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from Industrial News fanzine, September 1979
stillunusual.tumblr.com/post/646656807446708224/industria...
110,000 Throughout Ireland Protested Against 64 Billion Euro Bank Debt - Were You There?
Have you ever noticed how often the number 64 appears in headlines and on posters. We in Ireland have a 64 Billion Euro debt, or so we are told. It is interesting to note that "The $64,000 Question" was an American game show broadcast from 1955–1958, which became embroiled in the scandals involving TV quiz shows of the day.
The organisers of today's protest march claimed that over 110,000 people took part in the demonstrations.but according to local media and police estimates the total country wide turnout was about 50,000.
The largest event took place in Dublin and according to local police about 25,000 took part while the organisers claim that at least 60,000 took part (maybe 64,000 took part). Today an experienced journalist explained to me that the police count the number of legs and divide by two and the protest organisers count the number of legs and divide by one (BTW that's a joke).
To be honest I do not know if anyone is even trying to be accurate but the following statement was issued by the ITCU:
9 Feb 2013
More than 110,000 people took part in demonstrations across the country today, in protest at the country’s continued bank debt burden.
The protests were organised by the Irish Congress of Trade Unions and took place in Dublin, Cork, Galway, Limerick, Waterford and Sligo.
Over 60,000 took part in the Dublin protest, while at least 15,000 turned out in Cork, 13,000 in Waterford, 10,000 in Limerick, 7,000 in Sligo and 5,000 I Galway.
Congress General Secretary David Begg told protestors at a rally in Dublin’s Merrion Square that bank debt problem had not been solved by the recent deal.
He vowed Congress would continue its bank debt campaign until the link between private bank debt and national debt was clearly broken.
The forum includes participants from both St Kitts and Nevis and the wider Caribbean region. The majority are already involved in community groups and/or initiatives to support youth and women impacted by crime and violence.
Photo credit: REFiiC
Entertainers and athletes take questions and interact with the audience during a USO Show at Caserma Carlo Ederle as part of U.S. Army Garrison Italy, the seventh and final stop on the annual Vice Chairman’s USO Tour, April 3, 2019. Country music artist Craig Morgan, celebrity chef Robert Irvine, UFC Hall of Famer BJ Penn, former UFC Middleweight champion Chris Weidman, professional mixed martial artist Felice Herrig, two-time MLB World Series champion Shane Victorino; and professional surfer Makua Rothman joined Air Force Gen. Paul J. Selva, vice chairman of the Joint Chiefs of Staff, on a tour across the world as they visit service members overseas to thank them for their service and sacrifice. (DoD Photo by U.S. Army Sgt. James K. McCann)
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Used to drill into reinforced concrete, green concrete and abrasive material.
Features: Various techniques of diamond core drilling are Electric, Hydraulic and Pneumatic accessible for moist or dry drilling programs.
Designed for all types of wet drilling in applications with light to moderate steel.
How to use: Drilling method uses a diamond core drill bit fixed to the end of drill rod in the drilling machine or gear. Core drill bits have a hollow center and cut a circle in the material to create a hole. Bit is designed for general purpose, fast drilling with light to moderate steel. able to make holes of any dimension and depth
The question was: "How does it feel to be on top of Danica's head ?"
Danica's hair replied: "Awesome"
One more Go Daddy commercial for you featuring Danica and her hair for ya !
When I was young, it seemed that life was so wonderful,
a miracle, oh it was beautiful, magical.
And all the birds in the trees, well they'd be singing so happily,
joyfully, playfully watching me.
But then they send me away to teach me how to be sensible,
logical, responsible, practical.
And they showed me a world where I could be so dependable,
clinical, intellectual, cynical.
There are times when all the world's asleep,
the questions run too deep
for such a simple man.
Won't you please, please tell me what we've learned
I know it sounds absurd
but please tell me who I am.
- Aimee Mann, The Logical Song, Magnolia
Leica M-A Summilux 1.4/35 Classic
My first film with my 2026 brand-new Leica M-A and the Summilux 1.4/35mm lens (see below details about the camera and the lens) was quite an emotion. I am trained to test many sorts of old camera’s of my collection, but doing so with brand-new camera is exceptional. It is an exception because in 2026 there are just a few possibilities of buying new film camera’s. My last one was the Pentax 17 in April 2025. Leica is the very last camera manufacturer still constructing and distributing « professional » grade film camera’s : their Leica M6 (produced again since 2022), the Leica MP (since 2003) and this Leica M-A (since 2014).
