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Literally meaning “Refrigerator Reyes” in relation to its most common cargo—beef—Frigorifico Reyes was founded by Oscar Bowles, was flying war surplus aircraft in the hinterlands of Bolivia for some years before Fri Reyes was formally launched, though Bowles used the name in the late 1950s, flying ad hoc cargo contracts. In 1962, Fri Reyes became its own company, flying a mix of Curtiss C-46 Commandos and converted Boeing B-17 Flying Fortress bombers. Though flying C-46s in the rugged Bolivian Andes was not exceptional (many Bolivian small-time cargo operators depended on the temperamental Commandos), the B-17 was not one used often, and Fri Reyes was the last civil operator of the venerable Flying Fortress.
Fri Reyes continued expansion in the 1980s, not a little of which was due to name recognition: “warbird” aviation historians wanting to see World War II-era equipment still flying journeyed to Bolivia to photograph these final survivors. As a result, the company acquired a dizzying amount of aircraft—at least 30 of them of eight different types, in various states of repair; at any one time, Fri Reyes might have three or four aircraft flying simultaneously, twice as many loading cargo on the ground, and the rest being repaired or cannibalized for parts.
By 1990, an improvement in Bolivia’s road infrastructure allowed truck traffic to outlying areas that, until then, were open only to air travel by small companies like Fri Reyes. Combined with operating costs for its diverse fleet, the age of that fleet, and a high accident rate (not uncommon in small operations in the Andes), Fri Reyes sold off its fleet and quietly exited the scene by 1995. Several of its aircraft, namely two of its B-17s, survived to be restored to their original colors and are now in museums.
Wandering around the streets of this fascinating town. Antequera is one of the main towns in the province of Málaga. With a population of over 40,000 it is sometimes referred to as "the heart of Andalucia" (el corazón de Andalucía) because of its central location in relation to Málaga, Granada, Córdoba, and Seville. It has a wealth of history associated with it - strolling around the town and taking in the monuments is a delight. The views from all over Antequera are spectacular, too; in particular the famous "Peña de los Enamorados" (Lover's Rock). There are plenty more photos of Antequera and other Spanish towns/locations if you take a look at my 'Albums' page, www.flickr.com/photos/36623892@N00/sets/ - thank you.
COLLECTION RECORD
Title - Bridgeport Manufacturing, detail center panel
Title [Other] - Murals (Bridgeport Manufacturing)
Relation - Bridgeport Manufacturing
relation.type - imageOf
relation.notes - Bridgeport Manufacturing
Work, Collection or Image - Collection
refid - 145
Work Type - mural paintings (visual works)
Style Period -
Agent Name - Covey, Arthur Sinclair (American painter 1877-1960)
Agent Role - muralist (painter)
Cultural Context - American
Agent Name - Lambdin, Robert (1886-1987)
Agent Role - muralist (painter)
Cultural Context - American
Material, medium - oil paint (paint)
Material, support -
Technique -
Measurements -
Date Created - 1936-1937
Date Completed -
Date Collected -
Date Allocated -
Date Rejected -
Location Former Repository - Bridgeport Post Office, Bridgeport, Connecticut
Description -
Inscription -
Subject - Industry (economic concept); Manufacturing; Federal Art Project
IMAGE RECORD
Work, Collection or Image - Image
Work Type - black-and-white photographs
Style Period - New Deal
Agent Name -
Agent Role -
Material - black-and-white photographs
Technique - black-and-white photography
Measurements - 8 in (H) x 10 in (W)
Date Created - ca. 1935-1943
Date Digital - 2009-04-29
Description -
Inscription -
Source - Connecticut State Library, State Archives, RG 033, Works Progress Administration, Box 1.
Filename - wpaart_coveya_003
2021-02-25: Mr. Mohamed EL AZIZI, Director General of the Regional Development and Service Delivery Office for North Africa (RDGN), African Development Bank; Mr. Abdoulaye COULIBALY, Director of the Office of Governance & Public Financial Management (ECGF), AfDB; Mr. Ahmed LAAMOUMRI, Secretary General of the Department for Administrative
Reform, Ministry of the Economy, Finance and Administrative Reform (MEFRA), Kingdom of Morocco and Dr. Stéphane MONNEY MOUANDJO, Director General, CAFRAD attending a virtual meeting on the subject 'Promoting good Governance of Public Relation Institutions'.
