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Uses: Anything relating to finance and money.
Free Creative Commons Finance Images... I created these images in my studio and have made them all available for personal or commercial use. Hope you like them and find them useful.
To see more of our CC by 2.0 finance images click here... see profile for attribution.
Uses: Anything relating to finance and money.
Free Creative Commons Finance Images... I created these images in my studio and have made them all available for personal or commercial use. Hope you like them and find them useful.
To see more of our CC by 2.0 finance images click here... see profile for attribution.
I've never been able to relate to many people. I've always been the outcast child. I don't follow the rules. That's kind of how I do everything. Through my music, I've found a place in the world where I'm accepted, so I'm happy. "Neon Hitch"
Shirt - [AK] - Andrew Shirt Black
shorts - PBM Mens [Saggin' Shorts] Camo
bracelet - Izzie's - 2 Say It With A Bracelet (Loved)
watch - = REBELLION = "MAGNUS" CUFF WATCH
Shirt - [AK] - Andrew Shirt Black) I got this shirt just as a quick outfit change the other day, I half expected it to be bad, not a slight on [AK] but I've not had great success with shirts lately, I have to dig and dig to find ones I like. This one however surprised me, or I wouldn't be doing a post on it. The texture is subtle, and well done, the shadows are fantastic, not over done, just perfect. The only thing I have an issue with is fitting the shirt over jeans, most of my jeans poke through at the waist area.. However I needed a good shirt with the shorts I have on here, and this fits the bill. So if you want a Deep DEEP V, go pick this up!
Shorts - PBM Mens [Saggin' Shorts] Camo) - Okay so I'm kind of a snob when it comes to pants/jeans/shorts, I admit that freely. I will trash a pair of jeans if the texture is not perfect. So when I looked at PBM, I grabbed the demo and like [AK] shirt I expected these to also be shit. I couldn't have been more wrong, PBM Keep up the good work guys! Love these, they fit perfectly and look great!
The Bracelet and watch I'll do together, you can't really see them well in the photo, but both are very well textured, and both resizable! if you are in need of some accessories give Rebellion and Izzie's a shot! (special thanks to Hope for the bracelet! <3)
Blog Link - normalattireblog.wordpress.com/
Pour Art Public Liège, Emmanuel Dundic a conçu une béquille monumentale. Elle supporte un écheveau de références, autobiographiques d’abord. Mais pas seulement. Son titre renvoie ainsi sans équivoque aux offrandes en demande ou en remerciement d’une grâce comme celles que l’on peut voir à l’intérieur de Saint-Denis qui posséda un église paroissiale consacrée à sainte Aldegonde implorée pour que les enfants marchent sans difficultés. La béquille est symbole de fragilité mais aussi de soutien ; l’artiste établit une relation avec le tissu social particulier du quartier incluant des fidèles, des touristes, des investisseurs immobiliers mais aussi des consommateurs de stupéfiants, des prostituées et des « précaires ». La béquille renvoie aussi à l’imaginaire inhérent au boiteux ; on le retrouve dans le combat de Jacob et de l’Ange, dans l’énigme d’Œdipe et le Sphinx ou dans la claudication du Diable. Le boiteux marche de travers, à moins que, pour rétablir l’équilibre, il se serve d’un bâton comme d’une troisième jambe qu’Emmanuel Dundic rapproche du symbolisme du Trépied, du Caducée et des Trois Piliers maçonniques.
For Art Public Liège, Emmanuel Dundic designed a monumental crutch. She supports a web of references, autobiographical first. But not only. Its title thus refers unequivocally to offerings in request or in thanks for a grace such as those that can be seen inside Saint-Denis, which had a parish church consecrated to Saint Aldegonde implored so that children walk without difficulty. . The crutch is a symbol of fragility but also of support; The artist establishes a relationship with the particular social fabric of the neighborhood including the faithful, tourists, real estate investors but also drug users, prostitutes and "precarious". The crutch also refers to the imagination inherent in the lame; we find it in the fight of Jacob and the Angel, in the enigma of Oedipus and the Sphinx or in the limp of the Devil. The lame man walks awry, unless he uses a staff as a third leg to restore balance, which Emmanuel Dundic relates to the symbolism of the Tripod, the Caduceus and the Three Masonic Pillars.
One of the more unusual little series of photos in the PMT archive relates to this move. It's odd to modern day eyes to see a bus being towed by another, but until about 30 years ago it was quite commonplace. Changes in legislation and fear of H&S repercussions have generally seen the remaining operators contract out their recovery work to specialists, and dealers/ breakers using exclusively lorries.
Here 'Bertie' the bus is about to be towed away by Reggie the Royal Tiger. Well, actually the ex PMT bus being taken away by a dealer's Royal Tiger is KEH 606, an AEC Regal 1, new in 1946, but lengthened in 1955 after which it lasted another 4 years in PSV service. The relatively youthful Royal Tiger was apparently owned by dealer Frank Cowley from Salford. I believe this picture shows its removal from PMT property but if it does, I guess it must have served as a store shed briefly. Records show that the bus passed to a Manchester area breaker shortly afterwards.
Around the Peak District one can find many pieces of evidence relating to industriousness of humans on the landscape, be it dry stone walling, the massive Derwent Dams or mill stones.
The colloquial name for the sandstone that makes up Dark Peak is "millstone grit", named so for mill stones that were made from it. This industry started in the 14th century and came to a halt from the 18th century, increased mechanisation caused stones to wear out far quicker causing a switch to the more expensive but more durable chert millstones. This change was a massive boon for bread makers whose white bread had become fashionable at this time, unfortunately Derbyshire millstones turned the flour grey where as chert mill stones kept the flour a pristine.
As a result of these development, the Derbyshire stones soon became unsellable and were left in situ with the rock from which they were hewn. This example, laying at the base of Stanage Edge is well photographed and there's not much leeway in terms of composition.
My particular angle on this was to feature the shape of Over Owler Tor and Millstone Edge. There was some incredible light about two hours previous to this, but I was a little slow on working my way up from Grindleford...just enjoying a lazy, lazy stroll to be quite honest!
I think there's room to refine this and definitely conditions that will work really well with this spot. One to re-visit for sure.
Special thanks to John Harding whose information and insight has allowed me to amend my commentary on this photograph.
Location: Stanage Edge - OS Maps ref: SK 25154 83014 (approx)
the myth retelling Typhon's murder and dismemberment of his brother Osiris.. For alchemists, the myth of Isis and Osiris was a myth of the alchemical process. One of this myths relates him vanquishing Typhon, the dragon of ignorance ...
Set (Seth, Setekh, Sut, Sutekh, Suty) was one of ancient Egypt’s earliest gods, a god of chaos, confusion, storms, wind, the desert and foreign lands. In the Osiris legends, he was a contender to the throne of Osiris and rival to Horus, but a companion to the sun god Ra. Originally worshiped and seen as an ambivalent being, during the Third Intermediate Period the people vilified him and turned him into a god of evil.
Depicted as a man with the head of a ‘Sut animal’ (or a ‘Typhonian animal’ because of the Greek identification with Typhon), or as a full ‘Set animal’ the god is unrecognizable as any one particular animal today. He was also identified with other animals, such as the hippopotamus, the pig and the donkey, which were often abhorred by the Egyptians. These animals were sacred to him. Set’s followers took the form of these animals, as well as crocodiles, scorpions, turtles and other ‘evil’ or dangerous creatures. Some fish were sacred to Set, too – the Nile carp, the Oxyrynchus or the Phagrus fish – because they were thought to have eaten the phallus of Osiris after Set chopped him to pieces.
The ‘Set animal’ has long, squared ears and a long, down-turned snout, a canine-like body with an erect forked tail. He may have been a composite animal that was part aardvark (the aardvark that the ancient Egyptians would have seen was the nocturnal Orycteropus aethiopicus which was between 1.2-1.8 meters long and almost 1 meter tall, and was generally a reddish color because of the thin hair, allowing the skin to show through), part canine (perhaps the salawa, a desert dwelling creature) or even a camel or an okapi. The sign for his name, from the Middle Kingdom hieratic onwards, tended to replace the sign for ‘donkey’ and ‘giraffe’, so he was possibly linked to the giraffe, as well.
He was also believed to have white skin and red hair, with the Egyptians comparing his hair to the pelt of a donkey. Due to his association with red, red animals and even people with red hair were thought to be his followers. These animals were sometimes sacrificed, while the link between Set and red-heads – usually foreigners – gave him godhood over foreign lands. With the relationship to foreign peoples, Set was also a god of overseas trade of oils, wood and metals from over the sea and through desert routes. He was given lordship over western Asia because of this.
As Set was a god of the desert and probably symbolized the destructive heat of the afternoon sun, and thus was thought to be infertile. The hieroglyph for Set was used in words such as ‘turmoil’, ‘confusion’, ‘illness’, ‘storm’ and ‘rage’. Strange events such as eclipses, thunderstorms and earthquakes were all attributed to him.
Horus has seized Set, he has put him beneath you so that he can lift you up. He will groan beneath you as an earthquake…
– Pyramid Texts, Spell 356
He was also thought to have rather odd sexual habits, another reason why the Egyptian believed that abnormalities were linked to Set. In a land where fatherhood makes the man, Set’s lack of children, related to the tale where Horus tore off his testicles (while Set tore out Horus’ eye) would have been one reason why he was looked down on. His favorite – some say only – food was the lettuce (which secreted a white, milky substance that the Egyptians linked to semen and was sacred to the fertility god Min), but even with this aphrodisiac, he was still thought to have been infertile.His bisexuality (he was married and given concubines to appease him, yet he also assaulted Horus sexually starting with the come-on line “How lovely your backside is!”) and his pursuit of Isis were reasons why Set could never have been a ruler of Egypt instead of Osiris, despite originally being a lord of Upper Egypt.When Set saw Isis there, he transformed himself into a bull to be able to pursue her, but she made herself unrecognizable by taking the form of a bitch with a knife on her tail. Then she began to run away from him and Set was unable to catch up with her. Then he ejaculated on the ground, and she said, “It’s disgusting to have ejaculated, you bull!” But his sperm grew in the desert and became the plants called bedded-kau.
– Jumilhac PapyrusIn the Old and Middle Kingdoms there are depictions of these two gods together either leading the prisoners of the pharaoh or binding the plants of Upper and Lower Egypt together (as does the twin Hapi gods) to symbolize the union of Upper and Lower Egypt. He was regarded as an equal to the hawk god. This was Horus the Elder, a god of the day sky while Set was seen as a god of the night sky. When these two gods were linked, the two were said to be Horus-Set, a man with two heads – one of the hawk of Horus, the other of the Set animal.“Homage to thee, O divine Ladder! Homage to thee O Ladder of Set! Stand thou upright, O divine Ladder! Stand thou upright, O Ladder of Set! Stand thou upright, O Ladder of Horus, whereby Osiris came forth into heaven.”
– Pyramid Texts, Pepi I
In the Pyramid Texts he was believed to be a friend to the dead, and he helped Osiris ascend to heaven on a ladder. On one of Seti I’s reliefs, it shows Set and Horus offering the symbol of life to the pharaoh, with Set saying “I establish the crown upon thy head, even like the Disk on the head of Amen-Ra, and I will give thee all life, strength and health.” Thothmose III had a scene showing Set teaching him the use of the bow, while Horus taught him yet another weapon.
As for his role as a friend of the dead, it was believed that “Horus purifies and Set strengthens, and Set purifies and Horus strengthens” the deceased while the backbone of the deceased becomes the backbone of Set and Set has “joined together my neck and my back strongly, and they are even as they were in the time that is past; may nothing happen to break them apart.”Ramesses II, as did his father Seti I, both had red hair and so aligned themselves with the god of chaos. Both were famous warrior pharaohs, using Set’s violent nature to help with their war efforts. In Ramesses II’s campaign against the Hittites, he split his army into four divisions and named them after four gods. One was for Amen, one for Ra, one for Ptah and one for Set. But it was the pharaoh himself who won the battle:Thereupon the forces of the Foe from Khatti surrounded the followers of his majesty who were by his side. When his majesty caught sight of them he rose quickly, enraged at them like his father Mont. Taking up weapons and donning his armor he was like Set in the moment of his power. He mounted ‘Victory-in-Thebes,’ his great horse, and started out quickly alone by himself. His majesty was mighty, his heart stout. one could not stand before him.All his ground was ablaze with fire; he burned all the countries with his blast. His eyes were savage as he beheld them; his power flared like fire against them. He heeded not the foreign multitude; he regarded them as chaff. His majesty charged into the force of the Foe from Khatti and the many countries with him. His majesty was like Seth, great-of-strength, like Sekhmet in the moment of her rage. His majesty slew the entire force of the Foe from Khatti, together with his great chiefs and all his brothers, as well as all the chiefs of all the countries that had come with him, their infantry and their charioteers falling on their faces one upon the other. His majesty slaughtered them in their places; they sprawled before his horses; and his majesty was alone, none other with him.It is likely that the cult of Horus overtook the cult of Set in ancient times, and started to remove his positive sides to give the god Horus more status. The two gods, Horus the Elder and Horus the son of Osiris and Isis were confused, so Set changed from being an equal to his brother, Horus the Elder, to the enemy of Isis’s son. It was only after the Hyksos took Set as their main god, after the Egyptians god rid of the foreigners, he stopped symbolizing Lower Egypt and his name was erased and his statues destroyed.
