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WORK RECORD
Title - Unidentified
Relation -
relation.type -
relation.notes -
Work, Collection or Image - Work
refid - 169
Work Type - paintings (visual works)
Style Period -
Agent Name - Dahler, Warren (1887-1961)
Agent Role - painter (artist)
Cultural Context - American
Material, medium -
Material, support -
Technique -
Measurements -
Date Created -
Date Completed -
Date Collected -
Date Allocated -
Date Rejected -
Location Former Repository -
Description -
Inscription -
Subject - Civilization; Social and economic life; Federal Art Project
IMAGE RECORD
Work, Collection or Image - Image
Work Type - black-and-white photographs
Style Period - New Deal
Agent Name -
Agent Role -
Material - black-and-white photographs
Technique - black-and-white photography
Measurements - 8 in (H) x 10 in (W)
Date Created - ca. 1935-1943
Date Digital - 2009-04-29
Description -
Inscription -
Source - Connecticut State Library, State Archives, RG 033, Works Progress Administration, Box 1.
Filename - wpaart_dahlerw_006
Mayor de Blasio today signs 12 pieces of legislation on which he previously held a hearings – Intros. 1290-A, 1295-A, 1296-A and 1297-A, in relation to the Percent for Art program; Intros. 570-A, 860-A and 861-A, in relation to commuter vans; Intro. 865-B, in relation to reporting certain data regarding the Cultural Institutions Group; Intro. 1052-A, in relation to agency disposal of electronics; Intro. 1276-B, in relation to requiring the art commission to conduct an annual report; Intro. 1281-A, in relation to the evaluation of economic development tax expenditures; and Intro. 1371, in relation to an increase in the amount to be spent annually in the DUMBO Business Improvement District. The Mayor also held hearings for and signed nine other pieces of legislation– Intro. 436-A, in relation to allowing supermarkets and some retail stores to correct first-time price-labeling violations before having to pay civil penalties; Intro. 1024-A, in relation to the dissemination of senior citizen rent increase exemption information; Intros. 1164-A, 1166-A, 1167-A, 1168-A and 1171-A, in relation to three quarters housing; Intro. 1294-A, in relation to requiring the fire department to report on fire-related deaths; and Intro. 1309, in relation to the extension of the City’s Rent Freeze Program, SCRIE and DRIE, on Wednesday, February 15th, 2017. Edwin J. Torres/Mayoral Photo Office.
A distant relation of Sir Winston Churchill, Lord Henry John Spencer Churchill (born 1797) was the fourth son of the 5th Duke of Marlborough, and a captain in the Royal Navy. He died in action in the China Sea, on 2 June 1840, and is buried in the Protestant cemetery in Macau.
This grave, and many around it, brings to mind Rupert Brooke's poem, 'The Soldier' of 1915:
If I should die, think only this of me:
That there's some corner of a foreign field
That is for ever England. There shall be
In that rich earth a richer dust concealed;
A dust whom England bore, shaped, made aware,
Gave, once, her flowers to love, her ways to roam,
A body of England's, breathing English air,
Washed by the rivers, blest by suns of home.
And think, this heart, all evil shed away,
A pulse in the eternal mind, no less
Gives somewhere back the thoughts by England given;
Her sights and sounds; dreams happy as her day;
And laughter, learnt of friends; and gentleness,
In hearts at peace, under an English heaven.
mal wass - inter-relation
soil and bonding agent
fifth palmer sculpture biennial, south australia, march 2012
This is Avatar (no relation to the movie)...isn't he just gorgeous? He was on a lead that I cloned out to show him in all his beauty.
He's even more beautiful if viewed Large On Black here.
The Andalusian horse has been highly regarded since the Middle Ages. Also the Andalusian, has officially been known as the Purebred Spanish Horse, reigned for several centuries throughout the known world as the embodiment of perfection in horseflesh. The Andalusian is represented by the names Iberian Saddle Horse, Iberian War Horse, Jennet, Ginete, Lusitano, Alter Real, Carthusian, Spanish Horse, Portuguese, Peninsular, Castilian, Extremeno, Villanos, Zapata, and Zamaranos.
