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Reference: APAAME_20051003_RHB-0248
Photographer: Robert Howard Bewley
Credit: Aerial Photographic Archive for Archaeology in the Middle East
Copyright: Creative Commons Attribution-Noncommercial-No Derivative Works
I didn't realize that the interior of the Toronto Reference Library was this interesting…..
This image cannot be used on websites, blogs or other media without explicit my permission. © All rights reserved
Black Cherry Dolls Xiao Yu Moon on Obitsu 50cm body. Great match if you want Xiao Yu to be a little more childlike.
Reference: DS.GP.1919/3444
This photograph shows Mirror Tests using Grubb Parsons equipment for the San Fernando Observatory at some point in the early 20th Century.
This photograph is taken from the Grubb Parsons Ltd collection at Tyne & Wear Archives. The records of Grubb Parsons Ltd, Newcastle upon Tyne, England, consist of 65 linear metres (213 linear feet) of files, plans, photographs and glass plate negatives relating to this internationally renowned firm's manufacture of precision telescopic instruments.
The original Business was founded in the early nineteenth century by Thomas Grubb, in 1925 the company was acquired by Sir Charles Parsons and continued to manufacture Telescopic and Astronomical instruments until 1985.
This Glass Lantern Slide is taken from a large collection that documents the work of Grubb Parsons Ltd at their workshop in Walkergate, Newcastle upon Tyne. It was here that Grubb Parsons Ltd manufactured Telescopic and Astronomical equipment for companies and observatories world wide. Their equipment was designed and built for use and research across the Globe, to name only a few of these locations Grubb Parsons Ltd supplied to the UK, Switzerland, Denmark, Egypt, South Africa, Greece, Australia, Japan, India, Hawaii, Poland, Chile, Canada, France and Spain.
(Copyright) We're happy for you to share these digital images within the spirit of The Commons. Please cite 'Tyne & Wear Archives & Museums' when reusing. Certain restrictions on high quality reproductions and commercial use of the original physical version apply though; if you're unsure please email archives@twmuseums.org.uk
Photobooth pictures for drawing reference. Can you find the drawing I used this in (if I used it that is).
I think this is fairly recent, maybe 2 months ago?
This is meant to be used as anatomy reference or use in art. Please see my profile for usage rules!
Name: Reede
Species: English Muntjac
Sex: Male
Location from: England
Other: A young adult that was evidently sourced from roadkill. Has some minor post mortem tooth damage.
Species Info: Muntjacs, AKA Barking Deer, are small portly deer with striking red coats. Their most notable feature are their long canines which are used for fighting. They have no seasonal rut- instead mating year-round due to being a tropical animal.
These deer are native to Asian regions but have been introduced to England, where they have become one of the most common deer species.
Reference Only, Not For Sale
They have this grainy effect, which puts me off them. But maybe they look better when they are larger.
Built 1973-1977 Architect - Raymond Moriyama .... The Toronto Reference Library is a public reference library, in the Yorkville neighborhood of downtown Toronto. The Toronto Reference Library is the largest and most visited branch of the Toronto Public Library system.
I love old ads and posters like this one! I had some of these pieces in my childhood dollhouse and I would love to find them all again...
Red brick and metal boxes provide additional fortifications at the centrepiece of the Ardee Enterprise Centre - a clear reference to the nearby Ardee and Hatch's Castles.
Hermann Kinder and Werner Hilgemann - The Penguin Atlas of World History - Volume One: From the Beginning to the Eve of the French Revolution
Penguin Reference R54, 1983
Cover: Maps designed by Harald and Ruth Bukor
Priory Church of St. Mary, Bridlington, grid reference TA177680, commonly known as Bridlington Priory Church is a parish church in Bridlington, East Riding of Yorkshire, England, in the Diocese of York. It is on the site of an Augustinian priory founded in 1113 which was dissolved during the Dissolution of the Monasteries. In 1951 it was designated a Grade I Listed Building.
Bridlington Priory was founded around 1113 by Walter de Gant, for Augustinian Canons Regular, one of the earliest Augustinian houses in England, with an adjoining convent. Its foundation was confirmed in charters by King Henry I of England. The site had formerly been a Saxon church and nunnery. When complete, the building was over 400 ft long (120 m) and 75 ft wide (23 m), with a transept which was 150 ft long (46 m). The first prior is thought to have been called Guicheman or Wickeman.
