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The cliffs of Forillon National Park, Canada, as viewed from Mont-Albert

Vibrant recollections of Devils Point.

Photographed by Tink.

Photo taken at Devils Point maps.secondlife.com/secondlife/Devils%20Point/221/55/23

Cathedral Point @ Yosemite National Park | California

 

© Kent Mercurio

Song of the Day: Not in Love by Crystal Castles

I found this shot from my day at the beach last weekend. I'm new to adding lens flares to pics in Photoshop so hope this looks ok. I love the simplicity of this and I just love it because I adore walking on the beach. This isn't my print, it was a child's footprint that looked picture-worthy to me.

Ukraine in the sky, Ukraine is blue . yellow leaves are about to leave...

Recollection...

Ruhepause - Warten auf Touristen, die Kinder schauen neugierig zu.

Cordova Sunrise Shot

Crescent Moon

Pigeon Point Lighthouse

Sometimes you are just there...Waiting for something you already know... Watching a sketchbook of memories that just don't go away... Sometimes you just wonder and fight the urge to see more... Sometimes you just look but don't see...

 

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This canvas is one of a group of "souvenirs" (recollections) that Corot painted towards the end of his life in which he combined an observation of the French woodland landscape with recollections of various places in Italy. In these works Corot aimed to express the emotions aroused by the contemplation of nature rather than to depict a specific place. Solitude was painted a few months after the death of his great friend Constant Dutilleux and the painting is imbued with an air of melancholy expressed through a harmonious combination of greens, blues and greys. The woman in the centre of the composition is a modern reinterpretation of the personification of Melancholy, seemingly evoking a Golden Age that has now passed. Exhibited at the 1866 Salon, Solitude was acquired by the Empress Eugenia de Montijo for her private collection.

 

[Oil on canvas, 95 x 130 cm]

 

gandalfsgallery.blogspot.com/2011/12/solitude-recollectio...

Model: YC

I put this image on my DA quite some time ago..and it's here now :D

 

This image is dedicated to Tine.Kozjak..somehow while I was processing this image i thought of him! Maybe its because I wanted this piece to be dreamy, and he is amazing with dreamy portraits ;D

 

I was developing the film, which has been forgotten for 10 years.

 

Canon FTb | Canon FD 50mmf1.8 S.C. | Fuji Neopan 100 Acros | R09 One Shot (1+50)

Recollections of a one-room schoolhouse in North Dakota.

mini-collage on text side of homemade postcard

1911 postmarked postcard view of State Street in Hammond, Indiana. This view was looking west from just west of Hohman Avenue, but this section of State Street no longer exists today.

 

The first sign at the left was probably on the first building west of Hohman Avenue, but that building was outside the camera’s view. The BEER sign was on the second building west. The 1898 Sanborn™ fire insurance map set shows it as a two-story wood frame building and the 1915 map set shows a two-story brick building. Neither map set identifies business types in most cases, but the 1915 set shows a saloon at that location (100 State Street). The sign on the next building west was in the shape of a mortar and pestle, the common advertising symbol for pharmacists. This sign advertised WEIS 98. The 1915 map set happens to show a drugs business at that location and the “98” was the street address. When the 1898 map set was produced, a wood frame building housed a livery business at that location.

 

The sign above the nearest delivery wagon included the word INDEPENDENT, but the remainder of the sign was hidden by the wagon. The other wagon advertised BAKERY, but the name of the bakery wasn’t identified. The sign above the first wagon was on a single-story building and advertised LOUIS ____. The last name of the owner isn’t quite readable. The 1898 map set shows that single-story wood frame building, but the 1915 map set shows a brick building in its place (92 State Street).

 

An American flag hung from the next building to the west. That flag and a utility pole partially hid a sign that advertised UNITED STATES ARMY RECR____G _____. This must have been a recruiting center and was probably at 90 State Street.

 

Across the street, above what appears to be a very tall wagon, the sign advertised FISH MARKET. This was probably in the vicinity of 67 or 69 State Street. The sign nearer that pair of parked wagons is unreadable, but a lower sign appears to advertise EDISON.