Spanish horses have been esteemed for their quality and appearance since Roman times. The Moors invaded Spain in the Seventh Century and brought Barb horses with them. These oriental horses were crossed with quality native Spanish stock, and the result was the Andalusian. In the Middle Ages, the Andalusian was the favored mount for European nobles. The Andalusian was a major influence on the Lipizzaner breed in the 1500's. More recently, it was used as a cavalry mount. Its numbers at one time diminished, but today the Andalusian's physical appearance and flashy action make it one of the world's most desirable riding horses.
Physical Description
The Andalusian has a distinguished appearance, usually appearing in the colors white and light gray, and occasionally bay. It is a compact horse with excellent proportions, and usually stands at 15.2 hands. The mane and tail are abundant. It has a flat or slightly convex nose, small ears, and its head is set on a substantial neck. The chest is quite massive and the quarters are lean. The legs are clean and the action is quite energetic. The Andalusian is renowned for its ability to learn and its superb temperament.
Origin
The Andalusian originated in and gained its name from the Spanish Province of Andalusia. Its ancestors are the Iberian (Spanish) horse and the Barb horse which was brought to Spain by invading Moors. It was bred principally by Carthusian Monks in the late Middle Ages. The famed William Cavendish, Duke of Newcastle, wrote: "...the Spanish horse is the noblest animal in the world..." Cortes brought Andalusians to America for his conquests.
Notes of Interest
Andalusian horses owe a great deal to the Carthusian Monks who bred them, beginning in the late Middle Ages. In the late 1400's, studs were founded at monasteries in Terez, Seville, and Cazallo. The monks were superb horse breeders and trainers, and kept the blood of their horses quite pure. The Andalusian's purity was threatened in the 1800's when Napoleon's army invaded Spain and stole many horses. One herd of Andalusians was hidden and used to renew the breed. In 1832, an epidemic devastated Spain's horse population. Only a small herd of Andalusians at the Monastery of Cartuja survived. No Andalusians were exported until 1962.
Please do not use this image on websites, blogs or any other media without my explicit permission. © All rights reserved
View all my images here then click on each image and then the "X" for larger views: www.fluidr.com/photos/mama_z
Being a transgendered person does involve difficulties in relation to the general cultural environment. Mainly its is people who constitute a problem and isolation from the general population is a favoured possibility in order to avoid unnecessary conflicts.
There are the ordinary world and there are the Transgendered world. These 2 worlds do not really coexist other than in theory, in extreme rare cases and on rare occasions like ”Pride parade”, special events etc. Being a transgendered person one face either to live life in the subcultural transgendered world which borders is greatly within the realm of the Cyber world, or to ”face” the general world, which is much like walking into a tornado equiped with an umbrella.
Most choose not face such cultural tornado and live their transgender life in peaceful secrecy, which IS quite understandable when one come to think of it. But usually the transgendered making this peaceful choice, stand in eternal longing, dreaming of making the other choice. As you see, fighting tornados is not only challenging, whether you win or loose, you have the time of your life flying through the air like an airborn nymph, which is obviously even to the general population, most exhilarating. Free wheeling cultural tornado-fighting T-girls ARE a wild bunch, making Peter Fonda and Dennis Hopper from ”Easy Rider” look like timid Yale/Harward ”pretty boy's” in comparison. Let's face it, they got balls and the fun that goes with 'em.
But if asked, if they them self ever stand in longing, looking at the epicenter of the cultural tornado. They laugh so merrily, rolling on the floor, that they for an instant forget their choice of gender and their voices sound like a song of laughter, written in a tribute to all sexes. When they have dried their eyes from tears of joy and made you promise never to ask such funny questions again while they are wearing mascara, they often admit that ”going back” to that cultural tornado, would feel much like having escaped the KZ-camps of WW-2, only to return again... making everything, even suicide, a MOST advantageous alternative.
