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Lumion 10 night rendering tutorial | appartment render in lumion
In this lumion rendering tutorial
you wanna learn how to render the building in night view nad how to increase the speed of rendering in lumion .
alos in rendering few things are important.
Lights,camera,focal lenghth,source light,light brightness,peoples,trees
With these you wanna get a realistic render.
**** ✪ ARCHITECTURE 3D WALKTHROUGH ANIMATIONS ✪ *****
✪--commercial Visualization walkthrough
✪--luxury house animation 3d walkthrough
✪--top renders | lumion portfolio
✪--Lumion 9 Animation of Society | Lumion Animation 4k
✪--Lumion 9 3D WALKTHROUGH |LUMION LANDSCAPE MASTER PLAN ANIMATION
✪--Lumion 9 Animation of Luxury House | Lumion Animation
✪--5 MARLA HOUSE 3D WALKTHROUGH | SMALL HOUSE ARCHITECTURE DESIGN
✪--LUMION 8.5 PRO ANIMATION OF INTERIOR BAR LOUNGE
✪--Farm House Walkthrough Animation In lumion 8.5 pro Depth of field effect
✪--Farm house Animation Walkthrough | Lumion tutorial advance animation
✪--Lumion Day and Night timelapse Animation visualization | Lumion effects
✪--MODERN MOSQUE DESIGN | MOSQUE 3D WALKTHOUGH |LUXURY HOUSE
✪--Parking Design Architecture Visualization in Autodesk Lumion 8.5 pro
✪--CHURCH BUILDING ANIMATION | lUMION 8.5 PRO ANIMATION OF CHURCH REALISTIC LANDSCAPE WITH PARKING
------------------------------
This video includes information on the main elements of art and design, including:
• Line
• Shape
• Form
• Texture
• Balance
• The rule of thirds
We hope you enjoy!
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For hardware descriptions, see other photos in this set.
Both computers are actually mounted to the legs of the desk to keep them up off the floor.
After completely redesigning this MOC when I shrunk it down to 6 studs wide, I realized I there were some improvements to be made on this larger 8 stud version. I carried over many of the techniques I used on the smaller version to this one to create a more movie accurate version. On top of that, the amazing MattsBrickMOCs created some awesome decals for the model!
If you want to build your own, instructions are up on my Rebrickable page!
rebrickable.com/mocs/MOC-157181/IBrickedItUp/brians-ford-...
Here's a sneak peak of my redesign for GLaDOS's head! With all of the new parts being produced, I really wanted to try updating my model to be even more true to the original design. I haven't updated the rest of the body on Stud.io, but I hope to at some point. I definitely plan to Bricklink all of the necessary parts so that this design can become a reality!
Image rendered using Stud.io and edited with Pixlr.
This would be the new Flickr if Microsoft acquires Yahoo! ? :S
I did this with Fireworks.
www.maestrosdelweb.com/actualidad/lo-que-pasara-luego-que...
A few weeks ago, that great guy Memory posted this on Flickr. He had used only the parts from set 8958 to create a custom model thingy.
I had the set, so I thought 'hey, why not?'. And also, I wanted to built something other than a boring old tractor, which pretty much everyone has built. I wanted to experiment with the tracks, so I wrapped one around three wheels (a tight fit), then built around that. You wouldn't believe how few goddamn pieces that set has. But I did it: a MineBike (sure, it's a little close to my made-up minecycle a few weeks ago, but that's all I can describe this as). The MineBike is intended for fast reconaissance missions (due to its small ground contact), but it also has a hook thingy for connecting big trays. Enjoy!
HULK
Front View
This is my redesign of the new LEGO MARVEL SuperHeroes Hulk. He has purple pants. I made this Monday, April 23, 2012.
I would appreciate comments. They may be helpful in completing the model to a state that I am comfortable.
I've been away for a very long time due to college work and many scrapped projects. I wasn't happy with the original version.
Changes include:
Better proportions.
