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Shine Tarot # 4 / 22
The Emperor
When appearing upright, this card stands for = Stability, power, protection, realization, a great person, aid, reason, conviction, authority and will.
When appearing reversed = Benevolence, compassion, credit; confusion to enemies, obstruction, immaturity.
Sudden Enlightenment is the process through which you can self realizes your mistake. Once in a lifetime, a time comes when a person self realizes there falts. paradoxica.org/
Before Self realization there was a lot of suffering, quarrels and fights in my house. But now it's all stopped and our neighbours are also surprised by this. Everything has become right after attaining the path of liberation.
To know more visit at:
In English: www.dadabhagwan.org/self-realization/
In Gujarati: www.dadabhagwan.in/self-realization/
In Hindi: hindi.dadabhagwan.org/self-realization
This photo is from a series of images that grew out of my connection to nature.To illustrate the discovery and illumination involved with this relationship, I collected and arranged pieces of the environment into mandalas or "maps of the universe". The earth art pieces are intentionally temporal in nature and serve as celebrations of these natural spaces. By photographing myself with in these arrangements my being becomes a part of the piece, highlighting the relationship of nature and the maker.
I wanted to do an actual "Personal work" shot for once so I decided to work off an idea for a short film my friend and I had been planning. It hinges on that moment we encounter growing up in which we began to understand how mechanized our world really is, not in that it is a bad or good thing, but that it is mysterious to us when we are developing, that time in which we try to wrap our heads around such a vast and complex system is quite a pivotal moment that is often dismissed, despite the impact it has on our livelihood.
Strobist info,
430exii at 1/4th power with a 28" x 28" softbox to the right of camera facing the TV
430exii at 1/8th power with a 28" x 28" softbox to the left of camera slightly over model
A Physical Manifestation of 'Ladies and Gentlemen We Are Floating in Space'
By Jonathan Glazer and J.Spaceman (2011)
Presented by The Creators Project
Produced by Juliette Larthe
Architectural design by Undisclosable
Creative and Technical realization by One of Us
Original music by Spiritualized courtesy Sony Music / BMG Chrysalis
All architecture, music mixing/re-building and light and sound design powered by Intel technology.
Structural Engineering by NOUS Engineering
General Contracting by Mardukis Projects
Truss Build by SGPS, Inc. with ATS Filmworks.
Date of installation: April 15-17, 2011
Construction period: 9 days
Area: 3000 s.f.
The influential UK band, Spiritualized, teamed up with the acclaimed film director Jonathan Glazer to create a physical manifestation of the song “Ladies and Gentlemen, We Are Floating in Space.” This installation was housed in a cathedral-like space designed by Los Angeles-based Undisclosable. A series of material layers separate the frenetic environment of the Coachella music festival from the serene meditative headspace of the building’s interior.
The outermost skin, a torqued trapezoid, is composed of an aluminum fabric, reflecting the sun’s rays, cooling the interior and serving as a beacon within Coachella’s expansive grounds. The inner skins exist primarily to further attenuate sound and light in order to provide an ostensibly blank canvas upon which sound and light are sculpted.
The interior of the building is illuminated solely by five trapezoidal shafts of light, forming five 4’ x 7’ rectangles of light upon the floor of the space. Light and sound are fused, each light shaft containing and highlighting a different remixed stem of the Spiritualized track. Coupled with the warmth of the light, this invites the installation occupants to move between light shafts or even lie down within a bed of light and sound.
The dark portions of the interior are filled with the remainder of the track, which is intermeshed with white noise, particularly at the perimeter. The architecture is a platform for the choreography of the light and sound installation, which is, in turn, a platform for the actions and emotions of the festival goers who occupied the space.
Selected press:
If you want to achieve this self-actualization then you should flow the following steps- Know more: www.bagulamukhijyotishtantra.com/blog/self-realization
"So then, the relationship of self to other is the complete realization that loving yourself is impossible without loving everything defined as other than yourself."
1.“The adventures of Master Gnom” (A. Somersalo)
Director- Viktor Drevitskyi (Finland)
Set design- Ivan Milyaev
Moscow Musical theater “Ekspromt”
Premier 17 April 2010
0+
Design statement:
Plot:
“The adventures of Master Gnom” is an adapted for stage classical Finish fairytale. The action takes place in a magic northern forest inhabited by gnomes, witches and fairies.
Challenge:
This production was my debut as a costume designer in an actual production. And it was for audience that is mostly younger then 6 years old. So, i had to combine the ageless world of fairytales and contemporary elements that would be recognizable to children’s audience.
IDEA & REALIZATION:
This brought me to seeking for very clear psychological images - evil, funny, noble or silly. For that I used a basis of Finish folk costume - aprons, wide straight cut skirts, shirts with traditional offset clasp on the neck, simple village style shoes.