Many thus think, that the life of the freewheeling Tranny is the best and most enjoyable, but forget that it is a question of personal nature how one survive best. The happy freewheeling Tranny THRIVE on opposition, grow facing great conflicts and somehow always seem to be ”working against the stream”. They find ”normal life” not only too easy and unchallenging, but MOST boring. Those are the sort, that if everyone else was transgendered, they would probably choose the conservative heterosexual wife and life, just to be opposite. It is such a rebellious nature western society should consider it self blessed that these persons are actually transgendered, as if such ”balls”, ”devotion” and ”anti-society” behavoir was chanelled differently, you could probably spawn a most devoted, effective and fearless terrorist.
But if you have the opposite and more commonly known timid nature, if you tremble speaking before great crowds, if you fear it should be publicly know what is really in your heart, then perhaps the reason why you are not a freewheeling T-girl is, that you don't have what it takes. This is not your fault as we all are born differently. Some are born by natures hand with skills, traits and abilities as ideals, as ”natural leaders” or the more scientific known term, the "Alpha" sort. But again some (as in most) are born to be average (or below) and must as such follow in silent obedience those stronger in mind and spirit than them self, the unwritten laws of society and the boundaries of common men. Wolves and sheep, very Nietzsche. Look him up, he has a point.
But we must all (even wolves) grow from being small children at heart. Even I was ones a small child, when one of the worlds greatest warriors between battles was inspecting ranks and with a gloved metal armoured hand, liftet my chin to gaze upon my face and said. ”Young apprentice, such beauty and yet eyes who tell tales of endless depths.” and placing a heavy hand on my young shoulders continued ”What shall you in time be, when reaching the summit of your work on this gods earth. Will you be a mighty warrior like the men fighting here on this day?” I hesitated, as back then speaking to a army general was quite intimidating. ”Well... ” I stuttered. ”... I would like to be a champion fighting for what is right and what is good... but...” the general prompted me on ”Yes.. speak out now boy”. I continued as best I could. ”Well... I would like to fight, but would prefer to do so wearing dress and skirt as uniform, wielding words and only if necessary, use my bare hands as deadly weapons...” A great hush spread throughout the ranks of armed soldiers and for several seconds the only sound that could be heard, was the wind moving swiftly across the planes of Saint Pierre-le-Moutier and the banners flapping in its wake. Then the general said out loud for all to hear. ”Behold soldiers, a boy wanting to fight in the uniform of a dress, for what is right and what is good!” the general paused for a second, then continued ”Let it henceforth be known, that fighting for righteousness and good is the will of god. If such is also the will of the heart, then what uniform you wear, is the will of god.” And with those words said, Jean D´arc mounted her white warhorse and lead the army on to a great victory.
Surely we all need to be prompted, to be brave, victorious and hopefully, finally one day, be proud of our self.
Westin Spa Relation Room
Spa Facility
The Westin Snowmass Resort
100 Ebert Lane
Snowmass, Colorado (CO), 81615
United States
www.starwoodhotels.com/westin/property/overview/index.htm...
jonathan.phillips@starwoodhotels.com
970-923-8200
N38899
From EAA Website:
The Thomas-Morse Scout, built in Bath, New York, was an advanced trainer, operated by the both the U.S. Army and the U.S. Navy. Dubbed the “Tommy” by its pilots, the aircraft became the favorite single-seat training airplane produced in the U.S. during World War I. Its long career began in the summer of 1917.
Englishman Douglas Thomas (no relation to company founders, brothers William and Oliver Thomas) was recruited by Glenn Curtiss to leave the famed Sopwith Aviation Company in 1914. While working for Curtiss, he played an integral role in the design of the Curtiss Jenny, before leaving to work for Thomas-Morse, where he designed the S-4 which first flew in June 1917. The follow-on S-4B, with a 110-hp Gnome engine, resulted in an order of 97 for the Army and 10 for the Navy. Six more were completed for the Navy as S-5 float planes. The S-4B was used extensively by pursuit flying schools in the U.S. during 1918. The S-4C arrived in 1918 mainly using the 80-hp Le Rhône C-9. The Army bought 461 S-4Cs while four S-4Cs with floats went to the Navy.
