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I can relate my car-freshner costume to the essence component of intuition. I wanted to have an original costume for Halloween, but I did not wanted to spend a considerable amount of money. I decided to dress as a little tree car-freshner, but I did not know how I was going to make my idea happen. So, confident that I was going to be able to achieve my goal one way or another, I headed to a hobby hardware store and checked the available materials. After analyzing some tentative possibilities, I bought some green cardboard, went home and crafted my extremely elaborated costume. I did not know how to do it, so I just went for it knowing something would come.
This lantern slide relates to a photograph taken by Clement Lindley Wragge (b.1852, d.1922), date unknown.
The slide shows a photograph of an illustration of Hobart, Tasmania with Mount Wellington in the background.
Inscription Details: Handwritten on image, "Mount Wellington". Handwritten in blue ink on recto, bottom left corner, "O35". Handwritten in blue ink on recto, bottom of plate, "Reb' 12-7-'22".
Credit: Shared by Auckland War Memorial Museum, Tāmaki Paenga Hira, as part of the Clement Lindley Wragge collection.
Rights: No known copyright restrictions.
Reference: 235854|PH-1984-1-LS78-3-83|O35
For more details, please visit: www.aucklandmuseum.com/discover/collections/record/1033359
This lantern slide relates to a photograph taken by Clement Lindley Wragge (b.1852, d.1922), dated 5 April 1905.
The slide shows photograph of an image of mountain tops appearing through clouds or fog. An orange sun [?] is in the sky. Hand coloured.
Inscription Details: Handwritten in blue ink on recto above image, "Ideal. Evening in Venus." Handwritten in blue ink on recto on right side of image, "CLW [Signature], rep? Aug '22 Handwritten in blue ink on recto bottom left corner "G97".
Credit: Shared by Auckland War Memorial Museum, Tāmaki Paenga Hira, as part of the Clement Lindley Wragge collection.
Rights: No known copyright restrictions.
Reference: 235834|PH-1984-1-LS78-3-10|G97
For more details, please visit: www.aucklandmuseum.com/discover/collections/record/1033379
Plaque providing information relating to the statue of Prince Albert in Queen's Square, Sydney.
Queen's Square is a public square in central Sydney, Australia. It is located at the junction of King Street with Phillip Street and Macquaire Street. It is bounded on the south by St James Road and Prince Albert Road.
Arranged around Queen's Square, clockwise from the north, are the Law Courts Building, the Sydney Mint, Hyde Park Barracks, the Land Titles Office, Hyde Park, St James' Church, and Sydney Law School. These buildings, other than the Law Courts Building and Sydney Law School, are all heritage-listed constructions, mostly dating from the 18th and 19th centuries.
The Square is the location of two statues. One, of Queen Victoria, stands on the south-western corner, and faces northward towards the Law Courts building. The other, of Prince Albert, stands on the south-eastern corner, and faces across Macquarie Street towards the statue of the Queen.
Image from 'Historical Collections of the State of New Jersey ... relating to its history and antiquities, with geographical descriptions of every township in the State. [With illustrations.]', 000194807
Author: BARBER, John Warner and HOWE (Henry)
Page: 442
Year: 1845
Place: New York
Publisher: The Authors
Following the link above will take you to the British Library's integrated catalogue. You will be able to download a PDF of the book this image is taken from, as well as view the pages up close with the 'itemViewer'. Click on the 'related items' to search for the electronic version of this work.
The bookplate of Harvard College Library (Special Collection Relating to Harvard University Supplementing the Archives). Dimensions: 8.3 x 12.7. Features: Harvard seal (Veritas) ; Latin inscription: "Sigillum Academiae Harvardianae in Nov Ang"; Latin inscription: "Christo et Ecclesiae" . From the Harvard Libraries collection.
Relator da PEC 45/2019, no Senado Federal, senador Eduardo Braga (MDB-AM) concede entrevista e faz um balanço sobre a proposta da reforma tributária que foi aprovada no Senado Federal e na Câmara dos Deputados.
Foto: Roque de Sá/Agência Senado
Image from 'Thirty-five years in the East. Adventures, discoveries, experiments, and historical sketches, relating to the Punjab and Cashmere', 001725500
Author: Honigberger, John Martin
Page: 175
Year: 1852
Place: London
Publisher:
Following the link above will take you to the British Library's integrated catalogue. You will be able to download a PDF of the book this image is taken from, as well as view the pages up close with the 'itemViewer'. Click on the 'related items' to search for the electronic version of this work.
