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A wealthy landowner from East Anglia, and a relation of Francis Bacon, Nathaniel Bacon (1585 – 1627) was also an exceptionally skilful amateur painter. Only a small group of his paintings survive, but the remaining works testify to his remarkable abilities. He was particularly known for his extraordinary, large-scale kitchen and market scenes which were dominated by still-life depictions of enormous vegetables and fruit, and often included a buxom maid. This was a type of painting popular in the Low Countries which Bacon visited often; he is the only English artist known to have worked in this genre. Among his surviving works is a small group of self-portraits. This one shows him as wealthy gentleman rather than as an artist. The strong contrasts between the light and dark areas, the polished refinement of the painting, and the painted stone oval which surrounds the portrait, all reflect his knowledge of Netherlandish art.

 

[Oil on panel, feigned oval, 575 mm x 445 mm]

 

gandalfsgarden.blogspot.com/2012/02/nathaniel-bacon-sir-n...

 

Che cos'è la pazzia?... Soltanto una lieve mancanza di equilibrio rispetto agli altri. (Sara Seale)

 

What is insanity? ... Only a slight lack of balance in relation to others. (Sara Seale)

Many places like to wear their connections with Charles Dickens visibly, but I find it hard to believe anywhere does it more completely than Blundeston.

 

Blundeston is mentioned in David Copperfield, and there has been a strong movement by the local parish planners to ensure that most street names now have a Dicken connection. I know this a a colleague of mine resisted the overtures to name their new dwellings something Dickensian, but stuck with the family name after all.

 

I also have family connections with Blundeston, and indeed a distant relation is on the war memorial, but he is one of the branch that has an extra D in their name, the first one I have ever seen. My name is very mis-spelt, and the double D variation the most common.

 

Anyway, late one afternoon, I arrive in Blundeston to visit the church, and see, or notice the pound for the first time. Situated on a road junction, the brick-built circular enclosure was once used to corral livestock. It is a rare survivor, and the first time I had noticed it.

 

It is a fine round-towered church, with plenty of interest inside, and the medieval (I guess) glass in the porch the first of many. Some unusual tessellated tiling in the chancel, but the sanctuary is now a book shop and the altar brought forward.The font, at least to my eyes, looks Norman, and is impressive, as is the arts and crafts window, but I guess this is where Simon puts me right on many points.....

 

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"I was born at Blunderstone, in Suffolk. There is nothing half so green as I know anywhere, as the grass of that churchyard; nothing half so shady as its trees; nothing half so quiet as its tombstones. The sheep are feeding there, when I kneel up to look out. Here is our pew in the church. What a high-backed pew! With a window near it, out of which our house can be seen.

I look up at the monumental tablets on the wall, and try to think of Mr Bodgers late of this parish, and what the feelings of Mrs Bodgers must have been, when affliction sore, long time Mr Bodgers bore, and physicians were in vain. I look to the pulpit, and think what a good place it would be to play in, and what a castle it would make, with another boy coming up the stairs to attack it..."

 

- Charles Dickens, David Copperfield

 

Blundeston is these days a very pleasant outer suburb of Lowestoft, although wise planners have kept a cordon sanitaire between it and the rampaging new estates of Oulton and Gunton. Everything here is very trim and polite, although St Mary itself has a rather more primitive air about it. Its narrow, tapering tower rises up sharply beside the steeply banked roof of its nave, for all the world like a Cornish tin mine or Derbyshire mill. This is an ancient building. The tower, at least the lower part, is clearly Saxon, and here inside there are some other ancient details.

 

You step into a church which is much bigger than it might appear from the outside, with a gentle High Church feel to it. The nave was widened in the late medieval period, and although there is no aisle or arcade, the tower has been left offset. The font dates from the 12th century, a plain, octagonal bowl set on 8 relief legs. The tower arch is earlier, and beside it there is a very curious detail. A circular squint hole, about 12 inches across, about 5 feet from the floor in the north-west corner. It is obviously intended to line up with something outside the church, but what, exactly? There is one exactly like it, in the same position, two miles away at Lound. They do not align with each other, though. Perhaps an outdoor Easter sepulchre? or to enable an internal sepulchre to be seen on Good Friday, when the church was out of use?

 

Above the south door, the arms of Charles II are very curious. They have been reused as a hatchment at some point, but the overpainting has faded to reveal the true origin. An altar against the north wall is dedicated to St Andrew, in memory of the nearby former church at Flixton, which was destroyed in a storm early in the 18th century. The font in the churchyard here comes from Flixton, too.

And the memorials? Well, I'm afraid there is no 'Mr Bodgers, late of this parish', and probably never was. The high-backed pews are all gone, and although the pulpit would certainly make an excellent castle, it post-dates Dickens's (and Copperfield's) time. The grass is still lush and green in the churchyard though, and much wilder than the neatly trimmed lawns of the very pleasant houses that surround it.

  

Simon Knott, June 2008

 

www.suffolkchurches.co.uk/Blundeston.htm

 

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Blundeston.

There are two manors here—those of Blundeston Hall, and Gonville's. The former was held by a family which took their name from the place, and retained it, with the patronage of the church, till the end of the reign of Edward III. In the ninth of Edward I., Robert de Blundeston was lord; (fn. 1) and in the twenty-third of Edward III., in the year 1348, there was a conveyance from Osbertus, Rector of the church of Blundeston, and Oliverus de Wysete, to William, the son of Robert de Blundeston, and the heirs of his body, of the manor of Blundeston, with all the lands and appurtenances in Blundeston, Oulton, and Flixton; together with the advowson of the church of the village of Blundeston, with the appurtenances; all which were formerly of Robert de Blundeston; to hold to the said William and the heirs of his body lawfully begotten. From this family the manor and advowson passed to that of Yarmouth; Henry Yarmouth, of Blundeston, presenting to the church in 1438. Humphrey Yarmouth, his descendant, on the 1st of December, 1570, conveyed to William Sydnor the manor of Blundeston, cum pertinentibus, and all other his manors, tenements, liberties, swanmarks, and hereditaments in Blundeston, Corton, Lound, Somerleyton, Flixton, Lowestoft, and Gunton, or elsewhere, and all other his manors and hereditaments, in the said towns, in fee. The manor, &c., and the messuages, were found to be holden of Sir John Heveningham, of his manor of South Leet, in soccage. (fn. 2) The said William Sydnor, by deed indented 6th of October, twenty-sixth of Elizabeth, 1584, in consideration of a jointure to Elizabeth, late wife of Henry Sydnor, his son, and heir apparent, did enfeoff John Read, and others, and their heirs, of a house called Gillam's, and 90 acres of land in Blundeston and Flixton; a meadow of 12 acres in Flixton; a marsh called Wrentham's, and 41 acres of land in Blundeston; two other messuages and 9 acres of land in Blundeston; a house called Chamber's, and 104 acres of land in Henstead. And of the manor called Blundeston; and the manor of Fritton with the appurtenances, to their uses; viz., as to the manor of Blundeston with the appurtenances, to the use of the said William for life; and after to the use of the said Henry, and his heirs male by the said Elizabeth, his wife; and after to the right heirs of the said William. The marriage between the aforesaid Henry Sydnor and Elizabeth was solemnized on the 1st of February, twenty-seventh of Elizabeth. He died during his father's lifetime, in December, 1611. William Sydnor, the father, died on the 26th of August, 1612. By his will, dated the 26th of March, in the same year, being "then of Christ's Church, but late of Blundeston," he gave to the poor of Blundeston, Henstead, Fritton, Belton, Conisford at the Gate (Norwich), Berstete St. John's, 20 shillings to each parish, and to Trowse on this side the Bridge 10 shillings. He desired "his body to be buried in the chauncell of the parishe church of Blundeston." He gave unto Dorothy Sydnor, his daughter, £ 200 of lawful English money, some furniture, and £10 in gold, to be paid within fourteen days; a cup of silver with three feet, and a cover. To Alice Goldsmithe, his daughter, all her mother's apparell, and £10 in gold, &c. Among other bequests, he leaves to William Sydnor, his grandchild, some furniture, and a great carved chest which lately came from Blundeston, and his next best salt-cellar. After leaving annuities to his servants, he directed "that his house in Christ's Church in all things be mayntayned and kept as usually he did for the entertainment of his children; and such of his children and servants as would stay and live orderly, and do their service honestly, during the time of their stay; for which they were to have their wages. The charges of such housekeeping to be defrayed by his executors; and he desired that Dorothy Sydnor, his daughter, during the said month should have the government of the said house." (fn. 3)

 

By an inquisition, held the 30th of August, in the twelfth of James I., when the death of William Sydnor was returned, it was found that William, the son of Henry, his eldest son, then deceased, was his next heir, and of the age of 24 years and more. And that the said William, eldest, was seized in fee of the manor of Blunston, alias Blundeston, with the appurtenances in Blundeston, Corton, Gunton, Lowestoft, Oulton, Ashby, Flixton, Bradwell, Burgh, Fritton, Belton, Herringfleet, Lound, Somerleyton, Hopton, and Gorleston.

 

On the 13th of February, eleventh of James I., William Sydnor, the grandson, in consideration of a marriage with Anne Harborne, did covenant with William Harborne, her father, to convey to him, Sir Anthony Drury, and others, and their heirs, the manor of Fritton, with the appurtenances, in Suffolk, and all lands, tenements, &c., of the said William, in Fritton, or in the towns adjoining, to the use of himself and his heirs until the marriage, and after the marriage to the use of himself and the said Anne, for jointure, and the heirs male of his body, with several remainders over to Robert, Thomas, and Henry, his brothers, Edmund, William, Francis, and Paul Sydnor, his uncles, and the heirs male of every of their several bodies. And after to the use of the right heirs of the said William Sydnor, the grandfather. And the manor of Blundeston, with the rights, members, and appurtenances, in Suffolk, and all lands, tenements, and other hereditaments, &c., of the said William Sydnor, the grandson, in Blundeston, or in the towns adjoining, or any of them, to and for the like uses, and estates, and remainders as before; omitting only the said Anne, and her estates, for life. In the following year a fine was levied in pursuance, by the said William Sydnor, his uncle, and the heirs of Sir Anthony, of the manors of Fritton and Blundeston, with the appurtenances. By the Office of the ninth of Charles I., after the death of William Sydnor, the grandson, it was found that he died, seized, on the 13th of June, eighth of Charles I., 1632, without issue male. By the same Office, Elizabeth, Anne, Sarah, Mary, Hester, Susanna, Abigail, and Lydia, were found to be the daughters and co-heiresses of the said William Sydnor, and that Elizabeth, the eldest, was, at her father's death, under eleven years of age, and all the rest under fourteen years of age. (fn. 4) On the 3rd of July, in the tenth of Charles I., the King, by ind're under the seal of the Court of Wards, granted to Anthony Bury, for a fine of 200 marks, the custody, wardship, and marriages of the said co-heiresses, to his own use. On the 2nd of July, tenth of Charles, the King, by another ind're, under the seal of the said Court, granted and leased to him, in consideration of £10, the manor of Henstead Pierpoind's, and two acres in Blundeston, during the minority of the said co-heiresses, at the yearly rent of £ 2. 6s. 8d. On the 20th of November, in the same year, this Anthony Bury, by ind're, assigned all his interests to Dr. Talbot, who married the said Anne, mother of the said co-heiresses, to his own use, for £330 paid, besides £100 for Bury, to the receiver of the Court of Wards, for leave of the King's fine. In Michaelmas Term, 1640, there was a decree in the Court of Wards, against Sir John Wentworth, who, in his answer to the information of the attorney of the wards on behalf of the said co-heiresses, denied they had the manor of Blundeston, but confessed they had the manor of Gonville's, in Blundeston, and that their father purchased that of one Jettor. But the Court decreed that the said co-heiresses had the manor of Blundeston, and also the manor of Gonville's. And such possession as the father of the said wards had in Blundeston great water, and fishing, is by the decree settled with the wards during their minority, and until livery sued. And Sir John desired not to fish in right of a tenement in Blundeston, which was his father's. As to the wards' suit as touching an hoorde, some lands in Fritton, and other matters, they are left to trial at law.

 

Elizabeth, Anne, Sarah, Mary, Hester, Susanna, Abigail, and Lydia Sydnor, the eight daughters and co-heiresses of William Sydnor, of Blundeston, by fine levied, and recovery suffered, and by deed dated the 19th of December, 1651, conveyed the said manors in Blundeston and Fritton to hold to William Heveningham, Esq., his heirs and assigns, for ever.

 

¶The family of Sydnor, from whom Blundeston thus passed, appears to have originated from — Sydnor, who married a daughter of Sir John Berney, of Reedham, in Norfolk. The following pedigree is derived from an abstract of the title of the estates, sold by the eight daughters and co-heiresses of William Sydnor, made in 1651; except the marriages of the eight daughters, which are added from the abstract continued to 1663, at which time Sarah was married to William Castleton. The other daughters had been all married before that date.

 

William Sydnor, the purchaser of Blundeston, as appears from bequests in his will, left three daughters, namely, Dorothy Sydnor, Alice Sydnor, who married Henry Goldsmith, and left issue Charles Goldsmith; and Elizabeth Sydnor, who married W. Doans, and left a son, William. Henry Sydnor, who died in his father's lifetime, left also three daughters, Elizabeth, Catharine, and Alice.

 

William Heveningham, Esq., who purchased the manors of Blundeston and Fritton of the Sydnors, was in the year 1661 convicted and attainted of high treason, as has been already shown under Mutford, &c. By letters patent, dated 28th September, thirteenth Charles II., the King did give unto Brian, Viscount Cullen, Sir Thomas Fanshaw, Sir Ralph Banks, Knights, Edward Pitt, and Charles Cornwallis, Esqrs., among other manors and lands, the said manors of Blundeston and Fritton; to hold to them, the said Brian, Viscount Cullen, &c., and their heirs, for ever. The said Brian, Viscount Cullen, &c., by their deed-poll, dated 3rd October, thirteenth Charles II., made between them, the said Brian, Viscount Cullen, &c., George, Earl of Bristol, Henry, Earl of Dover, and Margaret Heveningham, wife of the said William Heveningham, which was also signed by His Majesty's sign manual, did declare the use of the aforesaid letters patent to be to the intent that the said Brian, Viscount Cullen, &c., should, either by perception of the profits or sale of the aforesaid manors of Blundeston and Fritton, amongst others, raise £11,000 for the said Earl of Bristol, and several other trusts therein comprised: the remainder to be for the use of the said Mary, wife of the said William. The said William Heveningham, and Mary his wife, in Michaelmas Term, thirteenth Charles II., levied a fine, and suffered a recovery of the said manors of Blundeston and Fritton, inter alia. And by indenture, dated 24th of October, thirteenth of Charles II., the said William and Mary declared that the said fine and recovery should be to the use of the said Brian, Viscount Cullen, Sir Thomas Fanshaw, Sir Ralph Banks, Edward Pitt, and Charles Cornwallis, and their heirs, for ever.

 

In the 10th and 11th of December, 1662, fourteenth of Charles II., appear a lease and release from the Earl of Bristol, Brian, Viscount Cullen, Sir Thomas Fanshaw, Sir Ralph Banks, Edward Pitt, and Charles Cornwallis, unto Sir John Tasburgh, of the manor of Blundeston, and the capital house called Blundeston Hall, and the manor of Fritton, alias Freton Paston's, and all that manor called Blundeston, alias Gunville's, alias Scroope Hall, alias Gunville's Blundeston, with all the rights, members, and appurtenances to the said manors belonging; and the advowson of the churches, rectories, and vicarages of Blundeston and Fritton aforesaid; and courts-leet and view of frank-pledge, &c., to hold to him and his heirs, for ever. Consideration, £4000 in hand, and £4000 to be paid as therein named. On the 27th of December, 1662, the said William Heveningham and Mary his wife did grant, release, and confirm all and every the said manors of Blundeston, Fritton, and Blundeston Gunville's, to the said John Tasburgh, and his heirs, for ever.

 

These estates next passed to the Allins; for, on the 20th July, 1668, are letters of attorney from Thomas Allin, of Lowestoft, Knt., to Richard London, &c., to receive livery of seizin of John Tasburgh, of Bodney, in Norfolk, Esq., of all his manors, messuages, lands and fruits, and hereditaments situated in Blundeston, Fritton, Corton, or any other town adjoining. Sir Thomas Allin held his first court baron for these manors on the 3rd of November, 1668. (fn. 5)

 

On the 9th of July, 1712, the trustees of Richard Allin, under a deed authorizing them to sell lands to satisfy his debts, sold a messuage and about 76 acres of land at Blundeston and Fritton, of the yearly rent of £39. 10s., to Gregory Clarke, for £663; and on the 30th of August following, two other pieces of land, containing 13 acres, of the yearly rent of £5. 10s., to the same Gregory Clarke, for £100. These estates were afterwards purchased by Sir Ashurst Allin, Bart., who resided there; and were by him devised to his daughter, Frances Allin, for life. On the 29th of September, 1714, Blundeston Hall-farm, lands and decoy, of the yearly rent of £217. 2s. 6d., were sold to William Luson, merchant, the consideration money being £3691. 2s. 6d., who devised them to Robert Luson, his son, who, by his will of the 1st of May, 1767, bequeathed them to his eldest daughter, Maria, in fee, who married George Nicholls, Esq., by whom this estate was sold to Robert Woods, who, by his will, dated July 4th, 1780, devised the same to his wife to sell, and in 1791, she conveyed it to Thomas Woods in fee. Other estates in Blundeston were by Robert Luson devised to his second daughter, Hephzibah, who married Nathaniel Rix, Esq. An estate at Blundeston, and Corton, and Lound, he devised to Elizabeth, his daughter, who afterwards married Cammant Money, by whom the second property was sold to J. B. Roe, and the first to J. Manship. (fn. 6) The Decoy farm, at Blundeston, was, by the executors of Robert Luson, under the powers in the will contained, sold to William Berners, Esq., of Woolverstone Hall, whose son, Charles, resold it to Thomas Morse, Esq. (fn. 7) The manor of Fritton, and an estate of the annual value of £173, were sold to Samuel Fuller, Esq., for £ 2660. (fn. 8)

 

The manors of Blundeston Hall and Gunville's united, as will be presently shown, remained with the Allins, and passed with their other estates to the family of Anguish. From the Anguishes they descended to Lord Sydney Osborne, who sold them, in 1844, to Samuel Morton Peto, Esq.

