for visiting my photostream - myoldpostcards
Dundalk overwhelm Bangor in All Ireland Final
by Roger Corbett
Bangor’s amazing run in the All Ireland Junior Cup came to an abrupt end when they were comprehensively beaten by Dundalk, eventually losing by 55-5.
Where do you start when trying to relate and absorb the events of Saturday’s final at Chambers Park? Firstly, congratulations to worthy winners Dundalk who nullified the Bangor attack, then went on to produce some stunning plays which racked up no less than 8 tries, each by a different player. For Bangor’s part, they were unable to respond to the intensity of Dundalk’s game, and lacked the cutting edge which their opponents used to great effect.
The day started full of promise, as the strong support from North Down made their way to Chambers Park in Portadown, knowing Bangor would be fielding their best team. Once again, the pundits had Bangor as the underdogs – just as they had done so in the previous three rounds! In confounding the experts earlier, Bangor produced some awesome performances against top quality opposition to get to the final. Dundalk had produced some convincing wins in the early rounds of the competition, but had struggled to get past CIYMS in the semi-final, just managing to squeeze ahead at the second time of asking. However, with a number of key players returning to the side in time for this game, they were now back at full strength and would be a formidable force to contend with.
Having won the toss, captain Jamie Clegg elected to play into the stiff wind in the first half. For the first 5 minutes, Bangor doggedly retained possession and tried to play their way into Dundalk’s half through a series of determined forward moves. However, little ground was made and, when possession was finally lost, the Dundalk back line produced a burst that simply cut through the Bangor defence resulting in an easy touch down under Bangor’s posts for a 7-0 lead.
Bangor stuck to their plan and slowly, but patiently, got their attack moving forward, eventually winning a penalty to the left of Dundalk’s posts, but Mark Widdowson’s kick into the wind drifted just wide of the mark.
The contrast in play between the two teams was becoming clear, with Bangor trying to keep the ball close while Dundalk were throwing it wide. The latter strategy was proving to be the more effective as, with 20 minutes gone, a quick back line move with players looping around resulted in an overlap on the right wing which gave a clear run in to again, score under the posts. A further 9 minutes later, they did it again and, although the Bangor defence had sensed the danger and moved across to cover it, their tackling let them down allowing Dundalk to get over in the right hand corner, taking their lead to 19-0.
By now, Bangor were trying to hang on until half time when they could regroup and come out with the wind at their backs. Dundalk, on the other hand were anxious to press home their advantage and give them a more comfortable lead. To Bangor’s credit, although camped on their own line for lengthy spells, they dug in and managed to hold on until the referee’s half time whistle.
As the teams reappeared from the dressing rooms, it was obvious Bangor were ringing the changes, particularly in the backs. With the wind advantage having lessened considerably, Bangor got the second half underway. It was now Dundalk’s turn to adopt the slow, steady approach, just as Bangor had done earlier. However, their more confident off-loading and support play was, once again, taking play deep into Bangor’s territory. Frustration at not being able to gain possession and take play out of their danger area eventually resulted in a yellow card for Clegg after a succession of penalties. Dundalk kicked the penalty to touch, won their lineout and drove for the line. Although initially held up by the Bangor defence, Dundalk’s repeated drives were eventually rewarded with another converted score, extending their lead to 26-0.
From the touchline, the Bangor faithful had felt that if their players had managed to score first in the second half, they may have been able to mount a fight-back and close the gap to their opponents. As it was, this Dundalk score simply bolstered their confidence and pushed Bangor deeper into trouble. With Bangor still a man down, Dundalk added to the score with a penalty and then another score in the corner. Everything was now working for the Leinster men, as even the difficult touchline conversion into the biting wind successfully split the posts, bringing the score to 36-0.
As the game entered the final quarter, and with Dundalk all but holding the cup, Bangor were now on the ropes. By contrast, the Dundalk players were in almost total control, and were not going to slow down now. In a 10 minute spell, they ran in a further 3 tries, making the scoreline 55-0. By now, any sense of dejection the Bangor supporters may have been feeling was now moved to feelings of sympathy for their players. However, pride was at stake and once again Bangor rallied as the game entered its final minutes. At last, the forwards got within striking distance of the Dundalk line and, although their repeated attacks were repelled, they finally managed to do what their opponents had done so effectively, and quickly passed the ball wide to Davy Charles. Even though they were 55 points ahead, the Dundalk defence made Charles work hard to drive through the tackles and score Bangor’s consolation try, bringing the final score to 55-5.
