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I tried to clarify the relation between matter and language, from the original chemical components of life (as self-organisation) to the emergence of species, ethno-linguistic groups, programming languages. This cladogram draft permits me to map clearly the shortest path from matter to language (red line). Of all this complexity, interwoven histories, some simplicity should emerge...

 

The proximity of 2 elements on this tree also make the compatibility of the elements more obvious : compatibility of human and other mamals organ transfert, compatibility of 2 close-by computing syntaxes.

 

This cladogram is very simplified regarding the complexity of evolution, just a few branches out of the main path. I might continue this research here, feel free to advise me on this subject, if you know a software that does wonderful graphics of interwoven cladograms, I am interested.

 

research continues here :

opensailing.net

A Wallpaper Collage / Remix from different sources

FanArt

Created with support by www.remove.bg

XNViewMP

bigjpg.com

Food Relation Network×東の食の会 イベントMAP

CL ap bank / kurkku / CAFE COMPANY

D 大木 健二(エヴォワークス)

2011年

WORK RECORD

 

Title - The Administration of a Community, detail

Relation -

relation.type -

relation.notes -

Work, Collection or Image - Work

refid - 379

Work Type - mural paintings (visual works)

Style Period - New Deal

Agent Name - Heath, Howard P. (1879-1969)

Agent Role - muralist (painter)

Cultural Context - American

Material, medium - oil paint (paint)

Material, support - canvas board

Technique -

Measurements - 6 ft (H) x 14 ft (W) [whole mural]

Date Created - 1936-01-12

Date Completed - 1936-09-20

Date Collected -

Date Allocated - 1939-02-06

Date Rejected -

Location Former Repository - Court Room, Town Hall, Westport, Connecticut

Description -

Inscription -

Subject - Societies; People; Federal Art Project

Source -

 

IMAGE RECORD

 

Work, Collection or Image - Image

Work Type - black-and-white photographs

Style Period - New Deal

Agent Name -

Agent Role -

Material - black-and-white photographs

Technique - black-and-white photography

Measurements - 10 in (H) x 8 in (W)

Date Created - ca. 1935-1943

Date Digital - 2009-04-30

Description -

Inscription -

Source - Connecticut State Library, State Archives, RG 033, Works Progress Administration, Box 2.

Filename - wpaart_heathh_005.jpg

Used in a lecture presented by JR James at the Department of Town and Regional Planning at The University of Sheffield between 1967 and 1978.

Relation/Route : Surabaya Pasarturi-Bojonegoro-Cepu-Semarang Tawang-Pekalongan-Jakarta Gambir-Jakartakota.

Locomotive : CC203 12/CC203 95 12.

Class : Executive Class.

Photo Taken at : Semarang Tawang Railway Station, Semarang, Middle Java.

Coolum Beach, Sunshine Coast, Queensland, Australia.

Photo © Greg Staley

 

Relation to and yet not (homage to Mondrian), Kate Shepherd.

June 10-September 5, 2010

 

Kate Shepherd is best known for large, vertical, mostly monochrome paintings in hi-gloss enamel on wooden panels. Using intense colors, delicate lines, and multiple perspectives, she suggests structures and patterns—wallpaper, steps, stones, lace—that create illusory three-dimensional space. Her work in the former dining room of the Phillips house incorporates painting and sculpture, and focuses on architectural details, while paying homage to Mondrian's work in the permanent collection.

 

Kate Shepherd lives and works in New York City. She earned a B.A. from Oberlin College in 1982 and an M.F.A. from the School of Visual Arts in 1992. She has had numerous solo exhibitions in the U.S and abroad and has been awarded residencies at the Chinati and Lannan Foundations. Her work is in the collections of the Los Angeles County Museum of Art, Albright-Knox Art Gallery, the Detroit Institute of Arts, the Museum of Fine Arts, Boston, and the Indianapolis Museum of Art, among others.

 

www.phillipscollection.org/exhibitions/intersections

 

www.youtube.com/user/PhillipsArtMuseum#grid/user/F203B3ED...