 

The Manor of Gonville's, in Blundeston,

¶was the lordship of John, the son of Nicholas de Gunville or Gonville, in the fourteenth of Edward III., in the month of March in which year is a "note of time" of this manor between the aforesaid John, who is styled the son of Nicholas Gonvyll, chyvaler, and Johan, his wife, complainants, and William de Gonvyll, parson of the church of Thelnethan, John Gonvyll, parson of the church of Lylyng, Osbert, parson of the church of Blundeston, and Thomas de Kalkhyll, deforcients, of 24 messuages, 332 acres of land, 16 acres of meadow, &c., in Gorleston, Louystoft, Barneby, Little Yarmouth, and Hopton, to John, son of Nicholas and Johan, and the heirs of their bodies; and remainder, after the decease of John and Johan, to the right heirs of John, the son of Nicholas. (fn. 9) The manor remained with this ancient line till it passed, in the early part of the fifteenth century, to Sir Robert Herling, Knt., who married Joan or Jane, the heiress of the Gonvilles, as the subjoined pedigree will show.

 

Sir Robert Herling, and Joan his wife, held the manor of Gonville's in 1420, as we learn from an inquisitio ad quod damnum, taken in that year. "Robtus Harlyng, miles, et Johanna, uxor ejus, tempore ultimi pascigii d'ni Henr. Regis nunc ad partes Norman: seiziti fuerunt de mn'o vocat Gunvilles manor: cum p'tin: in villis de Blundeston, Olton, et Flyxton, in d'mico suo ut de feodo." (fn. 10) Sir Robert Herling left a daughter and heiress, Anne, who was thrice married; first, to Sir William Chamberlain, Knight of the Garter; secondly, to Sir Robert Wingfield, Knt., who in 1474 settled, amongst divers manors and estates in Norfolk and Cambridgeshire, the manors of Gnateshall, Corton, Newton, Lound, and Blundeston, with Lound advowson, in Suffolk, on themselves and their trustees. He died seized of these in 1480. In 1492, Anne, his widow, married, thirdly, John, Lord Scroop, of Bolton, who died in 1494. (fn. 11) On her death, without issue, the manor of Gonville's went to Margaret, her father's sister, the wife of Sir Robert Tuddenham, Knt. (fn. 12) On the 4th of April, sixth of James I., Robert Jettor conveyed to William Sydnor the site, manor, or member of a manor, called Blundeston, Gunvilles Blundeston, or Gunvilles cum pertin: and a close called Gunvilles, reputed the site of the said manor, containing six acres; another close called the Home-close, in Blundeston, and four several fish-ponds, with several waters and fishings in Blundeston and Flixton, and with covenant to levy a fine thereof to the use of the said William Sydnor, and his heirs. William Sydnor's eight daughters and co-heiresses conveyed it to William Heveningham. Both manors in this parish being thus united, were granted, with the advowson, to Lady Heveningham's trustees in 1661, as already shown.

 

Early in the seventeenth century, Sir Butts Bacon, created a Baronet on the 29th of July, 1627, possessed an estate and resided at Blundeston. He married Dorothy, daughter of Sir Henry Warner, of Parham, in Suffolk, Knt., and widow of William, second son of Sir Henry Jermyn, Knt., by whom he had three sons, Charles and Clement, who died without issue, and Sir Henry Bacon, his successor. He had also two daughters, Anne, the wife of Henry Kitchingman, of Blundeston Hall, and Dorothy, who married William Peck, of Cove. Sir Butts died in 1661, and his widow in 1679. They lie buried in Blundeston church. Soon after the year 1700, the estate of the Bacons was sold to the Allins of Somerleyton; and in 1770 became the property of Frances, the daughter of the Rev. Ashurst Allin, of whose executors it was purchased by Nicholas Henry Bacon, Esq., the second surviving son of the late Sir Edmund Bacon, Bart., of Raveningham, in Norfolk, who sold it in 1832 to Charles Steward, Esq., an officer in the Honourable East India Company's service, who is the present possessor. He married his first-cousin, Harriet, the only daughter, by his first wife, of Ambrose Harbord Steward, Esq., of Stoke Park, near Ipswich, High Sheriff for Suffolk in 1822, by whom he has an only son, Charles John.

 

The mansion erected on this estate has been termed at different periods Sydnors, and Blundeston Villa, but is now designated Blundeston House. The spot is more celebrated for the loveliness of its scenery than the grandeur of the residence, which is simply a good substantial house, erected in a style of unpretending architecture. But its verdant lawns and ample sparkling lake bear testimony of a long subjection to the hand of taste, which evidently still controls. The domain was many years the residence of the late Rev. Norton Nicholls. Mr. Mathias, an author well known by his 'Observations on the Character and Writings of Gray,' in a letter to a friend, occasioned by the death of this "rare and gifted man," terms his villa here "an oasis." Speaking of what Mr. Nicholls had perfected at Blundeston, he says, "if barbarous taste should not improve it, or some more barbarous land-surveyor level with the soil its beauties and its glories, (it) will remain as one of the most finished scenes of cultivated sylvan delight which this island can offer to our view." An aged pollard oak, and a summer-house placed at the termination of the lake, are said to have been favourite haunts of Gray, who was an occasional guest of Mr. Nicholls at Blundeston. In 1799, this gentleman entertained here the gallant Admiral Duncan, soon after his return to Yarmouth, crowned with the laurels won at Camperdown. Mr. Nicholls died on the 22nd of November, 1809, aged 68, and was buried at Richmond church, in Surrey. The vicinity of Blundeston House, while tenanted by Dr. Saunders, was some years since the scene of an unfortunate accident, which deprived that gentleman of life. Being in the act of reloading his double-barrelled gun, a favourite dog fawning upon him, sprung the trigger of the second barrel, and discharged the contents into his master's body. Dr. Saunders's melancholy fate is recorded in the 'Suffolk Chronicle' of October the 15th, 1814.

 

¶The lake, or Blundeston Great Water, as it is called in ancient writings, was the subject of a dispute in the reign of James I., very similar to that recorded at Ashby, as we learn from the following "exemplification of interrogatories to be administered on the part and behalf of John Ufflet, Gent., Henry Winston, Henry Doughtie, and Anne his wife, Thomas Stares, and Anthony Thornwood, complainants, against William Sydnor, Esq., and Henry Sydnor, Gent., deforcients; and of depositions taken at Lowestoft, on the 15th of March, in the seventh of James I., before Anthony Shardelow, William Southwell, William Cuddon, and Benedict Campe, Gents., by virtue of His Majesty's commission out of the Court of Chancery, to them directed. Richard Burman deposed, inter alia, that he knew the great water in Blundeston, called the common fenne, or common water, and the piece of ground called Hempwater green, containing about three acres; that the said water contained about sixteen or seventeen acres. That the messuage wherein Henry Sydnor then dwelt was sometimes of Maister Yarmouth. That the water and green had always been reputed as common. That the inhabitants fished in the water; wetted their hemp therein, and dried it on the green, and fed their cattle thereon. William Pynne deposed, inter alia, that he did not know that the said William Sydnor or Humphrey Yarmouth had any manor in the said towne; nor that there were more manors therein than the manor of Mr. Jettor, called Gunvilles. Robert Jettor deposed that the water is called the common water of Blundeston in a court-roll of the manor of Blundeston Gonville, dated the thirty-first of Henry VIII., and that he did not know that Mr. Yarmouth, or the defendants, had any manor in Blundeston, or that there was any other manor therein than his, called Blundeston Gonvilles. John Wood deposed, inter alia, that the said William Sydnor had obtained the leases from divers owners of sundry messuages or dwelling-houses in Blundeston, of their interests of their fishing in the said great water about twenty years sithence, and that he had before that sued some of the inhabitants of the said towne for having fished therein. That he and another, then churchwardens of Blundeston, did sell the alders growing in or near the said water, and did convert the money to the reparations of the town-house, and that other inhabitants did take poles, splints, and other wood growing there, &c. That he had heard that Mr. Yarmouth did keep courts in Blundeston, and had tenants therein, and that this deponent did hold of Mr. Sydnor, who had Mr. Yarmouth's estate, three acres of land, &c., and that Mr. Jettor had a manor in Blundeston, &c. Interrogatories to be administered to the witnesses to be produced on the part and behalf of William Sydnor, Esq., and Henry Sydnor, Gent., complainants, against Henry Winston, &c., deforcients. Inter alia. Do you know that Humphrey Yarmouth, Esq., deceased, was seized of the manor of Blundeston in Blundeston, and of land covered with water, containing forty acres, and which, on his death, descended to Henry Yarmouth, his son, also dead; who sold the same to William Sydnor; and that they severally held courts-baron, &c. And whether Humphrey Yarmouth, and Henry Yarmouth, his son, and William Sydnor afterwards, did not present to the living on the death or resignation of the incumbents. If the house wherein Henry Sydnor then dwelt was not called Blundeston Hall in court-rolls and writings. Whether, in the twenty-eighth of Elizabeth, in a controversy between the said William Sydnor, lord of Blundeston, and owner of the water, with the inhabitants as to the same being common or not, the dispute was not referred to Sir Edward Coke, then Attorney-General, and afterwards Chief Justice of the Common Pleas, and to Richard Godfrey, Esq. Whether in the thirty-first of Elizabeth there was not a similar dispute, and that it was amicably settled by the said Henry Winston and certain others of the inhabitants agreeing to release their rights of fishing in the water, and that they should have in lieu thereof, a certain driftway thereto from the highway, near the mansion of the said William Sydnor, and a certain piece of land at the end of the said water, containing three acres, for their use, and the feed thereof; and to wet hemp in the water, and dry the same on the said three acres of land, and might dig the soil and carry it away therefrom, and also from Mill Hill, in Belton Heath, and the timber, &c., growing on the said way for repairing the town-house; and whether the said agreement was not carried into execution; and if complainants did not for twelve years quietly enjoy the water, &c., after the execution of the releases. And whether, before the agreement, the inhabitants had a right to take the land, gravel, &c.; and if complainant did not clear the water, and make a bank, &c., for the fowl to breed, &c."

 

he Church at Blundeston,

which is a rectory dedicated to St. Mary, and now consolidated with the adjoining benefice of Flixton, is valued in the King's books at £13. 6s. 8d. It is a singular edifice, comprising a nave and chancel, with a remarkably high-pitched roof, covered with thatch. The tower, which is circular and small in diameter, rises but little above the ridge of the nave, and looks more like a chimney than a steeple. It exhibits decided marks of Norman erection, and was probably attached to an earlier edifice than the present church, which, apparently incorporating the north wall of the ancient nave, seems raised on a wider ground-plan, thereby bringing the apex of the western gable to the southward of the tower, and producing a very inharmonious effect. The masonry of both nave and chancel is composed of large squared flints, but the walls of the latter bulge outwards in a threatening angle, and foretell a speedy dissolution. The interior is lofty and effective, and very neatly kept; and a carved oaken screen beneath the chancel arch is well deserving of observation. The lower compartments of this screen were in olden days richly painted and gilt, as the accidental discovery of one portion, by the removal of some boards, fortunately evinces. This splendid example of ancient art forms an illustration to the present work, and has been engraved from the faithful pencil of the late Miss Dowson, of Yarmouth. St. Peter pointing to the keys of Heaven and Hell, and an angel with uplifted hands assuring us of our salvation through the passion of Christ, occupy the two compartments of a pointed arch, richly backed by a crimson ground, diapered with gold. There is a stiffness in the attitude of each figure, and a harshness of outline visible here, as in the works of more celebrated artists, even at a later period; but these paintings are, nevertheless, extremely interesting, as illustrating the success of art in England in the fifteenth century. There is a small piscina in the chancel, and some oaken benches in the body of the church of excellent workmanship, and an ancient benetura near the south door. In the tower hang two bells, one of which was brought from the ruinated church of the adjoining village of Flixton. The body of the church, which presents a far less fearful aspect than the chancel, has lately undergone considerable renovation, and is indebted to the zeal of Mr. Steward for the preservation of many of its ancient features.

 

Reginald Wynstone, by his last will, dated the 14th of April, 1438, leaves his body to be buried within the church of Blundeston, and constitutes William Wynstone and John Wynstone, his sons, his executors. In the Lansdowne MSS. (fn. 13) is a note, taken apparently about the year 1573, of several armorial cognizances which then ornamented the windows of this building. "In the chancel windows. Arg. a lion sable. FitzOsbert and Jerningham. Quarterly, arg. and b. quarterly indented, a bend gules. Arg. a cross engrailed gules. Bloundeville, or and b. quarterly, indented, a bend gules, sided with Gurney. Gules, 3 gemelles or, a canton ermine, billetted sable. Sable a cross sarsele or, betwixt four scallops arg. Sable, a chevron arg. between 3 cinquefoils or."—"In the church, gul. a lion argent. Arg. 3 buckles lozengy gules, Jernegan. Gu. and b. pale, on a fess wavy arg., 3 crescents sab. betwixt three crosses pale or. Blundeville and Inglos. Erm. on a chevron sab., 3 crescents or, syded with Nownton. Sir Ed. Jenney, erm. a bend gul. cotised or, quartering sab. a chevr. twyxt 3 buckles argent. Or and g. barre unde. Castell, gu., 3 castells arg. Sab. a chev. gules, droppe or, twixt 3 cinquefoils pserd ermine. Or and b. checke. Paston, Bolaine, Nawton, and Barney, Nawton and Howard. Or 3 chev. gu., on each 3 ermines arg. sided with Nawton. Sampson syded with Felbrig. Felbrig, on his shoulder a mullet arg. Bedingfeld quartering Tuddenham, and one of Knevett single."

 

Monuments.—There is an old floor-stone with a cross, but no other ancient memorials, in this church. Among the more modern are the following:

 

Robertus Snelling, Rector, obt. Sep. 12, 1690, æt. 65. Hic jacet Butts Bacon, Baronettus, Nicholai Bacon, Angliæ Baronetti primi filius septimus, qui obiit Maij 29, 1661. Dorothea Bacon, his widow, obt. Sep. 4, 1679. Arms. Bacon.

 

Elizabeth, daughter of John Burkin, of Burlingham, died Jan. 26, 1735. She was first married to the Rev. Mr. Gregory Clarke, and after his decease to the Rev. Mr. Thomas Carter.

 

¶Samuel Luson, died July 7, 1766, aged 33. Luson bears, quarterly, 1st and 4th, az. and gul., 3 sinister hands arg., 2nd and 3rd, erm., 3 roses. . . . Sarah Keziah Thurtell, died May 29th, 1833, aged 18 years. William Wales, died June 8, 1710, aged 63. Gregory Clarke, Christi minister, died 3 Ides of Jan. 1726, aged 45. William Sydnor, Esq., died 1613. Robert Brown, died Sep. 6, 1813, aged 52 years. Mary, his daughter, Aug. 18, 1812, aged 22 years. Sarah, wife of John Clark, widow of the above Robert Brown, died Nov. 16, 1818, aged 59. Elizabeth, second wife of James Thurtell, of Flixton, died June 15, 1823, aged 75 years. Elizabeth, wife of John Clark, died Jan. 28, 1801, aged 28 years. John Clark, died Oct. 7, 1826, aged 57 years. Stephen Saunders, M. D., born 17th Oct. 1777, died 1st Oct. 1814. Timothy Steward, of Great Yarmouth, died 25th of June, 1836. Mary, his wife, daughter of John Fowler, and Ann, his wife, died 22 Jan. 1837. Arms. Steward, quarterly, 1st and 4th. Or, a fess chequee arg. and az.; 2nd and 3rd, arg., a lion ramp. gules, debruised with a bendlet raguly or, impales Fowler, az. on a fess between 3 lions pass. guard, or, as many crosses patonce sable.

 

The registers of Blundeston commence in 1558. They contain several notices of monies collected by Brief in aid of sufferers by fire in distant parts of England. Among others, "To a loss by fire at ye head of ye Cannon-gate at Edinburgh, in North Britain, Jan. 13, 1708/9, 1s. 6d." The advowson of Blundeston with Flixton was sold in 1844, by Lord Sydney Osborne, to Thomas Morse, Esq., of Blundeston.

 

www.british-history.ac.uk/no-series/suffolk-history-antiq...

Least Flycatchers are most likely to be confused with the Western Wood-Pewee, Alder Flycatcher and Yellow-bellied Flycatcher here. Willow Flycatchers are usually seen further south in the province.

 

Least Flycatchers are an inch shorter than Pewees and have a rounder head, shorter bill in relation to the head, and bolder and broader wing bars. They also have a bolder and complete wing eye ring compared to the Western Wood-Pewee. Least Flycatchers are a pale grayish-olive color overall. Pewees are a dusky gray overall.

 

Alder Flycatchers are the same size but have a relatively long and broad bill and weak eye ring compared to the Least Flycatcher. Least flycatchers are most often seen and heard higher in the poplars in mixed wood habitats. Alder Flycatchers are most often seen and heard in the riparian growth at the margins of ponds and lakes. Their habitats overlap though.

 

Yellow-bellied Flycatchers are quite similar in size, appearance and sound to the Least Flycatcher, but are yellowish-olive overall and have a yellow throat compared to the white throat of the Least Flycatcher. They are more likely seen in the brushy understory within the woods rather than the edges or higher canopy.

 

If you hear it vocalize a rapid and emphatic CHEbek! CHEbek!, it is a least Flycatcher. Yellow-bellied Flycatchers have a similar song, but much softer and slower.

 

Also included in this posting is a shot of a male Yellow Warbler on the nest. I walked by it a few times before I actually saw it.

 

Hawrelak Park Edmonton. June 03, 2010.

Nimrat Khaira ( Singer ) Wiki, Height, Biography, Weight, Relation [ Unknown Fact ] – Nimrat Khaira Full Name Nimratpal Kaur Khaira Beautifull Punjabi Female Singer. She is Very Talented Punjabi Singer and Winner of Voice Punjab Season 3 (2013) Nimrat Khaira Was Born on 22 December 1992. N...

 

punjabitoday.com/celebrity/nimrat-khaira-singer-wiki-heig...

“Our fulfillment is not in our isolated human grandeur, but in our intimacy with the larger earth community, for this is also the larger dimension of our being.”

 

—Thomas Berry

  

“Relation is the essence of everything that exists.”