Open the page in the British Library's itemViewer (page: 000175)
Relates to Adaptation Fund-financed UNDP-supported project 'Ecosystem-Based Adaptation at Communities of the Central Forest Corridor in Tegucigalpa' www.adaptation-undp.org/projects/ecosystem-based-adaptati...
This relates to my Yell.com blog.
It is here:
www.yell.com/gardens/blog/author/jamesalexandersinclair/
I have another one here:
The stones on this ancient North American site do not fall into a category mirroring tooling techniques of our Ancient Indigenous peoples of North America. I do not recall seeing or observing the images and pigments on any level when these stones were first pulled from the ground and exposed. The real journey of learning how to read and understand the messaging system practiced by this ancient culture has been finding repeating patterns, and establishing structural forms within the images. The process to understand these stones begins with establishing order by considering the premise that these stones may represent a narrative relating to our galaxy, and not only our earth. The technologies and the ability of this ancient culture to manipulate the perception of the images found on these stones using light as the fourth dimension; integrating moisture and temperature fluctuations guiding the intensity and movement of pigments affected by the constantly moving angle of the sun has been the real journey. The intensity of the sun throughout its daily passage across our horizon from sunrise to sunset is the key to understanding the hidden technologies within these stones and this culture.
The symbol in the upper right quadrant on the surface of this stone is two parts: the individual culture bearing the pyramidal dome on his head identifying the source of the stones on this site. This figure is paired with an oblong repeating symbol most likely representing the outer shape and physical domain of this culture who came to our world within our deep past.
The elemental image system presented in the lower left quadrant represents three parts; and most likely the three parts/sections of our vast galaxy:
1. The upper white quartz level gleaming in light far beyond what we have ever known or experienced. This upper level of light and quartz-filled is the level of our galaxy that brought us our world, and have been here in our world from the very beginning.
2. The second/middle level is the heart of the level where our solar system, sun, and earth circulate and rotate within the grand celestial mass known to us as the grand Milky Way Galaxy.
3. The final layer eminates with blue light in the lower-outer perimeter of our Galaxy; as shown with the blue light echo. The blue region of our Galaxy is less of a solid mass as the two upper regions; this is the region where the blue beings come from, finalizing the concept of "As Above, So Below".
Relates to Adaptation Fund-financed UNDP-supported project 'Ecosystem-Based Adaptation at Communities of the Central Forest Corridor in Tegucigalpa' www.adaptation-undp.org/projects/ecosystem-based-adaptati...
Counter-protest against Westboro Baptist Church/Phelps clan protest relating to the recent death of three sailors from HM15 Blackhawks, a mine countermeasures unit.. Their Sea Dragon helicopter crashed near Corpus Christi a couple of weeks ago. Are you in this photo? I'd love it if you left a comment to let me know.
This painted peice relates to my intreast in stripping away the surface of things, to reveal the visceral, due to its resemblence to entrails.
i can relate to this feather in many ways
this is a beautiful scene, a gorgeous background.. light and dark in a million places
but its caught. it looks beautiful from the outside. where would it land if it was free?
All these pictures relate to my blog for Gardeners World Magazine
while you are at it, try my other blog
Lee Felsenstein relates a history of connections between counterculture and the computer industry, including this school, which Steve Jobs attended and where a meeting of the Homebrew Computing Club was held.
Relates to Adaptation Fund-financed UNDP-supported project 'Ecosystem-Based Adaptation at Communities of the Central Forest Corridor in Tegucigalpa' www.adaptation-undp.org/projects/ecosystem-based-adaptati...
This lantern slide relates to a photograph taken by Clement Lindley Wragge (b.1852, d.1922), likely dating between the 1890s and the 20th Century.
The slide shows a photograph taken from a hill overlooking a bay. Ten boats are visible on the water.
Credit: Shared by Auckland War Memorial Museum, Tāmaki Paenga Hira, as part of the Clement Lindley Wragge collection.
Rights: No known copyright restrictions.