The priory was favoured by kings and their nobles and soon owned land across Yorkshire. The Canons from the priory established Newburgh Priory in 1145. King Stephen granted that the priory should have the right to have the property of felons and fugitives within the town and proceeds from the harbour, and later King John gave the priory the right to hold a yearly fair in the town in 1200. During the conflict between Stephen and Matilda, William le Gros, Earl of Albemarle (a Manor in Holderness which is now ‘lost’) advanced on the priory and expelled the canons in his campaign against Gilbert de Gant of Hunmanby. He fortified the priory and later gave the priory six parcels of land, one at Boynton and the rest in Holderness. Henry IV appropriated the rectory of Scarborough to the priory which was later confirmed by Henry V, Henry VI and Edward IV. A royal licence was also granted by Richard II in 1388 to crenellate the priory with fortifications but although history tells there were four gates, 3 of those gates were in the main priory land, Kirk Gate, West Gate, Nun Gate and these were used as daily entrances in and out of the building enclosure itself. Only the Baylegate was a fortified entrance standing at the borders and the Priory itself was in fact never walled. The priory also had a large library, which was listed by John Leland shortly before the dissolution.
The priory was dissolved in 1538 by Henry VIII during the Dissolution of the Monasteries. The priory was very wealthy at the time of the dissolution and its yearly income was estimated to be £547 6s. 11½d, and owned land stretching from Blubberhouses in the north, and Askham Richard, down to the Spurn Point.
The condition of the priory at the dissolution can be gathered from the report of Richard Pollard, a surveyor of Henry VIII. The Church was more than 390 feet in length, surrounded by the Chapter House, Treasury, Cloister, Prior's Hall, Infirmary. The Quire of the mediaeval church contained woodwork by the celebrated William Brownflete (or Bromflete) who had made the stalls in Beverley Minster, Manchester Cathedral and Ripon Cathedral and a number of churches under the patronage of The Lady Margaret Beaufort, including Gresford and Mold churches, and the chapel of St. John's College Cambridge. All the buildings were destroyed except the Nave which became the parish church and the Gatehouse, which is now the Bayle Gate Museum. Some of the stones from the old priory were used in the construction of the piers at Bridlington. The last Prior, William Wode, was executed at Tyburn for his part in the Pilgrimage of Grace.
For three centuries after the dissolution, the Nave continued to be used as the parish church and only a third of the building was actually used by the congregation. From 1846 the parish began to raise funds to restore the church and it was partially re-roofed; the west window was opened out and filled with stained glass; the interior was white-washed; and the east window also was filled with stained glass. This work was carried out by the Lancaster partnership of Paley and Austin, but their work was not to the satisfaction of the church authorities. Around 1874 the church employed Sir George Gilbert Scott to completely refurbish the church as it is today. The total cost of the restoration was about £27,000.
The organ was built in 1889 by the Belgian organ builder Charles Anneessens. Various adjustments were made in the 20th century, before it was restored and enlarged between 2004 and 2006 by Nicholson. It has been recorded a number of times and is played by Daniel Moult in the film and recording Virtuoso! Music for Organ.
Green, how I want you green.
Green wind. Green branches.
The ship out on the sea
and the horse on the mountain.
With the shade around her waist
she dreams on her balcony,
green flesh, her hair green,
with eyes of cold silver.
Green, how I want you green.
Under the gypsy moon,
all things are watching her
and she cannot see them.
Green, how I want you green.
Big hoarfrost stars
come with the fish of shadow
that opens the road of dawn.
The fig tree rubs its wind
with the sandpaper of its branches,
and the forest, cunning cat,
bristles its brittle fibers.
But who will come? And from where?
She is still on her balcony
green flesh, her hair green,
dreaming in the bitter sea.
--My friend, I want to trade
my horse for her house,
my saddle for her mirror,
my knife for her blanket.
My friend, I come bleeding
from the gates of Cabra.
--If it were possible, my boy,
I`d help you fix that trade.
But now I am not I,
nor is my house now my house.
--My friend, I want to die
decently in my bed.
Of iron, if that`s possible,
with blankets of fine chambray.
Don`t you see the wound I have
from my chest up to my throat?
--Your white shirt has grown
thirsty dark brown roses.
Your blood oozes and flees
around the corners of your sash.
But now I am not I,
nor is my house now my house.
--Let me climb up, at least,
up to the high balconies;
Let me climb up! Let me,
up to the green balconies.
Railings of the moon
through which the water rumbles.
Now the two friends climb up,
up to the high balconies.