From Bangor’s point of view, the final score doesn’t tell the whole story of this competition. While the final may have resulted in a sad anti-climax for Bangor, the remarkable journey to get there will be remembered for some time. On the day, Dundalk were by far the better side, and Bangor would have to concede that their game was not up to the usual standard. However, there is no doubt the experience of competing at this level is something to relish and the goal now will be to secure a top four place in the league and try again next year.
Everybody at the club has nothing but the highest respect and praise for what has been achieved this year by not just the 1sts, but all the senior teams, and one poor result isn’t going to change that – the welcome at Upritchard Park for the returning players is testament to that. With that in mind, the players now need to put this disappointment behind them and provide the best possible response against a struggling Portadown side at home in the league next Saturday.
Bangor side: J Leary, A Jackson, P Whyte, F Black, G Irvine, R Latimer, J Clegg, C Stewart, R Armstrong, K Rosson, D Charles, M Aspley, M Weir, M Widdowson, C Morgan
Subs: S Irvine, O McIlmurray, D Kelly, M Rodgers, C Harper, D Fusco, M Thompson
Bangor scores: D Charles (1T)
Dundalk Storm To Title Dundalk 55 v Bangor 5 from KnockOn.ie
Dundalk Scorers: Christopher Scully, Owen McNally, Jonathan Williams, John Smyth, Ultan Murphy, Tiernan Gonnelly, James McConnon and Stephen Murphy 1 try each. Ultan Murphy 6 cons, 1 pen.
Bangor Scorers: David Charles 1 try.
In front of a big crowd at Chambers Park on Saturday afternoon Dundalk delivered a stunning and ruthless display to see off the challenge of Bangor and capture the All Ireland Junior Cup title for the very first time.
Three first half tries had them firmly in control at 19-0 ahead having played with the elements at the Portadown venue during the first half and while the wind dropped somewhat after half time the Dundalk intensity most certainly didn’t as they cut loose scoring five more tries.
Dundalk returned to a heroes welcome at their Mill Road clubhouse on Saturday night after a display of pure brilliance throughout the afternoon.
Precision, pace and skill from the Louth men from start to finish left Bangor playing second fiddle for long periods.
I’ll relate to y’all, my beautiful readers, a simple tale of an ordinary average Central Texas Trumpet Case Bear. It was 95 degrees F (35 C) out of doors. Little Texas Aggie Trumpet Case Bear was about to go into heat exhaustion (symptom before heat stroke).
Alamo Basement Fightin’ Texas Aggie Ring whispered to me, “We need to get frozen Margaritas into the little bear immediately before he goes into a coma and dies. Have you looked at the price of black market bears lately?” I pulled out the large container for the Ninja and fired it up.
After about quatro or cinco Margaritas necesitas, Little Texas Aggie Osa (bear) was starting to feel much, much better. At this point, there was a spilt Margarita. It’s not important who spilt the Margarita, but it did totally soak Little Texas Aggie Bear.
I for one, am not about to allow a trumpet case bear who smells of tequila and is all sticky, near my 1947 Rudy Mück jazz trumpet. I had two options — Take him out to the woods and shoot him or — give him a bath in the kitchen sink.
Bears know how to swim. In fact, they love water. In some states, they will come into your backyard and take the waters in your swimming pool or jacuzzi. There are videos on YouTube.
I sanitized the sink and prepared a nice, warm bubble bath for Little Texas Aggie Bear. He hesitantly lowered himself into the sink. He let out a “bear sigh” of pleasure. When I took out the camera, Little Texas Aggie Bear started to cry. “What’s wrong?” asked Alamo Basement Aggie Ring.
“It’s the bubble bath.” sobbed the little bear. “If anyone in the Trumpet Case Bear Union sees those photos, I’ll loose my certification and be forced to become the worst sort of bear ever — a tuba/Sousaphone case bear.”
I assured the little bear that no one would ever see any of these photos and think that he’s some sort of “Barbie Dream House” bear. This seemed to put him at ease and please him.