 

The CHUNG _EE LO CHOP SUEY RESTAURANT sign was hanging on the building at 93-95 State Street. The 1915 map set shows a “moving pictures” theater at 93 State Street and a stairway in the center of the building below that sign. That building had two bay windows on the second floor. The awning below the nearer bay window advertised SHOES. The restaurant may have been in the basement.

 

The sign and awning near the right edge of this scene advertised GIVEN THE TAILOR. This was the second building west of Hohman Avenue (103 State Street). This building and the adjacent wood frame building show up in the 1898 and 1915 map sets, but neither map set identified the business types in those buildings.

 

From a private collection.

 

The full postcard image can be seen here.

 

www.flickr.com/photos/hoosier_recollections/27993228861/i...

 

Copyright 2004-2016 by Hoosier Recollections. All rights reserved. This image is part of a creative package that includes the associated text, geodata and/or other information. Neither this package in its entirety nor any of the individual components may be downloaded, transmitted or reproduced without the prior written permission of Hoosier Recollections.

A still life depicting a bygone era of hard work and simple pleasures.

衣櫃

比一甲子還老的衣櫃

是一座巍峨的黑巖

悄靜的聳立在無夢的天窗下

將祖母的一生鎮壓在我們王家

我打開衣櫃的門

鑲著明亮的鏡子

死了近六十年的祖父

站在裡邊

身穿風衣 戴著絨帽

他脫下那件祖傳的舊風衣

披到我身上

我搜索衣櫃

衣架上掛著祖母

二十歲 三十歲

到八十歲的髮絲

我拿它們來牢綁家中的

每一根樑柱與椽楹

我拉出衣櫃的抽屜

左邊是日據

滿是整齊規短的領帶

右邊是民國

一疊嚴重發黴的回憶

底下的 上了鎖

祖母說 鑰匙要重新打造

我關上衣櫃的門

祖父還在那裡

激動的指指他頭上那頂

從中國南京買回來的絨帽

我微微一笑

無意伸手去接

RECOLLECTION, a group show at Superette Gallery with the works of Harvey Benge, Marcus Haydock, Nicolas Hosteing, Simon Kossoff, Paul Kwiatkowski, Damien Lafargue and Simon Letourneau, curated by Myriam Barchechat.

 

Exposition du 16 novembre 2013 au 28 février 2014

Superette Gallery

104 rue du Faubourg Poissonnière

75010 Paris.

 

Opening reception on November 15th at 6:30 pm

1/4, f/5.6, TMax 100, Mamiya 135mm f/4.5 on C330. HC-110, 1:160, 40 min @ 22C semi stand

c1910 postcard view of guests at Barber’s Summer Resort south of New Trenton, Indiana. New Trenton was situated on the Whitewater River in southern Franklin County. The C. C. C. & St. L. (Cleveland, Cincinnati, Chicago & St. Louis) Railroad, commonly known as the Big Four and later as the New York Central, followed the river southeast from the county seat at Brookville toward Cincinnati. The track passed between the river and New Trenton where a station was located. This rail access facilitated the development of small resorts that became popular in the area.

 

Frank Barber and his wife were proprietors of one of those resorts. It was on River (or Barber) Road in Dearborn County. This was across the river and about a half-mile southwest of New Trenton and the train station. The Barbers lived in the family’s old log cabin and built several rental cabins around the property for guests.

 

The covered bridge at New Trenton was the only river crossing in the area. The Great Flood of 1913 destroyed that bridge and the train station at New Trenton. The station was rebuilt quickly, but the new iron bridge wasn’t completed until 1916. This situation probably created problems for the resorts across the river from the town and station.

 

Copyright 2005-2016 by Hoosier Recollections. All rights reserved. This image is part of a creative package that includes the associated text, geodata and/or other information. Neither this package in its entirety nor any of the individual components may be downloaded, transmitted or reproduced without the prior written permission of Hoosier Recollections.

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