Set has been worshiped since predynastic times. The first representation of Set that has been found was on a carved ivory comb, an Amratian artifact. He was also shown on the Scorpion macehead. He was worshiped and placated through Egyptian history until the Third Intermediate Period where he was seen as an evil and undesirable force. From this time on, some of his statues were re-carved to become the statues of other gods, and it was said that he had actually been defeated by the god Horus.In the original tale of the fight between Set and Horus, the Egyptians believed that the two would continue their battle until the end of time itself, when chaos overran ma’at and the waters of Nun would swallow up the world. It was only when Set was vilified that this changed, and the Egyptians began to believe that Horus won the battle, defeating Set as a version of good triumphing over evil.
In the tale of Osiris, Set was the third of the five children of Nut, thought to have been born in the Nubt (Naqada) area. Instead of being born in the normal manner, as his siblings were born, he tore himself violently from his mother’s womb.
You whom the pregnant goddess brought forth when you clove the night in twain -You are invested with the form of Set, who broke out in violence.Jealous of his older brother Osiris – either because of the birth of his sister-wife’s son, Anubis, or because of Osiris’ rulership of Egypt – Set made a plan to murder his childless brother and take the throne. He made a great feast, supposedly in honor of Osiris, and with 72 accomplices ready, he tricked Osiris into laying down in a coffer – whoever fitted into the richly ornamented chest would win it – and considering that he’d measured it to fit his brother exactly, Osiris fit perfectly… and Set’s accomplices nailed down the lid and threw it into the Nile.When Isis found out about this, she went on a search through the world to find her husband. Bringing him back, Set happened on the coffer, and tore it open and cut up his brother’s corpse, spreading body parts through the land of Egypt. Isis and Set’s wife Nephthys (who had left him to join her sister) went on a quest to restore Osiris. They succeeded enough so that Isis conceived Osiris’ son and eventually bore the child Horus in the Delta region where he grew up.
By this time Horus had reached manhood … Horus thereupon did battle with Set, the victory falling now to one, now to the other … Horus and Set, it is said, still do battle with one another, yet victory has fallen to neither.Yet Set was thought to be a follower of Ra. It was he who defended the Solar Barque each night as it traveled through the underworld, the only Egyptian deity who could kill the serpent Apep – Ra’s most dangerous enemy – each night as it threatened to swallow the Barque.Then Set, the strong one, the son of Nut, said “As for me, I am Set, the strongest of the Divine Company. Every day I slay the enemy of Ra when I stand at the helm of the Barque of Millions of Years, which no other god dare do.”Even here, though, Set was thought to be a braggart, taunting Ra and threatening that if he wasn’t treated well, that he would bring storms and thunder against the sun god. At this point in The Book of the Dead, Ra drives Set away from the Barque for his insolence, and proceeds on course without the god of storms.Other than Nephthys, Set had other wives/concubines. He was believed to live in the northern sky by the constellation of the Great Bear. To the Egyptians, the north symbolized darkness, cold and death. It was there that his wife Taweret, the hippo goddess of childbirth, was believed to keep him chained. He seemed to have bad luck with women – as with Nephthys, Taweret followed Osiris.At one part in the tale of Set’s argument with Horus over rulership, the company of the gods asked the goddess Neith, rather than Ra – who sided with Set – who should be given the throne of Osiris. Her reply was this:“Give the office of Osiris to his son Horus! Do not go on committing these great wrongs, which are not in place, or I will get angry and the sky will topple to the ground. But also tell the Lord of All, the Bull who lives in Heliopolis, to double Set’s property. Give him Anat and Astarte, your two daughters, and put Horus in the place of his father.”– Myth and Symbol in Ancient Egypt, RT Rundle ClarkSo he was given the two foreign goddesses Anat and Astarte, both war goddesses from the Syria-Palestine area and daughters of Ra. The two were often interchangeable, yet they had their own distinct cults. Anat and Taweret, though they were fertility goddesses, never bore Set any children.Despite his wicked side, Set was still a god of Egypt, and worshiped – and feared – as such. His image changed through time, due to politics, yet he was still a powerful god, the only one who could slay Ra’s worst enemy. To the Egyptians he was the god who ‘ate’ the moon each month – the black boar who swallowed its light – and the god who created earthquakes and heavy, thunderous rain storms. He was a friend of the dead, helping them to ascend to heaven on his ladder, and the crowner of pharaohs and leader of warriors.Despite his bad reputation, he was still a divine being – an equal of Horus, no less – who could be invoked by his followers or warded off by those who were afraid of him. Yet without chaos and confusion there would be no order; without the heavy, thunderous storms there would be no good weather; without the desert and foreign lands there would be no Egypt. Set was a counterbalance to the ‘good’ side of the Egyptian universe, helping to keep everything in balance.
www.crystalwind.ca/mystical-magical/pantheons-and-myths/e...
Typhon (/ˈtaɪfɒn, -fən/; Greek: Τυφῶν, Tuphōn [typʰɔ̂ːn]), also Typhoeus (/taɪˈfiːəs/; Τυφωεύς, Tuphōeus), Typhaon (Τυφάων, Tuphaōn) or Typhos (Τυφώς, Tuphōs), was a monstrous giant and the most deadly being of Greek mythology. Typhon was the last son of Gaia, and was fathered by Tartarus. Typhon and his mate Echidna were the progenitors of many famous monsters.Typhon was the son of Gaia (Earth) and Tartarus: "when Zeus had driven the Titans from heaven, huge Earth bore her youngest child Typhoeus of the love of Tartarus, by the aid of golden Aphrodite".[1] The mythographer Apollodorus (1st or 2nd century AD) adds that Gaia bore Typhon in anger at the gods for their destruction of her offspring the Giants.Numerous other sources mention Typhon as being the offspring of Gaia, or simply "earth-born", with no mention of Tartarus.However, according to the Homeric Hymn to Apollo (6th century BC), Typhon was the child of Hera alone. Hera, angry at Zeus for having given birth to Athena by himself, prayed to Gaia to give her a son as strong as Zeus, then slapped the ground and became pregnant. Hera gave the infant Typhon to the serpent Python to raise, and Typhon grew up to become a great bane to mortals.
Depiction by Wenceslas Hollar
Several sources locate Typhon's birth and dwelling place in Cilicia, and in particular the region in the vicinity of the ancient Cilician coastal city of Corycus (modern Kızkalesi, Turkey). The poet Pindar (c. 470 BC) calls Typhon '"Cilician",and says that Typhon was born in Cilicia and nurtured in "the famous Cilician cave",[7] an apparent allusion to the Corycian cave.[8] In Aeschylus' Prometheus Bound, Typhon is called the "dweller of the Cilician caves",[9] and both Apollodorus and the poet Nonnus (4th or 5th century AD) have Typhon born in Cilicia.The b scholia to Iliad 2.783, preserving a possible Orphic tradition, has Typhon born in Cilicia, as the offspring of Cronus. Gaia, angry at the destruction of the Giants, slanders Zeus to Hera. So Hera goes to Zeus' father Cronus (whom Zeus had overthrown) and Cronus gives Hera two eggs smeared with his own semen, telling her to bury them, and that from them would be born one who would overthrow Zeus. Hera, angry at Zeus, buries the eggs in Cilicia "under Arimon", but when Typhon is born, Hera, now reconciled with Zeus, informs him.
According to Hesiod, Typhon was "terrible, outrageous and lawless", and on his shoulders were one hundred snake heads, that emitted fire and every kind of noise:
Strength was with his hands in all that he did and the feet of the strong god were untiring. From his shoulders grew a hundred heads of a snake, a fearful dragon, with dark, flickering tongues, and from under the brows of his eyes in his marvellous heads flashed fire, and fire burned from his heads as he glared. And there were voices in all his dreadful heads which uttered every kind of sound unspeakable; for at one time they made sounds such that the gods understood, but at another, the noise of a bull bellowing aloud in proud ungovernable fury; and at another, the sound of a lion, relentless of heart; and at another, sounds like whelps, wonderful to hear; and again, at another, he would hiss, so that the high mountains re-echoed.The Homeric Hymn to Apollo describes Typhon as "fell" and "cruel", and neither like gods nor men. Three of Pindar's poems have Typhon as hundred-headed (as in Hesiod),while apparently a fourth gives him only fifty heads, but a hundred heads for Typhon became standard. A Chalcidian hydria (c. 540–530 BC), depicts Typhon as a winged humanoid from the waist up, with two snake tails below. Aeschylus calls Typhon "fire-breathing". For Nicander (2nd century BC), Typhon was a monster of enormous strength, and strange appearance, with many heads, hands, and wings, and with huge snake coils coming from his thighs.
Apollodorus describes Typhon as a huge winged monster, whose head "brushed the stars", human in form above the waist, with snake coils below, and fire flashing from his eyes:
In size and strength he surpassed all the offspring of Earth. As far as the thighs he was of human shape and of such prodigious bulk that he out-topped all the mountains, and his head often brushed the stars. One of his hands reached out to the west and the other to the east, and from them projected a hundred dragons' heads. From the thighs downward he had huge coils of vipers, which when drawn out, reached to his very head and emitted a loud hissing. His body was all winged: unkempt hair streamed on the wind from his head and cheeks; and fire flashed from his eyes.
The most elaborate description of Typhon is found in Nonnus's Dionysiaca. Nonnus makes numerous references to Typhon's sepentine nature, giving him a "tangled army of snakes", snaky feet, and hair.According to Nonnus, Typhon was a "poison-spitting viper",whose "every hair belched viper-poison",and Typhon "spat out showers of poison from his throat; the mountain torrents were swollen, as the monster showered fountains from the viperish bristles of his high head",and "the water-snakes of the monster's viperish feet crawl into the caverns underground, spitting poison!".
Following Hesiod and others, Nonnus gives Typhon many heads (though untotaled), but in addition to snake heads,Nonnus also gives Typhon many other animal heads, including leopards, lions, bulls, boars, bears, cattle, wolves, and dogs, which combine to make 'the cries of all wild beasts together',and a "babel of screaming sounds".Nonnus also gives Typhon "legions of arms innumerable", and where Nicander had only said that Typhon had "many" hands, and Ovid had given Typhon a hundred hands, Nonnus gives Typhon two hundred.According to Hesiod's Theogony, Typhon "was joined in love" to Echidna, a monstrous half-woman and half-snake, who bore Typhon "fierce offspring". First, according to Hesiod, there was Orthrus, the two-headed dog who guarded the Cattle of Geryon, second Cerberus,[36] the multiheaded dog who guarded the gates of Hades, and third the Lernaean Hydra,[37] the many-headed serpent who, when one of its heads was cut off, grew two more. The Theogony next mentions an ambiguous "she", which might refer to Echidna, as the mother of the Chimera (a fire-breathing beast that was part lion, part goat, and had a snake-headed tail) with Typhon then being the father.