Leaving a trail of blood.
Leaving a trail of teardrops.
Tin bell vines
were trembling on the roofs.
A thousand crystal tambourines
struck at the dawn light.
Green, how I want you green,
green wind, green branches.
The two friends climbed up.
The stiff wind left
in their mouths, a strange taste
of bile, of mint, and of basil
My friend, where is she--tell me--
where is your bitter girl?
How many times she waited for you!
How many times would she wait for you,
cool face, black hair,
on this green balcony!
Over the mouth of the cistern
the gypsy girl was swinging,
green flesh, her hair green,
with eyes of cold silver.
An icicle of moon
holds her up above the water.
The night became intimate
like a little plaza.
Drunken "Guardias Civiles"
were pounding on the door.
Green, how I want you green.
Green wind. Green branches.
The ship out on the sea.
And the horse on the mountain.
Translated by William Logan
Fernsehturm Stuttgart, Deutschland
=============================
Canon Powershot SX1 IS reference shot,
Designer Fritz Leonhardt
Architect Erwin Heinle
Modell für andere Türme
Mit seinen 217 Metern ist der Stuttgarter Fernsehturm der Erste der Welt und somit das Urmodell für viele andere Fernsehtürme. Der Pionier gilt als ästhetisches und architektonisches Meisterwerk und ist bis heute in seinem zeitlosen Design unerreicht.
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tags
TV tower, tower, Fernsehturm, Stuttgart , Metrople , Baden-Württemberg,Turm, Germany, Deutschland
loaceted in
www.panoramio.com/photo/58736425
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www.planet-wissen.de/kultur_medien/architektur/tuerme/por...
"7 Days of Shooting" "Week #46" "Library Days and/or Books" "Minimal Sunday"
Taken and processed at The Regency, Laguna Woods, California. © 2015 All Rights Reserved.
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Taken from Wikipedia:
Dun an Sticir (grid reference NF89717767) is located on a small island in Loch an Sticir on the east side of the B893 road, 0.8 kilometers south of Newtonferry. The name is also misspelled Dun an Sticer and Dun an Sticar. The island, on which the broch stands, is connected by a causeway to another larger island called Eilean na Mi-Chomhairle (Island of Bad Council). This larger island is connected via two causeways to the mainland. Dun an Sticir is freely accessible. At high tide, the causeways may be partially submerged.
The name Dun an Sticir is derived from "dun", which means "fortress", and "sticir" which means "skulker". Thus Dun an Sticir means Fort Skulker. Only in the second half of the twentieth century did it become clear that the structure was a broch.
History
Dun an Sticir was probably built in the Iron Age in the period between 100 BC and 100 AD, like most brochs. Limited excavations resulted in finds of pottery.
The broch was probably inhabited during the Viking period. In the Middle Ages the broch was converted into a rectangular hall, or small tower. The entrance was enlarged and a window was constructed. Outbuildings were added and there was a larger building on Eilean na Mi-Chomhairle. The causeway from the north side of the loch to Eilean na Mi-Chomhairle was widened to 3 meters, so that carts could get to the island.
Hugh MacDonald of Sleat (Scottish Gaelic: Ùisdean MacGilleEasbuig Chlèirich), son of Hugh the Clerk, inhabited Dun Sticir in 1602. He was the Factor to North Uist in the 1580s. In 1586 he hatched a plan to murder his cousin, Donald Gorm, 8th Chief of the Macdonalds of Sleat. After his plan was discovered, he fled to Dun an Sticir. He was eventually captured when he tried to escape a siege of his castle, Caisteal Uisdean, on Skye. As punishment, he was starved to death in the dungeon of Duntulm Castle on Skye.
Construction
Dun an Sticir is located on an island in a loch. A wide stone causeway leads from the north to the island of Eilean na Mi-Chomhairle. A second, smaller causeway leads from the south side of the lake to the same island. A third causeway curves from that island to the east to the small island on which the broch lies. The causeways are partially submerged at high tide.
The broch has a total diameter of 18 metres. The walls of the broch are 3.5 metres thick and in some places a little more than three metres high.
The circular interior of the broch was in the Middle Ages transformed into a rectangular area 10 metres by 4.6 metres. The axis is northeast–southwest. The entrances are 1.1 metres wide, located in the northwest and southwest of the rectangular space. The wall at the southwestern entrance is 2.5 metres thick.
Photo - (c) C.H.Stocker
Literature (c) Wikipedia