ODC Theme: Opposites
Taken 16 June '11
ODT Made of Two Parts
In Chinese philosophy, the concept of yin yang is normally referred to in the West as "yin and yang" and is used to describe how polar or seemingly contrary forces are interconnected and interdependent in the natural world, and how they give rise to each other in turn. Opposites thus only exist in relation to each other. Yin yang are complementary opposites that interact within a greater whole, as part of a dynamic system. Everything has both yin and yang aspects, but either of these aspects may manifest more strongly in particular objects, and may ebb or flow over time. en.wikipedia.org/wiki/Yin_and_yang
You and your opponent are one.
There is a coexisting relationship between you.
~Bruce Lee~
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This was a fun room, though I didn't really get a chance to properly experience it. The artist was there on the day we visited. There were computers in each of those desks (about 20 in the room), and we were encouraged to leave messages on the walls, desks, boards, in chalk.
Tatsuo Kawaguchi
【Japan】
Relation-Blackboard Classroom／Relation-Farmer's Work
Year. 2003
The artist created the works with the themes “agriculture” and “culture” in two rooms of the No Butai Snow-Land Agrarian Culture Center, Matsudai. In the part of the installation that focuses on agriculture, he sealed seeds to the farming tools collected in the region. With culture as another theme, he focuses on education and turned the whole classroom into blackboards.
In India wedding is symbolic promotion of relation, a man and a woman get married in front of the society and by following all the social norms and culture.
www.vivahcreations.com/blog/wedding-is-symbolic-promotion...
James E. Walker Library External Relation Committee Representative at MTSU Engineering Technology Open House in front of Tom H. Jackson Building, April 29, 2010
The Postcard
A high-definition early view of a misericord in Chichester Cathedral on a postally unused postcard by Raphael Tuck & Sons Ltd.
Given that it is well over 600 years old, it is a very stylish and imaginative piece of carving which could almost be a piece of modern sculpture.
Misericords
Prayers in early medieval churches were often said standing with uplifted hands. The old and infirm could use crutches or, as time went by, misericordia (literally, an act of mercy).
Seating was constructed so that when the seats were turned up, the undersides were provided with a small shelf, thereby giving a person a small degree of comfort by leaning against it. The carving is always executed out of sight on the underside of the small shelf.
Misericords, which are usually skilfully carved, date in England from the 13th century.
The earliest existing set can be found in the choir stalls of Exeter Cathedral, and they contain the earliest-known image in the UK of an elephant.
The majority of English misericords date from the 14th. and 15th. centuries, and curiously most often represent pagan images and scenes - they can be quite at variance with the building in which they are located, the above image being a good example of this.
The scene depicted in the photograph is quite mild - it would probably best be described as cheeky - some misericords are downright salacious. Good examples of these are shown in Wikipedia in relation to Tréguier Cathedral in Brittany, France.
'An Arundel Tomb'
'An Arundel Tomb' is a poem by Philip Larkin, written and published in 1956, and subsequently included in his 1964 collection The Whitsun Weddings. It describes the poet's response to seeing a pair of recumbent medieval tomb effigies with their hands joined in Chichester Cathedral.
It is described by James Booth as "one of Larkin's greatest poems".
The Tomb
The tomb monument in Chichester Cathedral is now widely identified as that of Richard FitzAlan, 10th. Earl of Arundel (d. 1376) and his second wife, Eleanor of Lancaster (d. 1372).
The couple were buried in the chapter house of Lewes Priory, and their monument was probably fashioned by the master mason Henry Yevele: documentary evidence relates to the shipping of two "marble" tombs in January 1375 from Poole Harbour to London at Yevele's behest.
Having first been erected at Lewes Priory, the effigies were probably moved to Chichester following the priory's dissolution in 1537. The earliest certain record of their presence in the cathedral dates from 1635.
The male figure wears armour, and bears a lion rampant (the arms of the FitzAlan family) on his coat armour, and a lion's head couped as a crest on the helm beneath his head.
The female figure wears a veil, wimple, long gown and a mantle, all characteristic of the 14th. century; while beneath the gown, her legs are crossed.
In a feature common to many English tombs of this period, the knight has a lion at his feet, while the lady has a dog: the lion indicates valour and nobility, the dog loyalty. He has his right hand ungloved, and her right hand rests on his.
By the 19th. century, the Arundel effigies had become badly mutilated, and also separated from one another, being placed against the north wall of the northern outer aisle of the Cathedral, with the woman at the feet of the man.
In 1843 Edward Richardson (1812–1869) was commissioned to restore them. It was Richardson who was responsible not only for reuniting them side by side, but also for carving the present joined hands, the originals having been lost.