While mentioning Cerberus and "other monsters" as being the offspring of Echidna and Typhon, the mythographer Acusilaus (6th century BC) adds the Caucasian Eagle that ate the liver of Prometheus,[39] the mythographer Pherecydes of Leros (5th century BC), also names Prometheus' eagle,[40] and adds Ladon (though Pherecydes does not use this name), the dragon that guarded the golden apples in the Garden of the Hesperides (according to Hesiod, the offspring of Ceto and Phorcys).[41] while the lyric poet Lasus of Hermione (6th century BC), adds the Sphinx.Later authors mostly retain these offspring of Typhon by Echidna, while adding others. Apollodorus, in addition to naming as their offspring Orthrus, the Chimera (citing Hesiod as his source) the Caucasian Eagle, Ladon, and the Sphinx, also adds the Nemean lion (no mother is given), and the Crommyonian Sow, killed by the hero Theseus (unmentioned by Hesiod).Hyginus (1st century BC),[44] in his list of offspring of Typhon (all by Echidna), retains from the above: Cerberus, the Chimera, the Sphinx, the Hydra and Ladon, and adds "Gorgon" (by which Hyginus means the mother of Medusa, whereas Hesiod's three Gorgons, of which Medusa was one, were the daughters of Ceto and Phorcys), the Colchian Dragon that guarded the Golden Fleece and Scylla.The Harpies, in Hesiod the daughters of Thaumas and the Oceanid Electra, in one source, are said to be the daughters of Typhon.The sea serpents which attacked the Trojan priest Laocoön, during the Trojan War, were perhaps supposed to be the progeny of Typhon and Echidna.According to Hesiod, the defeated Typhon is the source of destructive storm winds.Battle with Zeus
Typhon challenged Zeus for rule of the cosmos.The earliest mention of Typhon, and his only occurrence in Homer, is a passing reference in the Iliad to Zeus striking the ground around where Typhon lies defeated.Hesiod's Theogony gives us the first account of their battle. According to Hesiod, without the quick action of Zeus, Typhon would have "come to reign over mortals and immortals".In the Theogony Zeus and Typhon meet in cataclysmic conflict:[Zeus] thundered hard and mightily: and the earth around resounded terribly and the wide heaven above, and the sea and Ocean's streams and the nether parts of the earth. Great Olympus reeled beneath the divine feet of the king as he arose and earth groaned thereat. And through the two of them heat took hold on the dark-blue sea, through the thunder and lightning, and through the fire from the monster, and the scorching winds and blazing thunderbolt. The whole earth seethed, and sky and sea: and the long waves raged along the beaches round and about at the rush of the deathless gods: and there arose an endless shaking. Hades trembled where he rules over the dead below, and the Titans under Tartarus who live with Cronos, because of the unending clamor and the fearful strife.Zeus with his thunderbolt easily overcomes Typhon,who is thrown down to earth in a fiery crash:So when Zeus had raised up his might and seized his arms, thunder and lightning and lurid thunderbolt, he leaped from Olympus and struck him, and burned all the marvellous heads of the monster about him. But when Zeus had conquered him and lashed him with strokes, Typhoeus was hurled down, a maimed wreck, so that the huge earth groaned. And flame shot forth from the thunderstricken lord in the dim rugged glens of the mount, when he was smitten. A great part of huge earth was scorched by the terrible vapor and melted as tin melts when heated by men's art in channelled crucibles; or as iron, which is hardest of all things, is shortened by glowing fire in mountain glens and melts in the divine earth through the strength of Hephaestus. Even so, then, the earth melted in the glow of the blazing fire.Defeated, Typhon is cast into Tartarus by an angry Zeus.Epimenides (7th or 6th century BC) seeminly knew a different version of the story, in which Typhon enters Zeus' palace while Zeus is asleep, but Zeus awakes and kills Typhon with a thunderbolt.[58] Pindar calls Typhon the "enemy of the gods",[59] apparently knew of a tradition which had the gods transform into animals and flee to Egypt, says that Typhon was defeated by Zeus' thunderbolt,has Typhon being held prisoner by Zeus under Etna,and in Tartarus stretched out under ground between Mount Etna and Cumae. However, the historian Herodotus (5th century BC), equating Typhon with the Egyptian god Set, reports that Typhon was supposed to be buried instead under Lake Serbonis in Egypt, near the Egyptian Mount Kasios, (modern Ra Kouroun).According to Pherecydes of Leros, during his battle with Zeus, Typhon first flees to the Caucasus, which begins to burn, then to the volcanic island of Pithecussae (modern Ischia), off the coast of Cumae, where he is buried under the island.Apollonius of Rhodes (3rd century BC), like Pherecydes, presents a multi-stage battle, with Typhon being struck by Zeus' thunderbolt on mount Caucasus, before fleeing to the mountains and plain of Nysa, and ending up, as in Herodotus, buried under Lake Serbonis.Like Pindar, Nicander has all the gods but Zeus and Athena, transform into animal forms and flee to Egypt: Apollo became a hawk, Hermes an ibis, Ares a fish, Artemis a cat, Dionysus a goat, Heracles a fawn, Hephaestus an ox, and Leto a mouse.[The geographer Strabo (c. 20 AD) gives several locations which were associated with the battle. According to Strabo, Typhon was said to have cut the serpentine channel of the Orontes River, which flowed beneath the Syrian Mount Kasios (modern Jebel Aqra), while fleeing from Zeus,[68] and some placed the battle at Catacecaumene ("Burnt Land"),[69] a volcanic plain, on the upper Gediz River, between the ancient kingdoms of Lydia, Mysia and Phrygia, near Mount Tmolus (modern Bozdağ) and Sardis the ancient capital of Lydia.No early source gives any reason for the conflict, but Apollodorus' account[71] seemingly implies that Typhon had been produced by Gaia to avenge the destruction, by Zeus and the other gods, of the Giants, a previous generation of offspring of Gaia. According to Apollodorus "Zeus pelted Typhon at a distance with thunderbolts, and at close quarters struck him down with an adamantine sickle" Wounded, Typhon fled to the Syrian Mount Kasios, where Zeus "grappled" with him. But Typhon, twining his snaky coils around Zeus, was able to wrest away the sickle and cut the sinews from Zeus' hands and feet. Typhon carried the disabled Zeus across the sea to the Corycian cave in Cilicia where he set the she-serpent Delphyne to guard over Zeus and his severed sinews, which Typhon had hidden in a bear skin. But Hermes and Aegipan (possibly another name for Pan)[73] stole the sinews and gave them back to Zeus. His strength restored, Zeus chased Typhon to mount Nysa, where the Moirai tricked Typhon into eating "ephemeral fruits" which weakened him. Typhon then fled to Thrace, where he threw mountains at Zeus, which were turned back on him by Zeus' thunderbolts, and the mountain where Typhon stood, being drenched with Typhon's blood, became known as Mount Haemus (Bloody Mountain). Typhon then fled to Sicily, where Zeus threw Mount Etna on top of Typhon burying him, and so finally defeated him.Oppian (2nd century AD) says that Pan helped Zeus in the battle by tricking Typhon to come out from his lair, and into the open, by the "promise of a banquet of fish", thus enabling Zeus to defeat Typhon with his thunderbolts.The longest and most involved account of the battle appears in Nonnus's Dionysiaca.Zeus hides his thunderbolts in a cave, so that he might seduce the maiden Plouto, and so produce Tantalus. But smoke rising from the thunderbolts, enables Typhon, under the guidance of Gaia, to locate Zeus's weapons, steal them, and hide them in another cave.[76] Immediately Typhon extends "his clambering hands into the upper air" and begins a long and concerted attack upon the heavens.Then "leaving the air" he turns his attack upon the seas. Finally Typhon attempts to wield Zeus' thunderbolts, but they "felt the hands of a novice, and all their manly blaze was unmanned."Now Zeus' sinews had somehow – Nonnus does not say how or when — fallen to the ground during their battle, and Typhon had taken them also. But Zeus devises a plan with Cadmus and Pan to beguile Typhon.Cadmus, desguised as a shepherd, enchants Typhon by playing the panpipes, and Typhon entrusting the thuderbolts to Gaia, sets out to find the source of the music he hears.[82] Finding Cadmus, he challenges him to a contest, offering Cadmus any goddess as wife, excepting Hera whom Typhon has reserved for himself.Cadmus then tells Typhon that, if he liked the "little tune" of his pipes, then he would love the music of his lyre – if only it could be strung with Zeus' sinews. So Typhon retrieves the sinews and gives them to Cadmus, who hides them in another cave, and again begins to play his bewiching pipes, so that "Typhoeus yielded his whole soul to Cadmos for the melody to charm".With Typhon distracted, Zeus takes back his thunderbolts. Cadmus stops playing, and Typhon, released from his spell, rushes back to his cave to discover the thunderbolts gone. Incensed Typhon unleashes devastation upon the world: animals are devoured, (Typhon's many animal heads each eat animals of its own kind), rivers turned to dust, seas made dry land, and the land "laid waist".The day ends with Typhon yet unchallenged, and while the other gods "moved about the cloudless Nile", Zeus waits through the night for the coming dawn.[87] Victory "reproaches" Zeus, urging him to "stand up as champion of your own children!"Dawn comes and Typhon roars out a challenge to Zeus.And a catyclismic battle for "the sceptre and throne of Zeus" is joined. Typhon piles up mountains as battlements and with his "legions of arms innumerable", showers volley after volley of trees and rocks at Zeus, but all are destroyed, or blown aside, or dodged, or thrown back at Typhon. Typhon throws torrents of water at Zeus' thunderbolts to quench them, but Zeus is able to cut off some of Typhon's hands with "frozen volleys of air as by a knife", and hurling thunderbolts is able to burn more of typhon's "endless hands", and cut off some of his "countless heads". Typhon is attacked by the four winds, and "frozen volleys of jagged hailstones." Gaia tries to aid her burnt and frozen son.Finally Typhon falls, and Zeus shouts out a long stream of mocking taunts, telling Typhon that he is to be buried under Sicily's hills, with a cenotaph over him which will read "This is the barrow of Typhoeus, son of Earth, who once lashed the sky with stones, and the fire of heaven burnt him up".
Burial under Etna and Ischia]
Most accounts have the defeated Typhon buried under either Mount Etna in Sicily, or the volcanic island of Ischia, the largest of the Phlegraean Islands off the coast of Naples, with Typhon being the cause of volcanic eruptions and earthquakes.Though Hesiod has Typhon simply cast into Tartarus by Zeus, some have read a reference to Mount Etna in Hesiod's description of Typhon's fall:And flame shot forth from the thunderstricken lord in the dim rugged glens of the mount when he was smitten. A great part of huge earth was scorched by the terrible vapor and melted as tin melts when heated by men's art in channelled crucibles; or as iron, which is hardest of all things, is shortened by glowing fire in mountain glens and melts in the divine earth through the strength of Hephaestus. Even so, then, the earth melted in the glow of the blazing fire.The first certain references to Typhon buried under Etna, as well as being the cause of its eruptions, occur in Pindar:Son of Cronus, you who hold Aetna, the wind-swept weight on terrible hundred-headed Typhon,and: among them is he who lies in dread Tartarus, that enemy of the gods, Typhon with his hundred heads. Once the famous Cilician cave nurtured him, but now the sea-girt cliffs above Cumae, and Sicily too, lie heavy on his shaggy chest. And the pillar of the sky holds him down, snow-covered Aetna, year-round nurse of bitter frost, from whose inmost caves belch forth the purest streams of unapproachable fire. In the daytime her rivers roll out a fiery flood of smoke, while in the darkness of night the crimson flame hurls rocks down to the deep plain of the sea with a crashing roar. That monster shoots up the most terrible jets of fire; it is a marvellous wonder to see, and a marvel even to hear about when men are present. Such a creature is bound beneath the dark and leafy heights of Aetna and beneath the plain, and his bed scratches and goads the whole length of his back stretched out against it.Thus Pindar has Typhon in Tartarus, and buried under not just Etna, but under a vast volcanic region stretching from Sicily to Cumae (in the vicinity of modern Naples), a region which presumably also included Mount Vesuvius, as well as Ischia.Many subsequent accounts mention either Etnaor Ischia. In Prometheus Bound, Typhon is imprisoned underneath Etna, while above him Hephaestus "hammers the molten ore", and in his rage, the "charred" Typhon causes "rivers of fire" to pour forth. Ovid has Typhon buried under all of Sicily, with his left and right hands under Pelorus and Pachynus, his feet under Lilybaeus, and his head under Etna; where he "vomits flames from his ferocious mouth". And Valerius Flaccus has Typhon's head under Etna, and all of Sicily shaken when Typhon "struggles". Lycophron has both Typhon and Giants buried under the island of Ischia. Virgil, Silius Italicus and Claudian, all calling the island "Inarime", have Typhon buried there. Strabo, calling Ischia "Pithecussae", reports the "myth" that Typhon lay buried there, and that when he "turns his body the flames and the waters, and sometimes even small islands containing boiling water, spout forth."Others said to be buried under Etna were the Giant Enceladus, the volcano's eruptions being the breath of Enceladus, and its tremors caused by the Giant rolling over from side to side beneath the mountain,and the Hundred-hander Briareus."Couch of Typhoeus" Homer describes a place he calls the "couch [or bed] of Typhoeus", which he locates in the land of the Arimoi (εἰν Ἀρίμοις), where Zeus lashes the land about Typhoeus with his thunderbolts. Presumably this is the same land where, according to Hesiod, Typhon's mate Echida keeps guard "in Arima" (εἰν Ἀρίμοισιν).But neither Homer nor Hesiod say anything more about where these Arimoi or this Arima might be. The question of whether an historical place was meant, and its possible location, has been, since ancient times, the subject of speculation and debate.Strabo discusses the question in some detail.[everal locales, Cilicia, Syria, Lydia, and the island of Ischia, all places associated with Typhon, are given by Strabo as possible locations for Homer's "Arimoi".
Pindar has his Cilician Typhon slain by Zeus "among the Arimoi",[106] and the historian Callisthenes (4th century BC), located the Arimoi and the Arima mountains in Cilicia, near the Calycadnus river, the Corycian cave and the Sarpedon promomtory.[107] The b scholia to Iliad 2.783, mentioned above, says Typhon was born in Cilicia "under Arimon",[108] and Nonnus mentions Typhon's "bloodstained cave of Arima" in Cilicia.Just across the Gulf of Issus from Corycus, in ancient Syria, was Mount Kasios (modern Jebel Aqra) and the Orontes River, sites associated with Typhon's battle with Zeus,[110] and according to Strabo, the historian Posidonius (c. 2nd century BC) identified the Arimoi with the Aramaeans of Syria.[Alternatively, according to Strabo, some placed the Arimoi at Catacecaumene,[112] while Xanthus of Lydia (5th century BC) added that "a certain Arimus" ruled there.Strabo also tells us that for "some" Homer's "couch of Typhon" was located "in a wooded place, in the fertile land of Hyde", with Hyde being another name for Sardis (or its acropolis), and that Demetrius of Scepsis (2nd century BC) thought that the Arimoi were most plausibly located "in the Catacecaumene country in Mysia".[114] The 3rd-century BC poet Lycophron placed the lair of Typhons' mate Echidna in this region.[115]
Another place, mentioned by Strabo, as being associated with Arima, is the island of Ischia, where according to Pherecydes of Leros, Typhon had fled, and in the area where Pindar and others had said Typhon was buried. The connection to Arima, comes from the island's Greek name Pithecussae, which derives from the Greek word for monkey, and according to Strabo, residents of the island said that "arimoi" was also the Etruscan word for monkeys.[116]
Etymology and origins Typhon's name has a number of variants.[117] The earliest forms of Typhoeus and Typhaon, occur prior to the 5th century BC. Homer uses Typhoeus, Hesiod and the Homeric Hymn to Apollo use both Typhoeus and Typhaon. The later forms Typhos and Typhon occur from the 5th century BC onwards, with Typhon becoming the standard form by the end of that century. Though several possible derivations of the name Typhon have been suggested, the derivation remains uncertain.[118] Consistent with Hesiod's making storm winds Typhon's offspring, some have supposed that Typhon was originally a wind-god, and ancient sources associated him with the Greek words tuphon, tuphos meaning "whirlwind".Other theories include derivation from a Greek root meaning "smoke" (consistent with Typhon's identification with volcanoes),from an Indo European root meaning "abyss" (making Typhon a "Serpent of the Deep"),and from Sapõn the Phoenician name for the Ugaritic god Baal's holy mountain Jebel Aqra (the classical Mount Kasios) associated with the epithet Baʿal Zaphon.