Many Tommys were sold as surplus after the war. This included the example on display in the museum, Army serial number 38899, which had slightly over 20 hours of flight time when it was given civil registration 3991, later NC3991. Most Scouts were used by civilian flying schools and sportsmen and a few appeared in World War I aviation movies in the 1930s. The Tommy, one of approximately 10 of the 600 or so built that are known to survive, was donated to the EAA Aviation Museum from its owner, Allen Johnson of The Woodlands, Texas in March 2018.
Length: 19 feet, 10 inches
Wingspan: 26 feet, 6 inches
Height: 8 feet, 1 inch
Empty Weight: 935 pounds
Gross Weight: 1,330 pounds
Crew: One
Powerplant: Le Rhône 9C Rotary
Horsepower: 80
Maximum Speed: 97 mph
Range: 250 miles
Service Ceiling: 16,000 feet
Armament: .30 caliber Marlin machine gun
Prospectus for the Medway School of Art and Crafts 1940-41 . (This school was the precursor to UCA Rochester). There is a wealth of information on the types of courses offered . This can be read in relation to gender stereotypes at the time, as well as the skills required by society during war-time.
Courses offered included subjects such as rug-making, dressmaking, and embroidery for females, and painting and decorating, cabinet making, metalwork for males. Junior courses were offered to boys aged 12 and girls aged 14. There were a variety of senior full-time and part-time courses, trade and professional courses, and courses for teachers.
Please note copyright belongs to UCA, image and content to be used for educational purposes only.
Please see Archive catalogue entry for more information:http://archives.ucreative.ac.uk/CalmView/Record.aspx?src=CalmView.Catalog&id=MECOL%2f1%2f11&pos=1
Please email archives@ucreative.ac.uk to access the physical item and/or for further information.
This was a fun room, though I didn't really get a chance to properly experience it. The artist was there on the day we visited. There were computers in each of those desks (about 20 in the room), and we were encouraged to leave messages on the walls, desks, boards, in chalk.
Tatsuo Kawaguchi
【Japan】
Relation-Blackboard Classroom／Relation-Farmer's Work
Year. 2003
The artist created the works with the themes “agriculture” and “culture” in two rooms of the No Butai Snow-Land Agrarian Culture Center, Matsudai. In the part of the installation that focuses on agriculture, he sealed seeds to the farming tools collected in the region. With culture as another theme, he focuses on education and turned the whole classroom into blackboards.
WORK RECORD
Title - High-Lights in American History, Christopher Columbus
Relation - High-Lights in American History, John Smith
relation.type - relatedTo
relation.notes - set of four murals
Work, Collection or Image - Work
refid - 110
Work Type - mural paintings (visual works)
Style Period - frescoes (paintings)
Agent Name - Cavaliere, Thomas
Agent Role - muralist (painter)
Cultural Context - American
Material, medium - watercolor (paint)
Material, support - intonaco
Technique - buon fresco (technique)
Measurements -
Date Created - 8/?/1936
Date Completed - 1936-12-05
Date Collected - 1936-06-10
Date Allocated - 1939-01-17
Date Rejected -
Location Former Repository - Ivy Street School, New Haven, Connecticut
Description -
Inscription -
Subject - Columbus, Christopher; Explorers; Indigenous peoples; Colonization; voyage of discovery; Federal Art Project
IMAGE RECORD
Work, Collection or Image - Image
Work Type - black-and-white photographs
Style Period - New Deal
Agent Name -
Agent Role -
Material - black-and-white photographs
Technique - black-and-white photography
Measurements - 8 in (H) x 10 in (W)
Date Created -
Date Digital - 2009-04-29 13489
Description -
Inscription - inscribed on back: "buon fresco, Ivy Street School, New Haven"
Source - Connecticut State Library, State Archives, RG 033, Works Progress Administration, Box 1.
Filename - wpaart_cavalieret_001
Kirtipur (Nepali: कीर्तिपुर, Nepal Bhasa: किपू Kipu) is an ancient city in Nepal. It is located in the Kathmandu Valley 5 km south-west of the city of Kathmandu. It is one of the five municipalities in the valley, the others being Kathmandu, Lalitpur, Bhaktapur and Madhyapur Thimi.
