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Brian Doctor, lecturer in biology, responds to an unexpected answer to his question in his Immunology and Serology class. Photo by Robert Jordan/Ole Miss Communications

Bonhams Grand Palais Paris

 

1935 Mercedes-Benz 500 K Cabriolet A

Carrosserie Sindelfingen

Vendue neuve à Henri Garat, même propriétaire depuis 1969 Un des 31 exemplaires de cabriolet A produits

Châssis n° 205 178

Carrosserie n° 817607

 

Clou du Salon de l'Automobile de Berlin 1934, la légendaire 500 K de Mercedes-Benz qui coûtait neuve une petite fortune vaut aujourd'hui l'équivalent d'une rançon royale tant elle est rare. La décennie des années 1930 fut une période d'une fertilité sans précédent en matière de style automobile et la 500 K fut un sommet d'excellence. Son charme intemporel n'a jamais été remis en question.

 

La 500 K qui bénéficiait d'une ingénieuse suspension arrière indépendante à essieu brisé fut une création de l'ingénieur Hans Nibel qui avait débuté chez Benz au début du XXe siècle et qui succéda à Marius Barbarou au poste d'ingénieur en chef en 1904, conçut (et pilota) les énormes Benz construites à l'époque qui culminèrent avec la Blitzen Benz (l'éclair Benz) de 200 ch. Après la fusion avec Mercedes, il remplaça Ferdinand Porsche et créa les châssis les plus raffinés de l'époque tant pour les routières que pour les voitures de course dont celui de la première des 'flèches d'argent' de Grand Prix. Les Mercedes de route à compresseur des années 1930 sont un splendide hommage à sa créativité technique.

 

Comme sa remplaçante, la 540 K, la superbe 500 K fut probablement le modèle de production le plus remarquable jamais produit par Stuttgart au cours des années 1930. La 500 K était propulsée par un moteur à huit cylindres en ligne de 5 018 cm3 qui se distinguait par le système de suralimentation par compresseur type Roots caractéristique de la marque selon lequel, en enfonçant l'accélérateur au maximum, la pédale permettait à la fois d'embrayer le compresseur et de couper l'alimentation atmosphérique du carburateur. Ce système avait été expérimenté avec succès sur les séries

sous les pavés la plage..sous la plage les plastiques....

 

video (C) Isabelle Adam, material (C) those onstage

I know that real meal deal Italians question our sanity when they see a dish like this. But..if you grew up in the US. this is one of the most iconic "Italian" dishes we had. That and pizza, and I'm old enough to have spaghetti and meatballs long before pizza became widely available across rhe land. A simple pasta, red sauce, and juicy meatball were the picture in the American dictonary for the Italian food entry.

A healthy dose of freshly grated parmesian and a.few shakes of red.pepper flakes

That's it. Maybe a small side salad so I can say I ate something green today.

May I peek sir, at what you have under your kilt?

I'm thinking about cleaning up my cute retexture of uti's suit and selling different colors of it, would anyone be interested in any particular colors or patterns?

 

PS the back has two little heart cut-outs!

Bollywood star Aamir Khan joins the BBC Asian Network's Raj & Pablo, & an audience of fans for a question & answer session at the BBC's Broadcasting House in London.

 

More info:

 

BBC Asian Network

 

IMDb

The International Festival for Business (IFB) is the UK’s most significant international trade and commerce showcase since 1951.

Hosted in the Liverpool City Region there will be 250,000 visitors from more than 100 countries across 50 days during June and July 2014. It will comprise well over 100 business focused events, underpinned by a major cultural programme.

The UKTI Brazil Oil & Gas Marine Engineering Forum on 13th June 2014 at IFB enabled participants to learn more about key Brazilian offshore supply and subsea support opportunities.

Participants in the Q&A from Left to right are Carlos Patricio Prado Rodriguez, Bernardo Garcia Moura, Marco Aurelio de Andrade Barros, Luis Fernando Padilha Silva and Marcio de Abreu Grove.