As noted by Herodotus, Typhon was traditionally identified with the Egyptian Set, who was also known to the Greeks as Typhon. As early as pre-dynastic Egypt, Set's mascot or emblem was the Set animal; the Greeks and later classicists referred to this unidentified aardvark-like creature as the Typhonic beast. In the Orphic tradition, just as Set is responsible for the murder of Osiris, Typhon leads the Titans when they attack and kill Dionysus, who also became identified with the earlier Osiris.Mythologist Joseph Campbell also makes parallels to the slaying of Leviathan by YHWH, about which YHWH boasts to Job.[123] Ogden calls the Typhon myth "the only Graeco-Roman drakōn-slaying myth that can seriously be argued to exhibit the influence of Near Eastern antecedents", connecting it in particular with Baʿal Zaphon's slaying of Yammu and Lotan, as well as with the Hittite myth of Illuyankas.From its first reappearance, this latter myth has been seen as a prototype of the battle of Zeus and Typhon.Walter Burkert and Calvert Watkins each note the close agreements.Comparisons can also be drawn with the Mesopotamian monster Tiamat and her slaying by Babylonian chief god Marduk. The similarities between the Greek myth and its earlier Mesopotamian counterpart do not seem to be merely accidental. A number of west Semitic (Ras Shamra) and Hittite sources appear to corroborate the theory of a genetic relationship between the two myths.In works of culture. Dante Alighieri's Inferno mentions him amongst the Biblical and mythological giants frozen onto the rings outside of Hell's Circle of Treachery. Dante and Virgil threatened to go to Tityos and Typhon unless Antaeus lowers them into the Circle of Treachery. Typhon (as Typhoeus) appears in Gustav Klimt's 1902 Beethoven Frieze as one of "the Hostile Forces".
Typhon is a recurring character in Hercules: The Legendary Journeys, where he is a friend and ally to Hercules, and a calming influence on Echidna and their children. Typhon appears in the 2007 video game, God of War II where the main character Kratos tries to enlist his aid. The Titan refuses and Kratos blinds Typhon and takes his magical bow, Typhon's Bane.Swedish symphonic metal band Therion dedicated a song to Typhon in their year 2004 album Lemuria.
Uses: Anything relating to finance and money.
Free Creative Commons Finance Images... I created these images in my studio and have made them all available for personal or commercial use. Hope you like them and find them useful.
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WHAT DOES DOG DAY AFTERNOON RELATE TO
"the dog days of summer." Dog days are not about or connected to the loveable canines which many of us enjoy. Dog days are actually referring to the star "Sirius", also known as the dog star, found in the constellation of Canis Major, deriving its name from the Greek word '"seirios", which means "scorching".
The star sirius is most visible in our hemisphere during the summer months as the brightest star in the heavens (not Polaris, the northern star).
So, "dog day afternoon" actually means nothing more than a hot summer afternoon.
LIVERPOOL CITY CENTRE HOT SUMMERS DAY
Today is the ninth day of a 30 day challenge. The objective is to shoot one shot per day on subject matter provided by the local camera club.
Today's subject matter is, "something relating to a car".
'Culture relates to objects and is a phenomenon of the world; entertainment relates to people and is a phenomenon of life.'
Hannah Arendt
Lights of the Las Vegas strip, Aria curvilinear towers resort and hotel complex and MGM resort and hotel complex and the blue light in the background shining straight up is from the Fremont Street Experience (FSE) . The FSE is a light show quite a few miles away from the strip. Uploaded for the Geometric Shapes challenge. The curvilinear towers were quite fascinating, even captivating in appearance
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Thanks very kindly to all my visitors for any gracious comment, views and invites. Much appreciated! .... Peace and love be with you.
Namaste.
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All rights reserved. Copyright © Aum Kleem All my images are protected under international authors copyright laws and may not be downloaded, reproduced, copied, transmitted or manipulated without my written explicit permission.
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Although he is known by many other attributes, Ganesha's elephant head makes him particularly easy to identify. In Hinduism, Ganesha is widely revered as the Remover of Obstacles. and more generally as the Lord of Beginnings and the Lord of Obstacles,patron of arts and sciences, and the deva of intellect and wisdom. He is honoured at the beginning of rituals and ceremonies and invoked as the Patron of Letters during writing sessions.Several texts relate mythological anecdotes associated with his birth and exploits and explain his distinct iconography.
The most well-known story is probably the one taken from the Shiva Purana. Once, while his mother Parvati wanted to take a bath, there were no attendants around to guard her and stop anyone from accidentally entering the house. Hence she created an image of a boy out of turmeric paste which she prepared to cleanse her body (turmeric was used for its antiseptic and cooling properties), and infused life into it, and thus Ganesha was born. Parvati ordered Ganesha not to allow anyone to enter the house, and Ganesha obediently followed his mother's orders. After a while Shiva returned from outside, and as he tried to enter the house, Ganesha stopped him. Shiva was infuriated at this strange little boy who dared to challenge him. He told Ganesha that he was Parvati's husband, and demanded that Ganesha let him go in. But Ganesha would not hear any person's word other than his dear mother's. Shiva lost his patience and had a fierce battle with Ganesha. At last he severed Ganesha's head with his trishula. When Parvati came out and saw her son's lifeless body, she was very angry and sad. She demanded that Shiva restore Ganesha's life at once.
Unfortunately, Shiva's trishula was so powerful that it had hurled Ganesha's head very far off. All attempts to find the head were in vain. Parvati was so enraged and insulted that she decided to destroy the entire Creation! Lord Brahma, being the Creator, naturally had his issues with this, and pleaded that she reconsider her drastic plan. She said she would, but only if two conditions were met: one, that Ganesha be brought back to life, and two, that he be forever worshipped before all the other gods. Sent Brahma out with orders to bring back the head of the first creature he crosses that is laying with its head facing North. Shiva then sent his celestial armies (Gana) to find and take the head of whatever creature they happened to find asleep with its head facing north. They found a dying elephant which slept in this manner, and after its death took its head, attaching the elephant's head to Ganesha's body and bringing him back to life. From then on, he was called Ganapathi, head of the celestial armies, and was to be worshipped by everyone before beginning any activity.
- Wikipedia
Shot of the Mural on the other side of the wall in comment box
The Moon has reached the first quarter of it's phase, but it's been
so cloudy, misty, foggy and rainy that I haven't been able to see it!
I took this photo on leap day 29th February 2012 when the Moon was at a similar phase as it is now. I love the way that the craters show up so well on the terminator when the sun is shining at an angle.
Highest position in Explore: 112 on Thursday, November 22, 2012
#29 - Leap Day (Any shot to be taken on, or relating to 29th February 2012) in 112 pictures in 2012
The chapel features, on its three walls, frescoed scenes relating to the Universal Flood, the Entrance of the Animals into the Ark, the End of the Flood and Noah's Drunkenness. The compositions are characterised by outdoor visions marked by the presence of human figures and animals, both depicted on a small scale. The painter's attention seems to be focused on the description of the variety of animals and birds, without, however, failing to dwell on the more intensely dramatic scenes, such as the cases of those who drown, going as far as the cold analysis of the corpses strewn on the ground after the Flood. The stories of the Flood are linked to the fresco of the Baptism of Christ that faces them in the cloistered church, as a foreshadowing of that moment of salvation, according to what St Peter makes clear in the First Epistle (3:20-21): "God in his longsuffering waited in the days of Noah for the ark to be built, in which eight people in all found escape from the water, a figure, this one, of the Baptism that now saves us".
Historical-critical information: In these frescoes, Aurelio Luini displays an unprecedented propensity for storytelling and narration for its own sake, which results in a smug amusement directed above all at the descriptive rendering of the various animal species, rendered with an almost lenticular meticulousness. As the son of Bernardino Luini, who was active for many years in San Maurizio, Aurelio showed undisputed talent for painting, which led him to collaborate with his older brother Giovan Pietro from 1555 onwards. Here, as in other cases, Aurelio exhibits the peculiar characteristics of his painting, sustained by an exuberant expressive emphasis that is fully in line with contemporary 'Mannerism'. The naturalistic taste manifested in the frescoes of the Noah's Ark chapel also reflects the interest that Aurelio, a member of the Accademia della Val di Blenio (run by Giovan Paolo Lomazzo), had always shown in Leonardo's research.
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Tom Wild was the nephew of Australian swimming star Beatrice Kerr.
This image is part of an archive series consisting of photographs relating to the career of champion Australian swimmer, diver and vaudeville entertainer in Australia and the United Kingdom Beatrice Kerr. If reproduced or distributed, this image should be clearly attributed to the collection of the Australian National Maritime Museum; and not be used for any commercial or for-profit purposes without the permission of the museum. For more information see our Flickr Commons Rights Statement.
The ANMM undertakes research and accepts public comments that enhance the information we hold about images in our collection. This record has been updated accordingly.
Thank you for helping caption this important historical image.
Object number ANMS1031[069]
ANMM Collection Gift from Michael Williams
Lothian Buses Gemini 3 Facelift bodied Volvo B5LH number 554 (SA15 VUE) ‘Estiland’ is seen here at OT, under a certain sign that relates to its number plate
Taken on Wednesday the 17th of December 2025.
This is a photo I’ve been wanting to get for SO many years, 554 (SA15 VUE) ‘Estiland’ under the big ‘vue’ sign at OT, corresponding wi the registration plate very nicely. The original photo needed some editing work to be presentable, but I went a bit over the top wi the saturation and such, because I can.
Thanks to ZZ9 for motivating me to try and actually finallly go and get this shot!
I posted a photo of this bus to flickr shortly after its 5th birthday, talking about how weird it seemed that it was already five years old, the new hybrids on the 34 were a highlight of 2015, and they seemed fairly new and exciting for a while after. Well now it’s over a decade old somehow, but spending its days mainly on the 34 and 35, just where it’s most at home.
So I unofficially named this bus ‘Estiland’ originally, mistakenly thinking it was Estonian for Estonia (no, that’s Eesti), but the name stuck and It’s now played a part of enough of my life that I have a fondness for it, even slightly more than some others in its batch.
In November this year, ZZ9 nicknamed this ‘Lothian’s Cinema Bus’ in relation to the number plate, as we see here quite clearly. I intend to add ZZ9’s name to the unofficial names doc, what better name could there be for this? However, ‘Estiland’ is also staying, that’s what it’s always been to me. It’s by far not the first bus wi two names, even though I usually try and avoid multiple names, there’s no reason why we can’t have some! An example currently in the fleet is XLB number 1066, which I nicknamed ‘Frances’, and Callum Colville nicknamed ‘Battle of Hastings’, due to the fleet number corresponding to the date of that battle.
This batch (551-570) may be unremarkable, but they seem to still be doing just as well as ever, usually winding their slow way through the city from the foot of the Pentlands in Currie to the sea at OT. If anyone wants to have a go at which of this batch of B5LHs have which seatback colours then go ahead, it’s not intuitive!
Vehicle Information
Operator: Lothian Buses
Service: 34 Leith Harbour and Newhaven Ocean Terminal Ocean Drive – Currie Riccarton Hariot-Watt University The Avenue (Trip NovWedAL23925725)
Vehicle type: Wrightbus Eclipse Gemini 3 Facelift bodied Volvo B5LH
Vehicle engine: Euro 6 Diesel-Electric Hybrid
Vehicle fleet number: 554
Vehicle registration: SA15 VUE
Vehicle name: Estiland
Vehicle depot: Longstone (LS)
Vehicle livery: Lothian Buses Madder and White Fleet of the Future (FOTF) non-ADL Double Deck 2020 version
Vehicle destination screen: white Hanover LED screen
Vehicle destination display: Heriot-Watt 34 / via Research Park
Vehicle Chassis: Vo B5LH YV3T1U22XFA172380
Vehicle Body: Wt AM087
Vehicle Seating: H49/25F
Operating area: City of Edinburgh, Midlothian and East Lothian
Registration prefix area: Glesga
Year of manufacture: 2015
Date of first registration: 14.07.2015 (Day T42198)
Original operator: Lothian Buses
Original fleet number: 554
Original registration: SA15 VUE
Age of vehicle: 10 years, 5 months and 3 days (total 3809 days)
Photo location: Ocean Drive, Ocean Terminal, Leith Harbour and Newhaven, Lìte, City of Edinburgh
Taken on: Wednesday the 17th of December 2025 (17.12.2025)
Taken on Day U3639
References
Bus Lists on the Web (2025) SA15VUE. Available at: www.buslistsontheweb.co.uk/ (Accessed 17.12.2025, Day U3641)
Bustimes.org (2025) Lothian Buses - Vehicles – 554 (SA15 VUE). Available at: bustimes.org/vehicles/loth-554?date=2025-12-17 (Accessed 17.12.2025, Day U3641)
GOV.UK (2025) Check MOT History – SA15 VUE. Available at: www.check-mot.service.gov.uk/results?registration=SA15VUE... (Accessed 17.12.2025, Day U3641)
Scottish Community Councils (2025) Find a Community Council. Available at: www.communitycouncils.scot/community-council-finder (Accessed 17.12.2025, Day U3641)
This one can relate to all kinds of things. Sass and I are in Manoa Falls. There is a spot off the trail where the river water settles a bit and we are able to get nice reflection shots.