 

—Meister Eckhart

Fireworks in relation to Fleet Week in San Francisco. The Blue Angels performed today terrorizing man & beast.

 

I was in my kitchen this afternoon when one of the jets passed close to my apartment building. The shock wave shook the kitchen walls & cabinets giving me a big scare.

Dive into Relation Therapy

I came from a household that was polygamous, in relation to cameras at least, we had lots of different ones, maybe they were cheaper and more disposable than the SLR kit that seems to have become fairly common if not totally ubiquitous.

 

Likewise I had a string of small cameras, until 20 odd years ago I purchased an EOS from Dixons, and then accumulated a few lenses etc that went with; I guess you start to build both financial and emotional investment in ‘your’ brand.

I guess it’s that investment that you are defending if you buy into the factionalism that appears to go with.

 

Sticking with a brand means you can make more of your previous investment, great, I’m now on my third canon SLR and I still use lenses that I purchased 20 years back.

So let’s say the big manufacturers are Nikon and Canon, do you mix, and how did you arrive at your choice?

   

Macro Monday theme: Unusual combinations.

 

Lady Sonia propose la meilleure formation pour coaching de couple en France, au Canada et dans d'autres pays. Si vous rencontrez des problèmes dans votre relation amoureuse, vous pouvez nous contacter pour avoir une vie agréable. Pour plus d'informations, visitez-https: //ladysoniam.com/lei-academy

I Dont like to be a husband , i love to be a father

 

trittico per la mostra del workshop con Igor Ponti

PERHAPS THE BEST SUMMARY I heard in relation to the impact of Steve Jobs came from a Canadian journalist who summed up Steve Jobs life with the techie term, 'disruptive innovation'.

 

Through that 'disruption' Steve changed the world for the better.

 

iTunes, the iPod, the iPhone, the iPad, the iMac, etc ~

 

I certainly don't do Windoze…

 

THAT SAID, all was not well with the much-ballyhooed man who was synonymous with Apple Inc.

 

In the end our habits own us, and we shouldn't be too surprised that Steve's habit of inter-personal severity owned him, and the resentful petulant man who was forever upset with underlings that failed to impress, but more so upset by being put up for adoption as a baby, later refused every opportunity for amends to be made by the once offending, now, contrite.

 

Through the years, Steve nursed his rage against his biological father.

 

Steve did forgive his birth mother for the great heave-ho, and later acknowledged a daughter he too initially rejected—but forgiving an aging father with outstretched arms proved to be too much, too overwhelming for the fastidious nerd who changed the world. And who—eventually learned to take regular showers.

 

Still, I guess being surrounded by paid accolades who bow to your every whim at 1 Cupertino Loop can set one up with a false dichotomy, whereby your petty personal viewpoint is always right, and the whole rest of the world is terribly wrong.

 

Except, Steve's father, John Jandali, wasn't another computer or software brand, he was, well—his father.

 

The man who gave Steve life.

 

Yeah, that guy.

 

Whatever false, morally relative construct Steve used—throughout the long years—to shield himself emotionally from his father, will, happily, never replace that seemingly innocuous and obvious command to honour one's father and mother. And with that eternal directive, came the general, temporal promise, of a long life.

 

Or could it be, as it is in most cases where father-son, father-daughter estrangement occurs, the divorced/separated/offended mother fuels the on-going separation and hostility of her offspring—against their biological father. I do not mean Clara Jobs here. I mean Joanne Carole Schieble, Steve's biological mom.

 

Or was it a tandem thing? Mother and daughter (Mona Simpson) against John Jandali? This is also often the case.

 

Steve, and his biological sister Mona (the other offspring of John and Joanne) became best friends after having not known each other until their late 20s. Such can be the fall-out from adoption, and disappearing into the night. After their brother-sister relationship solidified, Mona encouraged Steve to reach out to their mother, now Joanne Schieble Simpson, and Steve later invited Joanne to some Apple events. Mona paved the way for Steve to reconcile with mom, Joanne. However, Joanne had likely so sabotaged Mona and John's continued relationship, from the earliest of times, that the foundation had already been laid for Steve to later follow suit. And so, he too, joined with Mona in rejecting father John.

 

Good one, Joanne. Good one, Mona.

 

Divorced fathers this is likely the most famous example you will ever have, of the effects of the negative power-play, your former spouse can exert over your mutual offspring.

 

If its a stormy break, she'll turn the kids against you. Forever.

 

It's her one final way to hurt you.

 

Hurt, unstable mothers, are working behind the scenes, sabotaging your chances to keep an ongoing relationship with your son or daughter. The provincial family courts in Ontario, Canada are quite wise to the potential for this extended Mommie-dearist tactic and strongly encourage mediation.

 

Courts elsewhere—not so much~

 

Steve Jobs: Incredible visionary! Spectacular inventor!

 

Good son?

 

Lousy son.

 

Well, two out of three, ain't bad.

 

Closing off a homily one Sunday at Mass, I remember one of our parish priests noting, that whatever disasters befall us—short of death—we never did have the right to expect perfect parents.

 

But apparently, Steve did.

 

Good-bye, Steve.

 

Thanks for the presents.

 

Your dad never had your presence, but he has one of your iPads. And he lined up like everyone else to get one.

 

Roll that image through the theatre of your mind, folks.

 

The closest John Jandali (Steve Job's father) was able to get to his son—was to buy one of his son's products—from one of said son's stores.

 

ABSOLUTELY disgusting. Monumentally saddening.

 

While Steve Jobs, being a Buddhist, never had access to the treasure trove of Christian admonishment to act otherwise, still the moral law is written on the hearts of all men—even those outside of the influence of Christian revelation.

 

Still, Jobs loved the Beatles, and he should have, at least, listened to them.

 

"For well you know that it's a fool who plays it cool

By making his world a little colder"

(Hey Jude)

 

How many letters and postcards from father John Jandali (through the years), went unanswered, Steve?

 

I hope someone in the Jobs or Simpson family will FINALLY take the high road and reach out to John Jandali, Steve's estranged (not-by-choice) father in these, his twilight years.

 

But since we're dealing with Buddhists and pagans here—don't hold your breath.

 

You can't reason with pagans.

 

The world may praise Steve Jobs all they want. And he certainly deserves their praise—for the amazing Apple products that were brought to fruition under his leadership—for those eager, and consuming masses.

 

But, and there is always a but… Steve's final denial of his father, even from his deathbed, certainly gives me, great pause~

  

(Photo: Apple Canada Head Office, take pictures here and security comes out to meet you!)

 

www.hassanrana.com

ONE OF THE WAY TO TRAIN THE "THE AWARENESS MUSCLE

 

is the critical run

and other emergency art format

 

CRITICAL RUN / Debate Format

 

Critical Run is an Art Format created by Thierry Geoffroy/Colonel

debate while running .

Debate and Run together,Now,before it is too late.

 

www.emergencyroomscanvas todo .org/criticalrun.html

 

The Art Format Critical Run has been activated in 30 differents countries with 120 different burning debates

New York,Cairo,London,Istanbul,Athens,Hanoi,Paris,Munich,Amsterdam Siberia,Copenhagen,Johanesburg,Moskow,Napoli,Sydney,

Wroclaw,Bruxelles,Rotterdam,Barcelona,Venice,Virginia,Stockholm,Århus,Kassel,Lyon,Trondheim, Berlin ,Toronto,Hannover ...

 

CRITICAL RUN happened on invitation from institution like Moma/PS1, Moderna Muset Stockholm ,Witte de With Rotterdam,ZKM Karlsruhe,Liverpool Biennale;Sprengel Museum etc..or have just happened on the spot because

a debate was necessary here and now.

 

In 2020 the Energy Room was an installation of 40 Critical Run at Museum Villa Stuck /Munich

part of Colonel solo show : The Awareness Muscle Training Center

 

----

 

Interesting publication for researches on running and art

 

www.emergencyrooms.org/formats.html

 

14 Performances. Relation Work (1976 - 1980). Filmed by Paolo Cardazzo. Marina Abramović/ Ulay. Neuer Berliner Kunstverein, Berlin, Germany.

 

Abramović, Marina. Student Body: Workshops 1979 - 2003: Performances 1993 - 2003. Milano: ed. Charta, 2003.

 

Bergson, Henri. Creative Evolution. London: Macmillan and Co., 1911.

Bergson, Henri. Key Writings. Edited by Keith Ansell-Pearson and John Mullarkey. New York:

 

Continuum, 2002.

Bergson, Henri. Matter and Memory. New York: Zone Books, 1988.

 

Blaikie, William. “Common Sense Physical Training.” In Athletics and Health: Modern Achievement: Advice and Instruction upon the Conduct of Life, Principles of Business, Care of Health, Duties of Citizenship, etc. Edited by Edward Everett Hale. New York: P.F. Collier & Son, 1902.

 

Blaikie, William. How to Get Strong and How to Stay So. New York: Harper & Brothers Publishers, 1883.

 

Cunningham, Merce. Changes: Notes on Choreography. New York: Something Else Press, 1969.

 

de Balzac, Honoré. The Human Comedy. EBook: Project Gutenberg, 2010. de Balzac, Honoré. Théorie de la démarche. 1833, 1853.

 

de Biran, Maine. “Opposition du principe de Descartes avec celui d’une science de l’homme. Première base d’une division des faits psychologiques et physiologiques. Perception et sensation animale.” In Maine de Biran. Librairie Philosophique J. VRIN, 1990.

 

de Tocqueville, Alexis. The Old Regime and the Revolution. New York: Harper & Brothers, Publishers, 1856.

 

Delaumosne, M. L’Abbe. “The Delsarte System.” Translated by Frances A. Shaw. In Delsarte System of Oratory, 4th Ed. New York: Edgar S. Werner, 1893.

 

Descartes, René. Méditations metaphysiques. 1641.

 

Gropius, Walter, and Arthur S. Wensinger, eds. The Theater of the Bauhaus: Oskar Schlemmer, Laszlo Moholy-Nagy, Farkas Molnár. Translated by Arthur S. Wensinger. Middleton, Conn.: Wesleyan University, 1961.

 

Hahn, Archibald. How to Sprint: The Theory of Spring Racing. New York: American Sports Publishing Company, 1923.

 

Hegel, Georg Wilhelm Friedrich. Phenomenology of Spirit. Translated by A.V. Miller. Oxford: Oxford University Press, 1977.

 

Helmholtz, Hermann. “On the Facts Underlying Geometry.” In Epistemological Writings: Hermann von Helmholtz. Edited by R.S. Cohen and Y. Elkana. Boston: D. Reidel Publishing Company, 1977.

 

Helmholtz, Hermann. Théorie physiologique de la musique fondée sur l’étude des sensations auditives. Paris: Masson, 1868.

 

Helmholtz, Hermann. Treatise of Physiological Optics (Handbuch der physiologischen Optik) 1856. 3 Volumes. Translated by James P.C. Southall. Milwaukee, 1924.

 

Holmes, Oliver Wendall. Soundings from the Atlantic. Boston: Tickknor and Fields, 1864. James, William. The Principles of Psychology. New York: Henry Holt & Co, 1890, 1918.

 

James, William. Writings 1902 - 1910. Edited by Bruce Kuklick. New York: Literary Classics of the United States, 1987.

 

Kandinsky, Vasily. Über Das Geistige in der Kunst. Dritte Auflage. München: R. Piper&Co, 1912.

 

Kant, Immanuel. “Was ist Aufklärung?” 1784.

 

Laban, Rudolf. A Life for Dance: Reminiscences. Translated by Lisa Ullmann. London: Macdonald & Evans, 1975.

 

Laban, Rudolf. Choreographie. Jena: E. Diederichs, 1926.

 

Laban, Rudolf. Choreutics. Edited by Lisa Ullmann. London: Macdonald & Evans, 1939, 1966.

 

Laban, Rudolf. Effort: Economy in Body Movement. 2nd Edition. Boston: Plays, 1947, 1974.

 

Laban, Rudolf. Principles of Dance and Movement Notation. New York: A Dance Horizons Republication, 1956, 1970.

 

Laban, Rudolf. The Language of Movement: A Guidebook to Choreutics. Edited by Lisa Ullmann. Boston: Plays, Inc., 1974.

  

MacKaye, Percy. “Steele Mackaye, Dynamic Artist of the American Theatre; An Outline of his Life Work,” in The Drama. Edited by William Norman Guthrie and Charles Hubbard Sergel. Chicago: The Dramatic Publishing Company, 1911.

 

Marey, Étienne-Jules. La Machine Animale: Locomotion Terrestre et Aérienne. Paris: Librairie Germer Baillière, 1873.

 

Marey, Étienne-Jules. Le Vol des Oiseaux. Paris: Libraire de l’académie de médecine, 1890. Marey, Étienne-Jules. Movement. Translated by Eric Pritchard. New York: D. Appleton and

 

Company, 1895.

 

Michelet, Jules. The History of France. Volume I. Translated by Walter K. Kelly. London: Chapman and Hall, 1844.

 

Morgan, Anna. An Hour with Delsarte: A Study of Expression. New York: Edgar S. Werner Publisher, 1891.

 

Muybridge, Eadweard. Animal Locomotion: An Electro-photographic Investigation of Consecutive Phases of Animal Movements. Philadelphia: University of Pennsylvania and J. B. Lippincott Company, 1887.

 

Muybridge, Eadweard. Descriptive Zoopraxography, or the Science of Animal Locomotion. Philadelphia: University of Pennsylvania, 1893.

 

Muybridge, Eadweard. The Attitudes of Animals in Motion: A Series of Photographs Illustrating the Consecutive Positions assumed by Animals in Performing Various Movements; Executed at Palo Alto, California, in 1878 and 1879 (1881). Albumen, Library of Congress, Washington, D.C., Library of Congress.

 

Muybridge, Eadweard. The Human Figure in Motion. New York: Dover Publications, 1955. Ramsaye, Terry. A Million and One Nights: A History of the Motion Picture. U.K.: Simon and

 

Schuster, Inc., 1926, 1954.

Richer, Paul. Physiologie Artistique: De l’Homme en Mouvement. Paris: Aulanier et Cie, 1896.

 

Sanburn, Frederic. Delsartean Scrap-book: Health, Personality, Beauty, House-Decoration, Dress, etc. New York: United States Book Company, c. 1890.

 

Schlemmer, Oskar. Briefe und Tagebücher: The Letters and Diaries of Oskar Schlemmer. Edited by Tut Schlemmer. Translated by Krishna Winston. Middletown, Conn: Wesleyan University Press, 1972.

  

Schlemmer, Oskar, and Heimo Kuchling. Der Mensch, Unterricht am Bauhaus. Nachgelassene Aufzeichnungen. Mainz: F. Kupferberg, 1969.

 

Schuftan, Werner. Handbuch des Tanzes. Preface by Rudolf von Laban. Mannheim: Verlag Deutscher Chorsänger Verband und Tänzerbund, 1928.

 

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----

  

------------about Venice Biennale history from wikipedia ---------

curators previous

* 1948 – Rodolfo Pallucchini

* 1966 – Gian Alberto Dell'Acqua

* 1968 – Maurizio Calvesi and Guido Ballo

* 1970 – Umbro Apollonio

* 1972 – Mario Penelope

* 1974 – Vittorio Gregotti

* 1978 – Luigi Scarpa

* 1980 – Luigi Carluccio

* 1982 – Sisto Dalla Palma

* 1984 – Maurizio Calvesi

* 1986 – Maurizio Calvesi

* 1988 – Giovanni Carandente

* 1990 – Giovanni Carandente

* 1993 – Achille Bonito Oliva

* 1995 – Jean Clair

* 1997 – Germano Celant

* 1999 – Harald Szeemann

* 2001 – Harald Szeemann

* 2003 – Francesco Bonami

* 2005 – María de Corral and Rosa Martinez

* 2007 – Robert Storr

* 2009 – Daniel Birnbaum

* 2011 – Bice Curiger

* 2013 – Massimiliano Gioni

* 2015 – Okwui Enwezor

* 2017 – Christine Macel[19]

* 2019 – Ralph Rugoff[20]

  

----------

 

#art #artist #artistic #artists #arte #artwork

 

Pavilion at the Venice Biennale #artcontemporain contemporary art Giardini arsenal

 

venice Veneziako VenecijaVenècia Venedig Venetië Veneetsia Venetsia Venise Venecia VenedigΒενετία( Venetía Hungarian Velence Feneyjar Venice Venezia Venēcija Venezja Venezia Wenecja Veneza VenețiaVenetsiya BenátkyBenetke Venecia Fenisוועניס Վենետիկ ভেনি স威尼斯 (wēinísī) 威尼斯 ვენეციისવે નિસवेनिसヴェネツィアವೆನಿಸ್베니스வெனிஸ்వెనిస్เวนิซوینس Venetsiya

 

art umjetnost umění kunst taide τέχνη művészetList ealaín arte māksla menasarti Kunst sztuka artă umenie umetnost konstcelfקונסטարվեստincəsənətশিল্প艺术(yìshù)藝術 (yìshù)ხელოვნებაकलाkos duabアートಕಲೆសិល្បៈ미술(misul)ສິນລະປະകലकलाအတတ်ပညာकलाකලාවகலைఆర్ట్ศิลปะ آرٹsan'atnghệ thuậtفن (fan)אומנותهنرsanat artist

 

other Biennale :(Biennials ) :

Venice Biennial , Documenta Havana Biennial,Istanbul Biennial ( Istanbuli),Biennale de Lyon ,Dak'Art Berlin Biennial,Mercosul Visual Arts Biennial ,Bienal do Mercosul Porto Alegre.,Berlin Biennial ,Echigo-Tsumari Triennial .Yokohama Triennial Aichi Triennale,manifesta ,Copenhagen Biennale,Aichi Triennale .Yokohama Triennial,Echigo-Tsumari Triennial.Sharjah Biennial ,Biennale of Sydney, Liverpool , São Paulo Biennial ; Athens Biennale , Bienal do Mercosul ,Göteborg International Biennial for Contemporary Art ,DOCUMENTA KASSEL ATHENS

* Dakar

  

kritik [edit] kritikaria kritičar crític kritiker criticus kriitik kriitikko critique crítico Kritiker κριτικός(kritikós) kritikus Gagnrýnandi léirmheastóir critico kritiķis kritikas kritiku krytyk crítico critic crítico krytyk beirniad קריטיקער

 