Reference: 235798|PH-1984-1-LS78-2-69
For more details, please visit: www.aucklandmuseum.com/discover/collections/record/1033415
Image Name: Historic photographs relating to the Township of Auchindrain
Photographer: Joanne Howdle
Copyright: Auchindrain Museum
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www.bodhielements.com/1077/meditation-of-the-day/meditati...
can you relate to others as they really are without the usual labels?
Relates to Adaptation Fund-financed UNDP-supported project 'Ecosystem-Based Adaptation at Communities of the Central Forest Corridor in Tegucigalpa' www.adaptation-undp.org/projects/ecosystem-based-adaptati...
Quotes and inspiration about Love
QUOTATION – Image :
As the quote says – Description
CUTE LOVE QUOTES FOR HER TAGALOG image quotes at relatably.com
- #LoveQuotes
quotesstory.com/love-quotes/love-cute-love-quotes-for-her...
This picture, relates to the poem below.. the poem is called "seen from above"...
I took this picture from a height, thus names it seen from above
A dead beetle lies on the path through the field.
Three pairs of legs folded neatly on its belly.
Instead of death's confusion, tidiness and order.
The horror of this sight is moderate,
its scope is strictly local, from the wheat grass to the mint.
The grief is quarantined.
The sky is blue.
To preserve our peace of mind, animals die
more shallowly: they aren't deceased, they're dead.
They leave behind, we'd like to think, less feeling and less
world,
departing, we suppose, from a stage less tragic.
Their meek souls never haunt us in the dark,
they know their place,
they show respect.
And so the dead beetle on the path
lies unmourned and shining in the sun.
One glance at it will do for meditation—
clearly nothing much has happened to it.
Important matters are reserved for us,
for our life and death, a death
that always claims the right of way.
*Please comment, Thank you*
PIazza San Marco.
Piazza San Marco (known in English as St Mark's Square), is the principal public square of Venice, Italy, where it is generally known just as "the Piazza". All other urban spaces in the city (except the Piazzetta and the Piazzale Roma) are called "campi" (fields). The Piazzetta (the 'little Piazza') is an extension of the Piazza towards the lagoon in its south east corner (see plan). The two spaces together form the social, religious and political centre of Venice and are commonly considered together. This article relates to both of them.
A remark usually attributed to Napoleon calls the Piazza San Marco "the drawing room of Europe." It is one of the few remaining great urban spaces in Europe where human voices prevail over the sounds of motorized traffic.
The discharge paper relates to the mail ship Orivia built in 1897 and relates to the period betwen June and August 1900.
The Orivia sank on the 12 January 1912 after striking the Billy Rock in the Falklands Ireland. The crew, passengers and mail were saved by two tug boats. It’s not known if Alexander was on board the ship, his daughter Patricia never referred to it.
Alexander was born in 1862 in Price St Birkenhead was the eldest of 8 children. He did not complete his education but ran away to sea. He became a Bosun in the Merchant Navy and sailed around the world going to China for Tea and around Cape Horn to Valparaiso Chile to collect Guano. Alexander had retired when Patricia was born and she remembers her father as a quiet and gentle man who spent the evenings with her telling stories about his adventures and bought her comics from the back of Birkenhead Market.
Alexander died in 1945 of Pneumonia in the Workhouse Hospital Birkenhead.
Aleander’s father was Gilbert (Gabriel) McKellar who was born in 1839 at Levinside Terrace Dumbarton and died in 1904 Priory St. Birkenhead. In Liverpool Gilbert worked first in the ship-yards in Liverpool then went to work in the John Lairds shipyard in Birkenhead which had moved from the Wallasey tidal inlet to the River Mersey foreshore.
The father of Gilbert was Daniel who was a Shipwright and in Dumbarton the shipyards there constructed Clipper ships like the Cutty Sark; these ships were both sleek and fast and used to convey high value cargo from India and China.
Daniel McKellar moved with his 5 children to Gilbert House Howard St Liverpool, after his wife, Helen died in 1848.
Alexander’s mother was Margaret Roberts who was born in 1831 – Llanelidan Denbighshire and died in 1918 at 13 Priory St. Birkenhead. The parents of Margret were Robert Roberts from Clocaenog and Jane Patry from Llanelidan and Robert was a Hill farmer.
The sister of Margaret was Alice who married the brother of Gilbert, Alexander and they all lived with their families in various houses around St Mary’s Church.