After I rinsed him a couple of times, Aggie Ring and I realized we had a very, very wet bear to deal with. “If you don’t get him dry soon. He’ll start to smell like wet dog!” said Aggie Ring.
My first thought was, “Well… the ceiling fan will get him dry! I’ll just hang him up by the neck to it.” Sadly, when I turned on the fan, Aggie Bear went flying across the room and onto the hard floor like a child who wasn’t strapped in properly in a Disney World wild ride.
[More to follow]
The description and specifications relate to the Pitts Special as this is an identical aircraft to the S1 and S2S.
The Pitts Special is a light aerobatic biplane designed by Curtis Pitts. It has accumulated many competition wins since its first flight in 1944. The Pitts Special dominated world aerobatic competition in the 1960s and 1970s and, even today, remains a potent competition aircraft and is a favourite for many an aerobatic pilot.
General characteristics
•Crew: Two
•Length: 18 ft 9 in (5.71 m)
•Wingspan: 20 ft 0 in (6.10 m)
•Height: 6 ft 7⅓ in (2.02 m)
•Wing area: 125 ft² (11.6 m²)
•Empty weight: 1,150 lb (521 kg)
•Max takeoff weight: 1,625 lb (737 kg)
•Powerplant: 1× Textron Lycoming AEIO-540-D4A5 flat-six air cooled piston engine, 260 hp (194 kW)
Performance
•Never exceed speed: 182 knots (210 mph, 338 km/h)
•Cruise speed: 152 knots (175 mph, 282 km/h) (max cruise)
•Stall speed: 52 knots (60 mph, 97 km/h)
•Range: 277 NM (319 mi, 513 km)
•Service ceiling: 21,000 ft (6,400 m)
•Rate of climb: 2,700 ft/min (13.7 m/s)
•Wing loading: 13.0 lb/ft² (63.6 kg/m²)
•Power/mass: 0.16 hp/lb (0.26 kW/kg)
Text and specifications based on Wikipedia article under the Creative Commons License for non-profit use.
Dundalk overwhelm Bangor in All Ireland Final
by Roger Corbett
Bangor’s amazing run in the All Ireland Junior Cup came to an abrupt end when they were comprehensively beaten by Dundalk, eventually losing by 55-5.
Where do you start when trying to relate and absorb the events of Saturday’s final at Chambers Park? Firstly, congratulations to worthy winners Dundalk who nullified the Bangor attack, then went on to produce some stunning plays which racked up no less than 8 tries, each by a different player. For Bangor’s part, they were unable to respond to the intensity of Dundalk’s game, and lacked the cutting edge which their opponents used to great effect.
The day started full of promise, as the strong support from North Down made their way to Chambers Park in Portadown, knowing Bangor would be fielding their best team. Once again, the pundits had Bangor as the underdogs – just as they had done so in the previous three rounds! In confounding the experts earlier, Bangor produced some awesome performances against top quality opposition to get to the final. Dundalk had produced some convincing wins in the early rounds of the competition, but had struggled to get past CIYMS in the semi-final, just managing to squeeze ahead at the second time of asking. However, with a number of key players returning to the side in time for this game, they were now back at full strength and would be a formidable force to contend with.
Having won the toss, captain Jamie Clegg elected to play into the stiff wind in the first half. For the first 5 minutes, Bangor doggedly retained possession and tried to play their way into Dundalk’s half through a series of determined forward moves. However, little ground was made and, when possession was finally lost, the Dundalk back line produced a burst that simply cut through the Bangor defence resulting in an easy touch down under Bangor’s posts for a 7-0 lead.
Bangor stuck to their plan and slowly, but patiently, got their attack moving forward, eventually winning a penalty to the left of Dundalk’s posts, but Mark Widdowson’s kick into the wind drifted just wide of the mark.
The contrast in play between the two teams was becoming clear, with Bangor trying to keep the ball close while Dundalk were throwing it wide. The latter strategy was proving to be the more effective as, with 20 minutes gone, a quick back line move with players looping around resulted in an overlap on the right wing which gave a clear run in to again, score under the posts. A further 9 minutes later, they did it again and, although the Bangor defence had sensed the danger and moved across to cover it, their tackling let them down allowing Dundalk to get over in the right hand corner, taking their lead to 19-0.