I brought back the camera stats for the convenience of the curious ones. Even if it helps only one person, it's worth the extra time.
CRAZY WEATHER
There was a huge storm here last night. Check out this picture that a fellow hawaii photographer took near Waikiki. Man I would have loved to set up a shoot with that in the background! I was stuck at work though :(
NEW SERIES COMING SOON!
I've got ideas for a new series. Twelve different shots over a three month span. I'm still getting together some ideas, but stay tuned!
Find me on facebook, tumblr, twitter, formspring,or my website.
Camera: Canon EOS 60D
Focal Length: 50mm
Lens: Canon 50mm 1.4
Aperture: f/2.0
Exposure: 1/200 sec
ISO Speed: 100
Filter: n/a
Editing Software: CS5
Flash: Canon 430ex II with Lumiquest Ltp Softbox camera left.
07/08/2014. The rear of Marshall Capital X383 HLR.
I presume the letters in front of the fleet numbers relate to the depot's the vehciles are stationed at, B standing for Bridgend and P standing for Port Talbot.
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I eventually found out what this mysterious place is, and that it is actually a 'scheduled monument' of historic importance. It's amazing how in less than 100 years an industrial site has been transformed by nature to become such a mysterious place. It's been hard enough to find any information on this, so it has made me wonder how difficult it is for archaeologists to establish the correct history of sites that might be thousands of years old.
See historicengland.org.uk/listing/the-list/list-entry/1450800
The standing and buried remains of a chemical plant of 1908 producing soda ash (sodium bicarbonate) by the Solvay method, and of 1915 for the experimental manufacture and then production of calcium nitrate as an ingredient of munitions explosives.
Reasons for Designation:
The former soda ash and calcium nitrate works at Plumley is scheduled for the following principal reasons:
Rarity: the site is a rare example of a surviving ammonia-soda works (a key element of the alkali industry, one of the most important chemical industries in England with many technological developments made here), in particular as a competitor to the pre-eminent Brunner Mond company;
Diversity: also including remains relating to calcium nitrate manufacture on an experimental and production basis, making a very significant national contribution to the manufacture of explosives for the First World War;
Survival: the remains of both works survive well and are readable as earthworks and upstanding structures, with some buried remains;
Potential: the surviving remains have strong potential to yield further information to specialist analysis and investigation, enhancing our understanding of both works.
History:
The alkali industry is defined as the harvesting or mining of sources of potassium and sodium, and the processing of these materials to produce carbonates or hydroxides of the metals (known as potash or soda, for potassium and sodium respectively). Alkali was mainly required for the production of soap and glass. The combustion of wood or bracken in a potash kiln (also known as an elling hearth) originally supplied the need for alkali. In the C17 the production of alkali from seaweed was introduced into this country, burning the dried seaweed in a kelp pit, commonly situated just above the shoreline. From 1795 the LeBlanc process was introduced on Tyneside from France, producing soda (in this case, sodium carbonate) from salt (sodium chloride); thereafter, making soda using salt was firmly the basis of bulk alkali production. In the C19 salt was largely provided by salt workings in Cheshire, although later in the century Teesside salt supplied the alkali industry in north-east England. The alkali industry soon became one of the most important chemical industries in this country and many technological developments were made here.
The ammonia-soda alkali industry was based on a process first discovered in 1810, and first made commercially successful by a Belgian - Ernest Solvay - in 1865. It was introduced to this country by John Brunner and Ludwig Mond (Brunner Mond) in 1872, with production starting at their Winnington (Cheshire) works in 1873. It was based in the Northwich area of Cheshire, with only three works established elsewhere. The Solvay process carbonated brine (which first had been saturated with ammonia), to give sodium bicarbonate and ammonium chloride, from which the ammonia was recovered, leaving calcium chloride and water. The key feature of Solvay-type ammonia-soda plants were the distinctive carbonation towers, between 70 and 90 feet tall.
AMMONIA-SODA PLANT Prior to 1926 (and the formation of the conglomerate ICI by the merger of Brunner Mond with three other companies), five other ammonia-soda works were built in addition to Winnington, Plumley being one of these. Most were short-lived, being either bought out by Brunner Mond, or closed down due to competition with them. The works at Plumley (also known as Plumbley) were established by the Ammonia Soda Company Ltd (Ascol) which was formed in 1908 by Ivan Levinstein, Arthur Chamberlain and others for that purpose. (It appears to be coincidence, given the later use of the site for manufacturing ingredients for explosives, that Chamberlain was the chairman of the Birmingham ammunition manufacturers G Kynoch & Co, as there is no known application for soda in the manufacture of ammunition propellant). In 1912 the firm became a public company. Brunner Mond bought out the land around this works, sank two brine shafts on the other side of the railway and pumped brine from there for their Lostock works, and also daily sampled the stream below the works in the hope of finding evidence of pollution. Possibly due to these activities, Ascol struggled and profits were disappointing.
CALCIUM NITRATE PLANT The production of nitric acid (used in producing TNT) required ammonium nitrate, which was also used directly as an admixture for finished TNT to create Amatol, a cheaper alternative. The outbreak of the First World War and demand for high explosives therefore dramatically increased the requirement for ammonium nitrate. The conversion of sodium nitrate (mainly from Chile) into ammonium nitrate became a primary aim. In 1910 Dr FA Freeth (chief chemist at Brunner Mond) had devised a method which combined sodium nitrate and ammonium sulphate to give ammonium nitrate plus sodium sulphate. This was difficult in unpredictable English temperatures, and although a plant at Swindon produced over 24,000 tons in 1918, the Americans produced much more by this method, which was freely granted to them.
An alternative was to use sodium nitrate and calcium chloride to create calcium nitrate. This could then be treated with ammonia (in which Britain was rich) and carbonic acid to give ammonium nitrate. The Solvay process created calcium chloride as a by-product, and an experimental plant to produce calcium nitrate was established in 1915 at Plumley, which had come under the control of the Ministry of Munitions. This was quickly followed, beginning in 1916, by large-scale production, which was also established at the Salt Union’s Victoria Works near Northwich (Cheshire). These plants supplied Brunner Mond’s ammonium nitrate production, mainly at Lostock-Gralam, near Plumley. Overall, Plumley produced slightly less calcium nitrate than Victoria, but was only overtaken in 1918.
The importance of the supply of explosives has led the First World War to be dubbed ‘a chemist’s war’. The skill of a nation’s scientists was now as important as the valour of its soldiers in determining the outcome of the war. The size and sophistication of its chemical industry and research facilities were as critical as the size of its armies. After the First World War, Lord Moulton (Director-General of Explosives Supply in the Ministry of Munitions) wrote to Brunner Mond’s chairman, 'We have been indebted to your Company for the manufacture of the bulk of the largest component of the high explosives used by this country in the war.' (Dick 1973, 35). In total 216,120 tons of ammonium nitrate were made during the war (almost 90 per cent of it by Brunner Mond). The calcium nitrate process was used to create just under 60 per cent of the national ammonium nitrate output. The Plumley works manufactured 43 per cent of the calcium nitrate used, and thus directly provided vital ingredients for 25 per cent of all the ammonium nitrate used by this country to manufacture high explosives for the war. The manufacture of calcium nitrate at the Victoria works was only possible due to the successful initial demonstration and then scaling-up of the process at Plumley.
LATER HISTORY The calcium nitrate plant was demolished immediately after the war, in 1919, but there was no attempt to level the site. Plumley continued in ammonia-soda production but Ascol was voluntarily liquidated in 1919 and Brunner Mond bought the site outright. Production continued until 1926, when much of the Solvay plant was probably demolished, again with no attempt to level the site. The railway sidings were removed between 1938 and the mid-1950s. From the mid-C20 the large warehouse which is the only standing building on the site was used by Associated Octel for storing sodium salts. This involved the demolition of the bagging plant in the southern extension. This use continued until the 1980s, since when the site has been disused.
Although annotated by the Ordnance Survey as a nature reserve, the site was never designated and the Cheshire Wildlife Trust never took over its management as was intended early in the C21. The eastern part of the industrial landholdings was used in the 1960s for dumping earth excavated in the construction of the M6. However, this is not thought to have affected the scheduled area, where the large pond that is still extant accords closely with that shown on the 1918 drainage plan and marked ‘effluent from ASC’. The soil tipping is thought to have been restricted to the easternmost part of the site which has since become agricultural land.
HISTORY OF INVESTIGATIONS The site was identified as a former soda plant in the Monuments Protection Programme Step 1 report for the chemical industry, as part of the alkali industry. The Plumley site’s role as a test-bed for a new process by which the raw ingredients for high explosives could be obtained, and then as a major producer of those materials, has been underplayed in accounts given by the chemists responsible for munitions supply. Consequently it is not fully elucidated in the principal text on the archaeology of gunpowder and explosives manufacture (Dangerous Energy, Cocroft 2000), although this did note that the site had been used for the production of calcium nitrate to supply high explosives manufacture. The growing diversity of linkages with commercial chemical-industrial activity is characteristic of this period and leaves few monumental remains that can be isolated as specifically relevant to explosives production.
An initial archaeological survey completed in December 2001 and a detailed survey of the calcium nitrate plant carried out in 2002 established the detailed character of the site. The remains of both plants accorded to a high degree with the buildings shown on historical mapping, including a plan drawn by AW Tangye and dated 1910-1914, and a drainage plan and sketch plan, both of 1918. These plans allow the layout of surviving earthworks and building remains to be clearly understood and the detailed character of the plant, if not the full detailed processes, to be appreciated.
The ammonia-soda works stood on the western part of the site, although brine was pumped from a shaft in the south-east corner. The main building housed saturators and finishing machines. A boiler house attached to the west provided the heat for the processes. Attached to the north was a range annotated on the Tangye plan as ‘distiller tower shed’, which was in turn abutted on its north side by a ‘blowing and vacuum engine house’. To the east of these, running north-south and attached to the main building at the south, were the four Solvay towers where the ammoniated brine was carbonated. Railway sidings to the east and west separated the main building complex from a repair shed to the west and a crystallisation plant to the north-east. These sidings also led to the beds to the north-east where residual waste was dumped. An office and dressing rooms/canteen were sited to the north and north-east of the main plant. A long, shallow reservoir approximately 40x5m is also associated with the Ascol plant although its exact purpose is unknown. An effluent pond was sited to the north of the brine shaft, probably draining the waste beds.
The calcium nitrate plant is largely sited to the south-east of the Ascol works. It principally comprised five or six linear buildings running north-south, annotated on the 1918 sketch plan. The westernmost housed boilers, mixers and salt pans. Here brine from boreholes, which had been pumped via six-inch pipes, was passed through a succession of salt pans. Settling and evaporation purified and concentrated the brine until it was rich in sodium nitrate. From here it passed eastwards to another salt-pans building, where it was treated with calcium chloride (presumably recovered from the waste of the ammonia-soda plant) to give a solution of calcium nitrate and sodium chloride. The brine, now rich in calcium nitrate, was pumped back westwards for further refinement. Here it might also have been preheated before being pumped into the crystalliser building, which also had workshops and a laboratory to its south. Heavier waste material was discharged during these processes into cross-ditches and thence into two large north-south ditches.
The large warehouse was built for storage of the calcium chloride that was required in large quantities for these reactions, and of the finished calcium nitrate. The external buttresses were added soon after construction due to the inadequate strength of the thin walls, and quickly followed by a southwards extension with a bagging plant. The railway sidings allowed for efficient delivery and movement around the plant of raw and waste materials, and despatching of finished products to other works via the main line.
Details
PRINCIPAL ELEMENTS: an ammonia-soda plant of the Solvay type, and First World War experimental and production plant for making calcium nitrate, surviving above and below ground as steel floor joists, concrete building beds, some upstanding concrete structures, banks and ditches of evaporation beds, and drainage structures, comprising most elements of both plants.
DESCRIPTION: now (2018) largely unmanaged woodland, the site is located approximately 1km east of Plumley village and 500m south of the A556, from which it is served by a road named Ascol Drive, named after the company which founded the factory. It is approximately 500 x 500m, thus occupying approximately 25ha. A railway line runs along the south side of the site, which originally had sidings running from this line. The majority of buildings and infrastructure are in the western part of the site.
The ammonia-soda works mostly comprises the tight group of buildings clustered around a main building approximately 75 x 52m, aligned roughly north-south. The northern edge of this group is approximately 80m to the south-east of the site entrance at the end of Ascol Drive. In addition the crystal plant, office and dressing rooms/canteen are approximately 40m to the north and north-east of the main plant while the repair shed and reservoir (approximately 40 x 5m) are approximately 80-100m to the south-west. Extensive remains of most of these structures survive in the woodland, primarily as concrete beds (some with holding-down bolts and arched passageways running through them), metal I beams or low brick structures, with some stone footings; many stand approximately 1m high, but some of the concrete structures are up to 4m high. The brine shaft stands approximately 300m to the east, topped by an L-shaped building footing approximately 11 x 7m and 1m high, with smaller buildings nearby. The lime waste forms a large kidney-shaped mound approximately 150 x 100m and 8-9m high immediately to the east of the crystal plant.