Basque Veneziako Venecija [edit] Catalan Venècia Venedig Venetië Veneetsia Venetsia Venise Venecia Venedig Βενετία(Venetía) Hungarian Velence Feneyjar Venice Venezia Latvian Venēcija Venezja Venezia Wenecja Portuguese Veneza Veneția Venetsiya Benátky Benetke Venecia Fenis וועניס Վենետիկ ভেনিস 威尼斯 (wēinísī) 威尼斯 Georgian ვენეციის વેનિસ वेनिस ヴェネツィア ವೆನಿಸ್ 베니스 வெனிஸ் వెనిస్ เวนิซ وینس Venetsiya

 

Thierry Geoffroy / Colonel

#thierrygeoffroy #geoffroycolonel #thierrygeoffroycololonel #lecolonel #biennalist

 

#artformat #formatart

#emergencyart #urgencyart #urgentart #artofthenow #nowart

emergency art emergency art urgency artist de garde vagt alarm emergency room necessityart artistrole exigencyart predicament prediction pressureart

 

#InstitutionalCritique

 

#venicebiennale #venicebiennale2017 #venicebiennale2015

#venicebiennale2019

#venice #biennale #venicebiennale #venezia #italy

#venezia #venice #veniceitaly #venicebiennale

 

#pastlife #memory #venicebiennale #venice #Venezia #italy #hotelveniceitalia #artexhibit #artshow #internationalart #contemporaryart #themundane #summerday

 

#biennalevenice

 

Institutional Critique

 

Identity Politics Post-War Consumerism, Engagement with Mass Media, Performance Art, The Body, Film/Video, Political, Collage, , Cultural Commentary, Self as Subject, Color Photography, Related to Fashion, Digital Culture, Photography, Human Figure, Technology

 

Racial and Ethnic Identity, Neo-Conceptualism, Diaristic

 

Contemporary Re-creations, Popular Culture, Appropriation, Contemporary Sculpture,

 

Culture, Collective History, Group of Portraits, Photographic Source

 

, Endurance Art, Film/Video,, Conceptual Art and Contemporary Conceptualism, Color Photography, Human Figure, Cultural Commentary

 

War and Military, Political Figures, Social Action, Racial and Ethnic Identity, Conflict

 

Personal Histories, Alter Egos and Avatars

 

Use of Common Materials, Found Objects, Related to Literature, Installation, Mixed-Media, Engagement with Mass Media, Collage,, Outdoor Art, Work on Paper, Text

  

Appropriation (art) Art intervention Classificatory disputes about art Conceptual art Environmental sculpture Found object Interactive art Modern art Neo-conceptual art Performance art Sound art Sound installation Street installations Video installation Conceptual art Art movements Postmodern art Contemporary art Art media Aesthetics Conceptualism

 

Post-conceptualism Anti-anti-art Body art Conceptual architecture Contemporary art Experiments in Art and Technology Found object Happening Fluxus Information art Installation art Intermedia Land art Modern art Neo-conceptual art Net art Postmodern art Generative Art Street installation Systems art Video art Visual arts ART/MEDIA conceptual artis

 

—-

 

CRITICAL RUN is an art format developed by Thierry Geoffroy / COLONEL, It follows the spirit of ULTRACONTEMPORARY and EMERGENCY ART as well as aims to train the AWARENESS MUSCLE.​

Critical Run has been activated on invitation from institutions such as Moderna Muset Stockholm, Moma PS1 ,Witte de With Rotterdam, ZKM Karlsruhe, Liverpool Biennale, Manifesta Biennial ,Sprengel Museum,Venice Biennale but have also just happened on the spot because a debate was necessary here and now.

 

It has been activated in Beijing, Cairo, London, Istanbul, Athens, Kassel, Sao Paolo, Hanoi, Istanbul, Paris, Copenhagen, Moskow, Napoli, Sydney, Wroclaw, Bruxelles, Rotterdam, Siberia, Karlsruhe, Barcelona, Aalborg, Venice, Virginia, Stockholm, Aarhus, Rio de Janeiro, Budapest, Washington, Lyon, Caracas, Trondheim, Berlin, Toronto, Hannover, Haage, Newtown, Cartagena, Tallinn, Herning, Roskilde;Mannheim ;Munich etc...

 

The run debates are about emergency topics like Climate Change , Xenophobia , Wars , Hyppocrisie , Apathy ,etc ...

 

Participants have been very various from Sweddish art critics , German police , American climate activist , Chinese Gallerists , Brasilian students , etc ...

 

Critical Run is an art format , like Emergency Room or Biennalist and is part of Emergency Art ULTRACONTEMPORARY and AWARENESS MUSCLE .

 

www.emergencyrooms.org/criticalrun.html

 

www.emergencyrooms.org/formats.html

-------

In 2020 a large exhibition will show 40 of the Critical Run at the Museum Villa Stuck in Munich / part of the Awareness Muscle Training Center

------

for activating the format or for inviting the installation

please contact 1@colonel.dk

 

www.colonel.dk/

 

-----

 

critical,run,art,format,debate ,artformat,formatart,moment,clarity,emergency,kunst,

 

Sport,effort,curator,artist,urgency,urgence,criticalrun,emergencies,ultracontemporary

,rundebate,sport,art,activism, critic,laufen,Thierry Geoffroy , Colonel,kunstformat

 

,now art,copenhagen,denmark

 

ONE OF THE WAY TO TRAIN THE "THE AWARENESS MUSCLE

 

is the critical run

and other emergency art format

 

CRITICAL RUN / Debate Format

 

Critical Run is an Art Format created by Thierry Geoffroy/Colonel

debate while running .

Debate and Run together,Now,before it is too late.

 

www.emergencyroomscanvas todo .org/criticalrun.html

 

The Art Format Critical Run has been activated in 30 differents countries with 120 different burning debates

New York,Cairo,London,Istanbul,Athens,Hanoi,Paris,Munich,Amsterdam Siberia,Copenhagen,Johanesburg,Moskow,Napoli,Sydney,

Wroclaw,Bruxelles,Rotterdam,Barcelona,Venice,Virginia,Stockholm,Århus,Kassel,Lyon,Trondheim, Berlin ,Toronto,Hannover ...

 

CRITICAL RUN happened on invitation from institution like Moma/PS1, Moderna Muset Stockholm ,Witte de With Rotterdam,ZKM Karlsruhe,Liverpool Biennale;Sprengel Museum etc..or have just happened on the spot because

a debate was necessary here and now.

 

In 2020 the Energy Room was an installation of 40 Critical Run at Museum Villa Stuck /Munich

part of Colonel solo show : The Awareness Muscle Training Center

 

----

 

Interesting publication for researches on running and art

 

www.emergencyrooms.org/formats.html

 

14 Performances. Relation Work (1976 - 1980). Filmed by Paolo Cardazzo. Marina Abramović/ Ulay. Neuer Berliner Kunstverein, Berlin, Germany.

 

Abramović, Marina. Student Body: Workshops 1979 - 2003: Performances 1993 - 2003. Milano: ed. Charta, 2003.

 

Bergson, Henri. Creative Evolution. London: Macmillan and Co., 1911.

Bergson, Henri. Key Writings. Edited by Keith Ansell-Pearson and John Mullarkey. New York:

 

Continuum, 2002.

Bergson, Henri. Matter and Memory. New York: Zone Books, 1988.

 

Blaikie, William. “Common Sense Physical Training.” In Athletics and Health: Modern Achievement: Advice and Instruction upon the Conduct of Life, Principles of Business, Care of Health, Duties of Citizenship, etc. Edited by Edward Everett Hale. New York: P.F. Collier & Son, 1902.

 

Blaikie, William. How to Get Strong and How to Stay So. New York: Harper & Brothers Publishers, 1883.

 

Cunningham, Merce. Changes: Notes on Choreography. New York: Something Else Press, 1969.

 

de Balzac, Honoré. The Human Comedy. EBook: Project Gutenberg, 2010. de Balzac, Honoré. Théorie de la démarche. 1833, 1853.

 

de Biran, Maine. “Opposition du principe de Descartes avec celui d’une science de l’homme. Première base d’une division des faits psychologiques et physiologiques. Perception et sensation animale.” In Maine de Biran. Librairie Philosophique J. VRIN, 1990.

 

de Tocqueville, Alexis. The Old Regime and the Revolution. New York: Harper & Brothers, Publishers, 1856.

 

Delaumosne, M. L’Abbe. “The Delsarte System.” Translated by Frances A. Shaw. In Delsarte System of Oratory, 4th Ed. New York: Edgar S. Werner, 1893.

 

Descartes, René. Méditations metaphysiques. 1641.

 

Gropius, Walter, and Arthur S. Wensinger, eds. The Theater of the Bauhaus: Oskar Schlemmer, Laszlo Moholy-Nagy, Farkas Molnár. Translated by Arthur S. Wensinger. Middleton, Conn.: Wesleyan University, 1961.

 

Hahn, Archibald. How to Sprint: The Theory of Spring Racing. New York: American Sports Publishing Company, 1923.

 

Hegel, Georg Wilhelm Friedrich. Phenomenology of Spirit. Translated by A.V. Miller. Oxford: Oxford University Press, 1977.

 

Helmholtz, Hermann. “On the Facts Underlying Geometry.” In Epistemological Writings: Hermann von Helmholtz. Edited by R.S. Cohen and Y. Elkana. Boston: D. Reidel Publishing Company, 1977.

 

Helmholtz, Hermann. Théorie physiologique de la musique fondée sur l’étude des sensations auditives. Paris: Masson, 1868.

 

Helmholtz, Hermann. Treatise of Physiological Optics (Handbuch der physiologischen Optik) 1856. 3 Volumes. Translated by James P.C. Southall. Milwaukee, 1924.

 

Holmes, Oliver Wendall. Soundings from the Atlantic. Boston: Tickknor and Fields, 1864. James, William. The Principles of Psychology. New York: Henry Holt & Co, 1890, 1918.

 

James, William. Writings 1902 - 1910. Edited by Bruce Kuklick. New York: Literary Classics of the United States, 1987.

 

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Kwon, Miwon. One Place After Another: Site-Specific Art and Locational Identity. Cambridge: MIT Press, 2002.

 

LaBelle, Brandon. Background Noise: Perspectives on Sound Art. London and New York: Continuum International Publishing Group, 2006.

 

Lakoff, George, and Mark Johnson. Metaphors We Live By. Chicago: University of Chicago Press, 1980.

 

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le Blanc, Guillaume. Courir: Méditations Physiques. Paris: Éditions Flammarion, 2012.

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England: Ashgate, 2012.

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United States, 1880 - 1917. Chicago: The University of Chicago Press, 1995. Lefebvre, Henri. The Production of Space. Oxford: Blackwell, 1991.

 

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----

  

------------about Venice Biennale history from wikipedia ---------

curators previous

* 1948 – Rodolfo Pallucchini

* 1966 – Gian Alberto Dell'Acqua

* 1968 – Maurizio Calvesi and Guido Ballo

* 1970 – Umbro Apollonio

* 1972 – Mario Penelope

* 1974 – Vittorio Gregotti

* 1978 – Luigi Scarpa

* 1980 – Luigi Carluccio

* 1982 – Sisto Dalla Palma

* 1984 – Maurizio Calvesi

* 1986 – Maurizio Calvesi

* 1988 – Giovanni Carandente

* 1990 – Giovanni Carandente

* 1993 – Achille Bonito Oliva

* 1995 – Jean Clair

* 1997 – Germano Celant

* 1999 – Harald Szeemann

* 2001 – Harald Szeemann

* 2003 – Francesco Bonami

* 2005 – María de Corral and Rosa Martinez

* 2007 – Robert Storr

* 2009 – Daniel Birnbaum

* 2011 – Bice Curiger

* 2013 – Massimiliano Gioni

* 2015 – Okwui Enwezor

* 2017 – Christine Macel[19]

* 2019 – Ralph Rugoff[20]

  

----------

 

#art #artist #artistic #artists #arte #artwork

 

Pavilion at the Venice Biennale #artcontemporain contemporary art Giardini arsenal

 

venice Veneziako VenecijaVenècia Venedig Venetië Veneetsia Venetsia Venise Venecia VenedigΒενετία( Venetía Hungarian Velence Feneyjar Venice Venezia Venēcija Venezja Venezia Wenecja Veneza VenețiaVenetsiya BenátkyBenetke Venecia Fenisוועניס Վենետիկ ভেনি স威尼斯 (wēinísī) 威尼斯 ვენეციისવે નિસवेनिसヴェネツィアವೆನಿಸ್베니스வெனிஸ்వెనిస్เวนิซوینس Venetsiya

 

art umjetnost umění kunst taide τέχνη művészetList ealaín arte māksla menasarti Kunst sztuka artă umenie umetnost konstcelfקונסטարվեստincəsənətশিল্প艺术(yìshù)藝術 (yìshù)ხელოვნებაकलाkos duabアートಕಲೆសិល្បៈ미술(misul)ສິນລະປະകലकलाအတတ်ပညာकलाකලාවகலைఆర్ట్ศิลปะ آرٹsan'atnghệ thuậtفن (fan)אומנותهنرsanat artist

 

other Biennale :(Biennials ) :

Venice Biennial , Documenta Havana Biennial,Istanbul Biennial ( Istanbuli),Biennale de Lyon ,Dak'Art Berlin Biennial,Mercosul Visual Arts Biennial ,Bienal do Mercosul Porto Alegre.,Berlin Biennial ,Echigo-Tsumari Triennial .Yokohama Triennial Aichi Triennale,manifesta ,Copenhagen Biennale,Aichi Triennale .Yokohama Triennial,Echigo-Tsumari Triennial.Sharjah Biennial ,Biennale of Sydney, Liverpool , São Paulo Biennial ; Athens Biennale , Bienal do Mercosul ,Göteborg International Biennial for Contemporary Art ,DOCUMENTA KASSEL ATHENS

* Dakar

  

kritik [edit] kritikaria kritičar crític kritiker criticus kriitik kriitikko critique crítico Kritiker κριτικός(kritikós) kritikus Gagnrýnandi léirmheastóir critico kritiķis kritikas kritiku krytyk crítico critic crítico krytyk beirniad קריטיקער

 

Basque Veneziako Venecija [edit] Catalan Venècia Venedig Venetië Veneetsia Venetsia Venise Venecia Venedig Βενετία(Venetía) Hungarian Velence Feneyjar Venice Venezia Latvian Venēcija Venezja Venezia Wenecja Portuguese Veneza Veneția Venetsiya Benátky Benetke Venecia Fenis וועניס Վենետիկ ভেনিস 威尼斯 (wēinísī) 威尼斯 Georgian ვენეციის વેનિસ वेनिस ヴェネツィア ವೆನಿಸ್ 베니스 வெனிஸ் వెనిస్ เวนิซ وینس Venetsiya

 

Thierry Geoffroy / Colonel

#thierrygeoffroy #geoffroycolonel #thierrygeoffroycololonel #lecolonel #biennalist

 

#artformat #formatart

#emergencyart #urgencyart #urgentart #artofthenow #nowart

emergency art emergency art urgency artist de garde vagt alarm emergency room necessityart artistrole exigencyart predicament prediction pressureart

 

#InstitutionalCritique

 

#venicebiennale #venicebiennale2017 #venicebiennale2015

#venicebiennale2019

#venice #biennale #venicebiennale #venezia #italy

#venezia #venice #veniceitaly #venicebiennale

 

#pastlife #memory #venicebiennale #venice #Venezia #italy #hotelveniceitalia #artexhibit #artshow #internationalart #contemporaryart #themundane #summerday

 

#biennalevenice

 

Institutional Critique

 

Identity Politics Post-War Consumerism, Engagement with Mass Media, Performance Art, The Body, Film/Video, Political, Collage, , Cultural Commentary, Self as Subject, Color Photography, Related to Fashion, Digital Culture, Photography, Human Figure, Technology

 

Racial and Ethnic Identity, Neo-Conceptualism, Diaristic

 

Contemporary Re-creations, Popular Culture, Appropriation, Contemporary Sculpture,

 

Culture, Collective History, Group of Portraits, Photographic Source

 

, Endurance Art, Film/Video,, Conceptual Art and Contemporary Conceptualism, Color Photography, Human Figure, Cultural Commentary

 

War and Military, Political Figures, Social Action, Racial and Ethnic Identity, Conflict

 

Personal Histories, Alter Egos and Avatars

 

Use of Common Materials, Found Objects, Related to Literature, Installation, Mixed-Media, Engagement with Mass Media, Collage,, Outdoor Art, Work on Paper, Text

  

Appropriation (art) Art intervention Classificatory disputes about art Conceptual art Environmental sculpture Found object Interactive art Modern art Neo-conceptual art Performance art Sound art Sound installation Street installations Video installation Conceptual art Art movements Postmodern art Contemporary art Art media Aesthetics Conceptualism

 

Post-conceptualism Anti-anti-art Body art Conceptual architecture Contemporary art Experiments in Art and Technology Found object Happening Fluxus Information art Installation art Intermedia Land art Modern art Neo-conceptual art Net art Postmodern art Generative Art Street installation Systems art Video art Visual arts ART/MEDIA conceptual artis

 

—-

 

CRITICAL RUN is an art format developed by Thierry Geoffroy / COLONEL, It follows the spirit of ULTRACONTEMPORARY and EMERGENCY ART as well as aims to train the AWARENESS MUSCLE.​

Critical Run has been activated on invitation from institutions such as Moderna Muset Stockholm, Moma PS1 ,Witte de With Rotterdam, ZKM Karlsruhe, Liverpool Biennale, Manifesta Biennial ,Sprengel Museum,Venice Biennale but have also just happened on the spot because a debate was necessary here and now.

 

It has been activated in Beijing, Cairo, London, Istanbul, Athens, Kassel, Sao Paolo, Hanoi, Istanbul, Paris, Copenhagen, Moskow, Napoli, Sydney, Wroclaw, Bruxelles, Rotterdam, Siberia, Karlsruhe, Barcelona, Aalborg, Venice, Virginia, Stockholm, Aarhus, Rio de Janeiro, Budapest, Washington, Lyon, Caracas, Trondheim, Berlin, Toronto, Hannover, Haage, Newtown, Cartagena, Tallinn, Herning, Roskilde;Mannheim ;Munich etc...

 

The run debates are about emergency topics like Climate Change , Xenophobia , Wars , Hyppocrisie , Apathy ,etc ...