Installation présentée dans le cadre de l'édition 2012 d'Art Souterrain

 

Zone 1: Place des Arts

 

Le travail de Karine Payette met en scène la figure de la demeure, qui s’avère centrale à sa pratique. L’ar- tiste aborde le chez-soi, explorant de façon imagée la précarité du monde qui nous entoure. À l’aide de matériaux usinés, Payette met en scène des environ- nements fictifs aux allures de tableaux suspendus.

Un pan de mur en décrépitude exposant la défaillance de son isolation vient questionner notre conception de la demeure en tant que refuge, la dépeignant comme une réalité fragile. Les vestiges d’une décoration désuète soulignent le passage du temps.

 

Karine Payette est une artiste multidiscipli- naire vivant à Montréal. Artiste de la relève, elle a déjà plusieurs expositions à son actif, dont au Musée d’art des Laurentides, à la Galerie SAS ainsi qu’à la Maison de la culture Frontenac.

 

www.artsouterrain.com/edition-2012/artistes/event-2/

Question Mark. Aus der Serie „Satzzeichen“ 2014

Rotierende Skulptur aus Lianen Findling, fluoriszierendes Klebeband, schwarze Totenkopf Büchse und Schwarz Licht

Skulptur, Objekt, Video, Installation, Fotografie

Markus Wintersberger 2014

"A lie stands on one leg, truth on two"

(Benjamin Franklin)

WHAT IS THE ROLE OF THE WOMAN IN THE BOOK OF GENESIS ? RUN DEBATE

 

Biennalist is wondering : why did the Vatican choose to have no women at the Vatican pavilion when the exhibition is about the book of Genesis ?

 

Biennalist asked the question to a group of Mexican students in Copenhagen the 22 /05 /2013 by activating the format critical run , run meanwhile debating

 

we also debated : Do we need borders

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CRITICAL RUN as CRITICAL FORMATS with the Mexicans preparation for Biennalists at the Venice Biennale question to understand Vatican pavilion theme www.emergencyrooms.org/formats.html

 

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Biennalist is an Art Format by Thierry Geoffroy / Colonel debating with artistic tools on Biennales and other cultural managed events . Often those events promote them selves with thematics and press releases faking their aim . Biennalist take the thematics of the Biennales very seriously , and test their pertinance . Artists have questioned for decade the canvas , the pigment , the museum ... since 1989 we question the Biennales .Often Biennalist converge with Emergency Room providing a burning content that cannot wait ( today before it is too late )

 

Countries( nations ) that will participate at the Venice Biennale 55 th ( 2013 Biennale di Venezia ) in Italy ( at Giardini or Arsenale or ? ) , Encyclopedic Palace is curated by Massimiliano Gioni

 

Albania, Andorra, Argentina, Australia, Austria, Azerbaijan, Bangladesh, Belarus, Belgium, Brazil, Bulgaria,

Costa Rica, Croatia, Cuba, Cyprus, Czech , Slovenia, South Africa, Spain, Canada, Chile, China, Congo,

Slovak Republic, Egypt, Estonia, Finland, France, Georgia, Germany, Greece, Haiti, Hungary, Iceland, India, Iran, Iraq, Ireland, Israel, Italy, Japan, Korea, Latvia, Lithuania, Luxembourg, Macedonia,

Mexico, Moldova, Montenegro, Netherlands, New Zealand, Norway, Poland, Portugal, Romania, Russia, San Marino, Saudi Arabia, Serbia, Singapore

Sweden, Switzerland, Syrian Arab Republic, Thailand, Turkey, Ukraine, United Arab Emirates, United Kingdom, United States of America, Uruguay, Venezuela, Zimbabwe

the Bahamas, the Kingdom of Bahrain, the Republic of Kosovo, Kuwait, the Maldives, Côte d'Ivoire, Nigeria and Paraguay

 

Eight countries will also participate for the first time in next year's biennale: the Bahamas, the Kingdom of Bahrain, the Republic of Kosovo, Kuwait, the Maldives, Côte d'Ivoire, Nigeria and Paraguay. In 2011, 89 international pavilions, the most ever, were accessible in the Giardini and across the city.