At the same time I’ve created an image that is close to today through materials- varnished leather, shiny organza material that reminds snow, wool cloth that is used on contemporary jackets.
United by the main snowy fabric for dress and shirts for men, the good and the bad were divided through color (dark blue and green for witches and magicians, pink for gnomes, fairies and the princess)
ONLY PERSONAL COMMENTS. NO LOGOS. THANK YOU FOR YOUR UNDERSTANDING.© RESPECT the copyright. www.flickr.com/photos /yole2008/
Kodak T-Max 100asa, Developer Kodak HC 110 1+31 (B)
Nikon Coolscan 5000ED.
🔴Leica my point of view.
Wetzlar, Deutschland.
Leica-CL 1974 Rangefinder
Leica-M 6 TTL 0.72 1998 Rangefinder
Leica-M6 TTL 0.85 2001 Rangefinder
ONLY PERSONAL COMMENTS. NO LOGOS. THANK YOU FOR YOUR UNDERSTANDING.© RESPECT the copyright. www.flickr.com/photos /yole2008/
Kodak T-Max 100asa, Developer Kodak HC 110 1+31 (B)
Nikon Coolscan 5000ED.
🔴Leica my point of view.
Wetzlar, Deutschland.
Leica-CL 1974 Rangefinder
Leica-M 6 TTL 0.72 1998 Rangefinder
Leica-M6 TTL 0.85 2001 Rangefinder
ONLY PERSONAL COMMENTS. NO LOGOS. THANK YOU FOR YOUR UNDERSTANDING.© RESPECT the copyright. www.flickr.com/photos /yole2008/
Kodak T-Max 100asa, Developer Kodak HC 110 1+31 (B)
Nikon Coolscan 5000ED.
🔴Leica my point of view.
Wetzlar, Deutschland.
Leica-CL 1974 Rangefinder
Leica-M 6 TTL 0.72 1998 Rangefinder
Leica-M6 TTL 0.85 2001 Rangefinder
Image Sources: Galactic_Center_Of_Milky_Way.; White Domes-Andrew Wojtanik; tengyart-Q78W18T-dss-unsplash; ricardo-gomez-angel--98jVaVuGv0-unsplash; Nucly Smoke and Fog 35; Morf-Stock-Deviant Art;
Linda Lewis’s surreal digital composition, “Miscalculation Realization,” confronts the viewer with an apocalyptic vision that merges classical symbolism with contemporary existential dread—most pointedly, the catastrophic consequences of climate change.
The digital photomontage shows a nude man, with a white cloth draped over his shoulder. He is kneeling on the ground, his hands are open, and his face is lifted towards the sky. This posture indicates deference, and is a primal behavior. This man is clearly beyond saving from the inferno of burning sand and violent fire he is engulfed by. It could also be interpreted as seeking deliverance from the current situation.
Next to the figure rests an abacus—a powerful metaphor for the failure of humans to pay heed to climate change predictions. The man finally realizes that the predictions were correct, and he submits to this knowledge. In this reading, the image becomes a stark allegory for the hubris of modern civilization, that ignored decades of scientific warnings and now kneels, too late, before the flames it helped ignite.
The environmental message is blisteringly clear. The landscape is not simply infernal—it resembles a climate-ravaged Earth, stripped bare by wildfires, drought, and ecological devastation. The man, perhaps a stand-in for humanity itself, is caught at the moment of horrifying clarity: that civilization has miscalculated the fragility of its own ecosystem.
Miscalculation Realization is a haunting indictment of our failure (refusal) to heed the warnings of climate science, wrapped in the fire-and-ash aesthetic of mythic reckoning. Linda Lewis holds up a mirror to our collective delusion—that we could endlessly calculate, consume, and control nature without consequence. This is not just an image of the end—it is the moment after the final calculation, when the answer has arrived, and it is burning.
Two realizations with this shot. 1) I wish I took video of this rather than shoot it. Her performance in particular was one of the best I've ever heard. So much more emotional and powerful! 2) If I did end up wanting to shoot this scene, I have GOT to get a 70-200mm lens. This final proof is cropped WAAAY in.
1- Self- Discovery
Self- discovery will be plaintive the first time as you can able to invent things about yourself for whom you are stipulate to your way of stable increased without prejudice.
2- Self -consciousness
It is the most important accidence in this procedure as it is the ingredients that run emphatically and concurrently. Simply without self-consciousness, you have nothing. Self-awareness taps into the psyche.
3- Self- empowerment
Without a self- empowerment person’s just puppet, an unusable dangler being controlled physically, emotionally and spiritually by any other process. Without this law, you are simply feeding for another.