Redesigned turrets.
Sloped frontal armour.
Slightly shorter.
Closer wheel spacing.
Opening hatch on 76mm gun turret.
Radiator grille redesigned.
Rear shaping accurate to tank.
LDD doesn't have short enough flex tubing for the machine gun barrels, so I'll upload a picture of the physical build sometime.
Ground up overhaul of the Lunar Lander set, getting rid of that bloody octagon windscreen element that only came in this set, and making it a little more Bricklink friendly =)
This is some further play with Adam Sporka's wonderful remix of Luis Pabon's uncanny double-numbered calendar, all part of the Infodesign Callendar Challenge at my blog.
I loved how reducing the calendar size had the fascinating side effect of allowing one to use thumbs as month's separators, greatly improving the usability of the design. But I still thought that reading the calendar was not as easy as it could be and this is what came out. The month labels are placed so that thumbing won't hide them and several tweaks like column shading have been added to ease scanning.
Here is the CDR source file if someone wants to keep playing with it.
Oh, and yes, I only did half a calendar. I'm lazy.
LC-A+
Kodak Ektar 100
Double exposure of NY street and random building. I'm playing with this more and more.
Burgtheater building (1, Franzensring 12, University Ring 2, 1888 k.k. Hofburgtheater, 16 November 1918 Hof-Burgtheater, 3 December 1918 Burgtheater).
With the construction of the Ring Road, the construction of a new building for the Burgtheater was planned. The Old Burgtheater was part of the Hofburg and had to give way to the redesign of the Saint Michael wing. After nearly a quarter of a century of planning and building, the new Burgtheater opened on October 14, 1888 with Franz Grillparzer's "Esther" and Friedrich Schiller's "Wallenstein's Camp".
The groundbreaking ceremony for the new Burgtheater, which was partly built on the grounds of the former Paradeisgartel (very small tomato garden) at the former Franzensring, took place on 16 December 1874; the plans are by Gottfried Semper and Carl von Hasenauer (interior design); the auditorium had to be rebuilt in 1897 because of bad acoustics.
During the construction, a ashlar stone from the old Löwel bastion ("1544") was used in the left underground passageway, which formerly extended here.
Appearance
The building is dominated by a mighty vaulted central part, on whose high attic is an 18-meter-long bas-relief by Rudolf Weyr ("Bacchantenzug - group of Bacchants"), above it on the balustrade the colossal group "Apollo with the Muses Melpomene and Thalia" (tragic and comical Muse ) by Carl Kundmann. On both sides extend sweeping wings, which include, inter alia, the two box staircases; on the outer ends they have passages with overlying loggias, on the front and back fronts they are adorned by allegorical groups of figures by Johannes Benk, which symbolize virtues and passions that equally dominate life and drama (love/hate, heroism/selfishness, humility/domination).
In the niches of the side facades are statues of Viktor Tilgner (Buffoon, Falstaff, Phaedra, Don Juan) and Hanns Gasser (Prometheus, Genoveva). The colossal busts above the windows of the first floor in the central building were designed by Viktor Tilgner (center: Goethe, Schiller, Lessing, left: Calderon, Shakespeare, Molière, right: Halm, Grillparzer, Hebbel); in the gussets below figures from dramas of the respective poets, the front of Weyr, the other of Tilgner, Silbernagl and Costenoble.
Pairs of gusset figures by Tilgner are attached to the front of the two wings (Kleist and Otto Ludwig on the left, Kotzebue and Bauernfeld on the right); all other components also bear rich figural decoration.
On the facade facing Löwel street there is a commemorative plaque on either side of the door niche: the left one reminds of the Löwel bastion and has the following inscription: "At this place rose the Loebel bastion built in 1546 and demolished in 1872". From the old bastion stem also the brick which is walled in the right, seen from the Ring, passage behind the grid. The stone bears the year MDXXXXIIII (1544). The right panel is dedicated to the memory of the Turkish siege of 1683: "From the 8th to the 11th of September, 1683, the brave defenders of Vienna rejected the most violent and last attacks of the Turks".