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Taken at Marine Study Center in Oceanside, NY with Pentax K100D and Tamron 70-300 Di Macro. Question Marks mimic dead leaves well, as illustrated by this one hanging from a branch.

Question Mark, University of Guelph

If you have any questions or would like to contribute to this archive, please visit tigerjams.art/ and contact me on Twitter DM or Telegram ♥

Georgetown professor Tony Arend, right, moderated a Q&A with Rasmussen and audience members.

 

See event coverage at: explore.georgetown.edu/news/?ID=48996

 

Photo by: Phil Humnicky/Georgetown

 

These images are intended for viewing on Flickr. Any redistribution or publication must be approved by Georgetown University.

The focus is on the question of mobility experiences on planet B. On September 8 and 9, visitors are invited to the workshop “Mobility of the Future” with sociologist Bernhard Böhm (AT) to exchange ideas and develop visions. Supersense X BMW Experience Lab Project calls for a creative start of an analogue or digital way of thinking. The outcomes will be summarized in a research report in collaboration with Ars Electronica Futurelab to create inspiration and find new ways into possible futures of mobility.

 

Photo showing Florian Kaps (AT) and Bernhard Böhm (DE)

 

Photo: tom mesic

I am not sure which Barbie she is and her head is very loose. Should I rebody her or what? Can someone identify the steffie head, I might rebody her on a fashionista body.

A full interview with the Israeli painter Raphael Perez (in Hebrew Rafi Peretz) about the ideas behind the naive painting, resume, personal biography and CV

Question: Raphael Perez Tell us about your work process as a naive painter?

Answer: I choose the most iconic and famous buildings in every city and town that are architecturally interesting and have a special shape and place the iconic buildings on boulevards full of trees, bushes, vegetation, flowers.

 

Question: How do you give depth in your naive paintings?

Answer: To give depth to the painting, I build the painting with layers of vegetation, after those low famous buildings, followed by a tall avenue of trees, and behind them towers and skyscrapers, in the sky I sometimes put innocent signs of balloons, kites.

A recurring motif in some of my paintings is the figure of the painter who is in the center of the boulevard and paints the entire scene unfolding in front of him, also there are two kindergarten teachers who are walking with the kindergarten children with the state flags that I paint, and loving couples hugging and kissing and family paintings of mother, father and child walking in harmony on the boulevard.

 

Question: Raphael Perez What characterizes your naive painting?

Answer: Most naive paintings have the same characteristics

(Definition as it appears in Wikipedia)

• Tells a simple story to absorb from everyday life, usually with humans.

• The representation of the painter's idealization to reality - the mapping of reality.

• Failure to maintain perspective - especially details even in distant details.

• Extensive use of repeating patterns - many details.

• Warm and bright colors.

• Sometimes the emphasis is on outlines.

• Most of the characters are flat, lack volume

• No interest in texture, expression, correct proportions

• No interest in anatomy.

• There is not much use of light and shadow, the colors create a three-dimensional effect.

I find these definitions to be valid for all my naive paintings

 

Question: Raphael Perez Why do you mainly choose the city of Tel Aviv?

Answer: I was born in Jerusalem, the capital city which I love very much and also paint,

I love the special Bauhaus buildings in Tel Aviv, the ornamental buildings that were built a century ago in the 1920s and 1930s, the beautiful boulevards, towers and modern skyscrapers give you the feeling of the hustle and bustle of a large metropolis and there are quite a few low and tall buildings that are architecturally fascinating in their form the special one

Also, the move to Tel Aviv, which is the capital of culture, freedom, and secularism, allowed me to live my life as I chose, to live in a relationship with a man, Jerusalem, which is a traditional city, it is more complicated to live a homosexual life, also, the art world takes place mainly in the city of Tel Aviv, and it is possible that from a professional point of view, this allows I can support myself better in Tel Aviv than in any other city in Israel.