The calcium nitrate plant is largely sited to the east and south-east of the Ascol works, in an area approximately 150 x 100m, aligned roughly north-south. The layout of the five or six linear buildings annotated on the 1918 sketch plan can be recognised in the pattern of earth and concrete platforms, ditches and banks, and large concrete blocks up to 4.5m high with internal chambers and passageways. To the west the line of the former railway siding now forms a linear depression approximately 100m in length, with the large warehouse to its west at the southern end. The warehouse stands to its full height of approximately 15m.
EXTENT OF SCHEDULING: this is focused on the known surviving remains of the ammonia-soda and calcium nitrate plants including their railway sidings, ancillary buildings, waste tips and effluent ponds. The scheduled area is drawn to the local authority boundary in the south-west corner and follows the property boundary for most of the western and northern boundary. To the east the boundary follows the eastern edge of the path around the waste beds and the woodland boundary to the east of the effluent ponds, taking in an area of managed woodland at the south-east corner on the site of a former railway siding spur. The southern boundary follows the northern boundary of the railway line.
Rick Mercer's video "Plus 1 in Canada". I can so relate to this - so funny! And, yes, it's snowing AGAIN today, heavily. Temperature this morning is -19C (windchill -27C). Wish I could say that it will be yet another day at home, but I have to somehow drive half way across the city for a regular dental appointment. I can barely tell where the road is. We are still under a Winter Storm Warning, with a total of up to 35 cm of snow expected.
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Needless to say, this is not a photo that was taken in the wild! I would never be able to get such a close shot or even a close view like this, unless the bird was captive for one reason or another. This bird had just had some flight training and was given a hosepipe shower to cool off.
This particular Bald Eagle resides at the Alberta Birds of Prey Centre in Coaldale, southern Alberta. This is a wonderful place that rehabilitates and releases (whenever possible) various birds of prey - hawks, owls, Bald Eagles, Turkey Vultures,and Golden Eagles. Some of these birds act as Wildlife Ambassadors, too, including educating the public away from the Centre. Sometimes, a bird is also used as a foster parent.
I often see Bald Eagles flying wild, both in the city and in the surrounding areas. Usually when I see one, it is flying or perched far away. Too far away to see any detail at all, which is why I love going to this Centre, to see raptors up close.
"Once a common sight in much of the continent, the bald eagle was severely affected in the mid-20th century by a variety of factors, among them the thinning of egg shells attributed to use of the pesticide DDT. Bald eagles, like many birds of prey, were especially affected by DDT due to biomagnification. DDT itself was not lethal to the adult bird, but it interfered with the bird's calcium metabolism, making the bird either sterile or unable to lay healthy eggs. Female eagles laid eggs that were too brittle to withstand the weight of a brooding adult, making it nearly impossible for the eggs to hatch. It is estimated that in the early 18th century, the bald eagle population was 300,000–500,000,[118] but by the 1950s there were only 412 nesting pairs in the 48 contiguous states of the US. Other factors in bald eagle population reductions were a widespread loss of suitable habitat, as well as both legal and illegal shooting. DDT was completely banned in Canada in 1989, though its use had been highly restricted since the late 1970s." From Wikipedia.
en.wikipedia.org/wiki/Bald_eagle
Last summer (2017), we had practically no 'normal' summer days. Most were too hot thanks to an almost endless heatwave, and also too smoky thanks to all the wildfires in British Columbia and Alberta. The weather forecast for 3 August 2017 looked good; sunshine all day, with rain forecast on several of the coming days. I decided to finally do a drive all the way down south to near Lethbridge, so that I could again visit the Alberta Birds of Prey Centre in Coaldale. The previous year (2016), I did this drive for the very first time on my own and I wanted to make sure I didn't lose my courage to do it again. During the 511 kms that I drove, I had to ask for help with directions twice - both times in the same small hamlet. It was a hot day, with a temperature of 31C when I was at the Centre.
Though the forecast was for sun all day, there was no mention of the smoke haze that completely blocked out the mountains and pretty much the foothills, too. Very quickly, I was almost tempted to turn around and come home, but I had noticed rain in the forecast for the coming days. I reckoned I would still be able to photograph the fairly close birds at the Centre, which worked out fine.
Amazingly, I managed to make myself get up early that morning, and set off just before 8:30 am. My intention was to drive straight to Coaldale without stopping anywhere en route. Not an easy thing for me to do, as I much prefer driving slowly along the back roads rather than the less interesting highways. However, I knew it would take me a few hours to get there and I wanted to have as much time as possible down there. On the way home, I drove one dusty, gravel road, but saw nothing but a couple of Horned Larks perched on fence posts. A couple of old barns (that I had seen before) and a few scenic shots, were more or less all I took.
I finally arrived home at 8:30 pm, after a 12-hour day, totally tired out, and my car was just about out of gas. So happy to have been down there again, though.
Risin og Kellingin (Risin and Kellingin) are two sea stacks just off the northern coast of the island of Eysturoy in the Faroe Islands close to the town of Eiði. The name Risin og Kellingin means The Giant and the Witch (or Hag) and relates to an old legend about their origins. The Giant (Risin) is the 71m stack further from the coast, and the witch (Kellingin) is the 68m pointed stack nearer land, standing with her legs apart.
ift.tt/1L2Qu9W @trunkieygm collabs with @georgethepoet on the song entitled Pavements/Relate. Out 3pm on @linkuptv #UKMUSIC #CAM #LINKUPTV #PavementsRelate
Watching over the Canyon in sort of a protective manner. I can relate to just how overwhelming looking out over this canyon can be! What an IMMENSELY awesome thing to see! :-)
The Trip to the Grand Canyon from Vegas seemed like it took FOREVER! I had left Vegas after midnight after a very long day! I had started off the day in the northern area of Death Valley after spending the night in a tent at a campsite that Darren and I had grabbed the day before. During the night I just knew that the Mountain Lions were ganging up and circling the tents and planning their strategy for some tasty meals! Okay... so it could have been just a few Kangaroo Mice instead! Or maybe just the wind! :-D Anyway, I had passed out on Darren the previous night at Racetrack Playa basically from being so totally exhausted that I just couldn't go anymore. So I could have just been dreaming! ;-)
After a restless night, Darren and I got up and made our way south and stopped along the way to see some of the other sites in Death Valley. It was getting very HOT in the middle of the day but we did make it to the Devil's Golf course and a few other places as well. I needed to start heading back towards Dallas and at about 2 or so in the afternoon, I bid farewell to Darren and started heading east.
That evening I stopped in Vegas to meet up with Marisa and one other photographer that lives there in Vegas as well. We spent a little time at the Red Rock Park just on the Northeast side of Las Vegas. After dropping off Marisa at her car and thanking her for the time she spent with us, I started making my way towards the Grand Canyon. At least my plan was to drive for as long as I could and then pull over to get some sleep somewhere. I was not in Arizona too long before I had to stop and found a parking area with a scenic overlook area and laid back the seat to get some rest.
I woke up the next morning as the sun was rising and got back on the road shortly thereafter. Still didn't get much sleep but I was ready to hit the Grand Canyon and see if I could find a secluded area to get some Light Painting Shots in that evening.
I arrived at the Grand Canyon at about noon after a few pit stops for food and fuel and there were people EVERYWHERE! As I walked around the Grand Canyon Village area taking pics here and there, I was also watching the people that were obviously here from all over the world to see this awesome spectacle of nature! So many different languages being spoken that I could not even start to guess what most of them were. It was pretty cool to be standing in the middle of this big melting pot of people from every corner of the planet.
With all of the people around this main area, I decided it was best to venture to the east a bit and see if I could find a nice overlook area not only to catch a nice sunset with the canyon in view, but a spot that would be a good place for some light painting a little later when the moon came up. It was now Monday, May 7th and the full moon occurred two days prior to this. So it would rise roughly two hours after sunset... Plenty of time to get settled! :-)
I drove down East Rim Drive towards Cameron, Arizona. (Cameron loved the fact that "the town was named after him!" when we made a trip to the Grand Canyon in 2001!) Ha! I was so busy looking at the forest and the occasional views over the canyon that I didn't pay much attention to the signs along road as I went. This would come back to bite me a little later! ;-) I stopped at several overlook areas along the way and finally made my way to Navajo Point which is about 20 miles away from the main visitor center. The view from this point was awesome! The canyon made a bend here and the sun would set over the canyon to my west, and you could see the Colorado River at the bottom of the canyon in spots towards the west and in a large area heading to the north east from here. I took a few photos and looked around a bit and found a spot where I could do some Light Painting without fear of falling off into the dark canyon below. At least not TOO much fear! ;-)
So after a little more exploring of the area, I settled down in a good spot to get some shots of the sun setting and just kicked back for a while enjoying the view. Off to the east, I noticed some clouds and it looked like they might have some rain mixed in with them as well. Rain is sort of an unusual thing and you really don't see clouds that often here either so I didn't think much about them other than the fact that I thought it would be cool if some clouds would make an appearance in some of my shots. Well, be careful what you wish for! As the sun was getting closer to the horizon, an overcast moved in and caught up with the sun as well and it was starting to look like there wasn't going to be any sunset shots at this point. It was also looking pretty bad for the Light Painting shoot that I had planned for later as well since this would block the moon from making the landscape visible during the session! 8-O Wow!
Well, just as the sun was getting close to the horizon, it broke back out of the cloud bank and did end up putting on a bit a a show for us. I say "US" because at this point, there were probably 50 other people gathered at the same area hoping to get a shot of the sunset also! ;-)
Anyway… After getting some shots of the sunset and letting it get a bit dark, I headed back towards Grand Canyon Village to see if I could find a place to get some food and do some waiting to see if the clouds would break up at all. On my way back though, I spotted some of the signs that I had missed on the way in! There was one that REALLY stood out and was on the road near the point I had chosen for my Light Painting session that night! It was like the familiar Deer Crossing warning signs that most everyone has seen before, but this was different! Instead of the silhouette of a deer on the sign, it was the silhouette of a Mountain Lion!!! 8-O A Cougar! A Puma! A BIG Cat!! One that HAS been known to attack and kill humans!! I distinctly remember reading that these cats are normally shy and solitary animals, BUT, they DO occasionally attack people, usually children or solitary adults, and that there are about four attacks per year with one fatality each year!!! Great!!! Here I am, in an area where they thought it NECESSARY to put up a sign warning drivers about them and I was going to be a SOLITARY ADULT out in the middle of the night in the middle of NOWHERE!!
I have said it before and I will say it again! One my biggest fears is being eaten alive! Particularly by one of these cats!! It is not the first time I have been in an area where they are known to be, and I am sure it wont be the last! But usually I am with someone else! This time, it was just me! So.. as I dwelled on that thought all the way back to civilization and on through dinner while waiting for the moon to pop out of the clouds, I wondered if I should try to find a different area in the dark or go through with my plans. Things were really not looking too good anyway with the cloud cover so I was starting to think that I would not get any Light Painting shots at the Grand Canyon this go around anyway. :-\
As it starting getting close to midnight, I was getting ready to give up on the moon when I noticed it lighten up a bit outside! Sure enough! The clouds were breaking! Cool! I was at least going to see if I could get a few shots in before hitting the road again to get back to Dallas! So... I made my way back out to Navajo Point and was reminded of the Mountain Lion threat several times along the way! I had convinced myself that I would just try to play it as safe as possible and keep aware of my surroundings as much as possible, but if it was my time to go at the claws of a big cat, then I guess it was time! :-)
When I reached Navajo Point, I got all my gear together and made the short hike over to the rim of the canyon and got things set up. I kept a very bright flashlight turned on and searched the area for glowing eyes at every chance as I got everything ready to shoot. The moon was still at an angle that was causing some unwanted shadows but I just had to deal with the situation I had at the moment and started shooting. Each shot was a little over a 10 minute exposure and it was difficult to NOT turn on the spotlight to look for eyes during the exposures but I refrained. The wind was blowing fairly strong as well, so it was hard to hear anything but the wind blowing through the trees. As soon as I would end an exposure, I would turn on the spotlight to scan for glowing eyes and keep it on the entire time that I was checking the shot. I would scan the trees again before taking the next shot and this went on like this for the next two hours.
After I had created several shots, and at about 2:30 in the morning, my nerves were shot and I was exhausted once again! So I packed things up and high tailed it away from any further threat of being eaten alive that night! I still felt good about the fact that I was FINALLY able to Light Paint the Grand Canyon! :-)
Light Painting - Single Exposure
In the style of Denis Smith (biskitboy)
The third of the three brochures relating to Dennis's re-entry into the bus & coach building business was the Dorchester chassis. It was very much a premium offering and really deserved to succeed on the strength of its design and heavy duty build quality. It boasted a mid mounted Gardner 6HLXCT power unit and full air suspension. Typically for Dennis though they offered a Voith auto box as standard at a time when people weren't really ready for automatic coaches. I suppose there might have been more, but I can only recall the Duple Carribean bodied Demonstrator as having a manual gearbox.
Several years ago I had the opportunity to drive an ex Kingston upon Hull Paramount bodied Dorchester with Voith box when we had one in for some work. It sat heavily on the road and felt incredibly well made. When however I came to reverse up the slight incline into our yard, it just didn't want to know.
If the Dorchester did one thing however, it was frightening Leyland into offering a Gardner powered Tiger, because after seeing the SBG taking Dorchesters, they feared another Seddon Pennine VII vs Leopard issue.