His research was conscientious, and the evidence would suggest that his restoration was reasonably faithful to the original pose. Nevertheless, it was Richardson who was responsible for the precise form of the hands.
An additional detail that may have been Richardson's own choice was to depict the knight's empty right-hand gauntlet held in his left hand.
The monument is not inscribed, and it is likely that Larkin's reference to "the Latin names around the base" was inspired by a card label placed by the cathedral authorities – which probably, in accordance with the thinking of the time, misidentified the couple as Richard FitzAlan, 11th. Earl of Arundel (d. 1397) and his countess.
Although many modern observers have – like Larkin – read the linking of hands as a sign of romantic love and affection, it seems more likely that the gesture's primary meaning was to signify the formal, legal, and sacramental bonds of matrimony.
The Poem
Larkin visited Chichester Cathedral with his lover Monica Jones in January 1956. He later claimed to have been very moved by the monument; while in an audio recording of the poem, he stated that the effigies were unlike any he had ever seen before, and that he had found them "extremely affecting".
The poem was completed on the 20th. February, and first published in the May 1956 issue of the London Magazine.
Larkin draws inspiration from the figures to muse on time, mortality, fidelity, and the nature of earthly love. In a letter to Monica written while the poem was still in progress, he identified his chief idea as that of:
"The two effigies lasting so long, and
in the end being remarkable only for
something they hadn't perhaps meant
very seriously".
Andrew Motion describes Larkin as:
"Using the detail of the hands as the
focus for one of his most moving
evocations of the struggle between
time and human tenderness".
The poem is as follows:
'Side by side, their faces blurred,
The earl and countess lie in stone,
Their proper habits vaguely shown
As jointed armour, stiffened pleat,
And that faint hint of the absurd—
The little dogs under their feet.
Such plainness of the pre-baroque
Hardly involves the eye, until
It meets his left-hand gauntlet, still
Clasped empty in the other; and
One sees, with a sharp tender shock,
His hand withdrawn, holding her hand.
They would not think to lie so long.
Such faithfulness in effigy
Was just a detail friends would see:
A sculptor’s sweet commissioned grace
Thrown off in helping to prolong
The Latin names around the base.
They would not guess how early in
Their supine stationary voyage
The air would change to soundless damage,
Turn the old tenantry away;
How soon succeeding eyes begin
To look, not read. Rigidly they
Persisted, linked, through lengths and breadths
Of time. Snow fell, undated. Light
Each summer thronged the glass. A bright
Litter of birdcalls strewed the same
Bone-riddled ground. And up the paths
The endless altered people came,
Washing at their identity.
Now, helpless in the hollow of
An unarmorial age, a trough
Of smoke in slow suspended skeins
Above their scrap of history,
Only an attitude remains:
Time has transfigured them into
Untruth. The stone fidelity
They hardly meant has come to be
Their final blazon, and to prove
Our almost-instinct almost true:
What will survive of us is love.'
The final line is among the most quoted of all of Larkin's work. When read out of context, it may be understood as a sentimental endorsement of love enduring beyond the grave.
However, the poem as a whole is rather more nuanced, and challenges a simple romantic interpretation, even if in the end it is conceded to have:
"An inevitable ring of truth – if only
because we want so much to hear it".
James Booth describes it as possessing:
"A mix of stark pessimism
and yearning despair".
Larkin himself wrote at the end of the manuscript draft of the poem:
"Love isn't stronger than death just
because statues hold hands for six
hundred years."
However he later commented in an interview:
"I think what survives of us is love, whether in
the simple biological sense or just in terms of
responding to life, making it happier, even if it's
only making a joke."
Larkin wrote in a letter to Monica Jones, shortly after the poem's first publication, that he found it "embarrassingly bad!", because it was trying to be too clever.
In another letter to Robert Conquest he described it as "a bit timey" (i.e. with too much emphasis on time).
Larkin later reiterated that he never really liked the poem, partly because it was unduly romantic, and partly for other reasons:
"Technically it's a bit muddy in the
middle – the fourth and fifth stanzas
seem trudging somehow, with awful
rhymes like voyage/damage.
Everything went wrong with that poem:
I got the hands wrong – it's right-hand
gauntlet really – and anyway the hands
were a nineteenth-century addition, not
pre-Baroque at all."
Larkin was disappointed to learn that the hand-joining gesture was not as unusual as he had thought:
"A schoolmaster sent me a number of
illustrations of other tombs having the
same feature, so clearly it is in no way
unique."
Legacy
The poem was one of three read at Larkin's memorial service in Westminster Abbey in February 1986. Its two final lines are also inscribed on the memorial stone to Larkin unveiled in December 2016 in Poets' Corner in the Abbey.