Diese illustrativ aufbereitete Infografik einer vorgegebene Menge an Daten zum Thema “Arbeit“ soll Aufschluss über ausgewählte Fakten wie den Jahresverdienst verschiedener Berufsgruppen, den Frauenanteil der DAX-30 Vorstände oder die Verdienstdifferent von Frauen und Männern in Deutschland geben.

 

(Form: Poster, A3, 4 farbig)

 

Diese Arbeit entstand im Kurs "Illustrative Infografik" bei Ole Hentschel an der FHP.

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Dedicated to my love pinku

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@all rights reserved, take permission for using my photo. call +8801717636783 or email me smwahidun@gmail.com

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read my blog here

wahidunnabi.blogspot.com/

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Why not join my page

www.facebook.com/wahidunnabiphotography

 

Thank u everyone.

March 21, 2015 / West Chester University, Presidents Scholarship Gala / Photo by Bob Laramie

Photo © Greg Staley

 

Relation to and yet not (homage to Mondrian), Kate Shepherd.

June 10-September 5, 2010

 

Kate Shepherd is best known for large, vertical, mostly monochrome paintings in hi-gloss enamel on wooden panels. Using intense colors, delicate lines, and multiple perspectives, she suggests structures and patterns—wallpaper, steps, stones, lace—that create illusory three-dimensional space. Her work in the former dining room of the Phillips house incorporates painting and sculpture, and focuses on architectural details, while paying homage to Mondrian's work in the permanent collection.

 

Kate Shepherd lives and works in New York City. She earned a B.A. from Oberlin College in 1982 and an M.F.A. from the School of Visual Arts in 1992. She has had numerous solo exhibitions in the U.S and abroad and has been awarded residencies at the Chinati and Lannan Foundations. Her work is in the collections of the Los Angeles County Museum of Art, Albright-Knox Art Gallery, the Detroit Institute of Arts, the Museum of Fine Arts, Boston, and the Indianapolis Museum of Art, among others.

 

www.phillipscollection.org/exhibitions/intersections

 

www.youtube.com/user/PhillipsArtMuseum#grid/user/F203B3ED...

Photo © Greg Staley

 

Relation to and yet not (homage to Mondrian), Kate Shepherd.

June 10-September 5, 2010

 

Kate Shepherd is best known for large, vertical, mostly monochrome paintings in hi-gloss enamel on wooden panels. Using intense colors, delicate lines, and multiple perspectives, she suggests structures and patterns—wallpaper, steps, stones, lace—that create illusory three-dimensional space. Her work in the former dining room of the Phillips house incorporates painting and sculpture, and focuses on architectural details, while paying homage to Mondrian's work in the permanent collection.

 

Kate Shepherd lives and works in New York City. She earned a B.A. from Oberlin College in 1982 and an M.F.A. from the School of Visual Arts in 1992. She has had numerous solo exhibitions in the U.S and abroad and has been awarded residencies at the Chinati and Lannan Foundations. Her work is in the collections of the Los Angeles County Museum of Art, Albright-Knox Art Gallery, the Detroit Institute of Arts, the Museum of Fine Arts, Boston, and the Indianapolis Museum of Art, among others.

 

www.phillipscollection.org/exhibitions/intersections

 

www.youtube.com/user/PhillipsArtMuseum#grid/user/F203B3ED...

WORK RECORD

 

Title - City Street and Tall Buildings

Relation -

relation.type -

relation.notes -

Work, Collection or Image - Work

refid - 152

Work Type - paintings (visual works)

Style Period -

Agent Name - Cuming, Beatrice (1903-1974)

Agent Role - painter (artist)

Cultural Context - American

Material, medium - ink

Material, support -

Technique - wash technique

Measurements - 14 in (H) x 20 in (W)

Date Created -

Date Completed -

Date Collected - 1938-04-21

Date Allocated -

Date Rejected -

Location Former Repository -

Description -

Inscription -

Subject - Cityscapes; Streets; Federal Art Project

 

IMAGE RECORD

 

Work, Collection or Image - Image

Work Type - black-and-white photographs

Style Period - New Deal

Agent Name -

Agent Role -

Material - black-and-white photographs

Technique - black-and-white photography

Measurements - 10 in (H) x 8 in (W)

Date Created - ca. 1935-1943

Date Digital - 2009-04-29

Description -

Inscription - inscribed on back: "Skyline" "Metropolis"

Source - Connecticut State Library, State Archives, RG 033, Works Progress Administration, Box 1.

