View allAll Photos Tagged Redux
Now with post-graduation flair, which is fitting, since my college graduation was here exactly 10 years ago today.
Still photos of THE LAB:THEATRE's 2012 Equity Showcasr Production of Robert Auletta's modern adaptation of Aeschylus' AGAMEMNON. DIrected by: Kenneth Ryan*. With: Anna Frankl-Duval . Rebecca Nelson* . Jeremy Smith* . Peter Rogan* . Kenneth Ryan* . Sarah Wharton. (*Courtesy of AEA). Lighting Design: Herrick Goldman & Susan Nicholson. Sounds Design: Jeanne Travis. Wardrobe Consultant: Nancy Thun.
the top 36 action figure of the day pix as of today
it felt weird yesterday - not having to post a picture!
1. aafad 24/365 that belongs in a museum!, 2. aafad 353/365 jazz hands, 3. aafad 19/365 this isn't like dusting crops, boy!, 4. aafad 120/365 you came in that thing? you're braver than i thought!, 5. aafad 339/365 victorious!, 6. aafad 328/365 fett vs the cyber-bunny, 7. aafad 130/365 dirtier ..., 8. aafad 123/365 the perils of tk-421, 9. aafad 320/365 double ds, 10. aafad 58/365 oota goota, solo?, 11. aafad 49/365 do you expect me to talk?, 12. aafad 48/365 jar jar, you're a genius, 13. aafad 104/365 is she really going out with him?, 14. aafad 64/365 the fall, 15. aafad 51/365 this may smell bad kid ..., 16. aafad 208/365 do you expect me to talk?, 17. aafad 197/365 and i'm cute too ..., 18. aafad 194/365 YOU are the hero!, 19. aafad 210/365 um ... houston?, 20. aafad 36/365 going commando, 21. aafad 38/365 the name is lom ..., 22. aafad 268/365 lounge lizard, 23. aafad 167/365 call centre-kun, 24. aafad 321/365 fett vs the cyber-sarlacc, 25. aafad 290/365 les frères heureux, 26. aafad 97/365 kaleesh demigod, 27. aafad 275/365 cyberdudes, 28. aafad 25/365 a murder of mandalorians, 29. aafad 230/365 mars patrol, 30. aafad 307/365 those that fall behind ... stay behind, 31. aafad 184/365 come to the dark side, 32. aafad 152/365 skippy the jedi droid, 33. aafad 288/365 in praise of man bags, 34. aafad 154/365 sexed-up, 35. aafad 128/365 run away!, 36. aafad 100/365 century centurions
Created with fd's Flickr Toys.
For Monday Photo Challenges and Thursday Retreads - a retread of my photo 'Nilla Goodness with a surreal touch!
Saubermacher Eigentümer Hans Roth, ehemalige REDUX Eigentümer Manfred und Helga Berger mit Hannes Roth
This was our team for Parsons School Of Design's Retro Redux, which challenged participants to design an Atari 2600 game completely from concept to completion in less than 24 hours. We all brainstormed the concept then my duties were to create the sound and music as well as level design. I also photoshopped a concept cartridge for our game.
The game was titled Lugsy and was about a car who ate luggage. The goal was to eat so much luggage that you would grow heavy and fall through the earth all the way to the other side and then continue falling till you reached Australia Heaven. It was beautiful.
We all wore significantly different colors to represent flavors... Fruit Punch, Grape, Strawberry & Cherry.
The only thing missing at this point is the drop-leg holster, otherwise, this is prolly what we're going with: s4x7 polo shirt, black, TRU desert digi pants, Tru-Spec chest rig in Coyote, an assortment of pouches in coyote or multicam. DI is also wearing the Hybrid gloves from WileyX, and the XL-1 Advanced goggles with Rx transition lenses. See www.darkthreads.com/ or contact sales@darkthreads.com for more info.
The only thing missing at this point is the drop-leg holster, otherwise, this is prolly what we're going with: s4x7 polo shirt, black, TRU desert digi pants, Tru-Spec chest rig in Coyote, an assortment of pouches in coyote or multicam. DI is also wearing the Hybrid gloves from WileyX, and the XL-1 Advanced goggles with Rx transition lenses. See www.darkthreads.com/ or contact sales@darkthreads.com for more info.