In relation to elsa patton plastic surgery it can be said that she was not fortunate enough because no treatment was successful in giving any kind of positive results to the lady.
Många åker till Ängsbacka för att fördjupa sin relation. Ängsbacka bjuder på ett smörgåsbord av olika evenemang, festivaler, kurser och workshops året runt. Varmt välkommen.
Welcome to depth, warmth, sharing, fun, joy, play, togetherness, giving meaning, sharing, caring, gratitude, creativity, strength, beauty, dissolving illusion, simplicity, experiencing nature, transformation, connection, reaching out, saying yes, nourishing, feeling, opening to touch, abundance, authenticity...
COLLECTION RECORD
Title - American Literature, entire window
Relation - American Literature
relation.type - componentIs
relation.notes - American Literature panels
Work, Collection or Image - Collection
refid - 397
Work Type - stained glass (visual works)
Style Period - New Deal
Agent Name - Howard, Len R. (1891-1987)
Agent Role - glassworker
Cultural Context - British; American
Material, medium - stained glass (material)
Material, support -
Technique -
Measurements - 14 ft (H) x 8.66 ft (W)
Date Created -
Date Completed -
Date Collected -
Date Allocated - 1936-06-01
Date Rejected -
Location Former Repository - New Milford High School, New Milford, Connecticut
Description -
Inscription -
Subject - American Literature 19th Century; Federal Art Project
Source -
IMAGE RECORD
Work, Collection or Image - Image
Work Type - black-and-white photographs
Style Period - New Deal
Agent Name -
Agent Role -
Material - black-and-white photographs
Technique - black-and-white photography
Measurements - 9.25 in (H) x 7 in (W)
Date Created - ca. 1935-1943
Date Digital - 2009-04-30
Description -
Inscription -
Source - Connecticut State Library, State Archives, RG 033, Works Progress Administration, Box 2.
Filename - wpaart_howardl_001.jpg
COLLECTION RECORD
Title - The Story of Rip Van Winkle, view 3
Relation - The Story of Rip Van Winkle
relation.type - pendantOf
relation.notes - The Story of Rip Van Winkle, view 1-2,4-16
Work, Collection or Image - Collection
refid - 219
Work Type - mural paintings (visual works)
Style Period -
Agent Name - De Maio, Salvatore (1908-1960)
Agent Role - muralist (painter)
Cultural Context - American
Agent Name - Rutkowski, Frank (1905-2000)
Agent Role - muralist (painter)
Cultural Context - American
Material, medium - oil paint (paint)
Material, support -
Technique -
Measurements -
Date Created -
Date Completed -
Date Collected -
Date Allocated -
Date Rejected -
Location Former Repository - New Haven Free Public Library, New Haven, Connecticut
Description -
Inscription -
Subject - (scenes from) specific works of literature: Irving, Rip Van Winkle; Federal Art Project
IMAGE RECORD
Work, Collection or Image - Image
Work Type - black-and-white photographs
Style Period - New Deal
Agent Name -
Agent Role -
Material - black-and-white photographs
Technique - black-and-white photography
Measurements - 8 in (H) x 10 in (W)
Date Created - ca. 1935-1943
Date Digital - 2009-04-29
Description -
Inscription -
Source - Connecticut State Library, State Archives, RG 033, Works Progress Administration, Box 1.
Filename - wpaart_demaios_018
A distant relation of Sir Winston Churchill, Lord Henry John Spencer Churchill (born 1797) was the fourth son of the 5th Duke of Marlborough, and a captain in the Royal Navy. He died in action in the China Sea, on 2 June 1840, and is buried in the Protestant cemetery in Macau.
This grave, and many around it, brings to mind Rupert Brooke's poem, 'The Soldier' of 1915:
If I should die, think only this of me:
That there's some corner of a foreign field
That is for ever England. There shall be
In that rich earth a richer dust concealed;
A dust whom England bore, shaped, made aware,
Gave, once, her flowers to love, her ways to roam,
A body of England's, breathing English air,
Washed by the rivers, blest by suns of home.
And think, this heart, all evil shed away,
A pulse in the eternal mind, no less
Gives somewhere back the thoughts by England given;
Her sights and sounds; dreams happy as her day;
And laughter, learnt of friends; and gentleness,
In hearts at peace, under an English heaven.
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ParalympicsGB Athlete, Daniel Sidbury aged 27, from London, competing in the 400m T54 - Men event, at the Tokyo 2020 Paralympic Games.