The Leica M-A is a Leica M of the same grade as my Leica M3 year 1956, so I had no question about the camera manipulation. The lens was however new to me and I had never used a Summilux 1:1.4 f=35mm with such wide apertu. Most of my unknowns were then about the lens.
I exposed the Kodak Tri-X film included in the delivery kit of my Leica M-A over two consecutive days: February 11 (views 1-20) and Feb. 12 (views 21-35), 2026 in Lyon, France. On the first day the weather was suitable for an outdoor session. I choose to goes to the cemetery of my district (Lyon Croix Rousse) because the funeral arts are full of details and textures that are interesting to test the lens with small-medium) apertures (f/4.5 to f/16). Due to a more degraded weather he day after with rain, I went to the Basilica of Notre-Dame de Fourvière t expose the rest in subdued light and larger aperture (full aperture f/1.4 to f/3.5).
The Summilux lens was equipped with a protective Leica UVa II filter E46 13034 and the Leica specific screw-on (E46) shade hood 12486. The camera was hold and secured using the vintage Leica ever-ready leather bag prepared for the M-A with the leather neck strap of the bag.
Expositions were determined for 400 ISO using my trusted Minolta Autometer III (1985) equipped either with a 10° finder for selective metering privileging the shadow area’s. Focus was obtained using the built-in optical range finder of the Leica M-A exceptionaly bright and clear even in subdued light.
Documentary smartphone picture
February 11-12, 2026
69004 Lyon
France
After completion to view Nr. 35 the film was processed using Adox Adonal developer at 1+50 dilution, 20°C, for 14min.
Digitizing was made using a Sony A7 camera (ILCE-7, 24MP) fitted to a Minolta Auto Bellows III with the Minolta slide duplication accessory and Minolta Macro Bellow lens 1:3.5 f=50mm. The diffuse light source was a LED panel CineStill Cine-lite.
The RAW files obtained were inverted within the latest version of Adobe Lightroom 15 (15.1.1, January 2026) and edited to the final jpeg pictures without intermediate file. They are presented either as print files with frame or the full size JPEG's together with some documentary smartphone color pictures.
About the camera :
On February 3, 2026, I took my partly delivered order of January, 2026, at the Leica Boutique, Place Bellecour, Lyon, France. I did this order between two short stays at
Hospital Edouard Herriot to have surgeries. It helped me a lot during these medical sessions to take an external source of distraction, not focused on the surgery moment upsetting necessities.
My project was initially based on the still existing film Leica M camera’s production maintained active today in Wetzlar, Germany. Leica Camera AG offers today for sale 3 film camera’s available in different finishes. These are the Leica M6, Leica M-P and Leica M-A on the margin of a very diverse range of digital Leica camera’s. The M-P and M-A are produced since 2014 and are likely the closest camera’s to the original first Leica M3 in (1954-1966). It is possible that Leica maintained their M film camera’sjust to sustain their iconic heritage in the history of the company.
The Leica M survived a time in the 1970-1980’s due to a modified production (Leica M4-2 then M6) by the Leitz Canada branch that closed in 1990. The Leica M6 was then again produced in Germany followed by the Leica M7. The further versions of Leica M8 to M11 today are digital camera’s.
I own in my camera collection since April 2024, a venerable standing Leica M3 year 1956 that is now, in 2026, 70-year old and in perfect optical and mechanical condition with a single and well matched Summicron 2/5cm. The camera is equipped as shown in the first commercial brochure of the Leica M3 in 1954 (standard lens, bag, shade hood). In general, when practicing photography, it is sometime safe to have a « backup » camera of the same type to be still operant in case of one camera failure. I was then amused to backup my Leica M3 by one of these brand-new produced Leica M.
The Leica M-A is the closest to my M3. It is purely mechanical camera, without any electrical on electronic circuitries. Intentionally, the Leica M-A has resurected some of the Leica M3 and Leica M2 (1958-1967) features as the metal advance lever, frame counter, engraving, rewind button, and of course their exact shape and dimensions. The front top cover is designed like the M2 with flat optical windows.