 

Question: raphael perez are the paintings of the city of Tel Aviv different from the paintings of the city of Jerusalem

Answer: Most of the paintings of Jerusalem have an emphasis on the color yellow, gold, the color of the old city walls, the subjects I painted in Jerusalem are mainly a type of idealization of a peaceful life between Jews and Arabs and paintings that deal with the Jewish religious world, a number of paintings depict all shades of the currents of Judaism of today

In contrast, the Tel Aviv paintings are more colorful, with skyscrapers, the sea, balloons and more secular motifs

 

Question: Raphael Perez Tell us about which buildings and their architects you usually choose in your city paintings

Answer: My favorite buildings are those that have a special shape that anyone can recognize and are the symbols of the city and you will give several examples:

In the city of Tel Aviv, my favorite buildings are: the opera building with its unusual geometric shape, the Yisrotel tower with its special head, the Hail Bo Shalom tower that for years was the symbol of the tallest building in Tel Aviv, the Levin house that looks like a Japanese pagoda, the burgundy-colored Nordeau hotel with the special dome at the end of the building, A pair of Alon towers with the special structure of the sea, Bauhaus buildings typical of Tel Aviv with the special balconies and the special staircase, the Yaakov Agam fountain in Dizengoff square appears in a large part of the paintings, many towers that are in the stock exchange complex, the Aviv towers and other tall buildings on Ayalon, in some of the paintings I took plans An outline of future buildings that need to be built in the city and I drew them even before they were built in reality,

 

In the paintings of Jerusalem, I mainly chose the area of the Old City and East Jerusalem, a painting of the walls of the Old City, the Western Wall, the Church of the Holy Sepulcher, the El Akchea Mosque, the Tower of David, most of the famous churches in the city, the right hand of Moses, in most of the paintings the Jew is wearing a blue shirt with a red male cord I was in the youth movement and the Arab with a galabia, and in the paintings of the religious public then, Jews with black suits and white shirts, tallitas, kippahs, special hats, synagogues and more

 

I also created three paintings of the city of Haifa and one painting of Safed

In the Haifa paintings I drew the university, the Technion, the famous Egged Tower, the Sail Tower, well-known hotels, of course the Baha'i Gardens and the Baha'i Temple, Haifa Port and the boats and other famous buildings in the city

 

Question: Have you created series of other cities from around the world?

Answer: I created series of New York City with all the iconic and famous buildings such as: the Guggenheim Museum, the famous skyscrapers - the Chrysler Building, the Empire State Building, Lincoln Center, the famous synagogue in the city, the Statue of Liberty, the flags of the United States and other famous buildings

Two paintings of London and all its famous sites, Big Ben, famous monuments, the Ferris wheel, Queen Elizabeth and her family, the double bus, the famous public telephone, palaces, famous churches, well-known monuments

I created 4 naive paintings of cities in China, a painting of Shanghai, two paintings of the city of Suzhou and a painting of the World Park in the city of Beijing... I chose the famous skyline of Shanghai with all the famous towers, the famous promenade, temples and old buildings, two Paintings of the city of Suzhou with the famous canals, bridges, special gardens, towers and skyscrapers of the city

Doris Leuthard, Federal Councillor, Federal Department of Environment and Transports, Switzerland answers journalists' questions after the Follow-up Zurich Process - Meeting of the Ministers of the Alpine Region during the 2012 Summit on “Seamless Transport: Making Connections” of the International Transport Forum at the OECD in Leipzig, Germany on 02 May 2012.

Queer Question Time

Mon 24 May, 7:30pm. £5

Booking: 0161 274 / www.contact-theatre.org

 

“What will a new government mean for equality legislation in the UK?”

 

“In the 21st century, is there any longer a need for a festival like Queer Up North to exist?”