ETYMOLOGY
The name Kirtipur comes from Kirti (glory) and pur (city).
DEMOGRAPHICS
Originally a Newar foundation, Kirtipur is still a center of Newar culture. It has been merged with surrounding villages to form the municipality of Kirtipur with a population of 67,171.
It consists of many temples, gumbas (Buddhist monastery) and churches too. Due to the presence of Tribhuvan University, Kirtipur is also a popular area for out-of-town students and professors to rent houses and they are major contributors to the local economy.
HISTORY
Kirtipur's history dates from 1099 AD. It was part of the territory of Lalitpur at the time of the invasion of the Kathmandu Valley by the Gorkhali king Prithvi Narayan Shah in the 18th century.
In 1767, Kirtipur was annexed to the Gorkhali kingdom by Prithvi Narayan following the Battle of Kirtipur. He took the town on his twenty third attempt, after entering it by trickery. After this, he cut off the noses and lips of everybody in the city.
This was the site of an inspirational peaceful demonstration of the people in the 2006 mass uprising that overthrew the powers of the king. It is considered to be an anti-monarchy city due to its bitter history against the Shah dynasty whose modern founder conquered the city insultingly, which was followed by negligence of the administration and development by subsequent rulers.
PLACES OF INTEREST
BAGH BHAIRAB
Bagh Bhairab temple is one of the most popular temples dedicated to the God Bhairab in the form of a tiger. This god is regarded as the guardian of Kirtipur and the locals call it Ajudeu, a grandfather god. Bhairab, the most terrifying and awful form of Shiva is the destroyer on one hand and the guardian on the other. Ceremonial rituals in relation to the important events of life such as rice-feeding, puberty, marriage and even the construction of houses cannot be done without propitiating this deity in most of the towns and cities of Nepal.
The present three storeyed temple of Bagh Bhairab probably built in 16th century stands in the brick-paved rectangular courtyard with the rest houses around it. There are some small shrines and stone images spread over the courtyard. The main gate is at the southern side. There are two other gates in the eastern and western sides. The two roofs of the temple are of tiles while the third one is covered with gilt-copper. There are wooden pillars carved with Hindu gods and goddesses. They have been erected in between windows of the second storey and the names of the carved deities have been finely cut out below them on the pedestals.
There are eighteen pinnacles-one in the first roof, six in the middle and eleven in the top roof. Beneath the eaves of the first roof there are very old but faded murals depicting the stories of Ramayan. Maha Bharat and the various manifestations of Durga, the mighty mother goddess. These paintings are frescoes in red with white plaster background. At the right side of the main gate of the temple there is Hifa Dyo, the god of blood sacrifice is allowed directly to Bagh Bhairab, all animal offerings to the deity are made here on behalf of this deity just as the animal sacrifices are made to Kumari, a stone idol, placed at the second gate in the left side of Chandeswori at Banepa and to the Chhetrapal which is at the very beginning of the final series of the steps to the temple of Khadga Jogini at Sankhu.
There are two torans over Hifa Dyo. They bear very fine cuttings of Asta-Matriks, Asta-Bhairabs and other gods and goddesses. In the western wall of the temple there is a hollow space regarded by the local people as Nasa Dyo, the god of music and dance. Bagh Bhairab made of clay has been enshrined in the left side corner in the temple. The three glass-eyed tiger-god is tongue-less and tooth-less but covered with silver and copper plates and heavily ornamented. This deity as mentioned in the stone inscriptions has been called Bagheswor (the tiger god), Bhimsen Bhattarak (Bhimsen, the governing deity), Gudei Sthanadhipati (the lord in the form of tiger) and Ajudyo(the ancestral god).
The local peoples hail this deity as the embodiment of prudence, knowledge, productivity and strength to resist all evils. Hence, the auspicious ceremonies such as weddings, hair-cuttings, rice-feedings and other ritual performances in Kirtipur are done only after a puza to this deity.
CHILANCHO STUPA
A Buddhist shrine, is situated on the southern hill. It is located in Kirtipur, Nepal. It was made in medieval period. An inscription of Nepal Samvat 635 is found in this Chaitya. Therefore, it is one of the most important historical stupa of this region.