Interior
The original auditorium was a combination of the box- and gallery theater (1945 destroyed). The splendid grand staircase in the side wings have been preserved in their original form (ceiling paintings depicting the development of the theater, on the right side (seen from the People's Garden) "Dionysus Theater in Athens" by Franz Matsch, London Globe Theater by Gustav Klimt and Molière theater in Paris by Ernst Klimt; Taormina by Gustav Klimt, Mystery Stage of the Middle Ages by Franz Matsch and "Buffoon on the Fair" by Ernst Klimt).
On the middle platforms of the similarly-shaped staircases, there are pictures of important actors in the wall niches (on the left staircase to the left of Carl Costenoble: Thespis, Kallipides, Quintus Roscius, Richard Burbadge, to the right of Anton Paul Wagner: Sebastian de Prado, Maria Calderon, Jean Baptiste Poquelin [Molière ], David Garrick, in the right staircase on the left Johann Friedrich Ferdinand Fleck, Ferdinand Johann Baptist Esslair, Ludwig Devrient and Carl Seydelmann [all by Josef Fritsch], on the right Caroline Neuber, Friedrich Ludwig Schröder, Konrad Ekhof and August Wilhelm Iffland [all by Josef Lax]).
On the stairs are actor busts: left Friedrich Halm, Friedrich Hebbel, Eduard von Bauernfeld, Franz Grillparzer (all by Viktor Tilgner), Gerhart Hauptmann (by Gottfried Behn), Anton Wildgans (by Georgi), Adolf Wilbrandt (by Caspar von Zumbusch); on the right Josef Kainz (by Sandor Jaray), Hugo Thimig (by Stemolak), Josef Lewinsky and Charlotte Wolter (by Viktor Tilgner), Max Devrient and Ernst Hartmann (by Hans Dietrich) and Georg Reimers (by Kaminsky), at the stair entrances busts of Raoul Aslan and Albert Heine (both by Andre Roder).
Above the entrance doors to the ground floor boxes allegorical marble groups by Johannes Benk (left: truth and poetry, right: wisdom and beauty), in the vestibule of the lodge house, portrait statues of stage stars (among others Joseph von Sonnenfels and Friedrich Schreyvogel by Johann Silbernagl, Heinrich Laube and Franz Dingelstedt von Heinrich Natter); the ceiling paintings in the foyer are by Eduard Charlemont and the marble thermal baths in the vestibule of the Emperor's staircase by Viktor Tilgner; the frieze on the stairwell was painted by August Eisenmenger; in the first and second foyer hang actor portraits (see Burgtheater gallery).
On 12 March (bombing hit) and 12 April 1945 (artillery hit, fire), the premises of the auditorium were largely destroyed. The operation was already resumed on April 30, 1945 in the Ronacher, which Buschbeck had found as an alternative stage (opening with Grillparzer's "Sappho").
Reconstruction (1948-1955) was carried out by Michel Engelhart (whose plans paid the most attention to the structure) as a result of a call for tenders to which twelve architects had been invited; acoustic deficiencies and the poor visibility of the originally lyre-shaped log theater were resolved (omission of the court lodge, introduction of two ranks), also installed a lift-transfer table of high technical standards. The reopening of Mozart's Kleiner Nachtmusik (a small night music) took place on October 14, 1955 under director Rott, and a day later the first play (Grillparzer's "King Ottokar's Luck and End") was played in the restored "Castle".
Gebäude des Burgtheaters (1, Franzensring 12, Universitätsring 2; 1888 k.k. Hofburgtheater; 16. November 1918 Hof-Burgtheater; 3. Dezember 1918 Burgtheater).