 

“Do we really believe in free speech? Or only when we agree with its point of view?”

 

Following hugely successful outings in 2007 and 2008, Queer Question Time makes a return to the Queer Up North festival, this time hosted by velvet voiced raconteur Tom Allen, star of BBC Radio 4’s The Correspondent and Bleak Expectations, and winner of So You Think You’re Funny and the BBC New Comedy Award.

 

Joining Tom will be a panel of esteemed thinkers and writers including:

 

*

 

Linda Bellos, equality activist and founder of Diversity Solutions.

*

 

Angela Wilson, Senior Lecturer in Politics and Sexuality at The University of Manchester.

*

 

Matthew Todd, Editor of Attitude Magazine.

*

 

Peter Tatchell, human rights activist.

 

They, just like their BBC namesake, will tackle questions proposed by members of the audience.

 

‘Lively, charismatic...the cream of the crop’ Time Out on Tom Allen

 

*

 

Supported by The Kobler Trust and The Scotshill Trust.

 

*************************************

 

Part of Queer Up North International Festival 2010.

  

www.queerupnorth.com

What wonders await patrons of this night club?

by Francis de Tuem released on Easter Sunday 27.3.2016

FDT 's 4th Tiatr

more here goo.gl/Q7fhXl

joegoauk-tiatr.blogspot.in/2016/03/question-mark-by-franc...

Fotografía: Kiiiwiii Photography

-------------------------------------------

Sígueme en mi página de Facebook. (Follow me on Facebook):

www.facebook.com/kiiiwiiiphotography

 

Gracias por vuestras visitas y comentarios. Thanks for all visits.

 

Por favor, no use ésta imagen en webs, blogs o cualquier otro medio sin mi explícito permiso.

©Todos los derechos reservados.

Please don't use this image on websites, blogs or other media without my explicit permission.

©All rights reserved.

Love, Henry - a beautiful build by Tahiti Rae that asks the question, "What if Henry VIII never executed Anne Boleyn?"

 

Sadly, I think his desire for a new wife thoroughly overcame whatever love he had, and he thoroughly hated her by the time he had Anne killed.

 

Some pictures were taken with the advanced lighting model on. Some aren't. I had a problem with some things not rendering and relogged, and ALM didn't turn on. Still, it's a lovely set. These photos are all raw, unprocessed shots from SL. Enjoy.

 

maps.secondlife.com/secondlife/LEA8/193/142/2501

 

Taken for Monthly Scavenger Hunt (MSH) June 2013 1. Knotty and for

 

Our Daily Challenge: THE BIG QUESTION, is the topic for Thursday 20 June 2013

Question Mark. Aus der Serie „Satzzeichen“ 2014

Rotierende Skulptur aus Lianen Findling, fluoriszierendes Klebeband, schwarze Totenkopf Büchse und Schwarz Licht

Skulptur, Objekt, Video, Installation, Fotografie

Markus Wintersberger 2014

There are times while looking over my shoulder that I find myself questioning where I have come from and where I am going to. On this day I am thankful for being able to ask these questions. I do know that I need to start preparing my contribution for today's Thanksgiving dinner!

 

Happy Thanksgiving!

 

*Photograph composition was created for the Our Daily Challenge topic:

 

OVER THE SHOULDER

"Non importa con quanto scrupolo seguirai le indicazioni: avrai sempre l'impressione di aver perso qualcosa, la sensazione sprofondata sotto la tua pelle di non aver vissuto tutto. C'è quel sentimento di caduta nel cuore, per essere andato troppo in fretta nei momenti in cui avresti dovuto fare attenzione. Be', abituati a quella sensazione. È così che un giorno sentirai tutta la tua vita. È solo questione di abitudine. Niente di tutto ciò ha importanza. Ci stiamo solo scaldando".

 

[C. Palahniuk, Invisible Monsters, traduzione di Manuel Rosini, Mondadori, 1999]

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