UMA MAHESHWAR
Uma Maheshwar temple (locally, Kwacho Dega) is one of the important heritage sites of Kirtipur. This pagoda-style three-storied temple is situated at the highest point (1414 m) of Kirtipur. Since this temple is at the top of the hill, one can enjoy picturesque view of the Kathmandu valley and mountains like Langtang, Dorge Lakkpa, Chobhu Bhamure, and Gaurishankar.
The temple was constructed in 1655 AD by Rautra Vishwanath Babu, a son of king Sidhhi Narsinga Malla. It was destructed in an earthquake in 1832 AD. After remained dilapidated for about a century, it was restored in 1933 AD after it was again destroyed by an earthquake. Local people and government made a herculean effort to renovate it into the current state. The restoration process was completed only in 1982 AD. Recently, in 2008 some work was done to preserve the arts of temple.
There is an artistic stone gate at the entrance. On each side of the stone staircase leading to the temple, there is a stone elephant, with sculptures of Bhimsen and Kuber as protectors of the temple. The main deities in this temple are standing Lord Shiva and Parvati. There are other images of deities like Sarasvati and Mahismardini on false doors around temple.
The wooden doors, pillars, and beams are crafted with artistic figures of different gods and goddess such as Astamatrika and Asta Bhairav. Similarly, erotic figures are also carved in wooden beams. According to archeologists, these figures on beams have tantric values.
The bell on the northern side of temple was cast in 1895 by Gillett & Johnston Founders, Corydon. It was one of the four quarter bells of Ghantaghar of the central Kathmandu and was reallocated to this temple after the Ghantaghar was destroyed by the earthquake in 1933.
SHRI KIRTI BIHAR
A Theravada Buddhist monastery built in traditional Thai architectural style, is situated near the entrance to the city.
MEDIA
To Promote local culture Kirtipur has one FM radio station Radio Newa F.M. - 106.6 MHz Which is a Community radio Station.There are several weekly newspaper published from Kirtipur. They are Shahid Weekly, Kirtipur Darpan, Kirtipur Sandesh. Also there is a local television station, Kirtipur Channel and some more local channel.
WIKIPEDIA
COLLECTION RECORD
Title - Covered Wagon
Relation - Democracy of the Machine
relation.type - pendantOf
relation.notes - The Iron Horse; Steamboat Around The Bend; Horseless Carriage Panel; The Busted Ford; Modern Transportation and Communication
Work, Collection or Image - Collection
refid - 186
Work Type - studies (visual works)
Style Period -
Agent Name - Daugherty, James Henry (American painter, illustrator, and author, 1889-1974)
Agent Role - muralist (painter)
Cultural Context - American
Material, medium -
Material, support -
Technique -
Measurements -
Date Created -
Date Completed -
Date Collected -
Date Allocated -
Date Rejected -
Location Former Repository - Fairfield Court, Stamford, Connecticut
Description -
Inscription -
Subject - Progress; Covered wagons; Native Americans; Federal Art Project
IMAGE RECORD
Work, Collection or Image - Image
Work Type - black-and-white photographs
Style Period - New Deal
Agent Name -
Agent Role -
Material - black-and-white photographs
Technique - black-and-white photography
Measurements - 8 in (H) x 10 in (W)
Date Created - ca. 1935-1943
Date Digital - 2009-04-29
Description -
Inscription - inscribed on back: "Life Along the Mississippi"
Source - Connecticut State Library, State Archives, RG 033, Works Progress Administration, Box 1.
Filename - wpaart_daugherty_012
No relation with the adem ayem restaurant in Solo, both claim they are the rightful owner of the name. The Jakarta adem ayem restaurant has the best krecek, while the one in Solo has a better gudeg. Nobody is perfect. This however is a 7/10 on my scale.