Know more: www.bagulamukhijyotishtantra.com/blog/self-realization
Information on buildings and architecture
Führungen am Campus WU Leerzeile Leerzeile
University of the Future
Internationalism, innovation, diversity – the new Campus WU is the concrete realization of WU’s vision for a modern university. The fundamental principles of the new architecture reflect the values and ideas we cherish at WU.
As a public institution, WU has lived up to its responsibility of building its new campus in an economical, ecological, and socially sustainable manner. WU’s decision to locate the new campus in Vienna’s second district will redefine this area and transform it into an educational hub. We have not only constructed new buildings, but in the process we have also given concrete realization to our ideas of what the university of the future should look like. The new campus is more than just a place for academic research and teaching and learning practical skills; it is also designed to create a new space for social, cultural, and political life.
The imposing Library & Learning Center (LC), designed by the Iraqi-British architect Zaha Hadid, is a testament to the central importance of research and teaching at WU. The Library & Learning Center is surrounded by five building complexes, including the Teaching Center, which houses most of WU’s auditoriums. The Teaching Center is intended mainly for bachelor degree students, while the master degree programs are taught primarily in the individual Department buildings. The Executive Academy building is the home of continuing education and life-long learning programs. In this way, the various buildings and their functions reflect the three tiers of teaching and learning represented by the Bologna Process.
WU’s Department-based organizational structure was also a contributing factor. In the past, the various Institutes that make up the Departments were scattered across different locations. Now they have been brought together in four Department buildings, which will make life much easier for both students and faculty.
These are not the only improvements the new campus has to offer: All rooms have natural light, and the auditoriums feature state-of-the-art teaching equipment, including digital whiteboards. There are 3,000 student workplaces, three times as many as in the old buildings in Vienna’s ninth district. These workplaces are located not only in the dedicated self-study areas, but also in project rooms that can be booked by teaching staff and students alike. They cater to different needs by providing quiet spots for focused academic work as well as opportunities for work on group projects in communicationfriendly study areas.
The top priority in planning the new campus was to create an environment for WU students and staff that is conducive to productive work and communication.
Not only the buildings themselves, but also the surrounding grounds offer plenty of opportunities for communication and meeting people. 55,000 m² of Campus WU’s total 100,000 m² of floor and surface area is open, publicly accessible space. Fences or barriers would contradict our vision of an open campus.
Visitors and area residents are more than welcome at Campus WU. The campus offers not only food for thought, but also restaurants, cafés, and shops, all in a stimulating architectural environment.
As different as they may look, however, the buildings are all based on the same overall technical concept: the building infrastructure is standardized in terms of construction, energy supply, ventilation, and sanitary facilities. The entire campus has been designed in accordance with “green building” principles. Much of the required energy is obtained using geothermal energy from groundwater.
Another key feature of Campus WU is barrier-free accessibility. All auditoriums are specially equipped for people with disabilities, all areas are designed to be wheelchair accessible, and the campus also features a tactile guidance system for the visually impaired.
We have not only made sure to comply with all relevant legal guidelines, but we have also drawn on experience gained from best practice examples. WU aims to play a pioneering role – in all respects.
The aching realization is easily this – we out-dreamed ourselves down here in the Valley. There's a lot gets left behind, and everyone I knew who didn't move away got pretty lost in the process. Lost while knowing exactly where they were, it's a funny feeling, driving in circles until you find the place where here turns into there. I'm always aware of what luck I've got – that the world comes to my window, through the satellite signal, in the mess of lines and wires. If it weren't for folks from far away, I'd be dead in the riverwater years ago. It's not so easy all the same, waking up before dawn still sweating for survival, some primal instinct saying I should be fighting or running. So I keep it up, getting desperate for making a living, counting pennies down to the decimal line. I've got a love for my life that no death could ever match, and my hopes are all in on making it.
December 1, 2020
Kings County, Nova Scotia
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Album title: Electronics & Percussion: Five Realizations by Max Neuhaus
Artist: Max Neuhaus
Label: Columbia
Year: 1968?
Catalog Number/Other Info: MS7139, XSM136224
Library of Congress catalog card number R68-2842 applies to MS 7139.
Cover photo by Don Hunstein.
Max Neuhaus was a serious performance artist. I suggest you look him up.
Special thanks to Charlie Preis of Century College for the loan.
Taken by Cory Funk.
2013/01/25 - Cairo - Egypt - Several Egyptian cities witnessed violence on the revolution's second anniversary, including Alexandria, Mahala, Damanhour and Sharqeya. In Suez, Friday violence left at least nine dead.
Protesters demanded realization of the revolution's unmet goals and demonstrated against the Muslim Brotherhood now in control of the executive and legislative authorities.