The complex range-finder combined to a framed viewer, including an automatic parallax compensation existed in different versions. The viewer of the Leica M3 was however never been mounted on other Leica M than the M3’s . The 0.91 magnification and its design made for focales 5, 9 and 13.5cm was modified on the Leica M-2 to enlarge the direct use of the viewer to the wide angle 35mm lenses to prise of a smaller magnification. The Leica M-A has o 0.72 magnification capable to display the 28mm frames. As a consequence the Leica M-A is more oriented to a common use of 28 and 35mm lenses.
I choose finally to order a M-A in the chrome silver finish with engraving resembling to the M3/M2 camera’s with a base lens Summilux 1.4/35mm « Classic » that mimics the original lens of 60’s, It was a formidable gift !. Ordering was however not so simple. At first, I was told that the Leica M-A production would be discontinued in Wetzlar … Arguing that the camera is still offered for sale of the on-line French website, I finally got an available box in stock in Wetzlar that was shipped straight to Lyon in 4-5 days. The lens was more slow to get, and I am still waiting.
I could however enjoy the pleasure of comparing in hands my 1956 Leica M3 and my 2026 Leica-M-A. The 70-year old Summicron 2/5cm (branded at this time « Ernst Leitz Wetzlar » fits smoothly and exactly to the M-A and the 50mm frame is automatically selected. The range-finder operates accurately. There is something fantastic to see the two camera side to side separated by 70 years. Installed in the vintage ever-ready leather bag I prepared for the Leica M-A, it is quite hard to detect at a first look that the M-A is a new camera.
The viewer is may be more contrasted due to an extensive AR-coating of of elements and the shutter has not the strange little noises that occurs on the M3 for the slow speeds, but essentially the two camera’s are indeed and undoudtly Leica’s M ! The grandfather and the grandson are so ressemblant.
About the lens :
After the delivery of my Leica M-A camera body the week before, I had the second part of my order on February 10, 2026, at the Leica Boutique, Place Bellecour, Lyon, France. I did this order in early January 2026, between two short stays at Hospital Edouard Herriot to have surgeries. It helped me a lot during these medical sessions to take an external source of distraction, not focused on the surgery moment upsetting necessities.
My brand-new 2026 Leica M-A (produced since 2014 by Leica Camera AG, Wetzlar, Germany) has the mixed technical features of the original Leica M3 (1954-1966) and Leica M2 (1958-1967). In particular the viewfinder system of the today M-A is inherited of the Leica M2 with a 0.72 magnification that allows the direct view field of a 35mm focal length. On the M3 , with its specific 0.91 magnification viewer, the use of 35mm lenses requires an external optical viewfinder or external optical correction of the built-in viewfinder. As a consequence the M3 appears optimal for the focal of 5, 9 and 13.5cm while the M2 appears more wide-angle lens oriented. The viewfinder of he M-A allows additionally also the framing of 28mm lens.
My idea was then to equip my M-A of a brand-new companion Leica 35mm lens of the current Leica production. The choice felt on the re-edition of an iconic 35mm Leica lens of the 60’s : a Summilux 1.4/35mm that first introduced to the market in 1961 as the first f/1.4 aperture 35mm lens.. This lens was as a modified double Gauss formula keeping the lens compact and not too heavy. The lens was soon highly reputed, especially in the photojournalism domain.
The « Steel Rim » describes a stainless steel ring mounted on the lens front to hold the shade hood. When looking at the optical scheme the modern version of the lens is not exactly the same but Leica keeper the major characteristic with a special softness at wide aperture 1.4 to 2.8 that miked the success of the lens at the time.
Receiving of a brand-new Leica lens is a not so common moment. The lens was packaged in Wetzlar on January 16, 2026 and delivered to the Leica boutique, Place Bellecour, Lyon, France on February, 10, 2026 where I took the precious package. We opened the boxes in the shop and had a good discussion staring at the jewel. When picking-up the lens I did not had my M-A body with me but we tried the mount on another second-hand M-A.
The lens is delivered by default with two shade hoods and rear/front ens caps. The replica of the original lens hood fits, clip-on , to the famous « »stieel rim » but is not curiously usable with filters. The second modern one was designed to be used with the E46 screwed filters. The seller offered for free a Leica UVa II, E46 filter (sliver decor) and a Leica clip-on lens cap E46 to be used with a filter because the default one is a bit too large with a filter on place on the lens. The package includes also a protective Leica black lens pouch, proof certificate and booklet.