ParalympicsGB is the name for the Great Britain and Northern Ireland Paralympic Team that competes at the summer and winter Paralympic Games. The Team is selected and managed by the British Paralympic Association, in conjunction with the national governing bodies, and is made up of the best sportsmen and women who compete in the 22 summer and 4 winter sports on the Paralympic Programme.
For additional Images please visit: www.digitalcontentdownload.com/paralympicsgb_2020/
For more information please contact the ParalympicsGB Press Office via press@paralympics.org.uk
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Title: United States Naval Medical Bulletin Vol. XI No. 3, July 1917
Creator: U.S. Navy. Bureau of Medicine and Surgery
Publisher:
Sponsor:
Contributor:
Date: 1917-07
Language: eng
<br />PREFACE .....v<br /><br />SPECIAL ARTICLES:<br />The Place of Intelligence in Modern Warfare.<br />by Dr. Henry H. Goddard ...............283<br />The Incidence of Tuberculosis in the Navy.<br />by Medical Director G. H. Barber ...............289<br />Studies of Drug Addicts.<br />by Passed Assistant Surgeon W.A. Bloedorn ............305<br />A Plea for Greater Care at Recruiting Stations.<br />by Medical Inspector A. Farenholt ........318<br />A Further Study of Mental Tests in the Examination of Recruits.<br />by Acting Assistant Surgeon A.R. Schier ...................325<br />A Report on the Jennings Test for Color-Blindness.<br />by Passed Assistant Surgeon G.B. Trible..........334<br />The United States Naval Medical Supply Depot.<br />by Medical Director R. P. Crandall ................337<br />Poisoning by Arsenuiretted Hydrogen on Submarines.<br />by Captain M. Giordano, condensed and translated by Surgeon J.S. Taylor..... 342<br />Border-Line Cases at the Recruiting Office.<br />by Surgeon W. G. Farwell........ 346<br /><br />HISTORICAL:<br />Edward Livingstone Trudeau, 1848-1915 .......... 349<br /><br />EDITORIAL:<br />Our Duty to Syphilitic Patients. New Preparations Issued by the Medical Supply Depot. Keeping in Touch with Cases Transferred from the Ship. New Medical Journals. Epidemic Jaundice in Europe. Cerebro-Spinal Meningitis ....355<br /><br />SUGGESTED DEVICES:<br />Apparatus for Removal of Sick and Wounded on Shipboard.<br />by Surgeon J. S. Taylor .....371<br /><br />CLINICAL NOTES:<br />Notes on X-ray Treatment with Special Reference to Skin Lesions.<br />by Assistant Surgeon A. Soiland, M.R.C. ..... 373<br />A Report on Fiver Operations Performed in Haiti.<br />by Surgeon R.B. Williams .............374<br />A Case of Uncinariasis with Severe Anemia.<br />by Passed Assistant Surgeon J.J.A. McMullin ...380<br /><br />PROGRESS IN MEDICAL SCIENCES:<br />GENERAL MEDICINE - Tetanus and antitoxin treatment. Serum treatment and early diagnosis in epidemic cerebro-spinal meningitis. Treatment of gas asphyxiation. Metabolism, arteriosclerosis, and diet. ... 385<br />MENTAL AND NERVOUS DISEASES - Gold solution diagnosis. Underlying concepts in mental hygiene. Unemployment and personality .... 390<br />SURGERY - Observations of a surgeon in France. Observations on 500 gunshot wounds of the abdomen. Three hundred perforating wounds of the abdomen. Abdominal injuries in a casualty clearing station. Experimental studies in the use of omentum. Supernumerary bones of the foot. ... 393<br />HYGIENE AND SANITATION - The best method of vaccination. Bacteriology of the bubble fountain. Sanitary study of condensed milk. Botulism. Protein minima for maintenance. Bacterial count of milk. Exposure to cold in relation to infection. ...... 405<br />PATHOLOGY, BACTERIOLOGY, AND ANIMAL PARASITOLOGY - Spirocheta hemorrhagica in American rats. The bile and cholera. Diagnosis of melanoma. Lymphoid tissue and experimental tuberculosis in mice. Peridental gingivitis and Vincent's angina. Typhus fever virus. Classification of streptococci. ......410<br />EYE, EAR, NOSE AND THROAT - Empymera of maxillary sinus. Septic arthritis after submucous resection. Control of hemorrhage in naso-pharyngeal operations. Surgery of sphenoid sinus. ... 415<br /><br />REPORTS:<br />Suggestions for Officers Ordered to Guam.