 

Participants have been very various from Sweddish art critics , German police , American climate activist , Chinese Gallerists , Brasilian students , etc ...

 

Critical Run is an art format , like Emergency Room or Biennalist and is part of Emergency Art ULTRACONTEMPORARY and AWARENESS MUSCLE .

 

www.emergencyrooms.org/criticalrun.html

 

www.emergencyrooms.org/formats.html

-------

In 2020 a large exhibition will show 40 of the Critical Run at the Museum Villa Stuck in Munich / part of the Awareness Muscle Training Center

------

for activating the format or for inviting the installation

please contact 1@colonel.dk

 

www.colonel.dk/

 

-----

 

critical,run,art,format,debate ,artformat,formatart,moment,clarity,emergency,kunst,

 

Sport,effort,curator,artist,urgency,urgence,criticalrun,emergencies,ultracontemporary

,rundebate,sport,art,activism, critic,laufen,Thierry Geoffroy , Colonel,kunstformat

 

,now art,copenhagen,denmark

 

"By having a reverence for life, we enter into a spiritual relation with the world. By practicing reverence for life we become good, deep, and alive." ~Albert Schweitzer

 

dear friends!! let us meet at the teahouse near the river, where we may contemplate these words by albert schweitzer... while savoring the fragrant flavors of green tea, wild mint, and honey. as we sit, cultivating reverence for life and a peaceful heart, perhaps a bird will join us, or a butterfly...

 

may all beings be happy~*

may all beings be healthy~*

may all beings be safe~*

may all beings be free~*

 

love to you, dear friends!!

jeanne

 

thanks to peter for posting this quote by schweitzer tonight...

 

assembled, altered and re-formatted images, june 12, 2011 (two camera phone photos taken while walking near a little pond the other day, a golden tray for serving tea, and a texture layer from the generous les brumes)

ONE OF THE WAY TO TRAIN THE "THE AWARENESS MUSCLE

 

is the critical run

and other emergency art format

 

CRITICAL RUN / Debate Format

 

Critical Run is an Art Format created by Thierry Geoffroy/Colonel

debate while running .

Debate and Run together,Now,before it is too late.

 

www.emergencyroomscanvas todo .org/criticalrun.html

 

The Art Format Critical Run has been activated in 30 differents countries with 120 different burning debates

New York,Cairo,London,Istanbul,Athens,Hanoi,Paris,Munich,Amsterdam Siberia,Copenhagen,Johanesburg,Moskow,Napoli,Sydney,

Wroclaw,Bruxelles,Rotterdam,Barcelona,Venice,Virginia,Stockholm,Århus,Kassel,Lyon,Trondheim, Berlin ,Toronto,Hannover ...

 

CRITICAL RUN happened on invitation from institution like Moma/PS1, Moderna Muset Stockholm ,Witte de With Rotterdam,ZKM Karlsruhe,Liverpool Biennale;Sprengel Museum etc..or have just happened on the spot because

a debate was necessary here and now.

 

In 2020 the Energy Room was an installation of 40 Critical Run at Museum Villa Stuck /Munich

part of Colonel solo show : The Awareness Muscle Training Center

 

----

 

Interesting publication for researches on running and art

 

www.emergencyrooms.org/formats.html

 

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----

  

------------about Venice Biennale history from wikipedia ---------

curators previous

* 1948 – Rodolfo Pallucchini

* 1966 – Gian Alberto Dell'Acqua

* 1968 – Maurizio Calvesi and Guido Ballo

* 1970 – Umbro Apollonio

* 1972 – Mario Penelope

* 1974 – Vittorio Gregotti

* 1978 – Luigi Scarpa

* 1980 – Luigi Carluccio

* 1982 – Sisto Dalla Palma

* 1984 – Maurizio Calvesi

* 1986 – Maurizio Calvesi

* 1988 – Giovanni Carandente

* 1990 – Giovanni Carandente

* 1993 – Achille Bonito Oliva

* 1995 – Jean Clair

* 1997 – Germano Celant

* 1999 – Harald Szeemann

* 2001 – Harald Szeemann

* 2003 – Francesco Bonami

* 2005 – María de Corral and Rosa Martinez

* 2007 – Robert Storr

* 2009 – Daniel Birnbaum

* 2011 – Bice Curiger

* 2013 – Massimiliano Gioni

* 2015 – Okwui Enwezor

* 2017 – Christine Macel[19]

* 2019 – Ralph Rugoff[20]

  

----------

 

#art #artist #artistic #artists #arte #artwork

 

Pavilion at the Venice Biennale #artcontemporain contemporary art Giardini arsenal

 

venice Veneziako VenecijaVenècia Venedig Venetië Veneetsia Venetsia Venise Venecia VenedigΒενετία( Venetía Hungarian Velence Feneyjar Venice Venezia Venēcija Venezja Venezia Wenecja Veneza VenețiaVenetsiya BenátkyBenetke Venecia Fenisוועניס Վենետիկ ভেনি স威尼斯 (wēinísī) 威尼斯 ვენეციისવે નિસवेनिसヴェネツィアವೆನಿಸ್베니스வெனிஸ்వెనిస్เวนิซوینس Venetsiya

 

art umjetnost umění kunst taide τέχνη művészetList ealaín arte māksla menasarti Kunst sztuka artă umenie umetnost konstcelfקונסטարվեստincəsənətশিল্প艺术(yìshù)藝術 (yìshù)ხელოვნებაकलाkos duabアートಕಲೆសិល្បៈ미술(misul)ສິນລະປະകലकलाအတတ်ပညာकलाකලාවகலைఆర్ట్ศิลปะ آرٹsan'atnghệ thuậtفن (fan)אומנותهنرsanat artist

 

other Biennale :(Biennials ) :

Venice Biennial , Documenta Havana Biennial,Istanbul Biennial ( Istanbuli),Biennale de Lyon ,Dak'Art Berlin Biennial,Mercosul Visual Arts Biennial ,Bienal do Mercosul Porto Alegre.,Berlin Biennial ,Echigo-Tsumari Triennial .Yokohama Triennial Aichi Triennale,manifesta ,Copenhagen Biennale,Aichi Triennale .Yokohama Triennial,Echigo-Tsumari Triennial.Sharjah Biennial ,Biennale of Sydney, Liverpool , São Paulo Biennial ; Athens Biennale , Bienal do Mercosul ,Göteborg International Biennial for Contemporary Art ,DOCUMENTA KASSEL ATHENS

* Dakar

  

kritik [edit] kritikaria kritičar crític kritiker criticus kriitik kriitikko critique crítico Kritiker κριτικός(kritikós) kritikus Gagnrýnandi léirmheastóir critico kritiķis kritikas kritiku krytyk crítico critic crítico krytyk beirniad קריטיקער

 

Basque Veneziako Venecija [edit] Catalan Venècia Venedig Venetië Veneetsia Venetsia Venise Venecia Venedig Βενετία(Venetía) Hungarian Velence Feneyjar Venice Venezia Latvian Venēcija Venezja Venezia Wenecja Portuguese Veneza Veneția Venetsiya Benátky Benetke Venecia Fenis וועניס Վենետիկ ভেনিস 威尼斯 (wēinísī) 威尼斯 Georgian ვენეციის વેનિસ वेनिस ヴェネツィア ವೆನಿಸ್ 베니스 வெனிஸ் వెనిస్ เวนิซ وینس Venetsiya

 

Thierry Geoffroy / Colonel

#thierrygeoffroy #geoffroycolonel #thierrygeoffroycololonel #lecolonel #biennalist

 

#artformat #formatart

#emergencyart #urgencyart #urgentart #artofthenow #nowart

emergency art emergency art urgency artist de garde vagt alarm emergency room necessityart artistrole exigencyart predicament prediction pressureart

 

#InstitutionalCritique

 

#venicebiennale #venicebiennale2017 #venicebiennale2015

#venicebiennale2019

#venice #biennale #venicebiennale #venezia #italy

#venezia #venice #veniceitaly #venicebiennale

 

#pastlife #memory #venicebiennale #venice #Venezia #italy #hotelveniceitalia #artexhibit #artshow #internationalart #contemporaryart #themundane #summerday

 

#biennalevenice

 

Institutional Critique

 

Identity Politics Post-War Consumerism, Engagement with Mass Media, Performance Art, The Body, Film/Video, Political, Collage, , Cultural Commentary, Self as Subject, Color Photography, Related to Fashion, Digital Culture, Photography, Human Figure, Technology

 

Racial and Ethnic Identity, Neo-Conceptualism, Diaristic

 

Contemporary Re-creations, Popular Culture, Appropriation, Contemporary Sculpture,

 

Culture, Collective History, Group of Portraits, Photographic Source

 

, Endurance Art, Film/Video,, Conceptual Art and Contemporary Conceptualism, Color Photography, Human Figure, Cultural Commentary

 

War and Military, Political Figures, Social Action, Racial and Ethnic Identity, Conflict

 

Personal Histories, Alter Egos and Avatars

 

Use of Common Materials, Found Objects, Related to Literature, Installation, Mixed-Media, Engagement with Mass Media, Collage,, Outdoor Art, Work on Paper, Text

  

Appropriation (art) Art intervention Classificatory disputes about art Conceptual art Environmental sculpture Found object Interactive art Modern art Neo-conceptual art Performance art Sound art Sound installation Street installations Video installation Conceptual art Art movements Postmodern art Contemporary art Art media Aesthetics Conceptualism

 

Post-conceptualism Anti-anti-art Body art Conceptual architecture Contemporary art Experiments in Art and Technology Found object Happening Fluxus Information art Installation art Intermedia Land art Modern art Neo-conceptual art Net art Postmodern art Generative Art Street installation Systems art Video art Visual arts ART/MEDIA conceptual artis

 

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CRITICAL RUN is an art format developed by Thierry Geoffroy / COLONEL, It follows the spirit of ULTRACONTEMPORARY and EMERGENCY ART as well as aims to train the AWARENESS MUSCLE.​

Critical Run has been activated on invitation from institutions such as Moderna Muset Stockholm, Moma PS1 ,Witte de With Rotterdam, ZKM Karlsruhe, Liverpool Biennale, Manifesta Biennial ,Sprengel Museum,Venice Biennale but have also just happened on the spot because a debate was necessary here and now.

 

It has been activated in Beijing, Cairo, London, Istanbul, Athens, Kassel, Sao Paolo, Hanoi, Istanbul, Paris, Copenhagen, Moskow, Napoli, Sydney, Wroclaw, Bruxelles, Rotterdam, Siberia, Karlsruhe, Barcelona, Aalborg, Venice, Virginia, Stockholm, Aarhus, Rio de Janeiro, Budapest, Washington, Lyon, Caracas, Trondheim, Berlin, Toronto, Hannover, Haage, Newtown, Cartagena, Tallinn, Herning, Roskilde;Mannheim ;Munich etc...

 

The run debates are about emergency topics like Climate Change , Xenophobia , Wars , Hyppocrisie , Apathy ,etc ...

 

Participants have been very various from Sweddish art critics , German police , American climate activist , Chinese Gallerists , Brasilian students , etc ...

 

Critical Run is an art format , like Emergency Room or Biennalist and is part of Emergency Art ULTRACONTEMPORARY and AWARENESS MUSCLE .

 

www.emergencyrooms.org/criticalrun.html

 

www.emergencyrooms.org/formats.html

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In 2020 a large exhibition will show 40 of the Critical Run at the Museum Villa Stuck in Munich / part of the Awareness Muscle Training Center

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for activating the format or for inviting the installation

please contact 1@colonel.dk

 

www.colonel.dk/

 

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critical,run,art,format,debate ,artformat,formatart,moment,clarity,emergency,kunst,

 

Sport,effort,curator,artist,urgency,urgence,criticalrun,emergencies,ultracontemporary

,rundebate,sport,art,activism, critic,laufen,Thierry Geoffroy , Colonel,kunstformat

 

,now art,copenhagen,denmark

 

I wanted to experiment in my concept this time. Instead of heartfelt quotes about life, I wanted to try a bit on the oddball. It's always nice to do a bit of sidetracking to what your original plans are and here is a perfect one.

 

I wanted to portray something about sexuality but not in a manner of taking photos of nude or a sensual photograph of a couple. I wanted it to be more abstract. So how would I do this? As I was already doing self portraits for my other photographs, I wanted to incorporate the white cloth that I was playing with to cover what gender the person would be and photograph it in a sexual position done by couples. The one that is in-front is portraying a person that is on the verge of orgasmic pleasure.The idea for me is that sex should not be closed to just a male and a female. It should be to whomever that person desires to be with.

 

As a person, I don't have the right to judge who you are or what you prefer. As long as you care for that person and not hurt anybody. You are good in my books.

 

www.facebook.com/kaiyanp

kaiyanpaguyo.showitsite.com/

Sippy Gill ( Singer, Actor ) Wiki, Height, Biography, Weight, Relation [ Unknown Fact ] – Sippy Gill Popular Singer of Punjabi Music Industry. Sippy Gill Born on 21 May 1982 in Village Rauli District Moga, Punjab. Sippy Gill Contribution Many Hit Songs in Punjabi Movies. His Music Teacher ...

 

punjabitoday.com/celebrity/sippy-gill-singer-actor-wiki-h...

The Pomeranian is a miniaturized relation of the powerful spitz-type sled dogs of the Arctic. The breed is named for Pomerania, the area of northeastern Europe that is now part of Poland and western Germany. It was there, hundreds of years ago, that the Pom’s ancestors were bred down from their much bigger, burlier cousins.

The Pom, also known as the Zwergspitz in some countries, is the smallest of the spitz breeds. With their elegant appearance and regal bearing, you might say Poms are “fit for a queen”—and you’d be right. The Pom’s popularity is largely due to Queen Victoria, who became smitten with the breed while visiting Florence, Italy. When the dog-happy Dowager Queen returned to Britain with Poms in tow, the breed’s fame was assured.

Victoria became a serious breeder and exhibitor of Poms. At the 1891 Crufts dog show, Victoria showed six of her breeding. One of her favorites, Windsor Marco, won first place in the breed. (A British historian wrote, “It would have been a brave judge to have placed her second.”) Victoria is credited for reducing the Pom’s size from about 30 pounds to their current toy stature. It was reported that as the aged queen lay dying in 1901, her favorite Pom, Turi, kept vigil at the foot of her bed.

Other historical figures of refined sensibilities who were Pom owners include Marie Antoinette, Emile Zola, and Wolfgang Amadeus Mozart.

Dive into Relation Therapy

Chanukah... The Final Frontier. Its 8-day mission: to boldly go where no Jew has gone before!

 

It needs a bit of fine-tuning and embellishment, but I'm pretty happy with it for now. (You need 8 candles + one extra that you use to light all the other candles, and Crow was the best fit. No relation!)

 

Monthly Scavenger Hunt ~ December 2008

#10 -- Where do you stick your candle/candles?

Many places like to wear their connections with Charles Dickens visibly, but I find it hard to believe anywhere does it more completely than Blundeston.

 

Blundeston is mentioned in David Copperfield, and there has been a strong movement by the local parish planners to ensure that most street names now have a Dicken connection. I know this a a colleague of mine resisted the overtures to name their new dwellings something Dickensian, but stuck with the family name after all.

 

I also have family connections with Blundeston, and indeed a distant relation is on the war memorial, but he is one of the branch that has an extra D in their name, the first one I have ever seen. My name is very mis-spelt, and the double D variation the most common.

 

Anyway, late one afternoon, I arrive in Blundeston to visit the church, and see, or notice the pound for the first time. Situated on a road junction, the brick-built circular enclosure was once used to corral livestock. It is a rare survivor, and the first time I had noticed it.

 

It is a fine round-towered church, with plenty of interest inside, and the medieval (I guess) glass in the porch the first of many. Some unusual tessellated tiling in the chancel, but the sanctuary is now a book shop and the altar brought forward.The font, at least to my eyes, looks Norman, and is impressive, as is the arts and crafts window, but I guess this is where Simon puts me right on many points.....

 

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"I was born at Blunderstone, in Suffolk. There is nothing half so green as I know anywhere, as the grass of that churchyard; nothing half so shady as its trees; nothing half so quiet as its tombstones. The sheep are feeding there, when I kneel up to look out. Here is our pew in the church. What a high-backed pew! With a window near it, out of which our house can be seen.

I look up at the monumental tablets on the wall, and try to think of Mr Bodgers late of this parish, and what the feelings of Mrs Bodgers must have been, when affliction sore, long time Mr Bodgers bore, and physicians were in vain. I look to the pulpit, and think what a good place it would be to play in, and what a castle it would make, with another boy coming up the stairs to attack it..."

 

- Charles Dickens, David Copperfield

 

Blundeston is these days a very pleasant outer suburb of Lowestoft, although wise planners have kept a cordon sanitaire between it and the rampaging new estates of Oulton and Gunton. Everything here is very trim and polite, although St Mary itself has a rather more primitive air about it. Its narrow, tapering tower rises up sharply beside the steeply banked roof of its nave, for all the world like a Cornish tin mine or Derbyshire mill. This is an ancient building. The tower, at least the lower part, is clearly Saxon, and here inside there are some other ancient details.

 

You step into a church which is much bigger than it might appear from the outside, with a gentle High Church feel to it. The nave was widened in the late medieval period, and although there is no aisle or arcade, the tower has been left offset. The font dates from the 12th century, a plain, octagonal bowl set on 8 relief legs. The tower arch is earlier, and beside it there is a very curious detail. A circular squint hole, about 12 inches across, about 5 feet from the floor in the north-west corner. It is obviously intended to line up with something outside the church, but what, exactly? There is one exactly like it, in the same position, two miles away at Lound. They do not align with each other, though. Perhaps an outdoor Easter sepulchre? or to enable an internal sepulchre to be seen on Good Friday, when the church was out of use?

 

Above the south door, the arms of Charles II are very curious. They have been reused as a hatchment at some point, but the overpainting has faded to reveal the true origin. An altar against the north wall is dedicated to St Andrew, in memory of the nearby former church at Flixton, which was destroyed in a storm early in the 18th century. The font in the churchyard here comes from Flixton, too.

And the memorials? Well, I'm afraid there is no 'Mr Bodgers, late of this parish', and probably never was. The high-backed pews are all gone, and although the pulpit would certainly make an excellent castle, it post-dates Dickens's (and Copperfield's) time. The grass is still lush and green in the churchyard though, and much wilder than the neatly trimmed lawns of the very pleasant houses that surround it.