Here is another scan and retouch that relates a lot of history. It was a snap of Alice and Katherine at Alice's Wild Basin cabin at the Copeland Lake area of the south end of Rocky Mtn. National Park. Was the old ice chest on the north of the cabin still in use? It stands in front of the cabin that was originally the recycled ice house at Copeland Lake. At some time, Jim Coulihan of St. Catherine's Chapel, built a new addition to the origins. Grandmother, Alice, spent every summer at her cabin right near the Wid Basin Lodge and walked to The Meeker Park Store of groceries. Down the hill from the porch on the other side was the North St.Vrain River scrambled down the canyon, filled with all those trout. The cabin was ever a mellow place to stay in 1943.
Talk about a mellow place to stay, the entire world would like to pack in here this summer. At Longmont, the nights are seldom dropping to 60 and below so far. So much for T-Rump's Tirade against the Environment (his TTE - Trade the Environment for money policy); it's starting to really pay off with rain in the Arctic and state sized bergs calving in the Antarctic.
The water supply for the uninsulated cabin was directly pumped from the river when there was no thought about the quality of the water supply. Do I remember something about tumbling streams purifying in a 1/4 mile? Nobody ever gave a thought about drinking from the stream that fed Longmont's water supply.
As usual, the negative and contact printing left a lot of flecks, white and black, and garbage across the image. In close, it looks like a shotgun blast. As always, it provides plenty of practice whether needed or not. I used the same two techniques, the Stamp and Brush to work on the image. Unfortunately, the scanner usually features all the defects on old snaps like this. I suppose that it will always be possible that this family will exchange the digital shots and spread them far enough that my labor won't be entirely wasted.
Generally, I gang output these to high resolution PDFs that can be printed at home of taken to Fed-X Kinkos for their color printing. I have enough to output another sheet. Their output never seems to waver from the quality of the PDF.
127 comments under the Facebook posting, to a province-wide group, of a photo that a photographer took of three people, one of them myself - angry, rude, critical, judgemental comments, by people who don't even know me or my ethics, including when they relate to photography! Last night, I found the posting again and took a long time going through all 127 comments. Made me feel sick to the stomach. This can't be right, though I know this kind of thing does happen on Facebook. I want the photo removed or for the photographer to at the very least completely blur me out of the shot. Though his comment, when he first posted his photo, was about people staying safe when taking photos, he has allowed the posting to develop into an endless bashing.
I wasn't going to post this again, but I have changed my mind after reading all those comments. I sent the man a link to one of my owl photos that has this long description with it, asking him to read, when he has time, what I have written. The link was sent only two or three days ago, so he may not have seen it yet.
""I think the very first Long-eared Owl that I ever saw was seen on 13 October 2006. SInce then, I have been very fortunate to have seen several other individuals - including the day before yesterday. These owls are very secretive and many birders go years between sightings. It is so important not to give the location of this species. Be careful that there is nothing in your photos that gives away the location.
Various people had been posting photos of a Long-eared Owl recently, but I had no idea where they were seeing it. Someone had posted a photo and labelled it "Calgary" (totally untrue!), so I had thought it must have been seen in one of our local city parks. Two days ago, I decided to go for a short drive and get a bit of sunshine and fresh air. Our deep freeze has lasted for more than four weeks, and I have been home for most of that time. It was a milder day, so I decided to make the most of it, especially with more snow forecast for today.
Imagine my surprise when a stranger told me just where it was, and my absolute horror when I came upon a huge crowd of photographers with their lenses raised! So how did they all know about this owl?? Apparently, Facebook has such a bad reputation for people trolling everyone's photostream there, finding out locations for all sorts of things (old barns included!). Then, of course, some people phone others, to ask or to tell. Others follow ebird religiously, dashing out to see every more 'special' bird that is reported and location given. I don't post many photos on Facebook and I certainly don't post the same photo to three groups. It gets so very boring to see the same photos everywhere. These people flood their own Facebook pages and the groups! The only reason I can see is to get as many Likes as possible. Anyway, most people were down in the ditch at the fenceline, so no doubt they were able to get stunning close shots, especially those with enormous lenses. My photos were taken from the road, which was twice as far away, with a point-and-shoot. I'm not out to try and get better photos than anyone else : ) As always, there is so much competition among photographers. I was also not out there all day, like various people always are, and often day after day after day.
So, after saying those things, perhaps you can imagine how extremely upset (devastated, actually) I am to have been told (when I arrived at the owl) by a couple of friends (both of whom are superb photographers) that my photograph had been taken, along with two other people in it, standing at the edge of a road earlier in February. These friends thought it was hilarious and I sure was teased a lot. As they said, my "goody two-shoes" image was gone. They both know I have very high ethics, including when it comes to photography. This photo was posted on Facebook on a provincial birding page, pointing out how dangerous it is for people to stand by the road. This thread turned into a string of comments about people harassing the owls, etc., etc., etc. Actually, the other two people in the photo are both seen taking photos (when I was told they already had taken thousands). There's me, camera not raised, looking disgusted that an owl had been flushed so that they could take flight images. The reason I was out of my vehicle was that these two people were out of theirs and racing down the road at top speed to get yet more shots. When I was sitting in my car, these photographers blocked my view of the owl, so out I got and caught up with them. To prove that I was not planning on getting out of my car this trip, I was wearing just my thin summer jacket (over fleece) in a windchill in the minus 20C's. Two minutes later, I was back in my car!
Sorry to rant, but it just upsets me so much that this photo was taken and posted on Facebook. Have barely slept the last two nights! The very last thing I would ever want is to be connected with bad ethics!! Of course, I must be such a bad person to actually stand by the road - ha, you should see all the dozens of people who do exactly the same (without being photgraphed)!
That day, I took maybe 30 photos of the Long-eared Owl, and maybe a couple of dozen of a Short-eared Owl, almost every single one of the latter needing to be deleted, because they were all totally blurry, thanks to taking the photos from inside my car. You can be sure that most of the others went home with yet another memory card containing thousands of photos.
I am hoping that now I won't be stressing out over it quite as much, every second of the day! Ain't life fun? To the man who took my photo (as far as I know, I have never met him), how about taking a few photos of the crowds of people, especially those who were as close as they could get to the LEO. Or those who stress out the owls day after day after day, often from morning till evening! You might just get lots of likes and comments on photos of those repeat "offenders". How about giving it a try?
PS: I rarely allow people (i.e. friends) to photograph me. Not sure what right this man thinks he has, to take my photo and especially to then post it on a very popular Facebook group page. I want it removed from Facebook, or at the very least, to have myself totally blurred out of the image. When this sort of thing happens, it can totally destroy a person's joy of photography!
Actually, on a more serious note, something that I'm sure most people don't think of. You really need to be careful about taking a photo of someone and then posting it (without signing a consent form). For various security reasons, doing this could actually put someone in danger. For example, a woman (or vice versa) might not want their photo being advertised in this way, not wanting an abusive spouse/partner to know where they go sometimes or what they do. Just something to keep in mind."
Rubenesque. : of, relating to, or suggestive of the painter Rubens or his works; especially : plump or rounded usually in a pleasing or attractive way (www.merriam-webster.com/dictionary/Rubenesque).
Chester is an awesome cat, but we do worry about his weight. He, on the other hand, doesn't seem overly concerned about it.
Commentary.
As its name suggests this village refers to a real forest, namely Ashdown Forest, an upland heathland in East Sussex.
Along with places like the New Forest, Great Windsor Park and Richmond Park it was one of many areas used by medieval Royals and landed gentry as a hunting ground, particularly for deer, wild boar and game birds.
Several other local villages have names linking to their forested/heathland hinterland.
These include Chelwood Gate, Hartfield (“hart” relating to a male deer or stag), Ashurst Wood (“hurst” referring to a woodland clearing), Withyham ( “withy”) referring to willow trees) and Coleman’s Hatch (“hatch” referring to a woodland gate) because “forests” or hunting grounds were often fenced off with six-foot fences to prevent deer from eating farm produce and sapling trees.
As for Forest Row itself, it is a village south-east of East Grinstead where the modern A.22 turns from south-east to south towards Eastbourne.
In this image Holy Trinity Church is on the left.
Just right of centre is the colourful and elaborate frontage of the Village Hall.
A turning to the right of this image connects to Ashdown Forest and Hartfield.
For me and countless others, these two places will always be the land of Winnie the Pooh.
A.A. Milne, the writer of Pooh stories, lived at Cotchford Farm, near Hartfield, with his son Christopher Robin from 1925 to 1956 when Milne died.
Thousands of people every year visit the “real” sites of the inspired fictitious locations including:
Pooh Sticks Bridge, Galleons Lap, The Enchanted Place and (Five) Hundred Acre Wood and many others.
I have visited these places myself and found them so “real” that I half expected Tigger to bounce from behind a tree at any moment.
Such is the power of the well written word!
Uses: Anything relating to finance and money.
Free Creative Commons Finance Images... I created these images in my studio and have made them all available for personal or commercial use. Hope you like them and find them useful.
To see more of our CC by 2.0 finance images click here... see profile for attribution.
The original Albion Hotel was built in 1864 by owner and licensee Tom Haselden. Anecdotal evidence relates that Haselden named his hotel the Albion Hotel because the white walls of the stone quarry in the area reminded him of the white cliffs of Dover. The hotel had numerous short term licensees prior to the 1880s with Edward Hudson holding the license from 1866 - 1870. The suburb of Albion was named after the hotel.
In the 1880s Brisbane experienced an economic boom, the population increased dramatically and there was an associated boom in the building and accomodation industries. By the late 1880s and early 1890s Albion was one of a number of prosperous suburban centres that had arisen in response to the expansion of Brisbane from its former small core.
Between 1883 and 1886 the original Albion Hotel was replaced by the present building which was designed by renowned Brisbane architect Francis Drummond Greville Stanley. As Queensland’s longest serving Colonial Architect from 1872 to 1881, Stanley was highly respected within his profession and had a flourishing private practice. Some of his most prominent building designs in Brisbane include the General Post Office (1871 - 1872), the Supreme Court at North Quay (1874 - 1879), Lennon’s Hotel in George Street (1883 - 1885) and the Government Printing Office (1872 - 1874), to name but a few. Stanley was also the foundation president of the Queensland Institute of Architects. According to Watson and McKay ‘he is the best known of all Queensland early architects because of the quality, diversity and extent of his work’.
During the 1880s the licensee of the Albion Hotel was Margaret Magdalen Hughes who held the license until 1889 when it was transferred to James O’Brien who held it until 1897. From 1908, the Albion Hotel has been associated with the Stewart family, who were well known in the hotel industry. When Castlemaine Perkins purchased the Hotel at auction more than 60 years later in 1971, the property was still being leased by the Stewarts who also ran the Criterion and Hamilton Hotels.
In 1927 alterations designed by architects Hall and Prentice were made to the hotel. During the 1950s and 1960s, when the hotel was owned by Castlemaine Perkins, further alterations and additions were made including the addition of a drive-in bottle department in 1968. Further additions were made during the 1970s including the construction of a covered barbeque area and off-street parking for guests. The Albion Hotel survives today in its original capacity and continues to be a popular meeting place for the local community.
Source: Brisbane City Council Heritage Register.
What does it mean? I look over all the information from Zucco again to find what I missed. The most helpful clues would be V, F, and that name that I can't remember! Come on, just REMEMBER!
Harvey: (throws everything off his desk, breathing heavily.)
Great. Just great. Now I have to put everything back where it was. I should've just interrogated Zucco, he was already knocked down, and I had the shard. I could've just-
Wait. I pay attention to what I'm doing, and see an ad for horse racing. Why'd that make me stop? Of course! Mareli! Mare-li! Luca Mareli! I put him away a few months back, he worked for... Maroni. Sal Maroni must've been the one to hire Zucco! And the dates correspond with when he would've first contacted-
I look at the clock. Shoot, I'm going to be late! Thankfully the trial's almost over, then I don't have to go waste time trying to protect or put away Gotham's criminals. If they do something illegal they should be punished a punishment matched to their crime. I have other things to do.
When I arrive everyone is there looking at me. I'm late. Buzz off people, it's not like you're perfect. Today's the closing arguments. Steven gets to go first.
Steven: "Today is the final day of the second trial of Drury Walker, aka Killer Moth. One of Gotham's many criminals, but not one of the brightest. He claims to have been under 'mind-control,' but the defense has yet to provide any substantial proof. All we have is the word of the accused, and the word of the man who is paid to defend him. Yet there is video proof, and the testimony of a witness that Mr. Walker is guilty. Video evidence, that convicts Mr. Walker. You all saw it on the screen. He robbed the bank, but didn't get away, so he got in trouble. And what do you do when you get in trouble? You blame it on someone or something else. Every single time anyone gets in trouble, they blame it on something. Whether it be on their rough day, their health or physical condition, or the fact that 'they started it,' everyone always blames someone, or something, else. Every time. Because they do not want to suffer the consequences of their own actions. So they blame. And this time, ladies and gentlemen, is no different. Thank you."
Playing that card, eh Malone. I know because it's the exact same card I used for other cases of henchmen for the bigger gangs. It worked, every time. And now it's being used against me. Just goes to show how fair Gotham City is. Now it's my turn to contradict myself.
Harvey: (clears throat) "We live in a changing world. Everyday, something new arrives on our doorstep. A couple years ago it was masked vigilantes fighting crime. Then costumed criminals, then metahumans with insane abilities. Yet one aspect that has been around for awhile is telepathy. Some of you may not believe in telepathy, or mind-control, but look around. Look at recent events. They've been around for what feels like forever. If you were to read the news today, I'll bet there will be at least one article that relates to telepathy or someone with telepathic powers. It's real. And on September 17th it was real too. Now, we may only have a couple of testimonies, but we can't exactly go ask the mind-controlling psyco for the truth. And this is the truth: Drury Walker was controlled by Psimon, the same telepath who controlled numerous criminals, to rob Gotham National Bank. He wasn't in control. Someone else took over his mind, and forced him to rob that bank. Someone else, who did this to many other people at the same time. Controlling them to do his bidding. And that's all there is too it. Thank you."