<br />by Surgeon A. E. Peck ..... 419<br />Feeding and Housing Recruits at Newport, R.I.<br />by Surgeon D. N. Carpenter .....421<br />Malaria at Tampico.<br />by Passed Assistant Surgeon W. C. Espach..... 421<br />Water Filtration Plant.<br />by Surgeon C. E. Ryder ..... 422<br />Type of Buildings for Tropical Habitation.<br />by Passed Assistant Surgeon W. L. Mann..... 425<br />Improvements at Canacao Hospital.<br />by Medical Director A. R. Alfred ..... 426<br />Rejection of Accepted Recruits.<br />by Surgeon C. N. Fiske .....427<br />Problems of Venereal Prophylaxis.<br />by Assistant Surgeon M. B. Hiden .....428<br />Sanitary Notes on Liberia.<br />by Passed Assistant Surgeon D. G. Allen..... 429<br />Sanitary Notes on the West Coast of Mexico.<br />by Passed Assistant Surgeon C.B. Camerer ..... 430<br /><br />FOR THE HOSPITAL CORPS:<br />Analytical methods used at the Naval Medical Supply Depot, New York, for Testing Absorbent Cotton ..... 435<br /><br />UNITED STATES NAVAL MEDICAL SCHOOL LABORATORIES:<br />Additions to the Pathological Collection.... 437<br />Additions to the Helminthological Collection .... 437<br /><br />
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Note: The colors, contrast and appearance of these illustrations are unlikely to be true to life. They are derived from scanned images that have been enhanced for machine interpretation and have been altered from their originals.
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2011-10-23 Sichtbar werden mit Folie Gradinger, Audi FIS Ski World Cup Sölden, RTL Herren, Fan TV Team - Moderator Didi Ziesel, Moderator Stefan Steinacher, Kameramann Martin Hautz,, Willkommen auf der SMR Public Relation Homepage
Weltweit haben ca. 100 Millionen Menschen den Ski Event Sölden im Fernsehen gesehen !! Mittendrin und nicht nur dabei dass FAN TV - TEAM Martin Hautz, hat mit seiner Kamera, Didi Ziesel und Stefan Steinacher mit ihren Moderationen für eine perfekte Info vor Ort und beste Qualität gesorgt - macht weiter so liebe Freunde vom SMPR.at Team !!
"Mister Riesentorlauf" Ted Ligety hat gleich zum Saisonbeginn am Sonntag eine Machtdemonstration gezeigt und das Weltcup- Auftaktrennen in Sölden gewonnen. Der US- Amerikaner, Titelverteidiger im RTL- Weltcup, sorgte für klare Verhältnisse, indem er am Rettenbachferner den überraschend starken Franzosen Alexis Pinturault um 0,29 Sekunden und den Salzburger Philipp Schörghofer um 0,51 Sekunden auf die Plätze zwei und drei verwies.
Schörghofer, der auch schon nach dem ersten Lauf Dritter war, meinte im Ziel hochzufrieden: "Es lief so, wie ich es mir vorgestellt habe, denn ich wollte aufs Podest. Für den Sieg braucht es immer auch Glück. Ich habe in beiden Läufen Fehler gemacht, bin froh, dass ich es so runtergracht habe. Zu Ligety braucht man eh nichts sagen, aber den biegen wir heuer auch noch."
Marcel Hirscher, Zwölfter nach Lauf eins, verbesserte sich im Finale mit einer starken Fahrt auf Platz sechs (zeitgleich mit dem Franzosen Thomas Fanara). Ein Patzer verhinderte eine bessere Platzierung des Salzburgers, der folgendes Resümee zog: "Saugeil, das taugt mir echt. Vor allem der zweite Durchgang. Ich bin sicherlich im richtigen Sport daheim."
Romed Baumann wurde Elfter, Benjamin Raich belegte bei seinem Comeback unmittelbar vor Hannes Reichelt Rang 19. Raich: "Ich habe im Steilhang aber sehr viel Zeit verloren, da war ich noch überfordert. Aber da und dort waren gute Lichtblicke dabei. Ich habe gesehen, dass ich teilweise den Speed habe, weiß aber auch, woran ich arbeiten muss. Körperlich habe ich mich ganz gut gefühlt."
Endlich hat Ligety auch in Sölden gewonnen. Ligety, der 27- Jährige aus Park City, freute sich im Interview: "Ich war hier schon so oft auf dem Podium und wollte den Sieg. Es ist schon ein Vorteil, dass wir hier so viel trainiert haben." Der 20- jährige Pinturault kam wie im letzten Riesentorlauf der Vorsaison in Kranjska Gora auf Platz zwei und unterstrich sein großes Talent. "Es ist eine kleine Überraschung, ich habe im zweiten Durchgang das Beste draus gemacht", sagte der Halbzeit- Vierte.