Scrolling through the archives, found this dried hydrangea to revisit with a couple of new textures
Flypaper Textures and Tintype Edges
ODT: dry/dried
Saubermacher Eigentümer Hans Roth, Energizer Senior International Marketing Director Martin Burch Martin Burch, Saubermacher Technik-Vorstand Gerhard Ziehenberger, Saubermacher Vertriebsvorstand Ralf Mittermayr
Adobe Illustrator & Adobe Photoshop, size 22″x16″ (2019)
This artwork is a redux of the Renamon artwork I made last year. Renamon, a Digimon, that is battling an unseen foe while leaping from the face of a vending machine to attack its enemy. Renamon is a fox humanoid Digimon with yellow fur covering most of its body, except for its hands, feet, chest and the tips of its ears and tail which are white fur. Its arms are covered with purple sleeves and there are purple symbols on its knees. Renamon has slender body features and is tall for a rookie level Digimon. In battle Renamon uses its speed instead of power to defeat its foes. Renamon’s main attack is Diamond Storm, it leaps into the air and summons multiple shards of light that it shoots at its foe.
The environment the battle takes place in is an open grassy field with green trees and telephone poles in the background. There is a metallic pink battery capacitor in the middle ground and a stainless steel vending machine and a yellow Renamon in the foreground. In the sky there are light wisps of clouds. Also in the sky there are data portals with pink data stream beams coming out from them. The reason for the telephone poles, vending machine, and battery is because in the Digimon world there are random electronic technologies incorporated into the natural environments to create a juxtaposition between man made technology and nature. Renamon is seen running and leaping from the face of the vending machine to gain height advantage over the other Digimon it is fighting. Although Renamon can leap high into the air over its foe to evade or preform its Diamond storm attack, having Renamon leaping from a vending machine adds a parkour element to the fight.
Renamon is the main focal point of the art, its bright yellow body and dominant presence in the art immediately grabs the viewers attention. The battle occurs during a sunny time of day so bright saturated colors are used throughout the art. The color of Renamon’s fur is bright yellow and it’s darker desaturated purple sleeves mix complimentary colors. The sky is a deep blue and the data stream beams are bright pink, mixing cool and warm colors. As the environment elements recede towards the background they begin to blur and loss color saturation creating atmospheric perspective. Renamon’s running body and all the other elements of the environment are all to some degree diagonally angled creating a feeling of motion and giving energy to the art. There are a number of textures throughout the art. Renamon’s body fur was created using brushes with thin lines that were applied in layers to give the illusion of clumps of fur, then the areas were smudged to make hair ends. To create the trees a foliage brush was used to create layers of clumps of green leaves.
I decided to redux Renamon because I wanted to make it have more natural fluid body movements. To achieve this there is more foreshortening of its body features. The fur is angled to give the impression of motion. Its right arm is swinging backward and its left arm is swinging forward as it runs and jumps through the air and lands on the vending machine face. The right leg is hiked up with foreshortening of the leg and purple swirl. The left foot is firmly planted on the face of the vending machine causing the glass to break under Renamon’s body weight. The body has more subtle changes in value tones across the features making it appear more full and rounded. I left the sky, telephone poles, trees and data streams alone because they looked good as they were. Renamon itself was the main element I wanted to redux. The vending machine is the only other element I changed, adding more details, such as buttons, broken glass from Renamon’s foot, CD jewel cases, and highlights to the metal.
I have been a fan of Digimon since 1999. I own a lot of merch and have watched the anime numerous times. I like a lot of different types of Digimon and Renamon is one of my favorites. Renamon is a beautiful looking Digimon with a coat of sleek yellow fur and slender body features. When it moves it has grace and agility in its movements, it can traverse many types of terrain effortlessly. Renamon is said to be very intelligent, it can learn its foes tactics very quickly and use its speed to evade and counter attack. For this artwork I wanted to have Renamon running and leaping from a wall over a foe because I wanted to add a parkour element into Digimon. I got the idea from a Mirror’s Edge concept art that has Faith Connors wall running on a billboard away from security guards and towards the viewer. So, instead of a wall or billboard I chose a vending machine because I wanted to make a connection between Digimon and Mirror’s Edge. In the Digimon World video game there are vending machines scattered throughout the world. The player can access these machines for items, but the Digimon themselves can not interact or leap from them.
The only thing missing at this point is the drop-leg holster, otherwise, this is prolly what we're going with: s4x7 polo shirt, black, TRU desert digi pants, Tru-Spec chest rig in Coyote, an assortment of pouches in coyote or multicam. DI is also wearing the Hybrid gloves from WileyX, and the XL-1 Advanced goggles with Rx transition lenses. See www.darkthreads.com/ or contact sales@darkthreads.com for more info.