  

Simon Knott, June 2008

 

www.suffolkchurches.co.uk/Blundeston.htm

 

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Blundeston.

There are two manors here—those of Blundeston Hall, and Gonville's. The former was held by a family which took their name from the place, and retained it, with the patronage of the church, till the end of the reign of Edward III. In the ninth of Edward I., Robert de Blundeston was lord; (fn. 1) and in the twenty-third of Edward III., in the year 1348, there was a conveyance from Osbertus, Rector of the church of Blundeston, and Oliverus de Wysete, to William, the son of Robert de Blundeston, and the heirs of his body, of the manor of Blundeston, with all the lands and appurtenances in Blundeston, Oulton, and Flixton; together with the advowson of the church of the village of Blundeston, with the appurtenances; all which were formerly of Robert de Blundeston; to hold to the said William and the heirs of his body lawfully begotten. From this family the manor and advowson passed to that of Yarmouth; Henry Yarmouth, of Blundeston, presenting to the church in 1438. Humphrey Yarmouth, his descendant, on the 1st of December, 1570, conveyed to William Sydnor the manor of Blundeston, cum pertinentibus, and all other his manors, tenements, liberties, swanmarks, and hereditaments in Blundeston, Corton, Lound, Somerleyton, Flixton, Lowestoft, and Gunton, or elsewhere, and all other his manors and hereditaments, in the said towns, in fee. The manor, &c., and the messuages, were found to be holden of Sir John Heveningham, of his manor of South Leet, in soccage. (fn. 2) The said William Sydnor, by deed indented 6th of October, twenty-sixth of Elizabeth, 1584, in consideration of a jointure to Elizabeth, late wife of Henry Sydnor, his son, and heir apparent, did enfeoff John Read, and others, and their heirs, of a house called Gillam's, and 90 acres of land in Blundeston and Flixton; a meadow of 12 acres in Flixton; a marsh called Wrentham's, and 41 acres of land in Blundeston; two other messuages and 9 acres of land in Blundeston; a house called Chamber's, and 104 acres of land in Henstead. And of the manor called Blundeston; and the manor of Fritton with the appurtenances, to their uses; viz., as to the manor of Blundeston with the appurtenances, to the use of the said William for life; and after to the use of the said Henry, and his heirs male by the said Elizabeth, his wife; and after to the right heirs of the said William. The marriage between the aforesaid Henry Sydnor and Elizabeth was solemnized on the 1st of February, twenty-seventh of Elizabeth. He died during his father's lifetime, in December, 1611. William Sydnor, the father, died on the 26th of August, 1612. By his will, dated the 26th of March, in the same year, being "then of Christ's Church, but late of Blundeston," he gave to the poor of Blundeston, Henstead, Fritton, Belton, Conisford at the Gate (Norwich), Berstete St. John's, 20 shillings to each parish, and to Trowse on this side the Bridge 10 shillings. He desired "his body to be buried in the chauncell of the parishe church of Blundeston." He gave unto Dorothy Sydnor, his daughter, £ 200 of lawful English money, some furniture, and £10 in gold, to be paid within fourteen days; a cup of silver with three feet, and a cover. To Alice Goldsmithe, his daughter, all her mother's apparell, and £10 in gold, &c. Among other bequests, he leaves to William Sydnor, his grandchild, some furniture, and a great carved chest which lately came from Blundeston, and his next best salt-cellar. After leaving annuities to his servants, he directed "that his house in Christ's Church in all things be mayntayned and kept as usually he did for the entertainment of his children; and such of his children and servants as would stay and live orderly, and do their service honestly, during the time of their stay; for which they were to have their wages. The charges of such housekeeping to be defrayed by his executors; and he desired that Dorothy Sydnor, his daughter, during the said month should have the government of the said house." (fn. 3)

 

By an inquisition, held the 30th of August, in the twelfth of James I., when the death of William Sydnor was returned, it was found that William, the son of Henry, his eldest son, then deceased, was his next heir, and of the age of 24 years and more. And that the said William, eldest, was seized in fee of the manor of Blunston, alias Blundeston, with the appurtenances in Blundeston, Corton, Gunton, Lowestoft, Oulton, Ashby, Flixton, Bradwell, Burgh, Fritton, Belton, Herringfleet, Lound, Somerleyton, Hopton, and Gorleston.

 

On the 13th of February, eleventh of James I., William Sydnor, the grandson, in consideration of a marriage with Anne Harborne, did covenant with William Harborne, her father, to convey to him, Sir Anthony Drury, and others, and their heirs, the manor of Fritton, with the appurtenances, in Suffolk, and all lands, tenements, &c., of the said William, in Fritton, or in the towns adjoining, to the use of himself and his heirs until the marriage, and after the marriage to the use of himself and the said Anne, for jointure, and the heirs male of his body, with several remainders over to Robert, Thomas, and Henry, his brothers, Edmund, William, Francis, and Paul Sydnor, his uncles, and the heirs male of every of their several bodies. And after to the use of the right heirs of the said William Sydnor, the grandfather. And the manor of Blundeston, with the rights, members, and appurtenances, in Suffolk, and all lands, tenements, and other hereditaments, &c., of the said William Sydnor, the grandson, in Blundeston, or in the towns adjoining, or any of them, to and for the like uses, and estates, and remainders as before; omitting only the said Anne, and her estates, for life. In the following year a fine was levied in pursuance, by the said William Sydnor, his uncle, and the heirs of Sir Anthony, of the manors of Fritton and Blundeston, with the appurtenances. By the Office of the ninth of Charles I., after the death of William Sydnor, the grandson, it was found that he died, seized, on the 13th of June, eighth of Charles I., 1632, without issue male. By the same Office, Elizabeth, Anne, Sarah, Mary, Hester, Susanna, Abigail, and Lydia, were found to be the daughters and co-heiresses of the said William Sydnor, and that Elizabeth, the eldest, was, at her father's death, under eleven years of age, and all the rest under fourteen years of age. (fn. 4) On the 3rd of July, in the tenth of Charles I., the King, by ind're under the seal of the Court of Wards, granted to Anthony Bury, for a fine of 200 marks, the custody, wardship, and marriages of the said co-heiresses, to his own use. On the 2nd of July, tenth of Charles, the King, by another ind're, under the seal of the said Court, granted and leased to him, in consideration of £10, the manor of Henstead Pierpoind's, and two acres in Blundeston, during the minority of the said co-heiresses, at the yearly rent of £ 2. 6s. 8d. On the 20th of November, in the same year, this Anthony Bury, by ind're, assigned all his interests to Dr. Talbot, who married the said Anne, mother of the said co-heiresses, to his own use, for £330 paid, besides £100 for Bury, to the receiver of the Court of Wards, for leave of the King's fine. In Michaelmas Term, 1640, there was a decree in the Court of Wards, against Sir John Wentworth, who, in his answer to the information of the attorney of the wards on behalf of the said co-heiresses, denied they had the manor of Blundeston, but confessed they had the manor of Gonville's, in Blundeston, and that their father purchased that of one Jettor. But the Court decreed that the said co-heiresses had the manor of Blundeston, and also the manor of Gonville's. And such possession as the father of the said wards had in Blundeston great water, and fishing, is by the decree settled with the wards during their minority, and until livery sued. And Sir John desired not to fish in right of a tenement in Blundeston, which was his father's. As to the wards' suit as touching an hoorde, some lands in Fritton, and other matters, they are left to trial at law.

 

Elizabeth, Anne, Sarah, Mary, Hester, Susanna, Abigail, and Lydia Sydnor, the eight daughters and co-heiresses of William Sydnor, of Blundeston, by fine levied, and recovery suffered, and by deed dated the 19th of December, 1651, conveyed the said manors in Blundeston and Fritton to hold to William Heveningham, Esq., his heirs and assigns, for ever.

 

¶The family of Sydnor, from whom Blundeston thus passed, appears to have originated from — Sydnor, who married a daughter of Sir John Berney, of Reedham, in Norfolk. The following pedigree is derived from an abstract of the title of the estates, sold by the eight daughters and co-heiresses of William Sydnor, made in 1651; except the marriages of the eight daughters, which are added from the abstract continued to 1663, at which time Sarah was married to William Castleton. The other daughters had been all married before that date.

 

William Sydnor, the purchaser of Blundeston, as appears from bequests in his will, left three daughters, namely, Dorothy Sydnor, Alice Sydnor, who married Henry Goldsmith, and left issue Charles Goldsmith; and Elizabeth Sydnor, who married W. Doans, and left a son, William. Henry Sydnor, who died in his father's lifetime, left also three daughters, Elizabeth, Catharine, and Alice.

 

William Heveningham, Esq., who purchased the manors of Blundeston and Fritton of the Sydnors, was in the year 1661 convicted and attainted of high treason, as has been already shown under Mutford, &c. By letters patent, dated 28th September, thirteenth Charles II., the King did give unto Brian, Viscount Cullen, Sir Thomas Fanshaw, Sir Ralph Banks, Knights, Edward Pitt, and Charles Cornwallis, Esqrs., among other manors and lands, the said manors of Blundeston and Fritton; to hold to them, the said Brian, Viscount Cullen, &c., and their heirs, for ever. The said Brian, Viscount Cullen, &c., by their deed-poll, dated 3rd October, thirteenth Charles II., made between them, the said Brian, Viscount Cullen, &c., George, Earl of Bristol, Henry, Earl of Dover, and Margaret Heveningham, wife of the said William Heveningham, which was also signed by His Majesty's sign manual, did declare the use of the aforesaid letters patent to be to the intent that the said Brian, Viscount Cullen, &c., should, either by perception of the profits or sale of the aforesaid manors of Blundeston and Fritton, amongst others, raise £11,000 for the said Earl of Bristol, and several other trusts therein comprised: the remainder to be for the use of the said Mary, wife of the said William. The said William Heveningham, and Mary his wife, in Michaelmas Term, thirteenth Charles II., levied a fine, and suffered a recovery of the said manors of Blundeston and Fritton, inter alia. And by indenture, dated 24th of October, thirteenth of Charles II., the said William and Mary declared that the said fine and recovery should be to the use of the said Brian, Viscount Cullen, Sir Thomas Fanshaw, Sir Ralph Banks, Edward Pitt, and Charles Cornwallis, and their heirs, for ever.

 

In the 10th and 11th of December, 1662, fourteenth of Charles II., appear a lease and release from the Earl of Bristol, Brian, Viscount Cullen, Sir Thomas Fanshaw, Sir Ralph Banks, Edward Pitt, and Charles Cornwallis, unto Sir John Tasburgh, of the manor of Blundeston, and the capital house called Blundeston Hall, and the manor of Fritton, alias Freton Paston's, and all that manor called Blundeston, alias Gunville's, alias Scroope Hall, alias Gunville's Blundeston, with all the rights, members, and appurtenances to the said manors belonging; and the advowson of the churches, rectories, and vicarages of Blundeston and Fritton aforesaid; and courts-leet and view of frank-pledge, &c., to hold to him and his heirs, for ever. Consideration, £4000 in hand, and £4000 to be paid as therein named. On the 27th of December, 1662, the said William Heveningham and Mary his wife did grant, release, and confirm all and every the said manors of Blundeston, Fritton, and Blundeston Gunville's, to the said John Tasburgh, and his heirs, for ever.

 

These estates next passed to the Allins; for, on the 20th July, 1668, are letters of attorney from Thomas Allin, of Lowestoft, Knt., to Richard London, &c., to receive livery of seizin of John Tasburgh, of Bodney, in Norfolk, Esq., of all his manors, messuages, lands and fruits, and hereditaments situated in Blundeston, Fritton, Corton, or any other town adjoining. Sir Thomas Allin held his first court baron for these manors on the 3rd of November, 1668. (fn. 5)

 

On the 9th of July, 1712, the trustees of Richard Allin, under a deed authorizing them to sell lands to satisfy his debts, sold a messuage and about 76 acres of land at Blundeston and Fritton, of the yearly rent of £39. 10s., to Gregory Clarke, for £663; and on the 30th of August following, two other pieces of land, containing 13 acres, of the yearly rent of £5. 10s., to the same Gregory Clarke, for £100. These estates were afterwards purchased by Sir Ashurst Allin, Bart., who resided there; and were by him devised to his daughter, Frances Allin, for life. On the 29th of September, 1714, Blundeston Hall-farm, lands and decoy, of the yearly rent of £217. 2s. 6d., were sold to William Luson, merchant, the consideration money being £3691. 2s. 6d., who devised them to Robert Luson, his son, who, by his will of the 1st of May, 1767, bequeathed them to his eldest daughter, Maria, in fee, who married George Nicholls, Esq., by whom this estate was sold to Robert Woods, who, by his will, dated July 4th, 1780, devised the same to his wife to sell, and in 1791, she conveyed it to Thomas Woods in fee. Other estates in Blundeston were by Robert Luson devised to his second daughter, Hephzibah, who married Nathaniel Rix, Esq. An estate at Blundeston, and Corton, and Lound, he devised to Elizabeth, his daughter, who afterwards married Cammant Money, by whom the second property was sold to J. B. Roe, and the first to J. Manship. (fn. 6) The Decoy farm, at Blundeston, was, by the executors of Robert Luson, under the powers in the will contained, sold to William Berners, Esq., of Woolverstone Hall, whose son, Charles, resold it to Thomas Morse, Esq. (fn. 7) The manor of Fritton, and an estate of the annual value of £173, were sold to Samuel Fuller, Esq., for £ 2660. (fn. 8)

 

The manors of Blundeston Hall and Gunville's united, as will be presently shown, remained with the Allins, and passed with their other estates to the family of Anguish. From the Anguishes they descended to Lord Sydney Osborne, who sold them, in 1844, to Samuel Morton Peto, Esq.

 

The Manor of Gonville's, in Blundeston,

¶was the lordship of John, the son of Nicholas de Gunville or Gonville, in the fourteenth of Edward III., in the month of March in which year is a "note of time" of this manor between the aforesaid John, who is styled the son of Nicholas Gonvyll, chyvaler, and Johan, his wife, complainants, and William de Gonvyll, parson of the church of Thelnethan, John Gonvyll, parson of the church of Lylyng, Osbert, parson of the church of Blundeston, and Thomas de Kalkhyll, deforcients, of 24 messuages, 332 acres of land, 16 acres of meadow, &c., in Gorleston, Louystoft, Barneby, Little Yarmouth, and Hopton, to John, son of Nicholas and Johan, and the heirs of their bodies; and remainder, after the decease of John and Johan, to the right heirs of John, the son of Nicholas. (fn. 9) The manor remained with this ancient line till it passed, in the early part of the fifteenth century, to Sir Robert Herling, Knt., who married Joan or Jane, the heiress of the Gonvilles, as the subjoined pedigree will show.

 

Sir Robert Herling, and Joan his wife, held the manor of Gonville's in 1420, as we learn from an inquisitio ad quod damnum, taken in that year. "Robtus Harlyng, miles, et Johanna, uxor ejus, tempore ultimi pascigii d'ni Henr. Regis nunc ad partes Norman: seiziti fuerunt de mn'o vocat Gunvilles manor: cum p'tin: in villis de Blundeston, Olton, et Flyxton, in d'mico suo ut de feodo." (fn. 10) Sir Robert Herling left a daughter and heiress, Anne, who was thrice married; first, to Sir William Chamberlain, Knight of the Garter; secondly, to Sir Robert Wingfield, Knt., who in 1474 settled, amongst divers manors and estates in Norfolk and Cambridgeshire, the manors of Gnateshall, Corton, Newton, Lound, and Blundeston, with Lound advowson, in Suffolk, on themselves and their trustees. He died seized of these in 1480. In 1492, Anne, his widow, married, thirdly, John, Lord Scroop, of Bolton, who died in 1494. (fn. 11) On her death, without issue, the manor of Gonville's went to Margaret, her father's sister, the wife of Sir Robert Tuddenham, Knt. (fn. 12) On the 4th of April, sixth of James I., Robert Jettor conveyed to William Sydnor the site, manor, or member of a manor, called Blundeston, Gunvilles Blundeston, or Gunvilles cum pertin: and a close called Gunvilles, reputed the site of the said manor, containing six acres; another close called the Home-close, in Blundeston, and four several fish-ponds, with several waters and fishings in Blundeston and Flixton, and with covenant to levy a fine thereof to the use of the said William Sydnor, and his heirs. William Sydnor's eight daughters and co-heiresses conveyed it to William Heveningham. Both manors in this parish being thus united, were granted, with the advowson, to Lady Heveningham's trustees in 1661, as already shown.

 

Early in the seventeenth century, Sir Butts Bacon, created a Baronet on the 29th of July, 1627, possessed an estate and resided at Blundeston. He married Dorothy, daughter of Sir Henry Warner, of Parham, in Suffolk, Knt., and widow of William, second son of Sir Henry Jermyn, Knt., by whom he had three sons, Charles and Clement, who died without issue, and Sir Henry Bacon, his successor. He had also two daughters, Anne, the wife of Henry Kitchingman, of Blundeston Hall, and Dorothy, who married William Peck, of Cove. Sir Butts died in 1661, and his widow in 1679. They lie buried in Blundeston church. Soon after the year 1700, the estate of the Bacons was sold to the Allins of Somerleyton; and in 1770 became the property of Frances, the daughter of the Rev. Ashurst Allin, of whose executors it was purchased by Nicholas Henry Bacon, Esq., the second surviving son of the late Sir Edmund Bacon, Bart., of Raveningham, in Norfolk, who sold it in 1832 to Charles Steward, Esq., an officer in the Honourable East India Company's service, who is the present possessor. He married his first-cousin, Harriet, the only daughter, by his first wife, of Ambrose Harbord Steward, Esq., of Stoke Park, near Ipswich, High Sheriff for Suffolk in 1822, by whom he has an only son, Charles John.