Nach dem Triumph von Lindsey Vonn am Vortag hat das US- Skiteam in Sölden also beide Siege geholt und den rot- weiß- roten Athleten gleich zum Auftakt einiges vorgelegt. Der Schweizer Daniel Albrecht, der Sieger von 2008, startete erstmals seit seinem folgenreichen Streif- Sturz 2009 wieder auf dem Rettenbachferner, kam mit über dreieinhalb Sekunden Rückstand aber nicht in die Entscheidung. Didier Cuche, der nach seinem Sölden- Sieg 2009 und der Rennabsage 2010 Titelverteidiger war, kam im zweiten Durchgang nicht ins Ziel.
Ergebnis:1 LIGETY Ted USA 1:08.45 1:13.55 2:22.00, 2 PINTURAULT Alexis FRA 1:08.76 1:13.53 2:22.29, 3 SCHÖRGHOFER Philipp AUT 1:08.66 1:13.85 2:22.51, 4 JANKA Carlo SUI 1:08.63 1:13.95 2:22.58, 5 KOSTELIC Ivica CRO 1:10.15 1:13.01 2:23.16, 6 HIRSCHER Marcel AUT 1:09.83 1:13.40 2:23.23, 6 FANARA Thomas FRA 1:09.52 1:13.71 2:23.23, 8 MISSILLIER Steve FRA 1:10.02 1:13.24 2:23.26, 9 MILLER Bode USA 1:10.02 1:13.30 2:23.32, 10 JANSRUD Kjetil NOR 1:09.19 1:14.18 2:23.37, 11 BAUMANN Romed AUT 1:08.96 1:14.44 2:23.40
Bericht: Krone News, Fotorechte: Diese Fotos stammen von Gerhard Möhsner und sind urheberrechtlich geschützt. Kopien, Vervielfältigungen für Veröffentlichungen dürfen nur mit ausdrücklicher schriftlicher Zustimmung gemacht werden !!
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Alvin Adam School of Communication, Public Relation Government Sector, Public Relation Graduate Programs, Public Relation Graduate School, Public Relation Group, Public Relation History, Public Relation History In Nigeria, Public Relation History Malaysia, Public...
WORK RECORD
Title - The Red Mill
Relation -
relation.type -
relation.notes -
Work, Collection or Image - Work
refid - 350
Work Type - paintings (visual works)
Style Period - New Deal
Agent Name - Harris, George E. (1898-1938)
Agent Role - painter (artist)
Cultural Context - American
Material, medium - oil paint (paint)
Material, support -
Technique -
Measurements - 28 in (H) x 36 in (W)
Date Created -
Date Completed -
Date Collected -
Date Allocated - 1937-10-29
Date Rejected -
Location Former Repository - Fairfield State Hospital, Newtown, Connecticut
Description -
Inscription -
Subject - Mills; Rivers; Federal Art Project
Source -
IMAGE RECORD
Work, Collection or Image - Image
Work Type - black-and-white photographs
Style Period - New Deal
Agent Name - Skreczko, Henry (1906-1998)
Agent Role - photographer
Material - black-and-white photographs
Technique - black-and-white photography
Measurements - 7.75 in (H) x 9.75 in (W)
Date Created - ca. 1935-1943
Date Digital - 2009-04-30
Description -
Inscription - Inscribed on back: "The Red Mill" "28 x 36"
Source - Connecticut State Library, State Archives, RG 033, Works Progress Administration, Box 2.
Filename - wpaart_harrisg_003.jpg
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Alvin Adam School of Communication, Public Relation Tasks, Public Relation Theories, Public Relation Tools, Public Relation Training, Public Relation Trans 7, Public Relation Trans Tv, Public Relation Transfer Process, Public Relation Trisakti, Public Relation Tugas,...