RM.Adem Ayem
Jl.Percetakan Negara 640c, Jakarta Pusat 10510
+6221 4240274
→ 65 →
THE DISCOVERY OF FLORIDA | BEING A TRUE RELATION OF
THE VICISSITUDES | THAT ATTENDED THE GOVERNOR DON
HERNANDO | DE SOTO AND SOME NOBLES OF PORTUGAL
IN THE | DISCOVERY OF FLORIDA [decoration] NOW JUST
GIVEN BY A | FIDALGO OF ELVAS | [coat-of-arms] | TRANSLATED
BY BUCKINGHAM SMITH WITH A NEW | INTRODUCTION
BY GEORGE P. HAMMOND | PRINTED AT THE
GRABHORN PRESS | FOR THE BOOK CLUB OF | CALIFORNIA
13 ½ × 9. 116 pp.—title (i), blank (ii), introduction iii–vi (vii), blank (viii), text
including epigram and table of contents (1–4) 5–105 (106), colophon (107),
blank (108).
Coat-of-arms on title, forty-seven initials and special printer’s device, all in
red, yellow and black, designed and cut by Mallette Dean. Decorations in chapter
headings in red. Type Franciscan, handset. Paper handmade. Bound in yellow
decorated boards (designed by Mallette Dean) with white cloth back, yellow
label printed in red and black on back. 280 copies printed by the Grabhorn
Press. Price $27.50.
The translation of this important 16th century Spanish chronicle of exploration
was made by Buckingham Smith in 1866.
In an article entitled “Fifty Books, 1947: A Commentary,” written for the
Publisher’s Weekly, Maurice S. Kaplan says in part: “From the Grabhorn Press
comes the most dazzling book in the show, The Discovery of Florida. The yellow
paper covers printed in orange-red and black set the pace that is followed
throughout the title pages and specially drawn pictorial initials and decorations.
. . . The whole gives the effect of a parchment on which a talented scribe has
done a beautiful and painstaking job and on which then an uninhibited illuminator
went on a delicious spree. It is unfair to look at another book immediately
afterwards.” If in somewhat inelegant prose, this is high praise.
One of the Fifty Books of the Year; also included in the Exhibition of Western
Books (Rounce & Coffin Club).
Her name is Holly and she is the daughter of my mothers sisters son. That makes her my cousin thrice removed?
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The photo was taken with a 50mm prime, uncropped, so we were actually very close to each other when I took the picture.
The process of getting a photo can be a lot of fun. I have a piece of pineapple as the "bait", he was unsure at first but no doubt realize my existence. Usually you use a long lens so that you can get a pic without him noticing. But there is another way, a time-consuming, ass-soaring way: long time presence. If you stay in the same spot holding a camera for like 5 min, he will understand that camera is not a gun, and you are just a lazy ape (which is true). Pretty much the way to take photo for children: you stay among them, in the first 3 mins, they are interested in your camera, line up to put their finger prints on your canon red ring lens, then they get used to it and leave you alone and play naturally and you can start doing your work. The establishment of a relation is one of the most rewarding part of photography. As a bonus, they may grow interest in you and will actually look at the camera showing some funny looks!
Symbolism may refer to:
Science
* Symbolic Behavior
* Symbol
Politics
* Map-territory relation
* Political symbolism
o Anarchist symbolism
o Communist symbolism
o Nazi symbolism
Religion
* Religious symbolism
o Buddhist symbolism
o Christian symbolism
+ In Christianity, Symbolists believe that the bread and wine used in the Eucharist are symbols, and not literally the flesh and blood of Christ; see Transubstantiation
o Jewish symbolism
o Solar symbols
* Representationalism
Arts
* Symbolism (arts) or Symbolist, a 19th-century artistic movement rejecting Realism
o Symbolist poetry, a movement in poetry that emphasized disconnected descriptions of thoughts and feelings
o Russian Symbolism
* Symbolic system
* The Treachery of Images
* Vexillology
Go to Page 477 in the Internet Archive
Title: The descent of man, and selection in relation to sex [electronic resource]
Creator: Darwin, Charles, 1809-1882
Creator: Oldham, Charles former owner
Creator: Hertfordshire Natural History Society and Field Club
Creator: University College, London. Library Services
Creator: University College, London. Library Services
Publisher: London : John Murray
Sponsor: Jisc and Wellcome Library
Contributor: UCL Library Services, University College London (UCL)
Date: 1888
Language: eng
Description: Printed by William Clowes and Sons, Ltd
First published: 1871
Includes index
This material has been provided by UCL Library Services. The original may be consulted at UCL (University College London)
If you have questions concerning reproductions, please contact the Contributing Library.