 

The mansion erected on this estate has been termed at different periods Sydnors, and Blundeston Villa, but is now designated Blundeston House. The spot is more celebrated for the loveliness of its scenery than the grandeur of the residence, which is simply a good substantial house, erected in a style of unpretending architecture. But its verdant lawns and ample sparkling lake bear testimony of a long subjection to the hand of taste, which evidently still controls. The domain was many years the residence of the late Rev. Norton Nicholls. Mr. Mathias, an author well known by his 'Observations on the Character and Writings of Gray,' in a letter to a friend, occasioned by the death of this "rare and gifted man," terms his villa here "an oasis." Speaking of what Mr. Nicholls had perfected at Blundeston, he says, "if barbarous taste should not improve it, or some more barbarous land-surveyor level with the soil its beauties and its glories, (it) will remain as one of the most finished scenes of cultivated sylvan delight which this island can offer to our view." An aged pollard oak, and a summer-house placed at the termination of the lake, are said to have been favourite haunts of Gray, who was an occasional guest of Mr. Nicholls at Blundeston. In 1799, this gentleman entertained here the gallant Admiral Duncan, soon after his return to Yarmouth, crowned with the laurels won at Camperdown. Mr. Nicholls died on the 22nd of November, 1809, aged 68, and was buried at Richmond church, in Surrey. The vicinity of Blundeston House, while tenanted by Dr. Saunders, was some years since the scene of an unfortunate accident, which deprived that gentleman of life. Being in the act of reloading his double-barrelled gun, a favourite dog fawning upon him, sprung the trigger of the second barrel, and discharged the contents into his master's body. Dr. Saunders's melancholy fate is recorded in the 'Suffolk Chronicle' of October the 15th, 1814.

 

¶The lake, or Blundeston Great Water, as it is called in ancient writings, was the subject of a dispute in the reign of James I., very similar to that recorded at Ashby, as we learn from the following "exemplification of interrogatories to be administered on the part and behalf of John Ufflet, Gent., Henry Winston, Henry Doughtie, and Anne his wife, Thomas Stares, and Anthony Thornwood, complainants, against William Sydnor, Esq., and Henry Sydnor, Gent., deforcients; and of depositions taken at Lowestoft, on the 15th of March, in the seventh of James I., before Anthony Shardelow, William Southwell, William Cuddon, and Benedict Campe, Gents., by virtue of His Majesty's commission out of the Court of Chancery, to them directed. Richard Burman deposed, inter alia, that he knew the great water in Blundeston, called the common fenne, or common water, and the piece of ground called Hempwater green, containing about three acres; that the said water contained about sixteen or seventeen acres. That the messuage wherein Henry Sydnor then dwelt was sometimes of Maister Yarmouth. That the water and green had always been reputed as common. That the inhabitants fished in the water; wetted their hemp therein, and dried it on the green, and fed their cattle thereon. William Pynne deposed, inter alia, that he did not know that the said William Sydnor or Humphrey Yarmouth had any manor in the said towne; nor that there were more manors therein than the manor of Mr. Jettor, called Gunvilles. Robert Jettor deposed that the water is called the common water of Blundeston in a court-roll of the manor of Blundeston Gonville, dated the thirty-first of Henry VIII., and that he did not know that Mr. Yarmouth, or the defendants, had any manor in Blundeston, or that there was any other manor therein than his, called Blundeston Gonvilles. John Wood deposed, inter alia, that the said William Sydnor had obtained the leases from divers owners of sundry messuages or dwelling-houses in Blundeston, of their interests of their fishing in the said great water about twenty years sithence, and that he had before that sued some of the inhabitants of the said towne for having fished therein. That he and another, then churchwardens of Blundeston, did sell the alders growing in or near the said water, and did convert the money to the reparations of the town-house, and that other inhabitants did take poles, splints, and other wood growing there, &c. That he had heard that Mr. Yarmouth did keep courts in Blundeston, and had tenants therein, and that this deponent did hold of Mr. Sydnor, who had Mr. Yarmouth's estate, three acres of land, &c., and that Mr. Jettor had a manor in Blundeston, &c. Interrogatories to be administered to the witnesses to be produced on the part and behalf of William Sydnor, Esq., and Henry Sydnor, Gent., complainants, against Henry Winston, &c., deforcients. Inter alia. Do you know that Humphrey Yarmouth, Esq., deceased, was seized of the manor of Blundeston in Blundeston, and of land covered with water, containing forty acres, and which, on his death, descended to Henry Yarmouth, his son, also dead; who sold the same to William Sydnor; and that they severally held courts-baron, &c. And whether Humphrey Yarmouth, and Henry Yarmouth, his son, and William Sydnor afterwards, did not present to the living on the death or resignation of the incumbents. If the house wherein Henry Sydnor then dwelt was not called Blundeston Hall in court-rolls and writings. Whether, in the twenty-eighth of Elizabeth, in a controversy between the said William Sydnor, lord of Blundeston, and owner of the water, with the inhabitants as to the same being common or not, the dispute was not referred to Sir Edward Coke, then Attorney-General, and afterwards Chief Justice of the Common Pleas, and to Richard Godfrey, Esq. Whether in the thirty-first of Elizabeth there was not a similar dispute, and that it was amicably settled by the said Henry Winston and certain others of the inhabitants agreeing to release their rights of fishing in the water, and that they should have in lieu thereof, a certain driftway thereto from the highway, near the mansion of the said William Sydnor, and a certain piece of land at the end of the said water, containing three acres, for their use, and the feed thereof; and to wet hemp in the water, and dry the same on the said three acres of land, and might dig the soil and carry it away therefrom, and also from Mill Hill, in Belton Heath, and the timber, &c., growing on the said way for repairing the town-house; and whether the said agreement was not carried into execution; and if complainants did not for twelve years quietly enjoy the water, &c., after the execution of the releases. And whether, before the agreement, the inhabitants had a right to take the land, gravel, &c.; and if complainant did not clear the water, and make a bank, &c., for the fowl to breed, &c."

 

he Church at Blundeston,

which is a rectory dedicated to St. Mary, and now consolidated with the adjoining benefice of Flixton, is valued in the King's books at £13. 6s. 8d. It is a singular edifice, comprising a nave and chancel, with a remarkably high-pitched roof, covered with thatch. The tower, which is circular and small in diameter, rises but little above the ridge of the nave, and looks more like a chimney than a steeple. It exhibits decided marks of Norman erection, and was probably attached to an earlier edifice than the present church, which, apparently incorporating the north wall of the ancient nave, seems raised on a wider ground-plan, thereby bringing the apex of the western gable to the southward of the tower, and producing a very inharmonious effect. The masonry of both nave and chancel is composed of large squared flints, but the walls of the latter bulge outwards in a threatening angle, and foretell a speedy dissolution. The interior is lofty and effective, and very neatly kept; and a carved oaken screen beneath the chancel arch is well deserving of observation. The lower compartments of this screen were in olden days richly painted and gilt, as the accidental discovery of one portion, by the removal of some boards, fortunately evinces. This splendid example of ancient art forms an illustration to the present work, and has been engraved from the faithful pencil of the late Miss Dowson, of Yarmouth. St. Peter pointing to the keys of Heaven and Hell, and an angel with uplifted hands assuring us of our salvation through the passion of Christ, occupy the two compartments of a pointed arch, richly backed by a crimson ground, diapered with gold. There is a stiffness in the attitude of each figure, and a harshness of outline visible here, as in the works of more celebrated artists, even at a later period; but these paintings are, nevertheless, extremely interesting, as illustrating the success of art in England in the fifteenth century. There is a small piscina in the chancel, and some oaken benches in the body of the church of excellent workmanship, and an ancient benetura near the south door. In the tower hang two bells, one of which was brought from the ruinated church of the adjoining village of Flixton. The body of the church, which presents a far less fearful aspect than the chancel, has lately undergone considerable renovation, and is indebted to the zeal of Mr. Steward for the preservation of many of its ancient features.

 

Reginald Wynstone, by his last will, dated the 14th of April, 1438, leaves his body to be buried within the church of Blundeston, and constitutes William Wynstone and John Wynstone, his sons, his executors. In the Lansdowne MSS. (fn. 13) is a note, taken apparently about the year 1573, of several armorial cognizances which then ornamented the windows of this building. "In the chancel windows. Arg. a lion sable. FitzOsbert and Jerningham. Quarterly, arg. and b. quarterly indented, a bend gules. Arg. a cross engrailed gules. Bloundeville, or and b. quarterly, indented, a bend gules, sided with Gurney. Gules, 3 gemelles or, a canton ermine, billetted sable. Sable a cross sarsele or, betwixt four scallops arg. Sable, a chevron arg. between 3 cinquefoils or."—"In the church, gul. a lion argent. Arg. 3 buckles lozengy gules, Jernegan. Gu. and b. pale, on a fess wavy arg., 3 crescents sab. betwixt three crosses pale or. Blundeville and Inglos. Erm. on a chevron sab., 3 crescents or, syded with Nownton. Sir Ed. Jenney, erm. a bend gul. cotised or, quartering sab. a chevr. twyxt 3 buckles argent. Or and g. barre unde. Castell, gu., 3 castells arg. Sab. a chev. gules, droppe or, twixt 3 cinquefoils pserd ermine. Or and b. checke. Paston, Bolaine, Nawton, and Barney, Nawton and Howard. Or 3 chev. gu., on each 3 ermines arg. sided with Nawton. Sampson syded with Felbrig. Felbrig, on his shoulder a mullet arg. Bedingfeld quartering Tuddenham, and one of Knevett single."

 

Monuments.—There is an old floor-stone with a cross, but no other ancient memorials, in this church. Among the more modern are the following:

 

Robertus Snelling, Rector, obt. Sep. 12, 1690, æt. 65. Hic jacet Butts Bacon, Baronettus, Nicholai Bacon, Angliæ Baronetti primi filius septimus, qui obiit Maij 29, 1661. Dorothea Bacon, his widow, obt. Sep. 4, 1679. Arms. Bacon.

 

Elizabeth, daughter of John Burkin, of Burlingham, died Jan. 26, 1735. She was first married to the Rev. Mr. Gregory Clarke, and after his decease to the Rev. Mr. Thomas Carter.

 

¶Samuel Luson, died July 7, 1766, aged 33. Luson bears, quarterly, 1st and 4th, az. and gul., 3 sinister hands arg., 2nd and 3rd, erm., 3 roses. . . . Sarah Keziah Thurtell, died May 29th, 1833, aged 18 years. William Wales, died June 8, 1710, aged 63. Gregory Clarke, Christi minister, died 3 Ides of Jan. 1726, aged 45. William Sydnor, Esq., died 1613. Robert Brown, died Sep. 6, 1813, aged 52 years. Mary, his daughter, Aug. 18, 1812, aged 22 years. Sarah, wife of John Clark, widow of the above Robert Brown, died Nov. 16, 1818, aged 59. Elizabeth, second wife of James Thurtell, of Flixton, died June 15, 1823, aged 75 years. Elizabeth, wife of John Clark, died Jan. 28, 1801, aged 28 years. John Clark, died Oct. 7, 1826, aged 57 years. Stephen Saunders, M. D., born 17th Oct. 1777, died 1st Oct. 1814. Timothy Steward, of Great Yarmouth, died 25th of June, 1836. Mary, his wife, daughter of John Fowler, and Ann, his wife, died 22 Jan. 1837. Arms. Steward, quarterly, 1st and 4th. Or, a fess chequee arg. and az.; 2nd and 3rd, arg., a lion ramp. gules, debruised with a bendlet raguly or, impales Fowler, az. on a fess between 3 lions pass. guard, or, as many crosses patonce sable.

 

The registers of Blundeston commence in 1558. They contain several notices of monies collected by Brief in aid of sufferers by fire in distant parts of England. Among others, "To a loss by fire at ye head of ye Cannon-gate at Edinburgh, in North Britain, Jan. 13, 1708/9, 1s. 6d." The advowson of Blundeston with Flixton was sold in 1844, by Lord Sydney Osborne, to Thomas Morse, Esq., of Blundeston.

 

www.british-history.ac.uk/no-series/suffolk-history-antiq...

The L.G.Pearse on the side of this conveyance and, presumably the person in the natty suit and hat at the front of the vehicle is a distant cousin, descendant of James Lane and Dinah Streatfield as I am.

It was sent to me by a collector of postcards, Kevin Hannah of NZ who looked up the name of the carrier and found the name in the family history web site on-line. He is not related.

No relation, just fell in love with the sweet child! She had no colour so I painted her in Photoshop with my mouse!

Thanks for your visit! xx

Seen heading out of Dover , Coventry based Frederick Allen C809UKY a Leyland Roadtrain 280 6x2..a well missed haulage firm in the area .

Image used in an webarticle on artificial image generation

Pappeinband mit Marmorpapierbezug

orange-blau-weiß gemustertes Marmorpapier

 

Titel: Gründliche und warhafftige Relation Von einem Juden auß Jerusalem mit Nahmen Ahaßverus, welcher fürgibt, er sey bey der Creutzigung Christi gewesen und bißhieher durch die Allmacht Gottes beym Leben erhalten worden

 

Verfasser: Chrysostomus Dudulaeus

Erscheinungsjahr: [1634]

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Signatur: 541 c:F8

 

Sprache: Deutsch

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Link zum Bibliothekskatalog:

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Besuchen Sie weitere Digitalisate der UB:

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Perhaps an all too simplistic diagram for such a complex subject. But there is a definite balance to strike when considering the layout of a web page in relation to the users and the client's wants and needs. The purpose of the page will obviously influence this but its something that is a constant struggle and getting it right results in conversions, and increased user interaction.

Free download under CC Attribution (CC BY 4.0). Please credit the artist and rawpixel.com.

Charles Martin (1884-1934) was an Art Deco illustrator, graphic artist, posterist, fashion designer, theater set and costume designer from France. He contributed illustrations to French fashion magazines such as Gazette du Bon Ton, Journal Des Dames et Des Modes and Vogue. We have digitally enhanced his designs, and they are available to download for free under the Creative Commons 0 license.

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Story, relation, history... changes through space and time......

Berkley Department of Public Safety Police Service

Berkley, Michigan

1991-1992 Chevrolet Caprice

D.A.R.E car

Earth’s forces grid is made up of energies veins that distribute life throughout this crescent . It's sort of the earth's circulatory system, its network of blood vessels. It is through the energy grid that the health of the Earth is maintained.

 

The veins of the Earth circulate both in its depth and on its surface and excite the atmosphere, which is an integral part of the organic body of the Earth. There are main channels, which diffract in finer and denser gratings, fine grids within wide grids.

 

If you’re substituted the image of the veins awesome vital network of the body of the Earth is the equivalent of the nadis of the human body, and continues to keep this concept in a building, a housing environment, why not? It could be cool? Like Heaven Palast or Versailles or something for high levels….. not specifically for normal human like me 🤔

 

Versailles Garden is made up of subtle themes of little gardening themselves traversed by meridians and innumerable channels, the nadis (see Chakras and subtle gardens bodies). It is through these nadis that subtle energy circulates in the body’s way of the design.

 

The important crossroads of the nadis of the human body are energy distribution centers, the chakras. The chakras are conical or spherical volumes which cross the subtle bodies and connect the different vibratory levels of the body. Energy from the universe enters through the chakras. The body is not an isolated object adrift on Earth. It is connected to the cosmos by multiple circuits.

It is the same for the body of the Earth which is structured by its vital circuits and by crossroads of energetic flows. On some crossroads there are vortices. As we have seen (Planetary Grid), the grid is not only perceptible at the physical magnetic level, it exists on several levels dimensional. The vortices vertically cross several vibratory levels. Through its grids and vortices, the Earth is connected to the cosmos and receives impulses from the universe.

 

To live fully, the human being depends entirely on the good health of the terrestrial circuits. This is why in this project, a Geobiologist is assigned to the monitoring, operation and adjustment of the grids and this former industrial wasteland. The geobiologist is an engineer, guardian of sacred geometry, healers, hierophant priestess. This science is different from ours, much more subtle, deeper and more generous. She is in harmony with life, she works in harmony with it.

 

Regulation of flow by terrestrial acupuncture

 

Just as acupuncture puts the energies of our bodily meridians in order, so there is acupuncture to act on the meridians of the Earth. Earth flows are sometimes naturally chaotic, and earthly acupuncture allows them to be modified and directed. Fundamentally electrical in nature, the earth's fluxes are modulated like the electric currents in this project of housing residence.

 

It is the sacred constructions that serve as a needle. Menhirs strongly resemble stone needles, and this strongly suggests this function. They did fill it, at least some (Needles of Stone, Tom Grave), but not only them. We suggest to design penthouse-menhirs for location to improve the veins of the Earth.

 

Without necessarily being needle-shaped, other sacred centers, built according to precise geometric plans, are elaborate devices for regulating and connecting current. The set of sacred centers, temples, megaliths, simple earthworks, and ley lines, is therefore analogous to a vast printed circuit with its capacitors, transformers, transmitters and receivers.

 

When one detects magnetic fluxes which intersect in a sacred center of this purpose of crescent , one is tempted to deduce that the crossing existed before the construction and that it was implanted on it.

 

This is true, but not always. In some cases it is

the implantation of the housing itself which diverted the flow and attracted it to it according to a mastered science.

 

In England, John Foster Forbes was one of the first to note the links between particular engravings on the stones of a site and the constellations, or between the plan and orientation of the site and the constellations. By dowsing measurements, he realized that each of the sites vibrated according to energies related to the constellation on which it was planned. He claimed that the stone circles were built in conjunction with astronomical data to serve as a receiving station for stellar energies, at least in certain seasons.

If the sacred centers are (or were) devices of emission - reception of waves,

we can better understand that they were oriented or planned in relation to the sky and the stars. It is not to venerate the gods of these constellations but so that the place resonates with the corresponding cosmic energies. It receives cosmic energy and redistributes it to terrestrial flows, thus participating in the raising of the vibratory level and in the balancing, not only of the place itself, but of the whole circuit.

 

Places of healing and raising of consciousness

  

Another use of the grid energy was to create places for healing bodies and souls. People who are sensitive to the energy of menhirs and dolmens sometimes find that a certain stone acts in them in a certain part of the body, a certain chakra, while another stone acts on another chakra. This phenomenon is a rudimentary manifestation of a much more elaborate science using sacred geometry. In the temples (Egyptians in particular), rooms were arranged for specific healing purposes. The old centers were replaced by other cults which recovered the vibratory potentials of the places. With or without the complicity of the Christian Church, certain brotherhoods or certain orders have secretly transmitted their knowledge which has become "occult". In Europe, they knew how to use sacred geometry until the Middle Ages to build their buildings (cathedrals, abbeys, chapels, sanctuaries, calvaries). According to Georges Prat, at certain sites of ancient sacred sites or Christian sites which replaced them (England, France, etc.), the crossing of 2 or 3 metal flows is detected. In the chamber, the metallic vibrations act as the corresponding trace elements. Some places are highly beneficial due to their exceptional location where rare flows intersect. Other rooms or places are programmed to create spiritual connections with the higher planes. Their vibratory level promotes the elevation of consciousness. Each receives according to what he is, according to his faculty of reception. Staying in these places can provoke spiritual experiences, lead to

other levels of consciousness and convey information in the form of sensations, thoughts or visions. These sites also allow three-dimensional communication with the invisible for wizards and mages of all kinds, depending on the spiritual nature of the initiate and the power that is sought. Ivan Sanderson (1911 - 1973) was a biologist in the United States, but in addition he was interested in the study of strange phenomena, such as the abominable snowman and created the Society for the Investigation of the Unexplained. He also made a contribution to the study of the planetary grid in an article published in 1972 in Saga magazine: The 12 vines of the devil around the world.