WORK RECORD
Title - Arctic Life
Relation -
relation.type -
relation.notes -
Work, Collection or Image - Work
refid - 395
Work Type - mural paintings (visual works)
Style Period - New Deal
Agent Name - Heurlin, Magnus Colcord (American illustrator, 1895-1986)
Agent Role - painter (artist)
Cultural Context - Swedish; American
Material, medium - oil paint (paint)
Material, support -
Technique -
Measurements - 4 ft (H) x 14 ft (W)
Date Created - 1935-11-21
Date Completed - 1936-09-11
Date Collected - 1939-01-18
Date Allocated - 1939-01-18
Date Rejected -
Location Former Repository - Bedford Elementary School, Westport, Connecticut
Description -
Inscription -
Subject - Eskimos; Arctic regions; Federal Art Project
Source -
IMAGE RECORD
Work, Collection or Image - Image
Work Type - black-and-white photographs
Style Period - New Deal
Agent Name -
Agent Role -
Material - black-and-white photographs
Technique - black-and-white photography
Measurements - 8 in (H) x 10 in (W)
Date Created - ca. 1935-1943
Date Digital - 2009-04-30
Description -
Inscription -
Source - Connecticut State Library, State Archives, RG 033, Works Progress Administration, Box 2.
Filename - wpaart_heurlinc_003.jpg
Continuing with re-edits of some old shots from the archives, here's one I converted to B&W and cropped square.
This was taken in Hungary, my ancestral homeland. This gentleman was a cousin of my maternal grandfather. Though obviously quite old, he seemed to still have some sharpness, as seen in his eyes. This would be a Hungarian Jew who somehow survived the Holocaust and decades of Soviet rule, so his eyes have seen much evil and sadness.
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Source
Francois Froger, Relation d'un Voyage fait en 1695, 1696, & 1697 aux Cotes d'Afrique, . . . Brezil, Cayenne & Isles Antilles . . . (Paris, 1698), facing p. 150; A relation of a voyage made in the years 1695, 1696, 1697 (London, 1698), facing p. 120. (Copies in the John Carter Brown Library at Brown University)
Captions, (top), "comme les Portugais fouettent leurs esclaves lorsquils ont deserté" (how the Portuguese flog slaves who have escaped); (bottom left), "invention d'un Francois de la Martinique" (invention of a Frenchman of Martinique); (bottom right), "esclave qui a la jambe coupé pour avoir deserté" (slave who had his leg amputed for having escaped). The 1698 English edition contains this image, but facing p. 120, while the 1699 Amsterdam edition contains a similar, albeit derivative and not identical copy (facing p. 154). In a discussion of slavery in Brazil and the “miserable state” of the enslaved, Froger talks about runaway slaves and the punishments they receive when captured. The following translation appears in the 1698 English edition: “. . . if their masters once catch them, they give them no quarter; for they hang a great iron collar about their necks on each side whereof there are hooks, whereunto is fastened a stake or branch of a tree, with which they thrash them at pleasure. . . . But if it so happen that after this sort of chastisement they relapse again into the same fault, they . . . cut off one of their legs, nay, and sometimes hang them for an example, of terrour [sic] unto others . . .. I knew one [slave master] in Martinico who being of a compassionate nature could not find in his heart to cut off his slave’s leg, who had run away four or five times, but to the end he might not again run the risqué of losing him altogether, he bethought of fastening a chain to his neck, which trailing down backwards catches up his leg behind, as may be seen by the cut [engraving]. And this, in the space of two or three years does so contract the nerves that it will be impossible for this slave to make use of his leg. And thus, without running the hazard of this unhappy wretch’s death, and without doing him any mischief, he thereby deprived him of the means to make his escape” (pp. 119-120).
Ballast water management experts gather for R&D forum
Experts at the forefront of research and development in relation to preventing of the spread of potentially harmful species in ballast water have gathered in Montreal, Canada for a key international forum under the banner “Ballast Water Management Convention – moving towards implementation”. IMO’s International Convention for the Control and Management of Ships' Ballast Water and Sediments is very close to reaching entry into force criteria.
Some 140 participants at the 6th Global Environment Facility (GEF)-United Nations Development Program (UNDP)-IMO GloBallast R&D Forum and Exhibition on Ballast Water Management (16-18 March) will share knowledge and experience on treatment technologies and alternative methods and highlight current research. Compliance monitoring and enforcement including sampling and analysis will also be discussed.
The forum, which brings together scientific experts and academia with the maritime industry and leaders in technology development for ships’ ballast water management, was launched by Marc Garneau, Minister of Transport, Canada. IMO’s Stefan Micallef, Director, Marine Environment Division, delivered an opening speech. Mr Micallef stated that the Ballast Water Management Convention needed to enter into force for effective implementation of its provisions. But he highlighted the huge amount of collaborative work which had been undertaken since the first GEF-UNDP-IMO GloBallast R&D forum 15 years ago, leading to a great deal of progress in the BWM field in terms of testing and approval of ballast water management systems, ballast water sampling and analysis, and the availability of ballast water management systems.