Filename - wpaart_cumingb_005

COLLECTION RECORD

 

Title - Steamboat Around The Bend

Title [Other] - Life Along the Mississippi

Relation - Democracy of the Machine

relation.type - pendantOf

relation.notes - The Iron Horse; Covered Wagon; Steamboat Around The Bend; Horseless Carriage Panel; The Busted Ford; Modern Transportation and Communication

Work, Collection or Image - Collection

refid - 187

Work Type - studies (visual works)

Style Period -

Agent Name - Daugherty, James Henry (American painter, illustrator, and author, 1889-1974)

Agent Role - muralist (painter)

Cultural Context - American

Material, medium -

Material, support -

Technique -

Measurements -

Date Created -

Date Completed -

Date Collected -

Date Allocated -

Date Rejected -

Location Former Repository - Fairfield Court, Stamford, Connecticut

Description -

Inscription -

Subject - Progress; Steamboats; Steamboat racing; African-Americans; Federal Art Project

 

IMAGE RECORD

 

Work, Collection or Image - Image

Work Type - black-and-white photographs

Style Period - New Deal

Agent Name -

Agent Role -

Material - black-and-white photographs

Technique - black-and-white photography

Measurements - 8 in (H) x 10 in (W)

Date Created - ca. 1935-1943

Date Digital - 2009-04-29

Description -

Inscription - inscribed on back: ""Life Along the Mississippi" one of the James Daugherty murals for Fairfield Court. Note to Mrs. Murray: I am sending the Hartford Times the only release made to a paper in Hartford County. Douglas Eddy. "

Source - Connecticut State Library, State Archives, RG 033, Works Progress Administration, Box 1.

Filename - wpaart_daugherty_013

Darwin's book on human evolution and sexual selection, The Descent of Man, and Selection in Relation to Sex.

this picture shows the differents between old and young. It wasnt much easy

because of all the small details and lights in her face. So hope you like it!

 

This is part of a homework for the study of communication design.

Photo © Greg Staley

 

Relation to and yet not (homage to Mondrian), Kate Shepherd.

June 10-September 5, 2010

 

Kate Shepherd is best known for large, vertical, mostly monochrome paintings in hi-gloss enamel on wooden panels. Using intense colors, delicate lines, and multiple perspectives, she suggests structures and patterns—wallpaper, steps, stones, lace—that create illusory three-dimensional space. Her work in the former dining room of the Phillips house incorporates painting and sculpture, and focuses on architectural details, while paying homage to Mondrian's work in the permanent collection.

 

Kate Shepherd lives and works in New York City. She earned a B.A. from Oberlin College in 1982 and an M.F.A. from the School of Visual Arts in 1992. She has had numerous solo exhibitions in the U.S and abroad and has been awarded residencies at the Chinati and Lannan Foundations. Her work is in the collections of the Los Angeles County Museum of Art, Albright-Knox Art Gallery, the Detroit Institute of Arts, the Museum of Fine Arts, Boston, and the Indianapolis Museum of Art, among others.

 

www.phillipscollection.org/exhibitions/intersections

 

www.youtube.com/user/PhillipsArtMuseum#grid/user/F203B3ED...

Photo © Greg Staley

 

Relation to and yet not (homage to Mondrian), Kate Shepherd.

June 10-September 5, 2010

 

Kate Shepherd is best known for large, vertical, mostly monochrome paintings in hi-gloss enamel on wooden panels. Using intense colors, delicate lines, and multiple perspectives, she suggests structures and patterns—wallpaper, steps, stones, lace—that create illusory three-dimensional space. Her work in the former dining room of the Phillips house incorporates painting and sculpture, and focuses on architectural details, while paying homage to Mondrian's work in the permanent collection.