By now, Bangor were trying to hang on until half time when they could regroup and come out with the wind at their backs. Dundalk, on the other hand were anxious to press home their advantage and give them a more comfortable lead. To Bangor’s credit, although camped on their own line for lengthy spells, they dug in and managed to hold on until the referee’s half time whistle.
As the teams reappeared from the dressing rooms, it was obvious Bangor were ringing the changes, particularly in the backs. With the wind advantage having lessened considerably, Bangor got the second half underway. It was now Dundalk’s turn to adopt the slow, steady approach, just as Bangor had done earlier. However, their more confident off-loading and support play was, once again, taking play deep into Bangor’s territory. Frustration at not being able to gain possession and take play out of their danger area eventually resulted in a yellow card for Clegg after a succession of penalties. Dundalk kicked the penalty to touch, won their lineout and drove for the line. Although initially held up by the Bangor defence, Dundalk’s repeated drives were eventually rewarded with another converted score, extending their lead to 26-0.
From the touchline, the Bangor faithful had felt that if their players had managed to score first in the second half, they may have been able to mount a fight-back and close the gap to their opponents. As it was, this Dundalk score simply bolstered their confidence and pushed Bangor deeper into trouble. With Bangor still a man down, Dundalk added to the score with a penalty and then another score in the corner. Everything was now working for the Leinster men, as even the difficult touchline conversion into the biting wind successfully split the posts, bringing the score to 36-0.
As the game entered the final quarter, and with Dundalk all but holding the cup, Bangor were now on the ropes. By contrast, the Dundalk players were in almost total control, and were not going to slow down now. In a 10 minute spell, they ran in a further 3 tries, making the scoreline 55-0. By now, any sense of dejection the Bangor supporters may have been feeling was now moved to feelings of sympathy for their players. However, pride was at stake and once again Bangor rallied as the game entered its final minutes. At last, the forwards got within striking distance of the Dundalk line and, although their repeated attacks were repelled, they finally managed to do what their opponents had done so effectively, and quickly passed the ball wide to Davy Charles. Even though they were 55 points ahead, the Dundalk defence made Charles work hard to drive through the tackles and score Bangor’s consolation try, bringing the final score to 55-5.
From Bangor’s point of view, the final score doesn’t tell the whole story of this competition. While the final may have resulted in a sad anti-climax for Bangor, the remarkable journey to get there will be remembered for some time. On the day, Dundalk were by far the better side, and Bangor would have to concede that their game was not up to the usual standard. However, there is no doubt the experience of competing at this level is something to relish and the goal now will be to secure a top four place in the league and try again next year.
Everybody at the club has nothing but the highest respect and praise for what has been achieved this year by not just the 1sts, but all the senior teams, and one poor result isn’t going to change that – the welcome at Upritchard Park for the returning players is testament to that. With that in mind, the players now need to put this disappointment behind them and provide the best possible response against a struggling Portadown side at home in the league next Saturday.
Bangor side: J Leary, A Jackson, P Whyte, F Black, G Irvine, R Latimer, J Clegg, C Stewart, R Armstrong, K Rosson, D Charles, M Aspley, M Weir, M Widdowson, C Morgan
Subs: S Irvine, O McIlmurray, D Kelly, M Rodgers, C Harper, D Fusco, M Thompson
Bangor scores: D Charles (1T)
Dundalk Storm To Title Dundalk 55 v Bangor 5 from KnockOn.ie
Dundalk Scorers: Christopher Scully, Owen McNally, Jonathan Williams, John Smyth, Ultan Murphy, Tiernan Gonnelly, James McConnon and Stephen Murphy 1 try each. Ultan Murphy 6 cons, 1 pen.
Bangor Scorers: David Charles 1 try.
In front of a big crowd at Chambers Park on Saturday afternoon Dundalk delivered a stunning and ruthless display to see off the challenge of Bangor and capture the All Ireland Junior Cup title for the very first time.
Three first half tries had them firmly in control at 19-0 ahead having played with the elements at the Portadown venue during the first half and while the wind dropped somewhat after half time the Dundalk intensity most certainly didn’t as they cut loose scoring five more tries.
Dundalk returned to a heroes welcome at their Mill Road clubhouse on Saturday night after a display of pure brilliance throughout the afternoon.
Precision, pace and skill from the Louth men from start to finish left Bangor playing second fiddle for long periods.