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CLOSING QUESTIONS (to be answered in paper)
The function of this kit appears to have been forgotten or ignored, but yet the object carries so much meaning. This paper will delve a little deeper into and attempt to answer the following questions:
-What function can an unused medical kit from 1875 hold in the twenty-first century?
-How does it bridge these two very different worlds together: British 1870s naval exploratory culture with twentieth-century Canadian scientific exploratory culture? Both have the similarity of Canadian Arctic exploration, but use very different tools, instruments, and people. What is the significance of the kit in this context?
-The medical kit is not the most important artifact found in the Arctic, and yet it does affect Hattersley-Smith in some way. How and why?
-This artifact acts as a portal for ordinary Canadians who want to understand 1875 British medical and exploratory culture and way of thinking, as well as the evolution of medicine. How does it do this? Does it bridge these two groups in other ways?
BIBLIOGRAPHICAL INFORMATION
PRIMARY
[Consulted thus far]
Medical Kit. 1973.0135. Canada Science and Technology Museum, Ottawa, Ontario, Canada.
Hattersley-Smith, G. North of Latitude Eighty: The Defence Research Board in Ellesmere Island. Ottawa: Canada Defence Research Board, 1974.
Hattersley-Smith, G. and other members of the expeditions. “Northern Ellesmere Island, 1953 and 1954.” Published by permission of the chairman, Defence Research Board of Canada, Arctic Section.
Secord, Erin. Interview by Ashley Kupferschmidt. Written Notes. Canada Science and Technology Museum, Ottawa, Ontario, Canada. February 11, 2014.
[To be consulted]
[Canadian Arctic: Photographs.] Early Arctic Photographs, Beaver, Outfit 283 (September 1952): 42-44, illustrations. [Reproduction of 5 taken by G. White and T. Mitchell of Alert and Discovery during British Arctic Expedition, 1875-6.]
Hattersley-Smith, Geoffrey. “Ellesmere Island, 1953.” Canadian Alpine Journal 37 (1954): 118. [1 plate. Author’s expedition with R. G. Blackadar.]
Hattersley-Smith, Geoffrey. “Canadian Operation ‘Hazen’ 1959.” Canadian Alpine Journal 43 (1960): 96-97.
SECONDARY
[To be consulted]
Hedblom, E.E. Antarctic Manuel. Personnel Selection, Hygiene, Clothing and Nutrition, Visual Disabilities and Cold Injuries, First Aid, Safety and Survival. Second Edition. Bethesda, Maryland, U.S. Naval Medical School, Division of Cold Weather Medicine, 1960.
Nourse, Prof. J.E., ed. Narrative of the Second Arctic Expedition Made by Charles F. Hall: His Voyage to Repulse Bay, Sledge Journeys to the Straits of Fury and Hecla and to King William’s Land and Residence Among the Eskimos During the Years 1864-1870. Washington: U.S. Naval Observatory, Government Printing Office, 1879.
Above picture: Title Page of "Narrative of the Second Arctic Expedition Made by Charles F. Hall," c. 1879
Location: Rare Book Library, Rare Collections, University of Ottawa
Research Done for Medical Kit, c. 1875-6
Artifact Number: 1973.0135
Location: Canada Science and Technology Museum
Researched by Ashley Kupferschmidt for University of Ottawa seminar HIS4135
On the roof of his house, British soldiers take details from a suspected militant during a night time arrest operation. At this stage they are interested in personal details only; later he will face more detailed questioning by fluent Arabic speakers. Basrah, August 2006.
Question: if this was pre-war (or even pre-Raleigh in 1960), would the paint scheme have been red and black background with gold (or polished?) raised letters?
Federal Highways Administrator Victor Mendez answers a reporter's questions about the I-40/77 project with Secretary Gene Conti (l) and N.C. Board of Transportation Chairman Robert Collier.
A young engineer at NASA Glenn asks a question of Dr. David Miller, NASA's new Chief Technologist who visited the center July 23.
Ah yes. The Rise & Toys RT-01 Robot Rose, the figure that begs to answer the question "How much better would my life be if MP Arcee had a proper chest?".
Well, turns out there's some ups and downs, and no, I'm not talking about the jiggling.
Because sadly these are not silicone boobs.
So to start off, if you're not sure, YES, this is a knock off of the MP Arcee release from a few years back. To save myself a bunch of writing, it's suffice to say it's not as good as the official release, but it can do probably 80 - 90% of what it is supposed to do.