I sit down, hoping the jury believes me. We get dismissed so they can go make their decision, a decision that decides which direction a man's life will go. They come back about an hour after they left, with their choice.
Judge: "Ladies and Gentlemen of the jury, have you made your decision?"
First Jury: "Yes, your honor."
Judge: "And how do you find the defendant?"
-----------------------------------
Trial is over. Now it's decision time. I've tagged the jury in the photo, but if you aren't tagged yet still want to comment whether or not you believe Drury Walker is guilty, feel free. Though if you do there is one condition: please read the rest of the trials (issues 4, 5, and 7) so you hear all the angles included. The time to decide ends 24 hours after this was posted. I will tally up the votes, and whichever side has more is the verdict (I know it's not how real juries work, but that's how I'm doing it). Thank you for reading, and let the decision-making begin.
EDIT: Voting is now closed.
'Wheels up on soft mud by Su' in a duvet cover mockup: relates to my entry in Spoonflower's Cycling Design Challenge: 'How many wheels does it take... by Su_G'.
Chalk on paper
© Su Schaefer 2018
I like the softness of this design in this particular colourway for bedding.
See 'Wheels up on soft mud by Su_G' as fabric @ Spoonflower.
See 'Wheels up on soft mud by Su_G' as a duvet cover (and other soft furnishings) @ Roostery (Spoonflower's home decor arm)
[Wheels up on soft mud by Su_G_duvet_mockup]
You might relate this photo to the sound of music, and that relatively wholesome and peaceful musical. But 60 years ago today, a division known for its courage had this place as one of the rally points. That division was the 101st Airborne. The division not really known for its firepower, but for its spirit and courage. Here, more than a half century ago, men, in their early twenties jumped from the sky, under fire, some on gliders steering blindly through the night -- the prelude to D-Day. Their objectives, disrupt enemy activities, destroy patches of German outposts and secure bridges. Many of them never made it to the ground alive.
The 101st airborne was recently made famous by the movie band of brothers, which was about the "Easy" company of the 101st's 2nd Batallion.
Normandy, France
adj. *Dramatic
1. Of or relating to drama or the theater.
2. Characterized by or expressive of the action or emotion associated with drama or the theatre: a dramatic rescue at sea.
3. Arresting or forceful in appearance or effect
Dramatic Sunrise, Grands Jardins National Park, Charlevoix region, Quebec, Canada.
PixQuote:
"Using a camera appeases the anxiety which the work-driven feel about not working when they are on vacation and supposed to be having fun. They have something to do that is like a friendly imitation of work: they can take pictures."
-Susan Sontag
PixNote:
In 1988, UNESCO embedded the Parc national des Grands-Jardins within the World Biosphere Reserve in Charlevoix, confirming its international position as a vital element in the conservation of the biodiversity of this exceptional site. Two major forest fires have since devastated the Grands-Jardins forest, one in 1991 and another in 1999. Although these events initially appear to be dramatic, they are nevertheless beneficial for a number of animal species. Contrary to what most people would think, the post-fire ecosystem is dynamic, and this gives the Parc national des Grands-Jardins territory its special nature. (Ref: SEPAQ)
The Symptoms of Kali-yuga
This chapter relates that, when the bad qualities of the Age of Kali will increase to an intolerable level, the Supreme Personality of Godhead will descend as Kalki to destroy those who are fixed in irreligion. After that, a new Satya-yuga will begin.
As the Age of Kali progresses, all good qualities of men diminish and all impure qualities increase. Atheistic systems of so-called religion become predominant, replacing the codes of Vedic law. The kings become just like highway bandits, the people in general become dedicated to low occupations, and all the social classes become just like śūdras. All cows become like goats, all spiritual hermitages become like materialistic homes, and family ties extend no further than the immediate relationship of marriage.
When the Age of Kali has almost ended, the Supreme Personality of Godhead will incarnate. He will appear in the village Śambhala, in the home of the exalted brāhmaṇa Viṣṇuyaśā, and will take the name Kalki. He will mount His horse Devadatta and, taking His sword in hand, will roam about the earth killing millions of bandits in the guise of kings. Then the signs of the next Satya-yuga will begin to appear. When the moon, sun and the planet Bṛhaspati enter simultaneously into one constellation and conjoin in the lunar mansion Puṣyā, Satya-yuga will begin. In the order of Satya, Tretā, Dvāpara and Kali, the cycle of four ages rotates in the society of living entities in this universe.
The chapter ends with a brief description of the future dynasties of the sun and moon coming from Vaivasvata Manu in the next Satya-yuga. Even now two saintly kṣatriyas are living who at the end of this Kali-yuga will reinitiate the pious dynasties of the sun-god, Vivasvān, and the moon-god, Candra. One of these kings is Devāpi, a brother of Mahārāja Śantanu, and the other is Maru, a descendant of Ikṣvāku. They are biding their time incognito in a village named Kalāpa.
SB 12.2.1 — Śukadeva Gosvāmī said: Then, O King, religion, truthfulness, cleanliness, tolerance, mercy, duration of life, physical strength and memory will all diminish day by day because of the powerful influence of the Age of Kali.
SB 12.2.2 — In Kali-yuga, wealth alone will be considered the sign of a man’s good birth, proper behavior and fine qualities. And law and justice will be applied only on the basis of one’s power.
SB 12.2.3 — Men and women will live together merely because of superficial attraction, and success in business will depend on deceit. Womanliness and manliness will be judged according to one’s expertise in sex, and a man will be known as a brāhmaṇa just by his wearing a thread.
SB 12.2.4 — A person’s spiritual position will be ascertained merely according to external symbols, and on that same basis people will change from one spiritual order to the next. A person’s propriety will be seriously questioned if he does not earn a good living. And one who is very clever at juggling words will be considered a learned scholar.
SB 12.2.5 — A person will be judged unholy if he does not have money, and hypocrisy will be accepted as virtue. Marriage will be arranged simply by verbal agreement, and a person will think he is fit to appear in public if he has merely taken a bath.
SB 12.2.6 — A sacred place will be taken to consist of no more than a reservoir of water located at a distance, and beauty will be thought to depend on one’s hairstyle. Filling the belly will become the goal of life, and one who is audacious will be accepted as truthful. He who can maintain a family will be regarded as an expert man, and the principles of religion will be observed only for the sake of reputation.
SB 12.2.7 — As the earth thus becomes crowded with a corrupt population, whoever among any of the social classes shows himself to be the strongest will gain political power.
SB 12.2.8 — Losing their wives and properties to such avaricious and merciless rulers, who will behave no better than ordinary thieves, the citizens will flee to the mountains and forests.
SB 12.2.9 — Harassed by famine and excessive taxes, people will resort to eating leaves, roots, flesh, wild honey, fruits, flowers and seeds. Struck by drought, they will become completely ruined.
SB 12.2.10 — The citizens will suffer greatly from cold, wind, heat, rain and snow. They will be further tormented by quarrels, hunger, thirst, disease and severe anxiety.
SB 12.2.11 — The maximum duration of life for human beings in Kali-yuga will become fifty years.
SB 12.2.12-16 — By the time the Age of Kali ends, the bodies of all creatures will be greatly reduced in size, and the religious principles of followers of varṇāśrama will be ruined. The path of the Vedas will be completely forgotten in human society, and so-called religion will be mostly atheistic. The kings will mostly be thieves, the occupations of men will be stealing, lying and needless violence, and all the social classes will be reduced to the lowest level of śūdras. Cows will be like goats, spiritual hermitages will be no different from mundane houses, and family ties will extend no further than the immediate bonds of marriage. Most plants and herbs will be tiny, and all trees will appear like dwarf śamī trees. Clouds will be full of lightning, homes will be devoid of piety, and all human beings will have become like asses. At that time, the Supreme Personality of Godhead will appear on the earth. Acting with the power of pure spiritual goodness, He will rescue eternal religion.
SB 12.2.17 — Lord Viṣṇu — the Supreme Personality of Godhead, the spiritual master of all moving and nonmoving living beings, and the Supreme Soul of all — takes birth to protect the principles of religion and to relieve His saintly devotees from the reactions of material work.
SB 12.2.18 — Lord Kalki will appear in the home of the most eminent brāhmaṇa of Śambhala village, the great soul Viṣṇuyaśā.
SB 12.2.19-20 — Lord Kalki, the Lord of the universe, will mount His swift horse Devadatta and, sword in hand, travel over the earth exhibiting His eight mystic opulences and eight special qualities of Godhead. Displaying His unequaled effulgence and riding with great speed, He will kill by the millions those thieves who have dared dress as kings.
SB 12.2.21 — After all the impostor kings have been killed, the residents of the cities and towns will feel the breezes carrying the most sacred fragrance of the sandalwood paste and other decorations of Lord Vāsudeva, and their minds will thereby become transcendentally pure.
SB 12.2.22 — When Lord Vāsudeva, the Supreme Personality of Godhead, appears in their hearts in His transcendental form of goodness, the remaining citizens will abundantly repopulate the earth.
SB 12.2.23 — When the Supreme Lord has appeared on earth as Kalki, the maintainer of religion, Satya-yuga will begin, and human society will bring forth progeny in the mode of goodness.
SB 12.2.24 — When the moon, the sun and Bṛhaspatī are together in the constellation Karkaṭa, and all three enter simultaneously into the lunar mansion Puṣyā — at that exact moment the age of Satya, or Kṛta, will begin.
SB 12.2.25 — Thus I have described all the kings — past, present and future — who belong to the dynasties of the sun and the moon.
SB 12.2.26 — From your birth up to the coronation of King Nanda, 1,150 years will pass.
SB 12.2.27-28 — Of the seven stars forming the constellation of the seven sages, Pulaha and Kratu are the first to rise in the night sky. If a line running north and south were drawn through their midpoint, whichever of the lunar mansions this line passes through is said to be the ruling asterism of the constellation for that time. The Seven Sages will remain connected with that particular lunar mansion for one hundred human years. Currently, during your lifetime, they are situated in the nakṣatra called Maghā.
SB 12.2.29 — The Supreme Lord, Viṣṇu, is brilliant like the sun and is known as Kṛṣṇa. When He returned to the spiritual sky, Kali entered this world, and people then began to take pleasure in sinful activities.
SB 12.2.30 — As long as Lord Śrī Kṛṣṇa, the husband of the goddess of fortune, touched the earth with His lotus feet, Kali was powerless to subdue this planet.
SB 12.2.31 — When the constellation of the seven sages is passing through the lunar mansion Maghā, the Age of Kali begins. It comprises twelve hundred years of the demigods.
SB 12.2.32 — When the great sages of the Saptarṣi constellation pass from Maghā to Pūrvāsāḍhā, Kali will have his full strength, beginning from King Nanda and his dynasty.
SB 12.2.33 — Those who scientifically understand the past declare that on the very day that Lord Śrī Kṛṣṇa departed for the spiritual world, the influence of the Age of Kali began.
SB 12.2.34 — After the one thousand celestial years of Kali-yuga, the Satya-yuga will manifest again. At that time the minds of all men will become self-effulgent.
SB 12.2.35 — Thus I have described the royal dynasty of Manu, as it is known on this earth. One can similarly study the history of the vaiśyas, śūdras and brāhmaṇas living in the various ages.
SB 12.2.36 — These personalities, who were great souls, are now known only by their names. They exist only in accounts from the past, and only their fame remains on the earth.
SB 12.2.37 — Devāpi, the brother of Mahārāja Śāntanu, and Maru, the descendant of Ikṣvāku, both possess great mystic strength and are living even now in the village of Kalāpa.
SB 12.2.38 — At the end of the Age of Kali, these two kings, having received instruction directly from the Supreme Personality of Godhead, Vāsudeva, will return to human society and reestablish the eternal religion of man, characterized by the divisions of varṇa and āśrama, just as it was before.
SB 12.2.39 — The cycle of four ages — Satya, Tretā, Dvāpara and Kali — continues perpetually among living beings on this earth, repeating the same general sequence of events.
SB 12.2.40 — My dear King Parīkṣit, all these kings I have described, as well as all other human beings, come to this earth and stake their claims, but ultimately they all must give up this world and meet their destruction.
SB 12.2.41 — Even though a person’s body may now have the designation “king,” in the end its name will be “worms,” “stool” or “ashes.” What can a person who injures other living beings for the sake of his body know about his own self-interest, since his activities are simply leading him to hell?
SB 12.2.42 — [The materialistic king thinks:] “This unbounded earth was held by my predecessors and is now under my sovereignty. How can I arrange for it to remain in the hands of my sons, grandsons and other descendants?”
SB 12.2.43 — Although the foolish accept the body made of earth, water and fire as “me” and this earth as “mine,” in every case they have ultimately abandoned both their body and the earth and passed away into oblivion.
SB 12.2.44 — My dear King Parīkṣit, all these kings who tried to enjoy the earth by their strength were reduced by the force of time to nothing more than historical accounts.
~ Srimad Bhagavatam, canto 12, chapter 2
#InternationalRebellionWeek #srimadbhagavatam
Thank you for viewing. If you like please fav and leave a nice comment. Hope to see you here again. Have a wonderful day 😊
Oxford Circus, London 🇬🇧
18th April, 2019