Mit der Anlage der Ringstraße wurde der Bau eines neuen Gebäudes für das Burgtheater geplant. Das Alte Burgtheater war Bestandteil der Hofburg und musste der Neuplanung des Michaelertraktes weichen. Nach fast einem Vierteljahrhundert des Planens und Bauens wurde das neue Burgtheater am 14. Oktober 1888 mit Franz Grillparzers "Esther" und Friedrich Schillers "Wallensteins Lager" eröffnet.
Der erste Spatenstich zum neuen Burgtheater, das teilweise auf den Gründen des ehemaligen Paradeisgartels am damaligen Franzensring erbaut wurde, erfolgte am 16. Dezember 1874; die Pläne stammen von Gottfried Semper und Carl von Hasenauer (Innengestaltung); der Zuschauerraum musste wegen schlechter Akustik 1897 umgebaut werden.
Während des Baues wurde in die linke Unterfahrt ein Quaderstein von der alten Löwelbastei ("1544") eingesetzt, die sich ehemals hier ausgedehnt hatte.
Äußeres
Der Bau ist durch einen mächtigen vorgewölbten Mittelteil geprägt, auf dessen hoher Attika sich ein 18 Meter langes Basrelief von Rudolf Weyr ("Bacchantenzug") befindet, darüber auf der Balustrade die Kolossalgruppe "Apollo mit den Musen Melpomene und Thalia" (tragische und komische Muse) von Carl Kundmann. Nach beiden Seiten erstrecken sich weitausladende Flügelbauten, die unter anderem die beiden Logentreppen aufnehmen; an den äußeren Enden besitzen sie Durchfahrten mit darüberliegenden Loggien, an den Stirn- und Rückenfronten sind sie durch allegorische Figurengruppen von Johannes Benk geschmückt, die Tugenden und Leidenschaften symbolisieren, die gleichermaßen das Leben und das Drama beherrschen (Liebe/Hass, Heroismus/Egoismus, Demut/Herrschsucht).
In den Nischen der Seitenfassaden befinden sich Statuen von Viktor Tilgner (Hanswurst, Falstaff, Phaedra, Don Juan) und Hanns Gasser (Prometheus, Genoveva). Die Kolossalbüsten oberhalb der Fenster des ersten Stocks im Mittelbau schuf Viktor Tilgner (Mitte: Goethe, Schiller, Lessing; links: Calderon, Shakespeare, Molière; rechts: Halm, Grillparzer, Hebbel); in den Zwickeln darunter Gestalten aus Dramen der jeweiligen Dichter, die vorderen von Weyr, die anderen von Tilgner, Silbernagl und Costenoble.
An der Vorderseite der beiden Flügel sind Zwickelfigurenpaare von Tilgner angebracht (links Kleist und Otto Ludwig, rechts Kotzebue und Bauernfeld); auch alle übrigen Bauteile tragen reichen figuralen Schmuck.
An der zur Löwelstraße gerichteten Fassade befindet sich beiderseits der Tornische je eine Gedenktafel: Die linke erinnert an die Löwelbastion und hat folgende Inschrift: "An dieser Stelle erhob sich die im Jahre 1546 erbaute und im Jahre 1872 abgebrochene Loebelbastei". Von der alten Bastion stammt auch der Ziegel, der in der, vom Ring aus gesehen rechten Durchfahrt rechts hinter dem Gitter eingemauert ist. Der Stein trägt die Jahreszahl MDXXXXIIII (1544). Die rechte Tafel ist der Erinnerung an die Türkenbelagerung 1683 gewidmet: "Vom 8ten bis 11ten Sept. 1683 wiesen von hier aus die tapferen Vertheidiger Wiens die heftigsten und letzten Angriffe der Türken zurück".
Inneres
Der ursprüngliche Zuschauerraum war eine Verbindung von Logen- und Rangtheater (1945 zerstört). Die prachtvollen Feststiegen in den Seitenflügeln sind original erhalten geblieben (Deckengemälde, welche die Entwicklung des Theaters darstellen; rechts [Volksgartenseite] "Dionysostheater in Athen" von Franz Matsch, Globetheater in London von Gustav Klimt und Molièretheater in Paris von Ernst Klimt; links Theater in Taormina von Gustav Klimt, Mysterienbühne des Mittelalters von Franz Matsch und "Hanswurst auf dem Jahrmarkt" von Ernst Klimt).