Highlights of the stuff that is a total miss is paint, the inability to hold weapons, and my favourite, an instruction manual that literally leaves you half way there.
But the parts are all there, including the die cast content, and the plastic quality doesn't seem to be off by much, if any. It's more the colour amongst the pinks can be inconsistent. Articulation is exactly the same until you decide to get crazy. Visor gimmick still works.
Before the main event, I just want to quickly point out the other major difference between this and the official MP - the face plates. I can't remember who made these, but they're closer to the animation model. There's another extra face that comes with their Nightbird release that is even more accurate.
The main event - the chest plates, which is probably the reason you bought this release. The original toy suffered from what would best be described as a sagging bust line, with Nightbird faring slightly better due to the long chin piece.
Well, this figure gives you the option of swapping out the original piece for one of two plates - one that gives the figure that classic look, but is definitely more flattering, and another that gives her the look of a pin up model.
Might as well go big, right?
The issue is that by attaching these chest plates, you lose use of her shoulder hinges, and basically won't be able to bring the arms across the chest... which if you think about it, makes sense given the size of the things.
Suspended Animation Classic #102
Originally published Dec. 9, 1990 (#49)
The Question Quarterly
By Michael Vance
“I don’t believe in violence. But I don’t believe in being raped, either. So I’m walking around in the ruins of all my fine ideals, and I’m lost and lonely and desperate.”
Such is the underlying philosophy of “The Question”, a hard-edged, gritty look at the underbelly of society. The Question is a vigilante who dehumanizes himself to battle a dehumanizing city. In the current issue, he fights personal and impersonal demons to rush a dying child on the edge of death and the Brazilian rain forest to a Hub City hospital. She has no hope for life under the backwards medicine of South America.
Vic Sage is the face behind the mask, and his struggle is further complicated by an intriguing man named Marco. He prays to the patron saint of martial artists, Saint Bruce. And he saves Vic from almost certain death so that Marco can kill The Question, honorably.
It is not the only complication in this odd mixture of adventure, social comment, karate and pathos. And although young readers may buy the book for its jump kicks and captivating art, adults will find something more. The Question is engrossing stuff.
In what could be a stultifying superhero cliché, writer Dennis O’Neal and artist Denys Cowan forget flash over substance and take the reader inside Vic Sage, Marco, and Myra Fermin. It’s a fascinating study of heroism in the face of despair, of courage and horror growing from the same soil, and is certain proof that there are comics for adults that balance action with thought. Plot, dialog, characterization, and art all work together to make this a standout among comic books.
The only question left is why all comics aren’t this good.
“The Question Quarterly” #2/$2.50, 41 pages, DC Comics/available in comic shops.
Fact: The Japanese read 1.7 billion comics in 1990!
Question? Are the branches too much? I may take this down?? Help Me!
Joey--This is Nancy, The NJR. This photo stays--it is Stieglitz style.
Adrianna Sutkowski mais conhecida por A.M Strings é uma cantora nascida em St.Louis no Sul dos EUA. Tem 23 anos e se formou em 2016 em Engenharia de Áudio na ‘Xtreme Institute by Nelly’ em sua cidade natal.
Desde cedo teve interesse por música e iniciou sua carreira musical quando ainda era menina. Aos 5 anos começou a ter aulas de piano com um professor particular, dos 8 aos 13 aprendeu um pouco de violino, violoncelo e clarinete durante seu período escolar.
Com o pai ainda menina ouvia no carro a trilha sonora do filme ‘Os irmãos cara de pau-The Blue Brothers’, mas especificamente a música ‘Rubber Biscuit’ e ‘Hit the road Jack’ de Ray Charles, e se lembra como uma das boas influências que marcaram sua vida.
Começou a tocar violão aos 12 anos e a partir daí escrever poesias, como toda adolescente cheia de questionamentos e sensibilidade. No ano seguinte cantou pela primeira vez na Igreja que frequentava uma canção composta por ela mesma ao estilo Christian Rock Gospel. A oportunidade veio em uma visita à casa do tio que ao ouvi-la cantar se impressionou com a voz e a levou ao culto.
Já adolescente ouvia rap como Tupac, Eminem, bandas como Good Charlotte, Blink 182 e a sua cantora favorita na época Amy Winehouse.