The only thing missing at this point is the drop-leg holster, otherwise, this is prolly what we're going with: s4x7 polo shirt, black, TRU desert digi pants, Tru-Spec chest rig in Coyote, an assortment of pouches in coyote or multicam. DI is also wearing the Hybrid gloves from WileyX, and the XL-1 Advanced goggles with Rx transition lenses. See www.darkthreads.com/ or contact sales@darkthreads.com for more info.
This is my first attempt at redoing a LEGO set. This along with the Tri-Star Voyager are a couple of my all time favourite sets. I suppose because they were among the very first sets that I ever had.
I have tried to incorporate as many features and parts of the original as possible. I did change the front end lights from red to yellow as I prefer the yellow and thought the red looked a bit weird at this size.
A reworking of 'Reve' by Photomeister (bob). A true photographic visionary. Visit his stream here:-
www.flickr.com/photos/photomeister1/
and a link to the original here:
www.flickr.com/photos/photomeister1/2344656215/in/set-721...
Saubermacher Technik-Vorstand Gerhard Ziehenberger, Saubermacher Eigentümer Hans Roth, REDUX Geschäftsführer Holger Kuhlmann
The only thing missing at this point is the drop-leg holster, otherwise, this is prolly what we're going with: s4x7 polo shirt, black, TRU desert digi pants, Tru-Spec chest rig in Coyote, an assortment of pouches in coyote or multicam. DI is also wearing the Hybrid gloves from WileyX, and the XL-1 Advanced goggles with Rx transition lenses. See www.darkthreads.com/ or contact sales@darkthreads.com for more info.
The only thing missing at this point is the drop-leg holster, otherwise, this is prolly what we're going with: s4x7 polo shirt, black, TRU desert digi pants, Tru-Spec chest rig in Coyote, an assortment of pouches in coyote or multicam. DI is also wearing the Hybrid gloves from WileyX, and the XL-1 Advanced goggles with Rx transition lenses. See www.darkthreads.com/ or contact sales@darkthreads.com for more info.
Hennepin County, MN 2009 - best viewed LARGE. University of MN BW street scene wall mural of 1960's students getting on bus.
Notice the 1980's alumni that stepped up to take a closer look and stepped back in time within this image.
This wall graphic is located inside renovated Coffman Union, the University of Minnesota student union since the early days of the university.
The only thing missing at this point is the drop-leg holster, otherwise, this is prolly what we're going with: s4x7 polo shirt, black, TRU desert digi pants, Tru-Spec chest rig in Coyote, an assortment of pouches in coyote or multicam. DI is also wearing the Hybrid gloves from WileyX, and the XL-1 Advanced goggles with Rx transition lenses. See www.darkthreads.com/ or contact sales@darkthreads.com for more info.
Still photos of THE LAB:THEATRE's 2012 Equity Showcasr Production of Robert Auletta's modern adaptation of Aeschylus' AGAMEMNON. DIrected by: Kenneth Ryan*. With: Anna Frankl-Duval . Rebecca Nelson* . Jeremy Smith* . Peter Rogan* . Kenneth Ryan* . Sarah Wharton. (*Courtesy of AEA). Lighting Design: Herrick Goldman & Susan Nicholson. Sounds Design: Jeanne Travis. Wardrobe Consultant: Nancy Thun.
Saubermacher Technik-Vorstand Gerhard Ziehenberger, Saubermacher Eigentümer Hans Roth und REDUX Geschäftsführer Holger Kuhlmann
The only thing missing at this point is the drop-leg holster, otherwise, this is prolly what we're going with: s4x7 polo shirt, black, TRU desert digi pants, Tru-Spec chest rig in Coyote, an assortment of pouches in coyote or multicam. DI is also wearing the Hybrid gloves from WileyX, and the XL-1 Advanced goggles with Rx transition lenses. See www.darkthreads.com/ or contact sales@darkthreads.com for more info.
Love. It is the month of February after all and love has inspired great works of art in a great many mediums. Love runs the gamut from exaltation to devastation.
In this show a group of contemporary fiber artist will explore the many facets of love.
Curated by Pamela Davis
811 east Burnside #110
Portland, Oregon
Opening reception:
Feb 4th, 2011
6-9:30 pm
Participating artists:
Amanda Fiebing, Bo Betsy, Cathy Pitters, Carla Madrigal, Emily Baier, Emily Katz, Jessica Friday, Joetta Maue, Johnny Murder, Julie Jackson, Kristen Rupp, Lucy & Ryan Berkley, Lyndsey Baldwin, Mark Bieraugel, Cindy Steiler, Mike Wurn, Moxie, Pamela Davis