Auf den Mittelpodesten der gleichartig gestalteten Stiegenhäuser stehen in Wandnischen Standbilder bedeutender Schauspieler (im linken Stiegenhaus links von Carl Costenoble: Thespis, Kallipides, Quintus Roscius, Richard Burbadge, rechts von Anton Paul Wagner: Sebastian de Prado, Maria Calderon, Jean Baptiste Poquelin [Molière], David Garrick; im rechten Stiegenhaus links Johann Friedrich Ferdinand Fleck, Ferdinand Johann Baptist Esslair, Ludwig Devrient und Carl Seydelmann [alle von Josef Fritsch], rechts Caroline Neuber, Friedrich Ludwig Schröder, Konrad Ekhof und August Wilhelm Iffland [alle von Josef Lax]).
Auf den Treppenpodesten stehen Schauspielerbüsten: links Friedrich Halm, Friedrich Hebbel, Eduard von Bauernfeld, Franz Grillparzer (alle von Viktor Tilgner), Gerhart Hauptmann (von Gottfried Behn), Anton Wildgans (von Georgi), Adolf Wilbrandt (von Caspar von Zumbusch); rechts Josef Kainz (von Sandor Jaray), Hugo Thimig (von Stemolak), Josef Lewinsky und Charlotte Wolter (von Viktor Tilgner), Max Devrient und Ernst Hartmann (von Hans Dietrich) und Georg Reimers (von Kaminsky), bei den Stiegeneingängen Büsten von Raoul Aslan und Albert Heine (beide von Andre Roder).
Über den Eingangstüren zu den Parterrelogen allegorische Marmorgruppen von Johannes Benk (links Wahrheit und Dichtung, rechts Weisheit und Schönheit), im Vestibül des Logenhauses Porträtstatuen von Bühnengrößen (unter anderen Joseph von Sonnenfels und Friedrich Schreyvogel von Johann Silbernagl, Heinrich Laube und Franz Dingelstedt von Heinrich Natter); die Deckengemälde im Foyer stammen von Eduard Charlemont und die Marmorhermen im Vestibül der Kaiserstiege von Viktor Tilgner, den Fries auf der Stiegenrotunde malte August Eisenmenger; im ersten und zweiten Foyer hängen Schauspielerporträts (siehe Burgtheatergalerie).
Am 12. März (Bombentreffer) und 12. April 1945 (Artillerietreffer, Brand) wurden die Räumlichkeiten des Zuschauerhauses weitgehend zerstört. Der Spielbetrieb wurde bereits am 30. April 1945 im Ronacher, das Buschbeck als Ausweichbühne gefunden hatte, wieder aufgenommen (Eröffnung mit Grillparzers "Sappho").
Der Wiederaufbau (1948-1955) erfolgte aufgrund des Ergebnisses einer Ausschreibung, zu der zwölf Architekten eingeladen worden waren, durch Michel Engelhart (dessen Pläne auf den Bestand die größte Rücksicht nahmen); akustische Mängel und die schlechten Sichtverhältnisse des ursprünglich lyraförmig angelegten Logentheaters wurden behoben (Weglassen der Hofloge, Einführung von zwei Rängen), außerdem eine Hub-Schiebebühne hohen technischen Standards eingebaut. Unter Direktor Rott erfolgte am 14. Oktober 1955 die Wiedereröffnung mit Mozarts Kleiner Nachtmusik, einen Tag später wurde das erste Theaterstück (Grillparzers "König Ottokars Glück und Ende") in der wiederhergestellten "Burg" gespielt.
www.wien.gv.at/wiki/index.php?title=Burgtheater_(Geb%C3%A4ude)
I am redesigning our church website. There seems like a lot to put on the home page, so I need some input if this is looking clean enough, organized, attractive, or even if it needs more "flair". The main image will be a slideshow so that will be rotating.