Kinetic: Relating to, caused by, or producing motion.
These are called “Kinetic” photographs because there is motion, energy, and movement involved, specifically my and the camera’s movements.
Most of these are shot outdoors where I have the room to literally spin and throw my little camera several feet up into the air, with some throws going as high as 15 feet or more!
None of these are Photoshopped, layered, or a composite photo...what you see occurs in one shot, one take.
Aren’t I afraid that I will drop and break my camera? For regular followers of my photostream and this series you will know that I have already done so. This little camera has been dropped many times, and broken once when dropped on concrete outside. It still functions...not so well for regular photographs, but superbly for more kinetic work.
Albeit supremely risky this is one of my favorite ways to produce abstract photographs.
If you'd like to see more please check out my set, "Vertigo:"
www.flickr.com/photos/motorpsiclist/sets/72157630591282642/
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To read more about Kinetic Photography click the Wikipedia link below:
en.wikipedia.org/wiki/Kinetic_photography
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My photographs and videos and any derivative works are my private property and are copyright © by me, John Russell (aka “Zoom Lens”) and ALL my rights, including my exclusive rights, are reserved. ANY use without my permission in writing is forbidden by law.
House Bill 980, relating to “Highway Safety” (aka Distracted Driving Bill) – This measure is effective July 1, 2013. While all counties have some form of a distracted driving ordinance in place, this measure establishes a state law that creates consistent requirements across all counties for the use of mobile electronic devices while driving and will simplify enforcement. Crash data from the DOT shows that during 2007, 32 percent (2,871 of the 8,770 collisions) were attributed to inattention to driving.
Senate Bill 4, relating to “Motor Vehicles” (aka Universal Seatbelt Bill) – This measure requires all front seat and back seat occupants to buckle up, effective immediately. Adults and children must use their seat belts and child restraints at all times. Unrestrained back seat passengers were more than three times as likely to have injuries that were fatal or required hospitalization compared to restrained back seat passengers, based on DOH’s analysis of Emergency Medical Services (EMS) records. Additionally, among back seat passengers who were treated for injuries by EMS, average medical charges were nearly tripled among those who did not use seat belts ($11,043), compared to restrained passengers ($3,817).
The bill signings were done in conjunction with the DOT’s launch of the annual “Click It or Ticket” enforcement campaign, held in partnership between the state and counties with federal funding. During the national Click It or Ticket mobilization from May 20 to June 2 and throughout the year, police statewide will be continuing strict enforcement of the state seat belt and child passenger restraint laws.
立法會鐵路事宜小組委員會視察港鐵金鐘站
立法会铁路事宜小组委员会视察港铁金钟站
LegCo Subcommittee on Matters Relating to Railways visits the MTR Admiralty Station (2015.05.19)
Glebe Sugar Refinery, Ker Street, Greenock, Scotland
Many buildings relating to Greenock’s industrial heritage have been lost but here you see the wedge shaped Glebe sugar refinery built in 1840. It is the only surviving sugar house in Greenock which used to have over 20 such establishments.
Sugar refining began in Greenock in 1745. Most of the raw cane sugar was imported from the West Indies. Prominent amongst the refiners and the most successful was Greenock born Abram Lyle. He owned the Glebe sugar refinery and is also credited with the invention of syrup. In WW2 allied troops were billeted there.
"Free-standing 5 storey block in red brick with contrasting yellow brick dressings, the west corner of which is curved to follow the street. The ground floor is plain, with large vehicle openings, whilst the bays of the floors above are divided by pilaster strips. Round-headed fenestration throughout. The roof is concealed by decorative bracketted eaves. Refinery founded at this site 1831."
July 1995: External inspection reveals the building to be underutilised and consequently deteriorating. August 2000: External inspection reveals no change. May 2003: Local planners report that no planning applications have been received to date.December 2008: External inspection finds the building vacant and in poor condition. Most windows are broken and unboarded. The brick walls have suffered from damage on the west and north elevations. The gutters appear to be blocked causing staining to the walls.August 2011: External inspection finds no significant change from the previous site visit.13 August 2014: External inspection finds the building remains in much the same condition as seen previously.
www.buildingsatrisk.org.uk/search/keyword/greenock/event_...
Further reading here: thegreenockian.blogspot.co.uk/2014/03/greenocks-flat-iron...