He reports there the results of his investigations on the zones of terrestrial anomalies: magnetic anomalies, energetic aberrations, time distortions, disappearances of ships and planes and other strange phenomena. To collect the data and perform statistical analysis, it takes advantage of modern electronic data collection methods. It highlights 12 anomaly zones. The most astonishing is that they are equidistant and regularly arranged around the globe. Two of them are the poles and the other 10 zones are distributed on either side of the equator. The area that ranks first in these statistics is the area known as the Bermuda Triangle, east of Miami (Bahamas). It has an evil reputation because of the disappearance of planes and boats and the weather disturbances. Magnetism takes on an exceptional character: magnetic north is identical to geographic north; there are many failures of compasses, radios and control panels. This is point 18 of the Becker-Hagens grid (26 ° 36 'N 76 ° 48' W), which we will get to know later.

The Devil's Sea, in the east of Japan (point 14 of the B-H grid, 26 ° 34 'N 139 ° 12' E), located between the islands of Iwo Jima and Marcus, constitutes a second remarkable zone.

distortions, where planes and ships have gone missing. Grim events regularly take place there to the point that the Japanese government has officially classified it as a dangerous area.

Another is located near Hawaii (point 16 of grid B-H, 26 ° 34 'N 148 ° 48' W), an area of ​​intense volcanic activity. Sanderson reports the story of a pilot whose guidance and communication instruments no longer worked in this area, and resumed working once out of the area, a failure over an area of ​​560 km, so for at least one half an hour maybe an hour. But the control tower recorded no interruptions, as if the crossing had lasted a second. It is a zone of time warping. Sanderson's results were taken up and developed by a group of three Russian scientists: Nikolai Goncharov is a historian, Valery Makarov is an electronics specialist, Vyacheslav Morozov is a building engineer. They add new points on the grid which take into account electromagnetic and thermal activities: magnetic and gravitational anomalies, zones of seismic fractures, ridges of underwater relief, zones of extreme climate, flights of migratory birds, sites of ancient cities. They thus arrive at a total of 62 points which include the 12 places already identified by Sanderson. In 1973, they set out their conclusions in an article entitled Is the Earth a Gigantic Crystal? published in the Soviet Science Journal Khimiya i Zhizn (Chemistry and Life). The American journalist and writer Christopher Bird made them known in a New Age Journal article published in May 1975, entitled Planetary Grid. They present a geometric network drawn on a world map. This regular network shows that a geometric structure is associated with the terrestrial sphere, either that it is superimposed on it, or that it underlies it. It is the visible imprint of an energy matrix implanted in the earth. The polyhedra that underlie the terrestrial sphere Goncharov, Makarov and Morozov noticed that the places highlighted are placed at the tops of two polyhedra which make the earth a vast crystal. Triangles are the faces of a unicosahedron and pentagons are the faces of a dodecahedron. A regular dodecahedron has 12 faces in the form of regular pentagons (dodecah = 12), 20 vertices and 30 edges. A regular icosahedron is an assembly of 20 equilateral triangles (icosa = 20) and has 12 vertices and 30 edges.

 

Plato's 5 regular polyhedra

 

The icosahedron and the dodecahedron are two of Plato's five volumes (or solids). Plato had explicitly referred to these polyhedra as symbols of the elements that make up the human body and the earth. This concept is probably very old. Kepler also attempted to put it back in honor by applying it to the solar system. Currently, they are rather known in geometry as being the only regular convex polyhedra. We say that a polyhedron is regular when its faces are regular and equal and its angles equal. Convex means that they have no hollow, unlike a star polyhedron. These polyhedra are writable in a sphere.@The other 3 Platonic solids are the octahedron and the tetrahedron, which like the icosahedron are made of triangles, and the cube, made of squares. However, we also find these three Platonic solids as an integral part of the earth grid. The cube exists in the dodecahedron itself, if we highlight some of its vertices. As David Wilcock notes, Cathie's grid reveals this cube of obvious way. Over time, the cube of the terrestrial grid could have been preexisting and then included by the dodecahedron, or the reverse, it stood out from the dodecahedron.@In Cathie's grid, we also detect the octahedron, made of 8 equilateral triangles. There remains the tetrahedron, a polyhedron with 4 triangular faces, which can also be described as a pyramid with 3 sides. Is it visible on earth?

The Earth being provided with an axis of rotation, the axis of the tetrahedron will coincide with the axis of rotation. One of the vertices of the tetrahedron is therefore on one of the poles, north or south. It follows that the base triangle will have its three vertices in the plane of a parallel, equidistant from 360/3 = 120 ° . What latitude is this parallel? If we take as a measure the side of the tetrahedron the value 1, its height, the segment which joins the vertex to the base will be 0.8165 (√6 / 3), which places the base at the latitude of 19.47 ° in the decimal system of degrees, or 19 ° 28 'in the system of degrees, minutes and seconds (sexagesimal). As the 2 poles are geometrically equivalent, we can expect to find 2 tetrahedra, one pointing upwards, the other downwards. It is a double tetrahedron, a figure brought to light by Johannes Kepler in 1609 which he named Stella Octangula, translated as a starry octangle. It is sometimes called the star tetrahedron. Its two-dimensional correspondence (on a surface) is the Star of David. Before Kepler, it was described in the Divine Proportion by Luca Pacioli, in 1509. Where are these peaks located at latitude 19 ° 47 '? The south parallel crosses the oceans, while the north parallel crosses several continents, and it is on this last that we meet 3 remarkable places.

 

Hawaii's volcanoes

 

The Big Island of Hawaii overlaps precisely this latitude, already encountered with Sanderson (point 16 of grid B-H). Its volcanoes are among the most active on earth, such as Mauna Kea located at latitude 19 ° 30 'North and longitude 155 ° West. Richard Hoagland, a former aerospace advisor for NASA, analyzed this terrestrial tetrahedron and designated Hawaii as the summit. He had started by detecting tetrahedra on other planets, Mars, Jupiter, Venus in the 1990s and had led an independent research team on lunar missions with NASA, the Pentagon and the former Soviet Union, benefiting from the data newly accessible following the lifting of defense secrecy.

 

The strip located on Giza

At 120 ° from Hawaii, at longitude 31 ° East, there is a whole vertical strip that runs along the Nile. According to Carl Munck (in his book The Code, 1997), all the pyramids of Egypt are located within a north-south longitudinal strip with a width of 1 °. The Nile is also contained within this strip. The great pyramid is located at latitude 30 ° North. Latitude 19 ° is lower in Sudan. According to Carl Munck, the geodesic coordinates of ancient monuments are inscribed in coded form in the monument itself. The code is quite complex and its rules seem to be the resurgence of an ancient science, gematria, the most elaborate forms of which have been lost and which remain to be rediscovered. According to this decoding, the longitudes are fixed with respect to a zero meridian which was not that of Greenwich as today, but a meridian which crosses the great pyramid of Giza. Old longitudes are deduced from current longitudes by subtracting 31 °. The great pyramid was considered the central point of the earth. Geographically, if we draw large circles passing through it, and oriented in any direction, they cross more land than can be done in no other place. It is the center of gravity of the land surface. Energetically, the place concentrates large flows of terrestrial energy. According to W. Becker (see his presentation below), the great pyramid is built on a very powerful energy point where the lines of the tetrahedron, cube, octahedron, dodecahedron and icosahedron intersect.

 

Energy flow grids

Apart from the statistical exploitation of geophysical data on a global scale, other discoveries were made by means of dowsing and feeling in the field in the previous article.

In the French community, the practice of energy measurements in the field by dowsing has spread widely since the 1930s with the highlighting of flows linked to megalithic sites and churches, then in the years 1950 by the dissemination of geobiology and the identification of networks, the best known of which remains the Hartmann network. Strangely enough, the reference to geobiology is generally associated with the harmfulness of certain places in a house or in a land where it is not good to stay frequently. It is a rather negative approach to vital flows which is perhaps due to the origins of its discovery by doctors.@In June 1940, a Parisian doctor, Dr Peyré, made a communication to the Academy of Sciences on his discovery of a network of North - South and East - West radiation coming from the ground. It is therefore not a question here of isolated points, nor of isolated lines intersecting each other, but of a geometric grid whose energy can be identified along the lines. Its characteristics are as follows: stitches whose side in both directions measures approx. 8 sts. George Prat, whom we will find later, identified that this network carried the radiation of copper. In a book titled Die Welt Der Geheimen Machte (1952), Siegfried Wittman states the existence of another N-S / E-W network of 16m x 16m side. He specifies that this dimension is only approximate since the N-S lines are meridians which merge at the pole and diverge towards the equator where the side of the square is 32 m. Around 1950, Dr. Manfred Curry, a German physician who worked with Wittman, discovered another telluric vibratory network (from the earth). This is oriented at 45 ° with respect to the North, therefore diagonally with respect to the Hartmann network. It is called the Curry network or diagonal net. Its average characteristics are as follows: square mesh of 3 to 16 meters with an average of 4 to 5 m in both orientations; strip thickness of about 40 centimeters. It carries the radiation of iron. It covers the whole earth. To give a realistic image, it should be noted that these values ​​vary from one place to another. The meshes and the bands can be deformed locally. It should also be added that although it is measured on the ground, it also extends vertically like a set of thick curtains that rise from the nickel. Around 1950, another German doctor, Dr Ernst Hartmann (1925-1992) discovered almost at the same time a North-South and East-West vibratory network. Compared to the previous one, this network is tighter and its mesh is rectangular. It is called H or Hartmann network or global network. It covers the whole earth. Its mesh size is approximately 2 m (N-S) x 2 m 50 (E-O). It carries the radiation of nickel. The bands emanate from the depths of the earth and rise vertically with thicknesses of 21 cm on average. For all networks, the east-west dimension of the mesh narrows when one approaches the poles of the earth's axis (for mathematicians, proportional to the cosine of the latitude). On the other hand, the North-South distance between the parallels remains constant (see studies on this subject). Originally, the discovery of these networks is largely due to the observation that certain places are pathogenic. Certain line crossings of the network emit unfavorable energies. Normally neutral, the cross becomes pathogenic

when it carries anomalies due to the subsoil, such as certain electrical currents induced by groundwater or underground waterways, geological faults or unbalanced mineral deposits. Dr Curry and Dr Peyré have observed that harmful points of this type favor the appearance of cancer.

 

Metal nets by Georges Prat

We have already met Georges Prat, French architect and geobiologist. By doing his expertise in the field, he finds the networks previously named. But he discovers many others that vibrate differently. Seeking to understand their nature, he enlists the collaboration of an Austrian researcher who measures the radiation of the network by means of a scientific laboratory apparatus, and he identifies the radiation of these networks with metals (we unfortunately do not know with what apparatus the now deceased researcher proceeded, nor what type of measurement he carried out. However, the results can be verified retrospectively by dowsing). This is how Pratt identifies the Hartmann network with nickel, the Curry network with iron and the Peyré network with copper. According to him, the radiations coming from the center of the Earth do not come to us uniformly but in the form of networks of energy, like the meshes of a net ... Each metal has its own mesh whose dimensions depend on its quantitative importance. inside our own planet. Thus nickel, a widespread and abundant metal in the central core of the Earth, has a net of 2 meters by 2.5 m in European latitudes, while gold, the rarest metal, is not found under the same conditions as every 400 km (555 km at the equator). (G. Prat, Cartesian Precise of Geobiology)

 

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Each mesh is unique in terms of the size and orientation of the mesh. For example, the network of nickel (Hartmann) is rectangular and the tightest of the networks. The meshes are delimited by vertical walls or curtains which rise in height and also have a determined thickness. Prat also highlighted the networks of cobalt, manganese, platinum, uranium, selenium, palladium, lithium, magnesium, antimony, titanium, siderite ... These flows are rarer. They are sometimes found in certain Neolithic temples where the crossing of several of them acts as a place of healing by trace elements.@Another remarkable feature of all metal mesh is that

the thickness of the vertical wall is doubled every 9 meshes. We can therefore consider that a network is "structured" by another network of the same nature, larger and more powerful.

The networks of platinum, silver and gold have very wide meshes, so that few of them are found on earth. Thus the platinum network has only 38 meridians cut by 36 parallels. Double networks are even rarer. That of gold includes only 3 circles from north to south, one of which is the equator and the other 2 parallels of either side of the equator. In the East-West direction, there are 4 large circles (ie 8 meridians). In total, they determine 26 crossing points. Gold and silver network in Europe and North Africa Thanks to G. Prat (© Précis Cartesien de géobiologie)

The silver network is coupled with that of gold. Although they are oriented differently, their crossing points are superimposed. It is the same with the networks of double silver and double gold. Thus, the 26 crossing points of double gold are also those of double silver.. This makes these points remarkable sites. Most of these crosses are located in inaccessible places or in the ocean. Only two are accessible and marked as high places: Chartres Cathedral in France and Potala Palace in Tibet. The crossing points of simple gold are also of great interest. It is on these points that the oldest temples are installed, often subsequently replaced by other temples and then by churches or cathedrals. The flow of lines of the eastern network connect famous centers: Moscow, Istanbul and Giza; Chartres, Toulouse and Ghardaia. Ghardaïa, in Algeria, considered as a tourist site of major importance because of its architecture and its history, is part of the world heritage. The synthesis of this information from various sources puts us in front of several energy flow systems of the earth. On the one hand, the location of geomagnetic anomalies led to the identification of the 120 polyhedron with its 62

points and its triangles. The lines are represented at first glance as geometric traces between the vertices, not as energy flows, although they probably are, as the existence of leys lines suggests to us almost everywhere on earth. On the other hand, the experimental measurements in dowsing reveal bundles of lines and grids of energy flows which cover the whole planet.

From these findings, questions may come to mind. The double gold lattice closely resembles the Sanderson grid and the Becker-Hagens grid but is different. Is there a relationship between them and which one? Why do some points on the Becker-Hagens geometric grid seem to be offset from a nearby sacred place? I will try to give answers to these questions insofar as it can open our minds to the reality of these grids. However, I will not try to answer with precise technical data which would require lengthy and unnecessary investigations. The aim of this article is to raise awareness of the existence and operation of the grid, even if we do not fully know how it is constituted. Kind of like you can benefit from a computer without knowing exactly its internal structure. I stay focused on my goal of understanding who we are and how we relate to the universe. Here are a few more concepts that take into account the complexity of grids. There is not a single grid, but several that are superimposed and connected; they do not follow a strict geometry like a computer drawing; they are alive, moving and adaptable. Our discovery of metal networks illustrates the fact that several networks, several grids coexist and interpenetrate. Each carries a different energy and therefore has a specific function. There are great grids which are the main life conduits of the earth. These large meshes are divided into smaller meshes, themselves subdivided into even smaller meshes creating a finer mesh. There are grids within grids, according to a hierarchy of scale that can be described as fractal. We can compare this interweaving of networks to the vital networks of the human body. The blood system is strongly coupled to the respiratory network, the lymphatic system and the nervous system, for example. It is itself made up of large main vessels, which branch out into finer vessels, and even up to the extremely fine capillary vessels.

In addition, the human body is made of the superposition of at least 5 energy bodies of different vibratory levels: physical, vital, emotional, mental and spiritual body (see article Chakras and subtle bodies). It is the same for the Earth. She has her own energy bodies. So the comparison between the human body and the body of the Earth is not just a convenient picture. It is a reality: the human body and the terrestrial body are constituted according to similar structures. Each body on Earth has its own circulatory system: it is a grid. The multidimensional superposition of grids has for example been described by Richard Leviton (Leys lines and the meaning of Adam). According to his vision, a certain form of energy structure was put in place in the early days of Earth's existence, in relation to the appearance of biological life. The original structure was made of straight lines connecting energy vortices in the form of domes posed on the surface of the earth. These lines were double, one carrying the vibration of gold and the other that of silver. These lines went up too vertically in a way to meet at a particular point on Earth, its navel in a way. That navel could be Avebury in England. It is interesting to note that other places on the planet have been named navel, such as the umphalos of Delphi in Greece or Cuzco in Peru. Levinton distinguishes 4 grids of different vibratory levels, corresponding to the energetic bodies of the Earth, located on the surface or in the atmosphere, up to approximately 3 km of altitude. One of them is made of 15 large circles surrounding the

earth above its surface, determining 62 crossing points and 120 triangles. The St. Michael's ley line in England is one of them. It is not limited to England, it goes around the world. Another grid, often parallel to the previous one, includes a multitude of secondary domes, in total 1746 domes which have become potential places of menhirs, megalithic centers or temples. Each dome carried the codes of light necessary to create life. Thus, the vital flows of the earth are distributed according to a system of multidimensional geometric grids whose structure is based on a combination of polyhedra inscribed in the terrestrial sphere, the Platonic solids and their fractal derivatives. However, these geometries are not immutable. The grids are alive and like any living being, they breathe and evolve. Their evolution is linked to

the evolution of the earth and of humanity. According to Levinton, every major change in the evolution of biological and human life has been accompanied by a change in the structure of the grids, for example at the time of the appearance of man on Earth. According to other authors, important modifications of the grids marked the beginning of the human experience of duality, that is to say the cut of man with his inner divine being and with the celestial hierarchies. But here we are again faced with strong modifications of the grids which have disturbing repercussions on our bodies and our minds, as well as on geology.

 

www.spirit-science.fr/doc_terre/grille3.html

No relation to the popular German car, this Lloyd was more of a workshop built machine. Not many were sold. Had a reputation of not being able to climb moderate hills.

 

I posted this brochure a couple years ago, but this scan is much better.