Aos 18 anos ingressou na faculdade e ali sua mente se expandiu. Aprendeu como é o processo de produção e como lançar suas próprias músicas. Também um pouco sobre o mercado e a indústria fonográfica.
No primeiro ano de faculdade participou com um grupo de alunos de uma mini-turnê chamada ‘Vatterott’ pelos estados de Tennessee, Illinois, Ohio e Kansas. Na ocasião tocou canções compostas por ela mesma como ‘These four Walls’ e ‘Dear Momma’ que compôs em homenagem à mãe.
No ano de 2017, participou do campeonato de novos talentos ‘Super Jam’ em St.Louis e obteve o 2º lugar, por pouco não abriu os shows de Future, Migos, Tori Lanez e A$ap, mas continuou na ativa e em 2018 foi artista revelação no concurso ‘Sauce Records Center Stage’.
Sua voz potente e a vontade de conhecer novos lugares a fez cruzar a fronteira e aportar em nosso país que a acolheu de braços abertos.
Em sua primeira vez no Brasil, no ano de 2018, gravou um EP com alguns amigos em Brasília. Entre eles DJ Jr. Killa, Paulo Guerreiro e Don Gerson do Alto calibre-AK, grupo de Rap da Ceilândia. Tocou em algumas festas e se apresentou no Terraço Shopping no formato voz e violão.
De volta ao Brasil em fevereiro de 2019 teve o privilégio de abrir o show da banda Goiana ‘Carne Doce’, que recentemente tocou no palco do Lollapalooza em São Paulo.
“Minhas influências musicais vão de Nahko Bear um cantor descendente de índios americanos, Sticky Fingers, um grupo independente australiano e Tash Sultana, uma multi instrumentista também australiana que começou tocando na rua e hoje toca em grandes festivais. Como ela eu pretendo desenvolver minhas aptidões musicais e produzir minhas próprias musicas em meu pequeno estúdio”.
No Brasil desde janeiro A.M Strings se impressionou com os ritmos que ouviu em Salvador no último carnaval. E relembra: “A energia é contagiante e a percussão e ritmos é incrível. Foi maravilhoso curtir o carnaval de Salvador e conhecer de perto uma das mais famosas celebrações do mundo”.
Fascinada pelas belezas naturais na Bahia, A.M Strings acabou de gravar um videoclipe nas areias da praia do Contrato no norte do estado. A música escolhida é ‘Somewhere’, que tem como base ‘Somewhere Over the Rainbow’ famosa na voz de Judy Garland no filme Mágico de Oz e Frank Sinatra. O clipe foi dirigido pelo videomaker Tarcisio Boquady, que conseguiu traduzir nas imagens toda a sensibilidade que a letra da música tem.
“Eu passei por momentos dificeis e dolorosos na minha vida apesar da pouca idade e vi o lado obscuro quase me engolir. Nessa canção e no vídeo eu consigo mostrar o lado luminoso da vida, da superação e da energia poderosa que a vida tem, de Deus e toda a sua plenitude”, declara a jovem cantora.
International Conference on the Question of Jerusalem, Palais des Nations. 28 June 2019. UN Photo by Violaine Martin
Depeche Mode - Enjoy The Silence (Live in Berlin)
Depeche Mode are an English electronic band that formed in 1980 in Basildon, Essex. The group consists of founders Dave Gahan (lead vocals, occasional songwriter since 2005), Martin Gore (guitar, keyboards, vocals, main songwriter since 1982), and Andy Fletcher (keyboards, bass guitar). Depeche Mode released their debut album Speak & Spell in 1981, bringing the band onto the British new wave scene. Original band member Vince Clarke (keyboards, guitar, main songwriter from 1980 to 1981), left the band after the release of the album, leaving the band as a trio to record A Broken Frame, released the following year. Gore took over the lead songwriting duties and, later in 1982, Alan Wilder (keyboards, drums, bass guitar, occasional songwriter) officially joined the band to fill Clarke's spot, establishing a line up that would continue for the next 13 years. Depeche Mode have been a trio again since 1995, when Wilder left.
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What do you think I should do?
Either buy $50 worth of BA or complete my russian airsoft loadout? I'm leaning towards the loadout.
Loadout:4
BA:
Do you know a good dentist?
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Dedicata a chi crede di nn saper più sognare..
Tra una botta che prendo
e una botta che dò
tra un amico che perdo
e un amico che avrò
che se cado una volta
una volta cadrò