Note: The colors, contrast and appearance of these illustrations are unlikely to be true to life. They are derived from scanned images that have been enhanced for machine interpretation and have been altered from their originals.
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DETROIT, THE AIRSHIP CITY, real photo postcard No. 3775 dated 1910. Postcard looks south along Griswold Street in downtown Detroit, Michigan MI. Prominent at left is the FORD BUILDING, designed by major architect Daniel Burnham, who also designed the Flatiron Building in New York City, Union Station in Washington, DC, and the World's Columbian Exposition of 1893 in Chicago. The Ford Building, one of Detroit's first skyscrapers opened in 1909 and was the city's tallest building for four years. It was built as the headquarters for the Edward Ford Plate Glass Company (no relation to Henry Ford or the Ford Motor Company). Photographer Pesha has saluted progress by adding a biplane to the photograph at upper left. At lower right, a horse-drawn buggy advertises the T & R COLLINS TRUCK CO. and a sign advertises the GERARD, STORMFELTZ, LOVELEY CO. In the distance, beyond two streetcars, a huge billboard advertises Coca-Cola
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ParalympicsGB Table Tennis athlete, Thomas Matthews aged 29, from Aberdare, competing in the Singles Class 1 - Men event, at the Tokyo 2020 Paralympic Games.
ParalympicsGB is the name for the Great Britain and Northern Ireland Paralympic Team that competes at the summer and winter Paralympic Games. The Team is selected and managed by the British Paralympic Association, in conjunction with the national governing bodies, and is made up of the best sportsmen and women who compete in the 22 summer and 4 winter sports on the Paralympic Programme.
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Week 24
Milk of course is the best relation with a cow. At the beginning of this week we had a small discussion about a photo made by w@@t of a Milky splash. This discussion about using a speedlight to capure fast movement made me dive deeper in this subject. I quickly read some articles and then decided to take the theorie into practice. A lot of people use timers ect. to automate the whole capture of the object. For me it was a bit more difficult because i don't have any of these equipments.
My plan was to fill a glass with milk but let the milk come out directly therefore i used a glass with a round bottom. After setting up the scene and some tryouts with a dice to determine the timeing i prepared for the first attempt.
I activated my camera timer and focused on the moment the shutter fired i started to count released the milk and......... TO LATE (##@$#&%&%#$$*)
Being to late shouldn't be a problem if i didn't released the milk. The reason why the milk wasn't captured at the right place was that it needed more time to fall down then the dice.
Attempt two and again start counting after the shutter fired, released the milk....... way to early and even a bigger mess ROFL.
Attempt three (with water) perfectly timed and a magnificent capture.
Attempt four (milk again) finaly a result with milk which is acceptable.
Because of my plan was to make the scene look messy i decided to choise the result of the second shot as the best. Being honest when i was thinking about it later it is the best shot because you see that the milk has been in the glass and came out. After a lot of mess and cleaning i proudly can say missing success.
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For the people who are already lost in the project you can follow the two different relation lines by clicking the links shown below.
Follow: Bart's line
Follow: Mark's line
An all-in-one shot of my latest project. It's getting along but completion is a long way down the road. In relation to other photos, the Ostwind FlaKPanzer/ Panzer-IV Ausf. G will most likely play a part in the WIP upon completion, although I'm not exactly sure where to place it. I'll place notes around to give a general idea of what I'm planning.
Title: Peanut butter and jelly and honey and all the Nutella. No relation to this photo.. - via Instagram: ift.tt/2qDXHsj Info: Follow a journey of adventurous metaphors; dive into the belly of self-love with unyielding trust and peace through the flow of Yoga, Meditation, Insight, Wellness, & Life. ift.tt/KhKH1x