Left to Right: Wolve aka Brett Fortune, Spider-Fly aka Aaron Christiansen, Iron aka Porter Black, American Commander aka Peyton Eberling, Sea-Eagle aka Adrian Trevizo, Saturn aka Aegis Galafrax, Csy aka Spencer Knudsen, and Syke aka Cameron Harrod.
The agency S.W.O.R.D. was founded on the basis to keep the United States safe and free. Although this mission statement has been unfortunately carried out through less than humane means.
When Aegis Galafrax fell out of the sky he was taken by S.W.O.R.D. to be studied however the scientists and agents who were most often around Aegis would gain amazing abilities, so S.W.O.R.D. would take them into custody as well and study them.
Well that is until...
MTA Chair & CEO Janno Lieber, Interim NYCT President Craig Cipriano, Acting MTA Bus President/SVP NYCT Buses Frank Annicaro, DOT Commissioner Ydanis Rodriguez, and Queens Borough President Donovan Richards announce the Queens Bus Network Redesign Draft Plan at Jamaica Av. & 150th St. on Tuesday, Mar. 29, 2022.
(Marc A. Hermann / MTA)
The Wizard of Oz is one of my favorite movies of all time! I have given Dorothy a more modern couture look with high fashion version of her checkered dress. And what outfit wouldn't be complete with out pair of shoes? Dorothy brings new meaning to the phrase "to Die for" , (literally because she actually killed the woman and took her shoes! LOL)
Please do not redistribute this image without my given consent.
MTA Chair & CEO Janno Lieber, Interim NYCT President Craig Cipriano, Acting MTA Bus President/SVP NYCT Buses Frank Annicaro, DOT Commissioner Ydanis Rodriguez, and Queens Borough President Donovan Richards announce the Queens Bus Network Redesign Draft Plan at Jamaica Av. & 150th St. on Tuesday, Mar. 29, 2022.
Q41
(Marc A. Hermann / MTA)
The Colonial Era Farmhouse home of Erin of Revealing Redesign - who did all of the decorating and remodeling.
Been wanting to change Jelyx's head for a very long time. It was such a terrible design in both aesthetics and technicality, because the hair kept falling off constantly (it was weakly connected to her back) and it was gappy (I had to superglue a couple of cheese slopes behind the eyes, fml). Also, It looked nothing like a Vortixx. So I came up with this. I think it looks perfect.
I will be posting a comparison pic soon. It's a pretty drastic change.
A entry into the Out with the New category of the Colossal Castle Contest. The idea is to rebuild a recent Castle set in the style of castle sets in the 80s. I chose to rebuild The Gatehouse Raid set (#70402). I looked at pictures of Black Falcon and Crusader sets and only used techniques that were used in sets during the 80s. Unfortunately I didn't have enough old grey panels and bricks to build the castle, so I used bley. The older sets generally had more figs for the size of the build than more recent sets, so I added an extra attacking soldier. The drawbridge works nicely, and is operated by a crank in the gatehouse.
A entry into the Out with the New category of the Colossal Castle Contest. The idea is to rebuild a recent Castle set in the style of castle sets in the 80s. I chose to rebuild The Gatehouse Raid set (#70402). I looked at pictures of Black Falcon and Crusader sets and only used techniques that were used in sets during the 80s. Unfortunately I didn't have enough old grey panels and bricks to build the castle, so I used bley. The older sets generally had more figs for the size of the build than more recent sets, so I added an extra attacking soldier. The drawbridge works nicely, and is operated by a crank in the gatehouse.
Tomb Raider 1996 box art reimagining by Brenoch Adams. Read more on our official celebration website: tombraider25.square-enix-games.com/en-us/tr1996/blog/box-...