 

Kate Shepherd lives and works in New York City. She earned a B.A. from Oberlin College in 1982 and an M.F.A. from the School of Visual Arts in 1992. She has had numerous solo exhibitions in the U.S and abroad and has been awarded residencies at the Chinati and Lannan Foundations. Her work is in the collections of the Los Angeles County Museum of Art, Albright-Knox Art Gallery, the Detroit Institute of Arts, the Museum of Fine Arts, Boston, and the Indianapolis Museum of Art, among others.

 

www.phillipscollection.org/exhibitions/intersections

 

www.youtube.com/user/PhillipsArtMuseum#grid/user/F203B3ED...

No relation to Dennis Hopper, Edward Hopper, William Hopper, Hedda Hopper, or Grasshopper (Kwai Chang Caine). Also no relation to Orrin Hatch.

 

However, there is a distant relationship to "freight-hopper."

 

Seen in the Union Pacific freight yard in Eugene, Oregon. I wonder what it contained.

President Joe Molina of public relations firm JMPR in his office.

Photo credits Augusta Benvenuto

March 21, 2015 / West Chester University, Presidents Scholarship Gala / Photo by Bob Laramie

Models: Kathrine and Stian Skalle Dieserud

Photo © Greg Staley

 

Relation to and yet not (homage to Mondrian), Kate Shepherd.

June 10-September 5, 2010

 

Kate Shepherd is best known for large, vertical, mostly monochrome paintings in hi-gloss enamel on wooden panels. Using intense colors, delicate lines, and multiple perspectives, she suggests structures and patterns—wallpaper, steps, stones, lace—that create illusory three-dimensional space. Her work in the former dining room of the Phillips house incorporates painting and sculpture, and focuses on architectural details, while paying homage to Mondrian's work in the permanent collection.

 

Kate Shepherd lives and works in New York City. She earned a B.A. from Oberlin College in 1982 and an M.F.A. from the School of Visual Arts in 1992. She has had numerous solo exhibitions in the U.S and abroad and has been awarded residencies at the Chinati and Lannan Foundations. Her work is in the collections of the Los Angeles County Museum of Art, Albright-Knox Art Gallery, the Detroit Institute of Arts, the Museum of Fine Arts, Boston, and the Indianapolis Museum of Art, among others.

 

www.phillipscollection.org/exhibitions/intersections

 

www.youtube.com/user/PhillipsArtMuseum#grid/user/F203B3ED...

Photo © Greg Staley

 

Relation to and yet not (homage to Mondrian), Kate Shepherd.

June 10-September 5, 2010

 

Kate Shepherd is best known for large, vertical, mostly monochrome paintings in hi-gloss enamel on wooden panels. Using intense colors, delicate lines, and multiple perspectives, she suggests structures and patterns—wallpaper, steps, stones, lace—that create illusory three-dimensional space. Her work in the former dining room of the Phillips house incorporates painting and sculpture, and focuses on architectural details, while paying homage to Mondrian's work in the permanent collection.

 

Kate Shepherd lives and works in New York City. She earned a B.A. from Oberlin College in 1982 and an M.F.A. from the School of Visual Arts in 1992. She has had numerous solo exhibitions in the U.S and abroad and has been awarded residencies at the Chinati and Lannan Foundations. Her work is in the collections of the Los Angeles County Museum of Art, Albright-Knox Art Gallery, the Detroit Institute of Arts, the Museum of Fine Arts, Boston, and the Indianapolis Museum of Art, among others.

 

www.phillipscollection.org/exhibitions/intersections

 

www.youtube.com/user/PhillipsArtMuseum#grid/user/F203B3ED...

This three-day conference is offered in the Group Relation tradition which offers a unique opportunity to study the conscious and unconscious dynamics involved in how groups organize themselves and interact with each other. This conference is not a passive learning event that relies upon lectures. Instead, the learning is experiential. Participants study how leadership, followership, authority, task, boundaries, and roles operate in the different group experiences they enter during the conference.

Understanding the relation of God and his Followers.

Today I was reading about the Yazidis and after my reading and contemplation , I firmly believe human being is a born creative creature. This is apparent with existence of different gods and religions. Human imagined/created different images...

 

www.educatemygirl.org/blogs/understanding-the-relation-of...

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