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The Rock & Roll Public Library
Gallery
Norwich University College of the Arts
Tuesday 13 April to Saturday 22 May 2010
Opening times: Mondays - Saturdays, 10am-5pm
Text from the Norfolk & Norwich Festival 2010 web page:
Mick Jones, iconic guitarist and songwriter with The Clash, Big Audio Dynamite, and Carbon Silicon, has amassed an impressive collection of the paraphernalia of performance and marketing materials of the bands he has worked with. This archive sits alongside a parallel general collection of books, magazines, videos, ephemera, toys and games which mark out his life, times, and influences. The installation of this material will turn the Gallery at NUCA into a remarkable archive, raising questions about the act of collecting as well as offering some small insight into the influences and interests of a musician and cultural icon.
Spc. Justin Dennahy, from 1st Detachment, 950th Engineer Company, answers questions form a panel of three Wisconsin sergeants major, while his sponsor, Sgt. John Wiernasz, observes during the Appearance Boards event the 2012 State Soldier of the Year competition Saturday (April 21). The boards had senior enlisted Soldiers grilling the contestants on an array of military questions, while also assessing the Soldier’s dress uniform. Six Soldiers and eight NCOs from the Wisconsin Army National Guard are competing at Fort McCoy, Wis., through the weekend. This competition is held to select the most outstanding NCO and Soldier to represent Wisconsin at the Region 4 Army National Guard Competition in May. 112th Mobile Public Affairs Detachment photo by Spc. Eric Liesse
Nan Goldin
Exhibition view "Family Matters. Portraits and experiences of family today", CCC Strozzina, Palazzo Strozzi, Firenze
(14.03.2014 - 20.07.2014)
© photo Martino Margheri
Poor Flickr Uploadr. It just can’t help itself. It’s hinky as hell.
Fortunately, Flickr is so good at crafting a friendly user experience, they even get me to feel warm fuzzies about them when their app barfs.
Some of y’all might think it’s too precious by half. But it made me feel good, even though I couldn’t accomplish my goal. And that’s not nothing.
‘course, I’d rather that my pics uploaded. Flickr, fix that buggy OS X Uploadr. Pretty please?
President Cyril Ramaphosa receives a courtesy call from renowned comedian Trevor Noah, ahead of his oral reply to questions in the National Assembly in Cape Town.
They discussed a wide range of issues, including the impressive philanthropic work that Trevor’s Foundation is doing in supporting orphans and young people with education and life skills. [Photo: GCIS]
NS 281 rolls south out of Brosnan Yard in Macon, GA with an abysmally short train of stacks and autoracks. At under 3k feet almost every day of my Georgia trip, I quickly questioned why this train still exists.
La quatrième fois que je les ais vu, ils avaient préparés le coup, et s'étaient mis sur leur 31. Ils m'ont demandé de leur faire des photos pour envoyer à la famille.
J'avais l'impression d'être une sorte de "photographe publique" ou plus simplement le photographe du coin. C'était bien, et j'espère que les photos leur plairont...
En été, ils étaient là, assis tous ensemble, par terre, devant la
maison. Les bébés, les parents, les vieux, tout en couleurs dans la
ville noire. Aujourd'hui déjà il fait nuit. Lumière à la fenêtre, comme
un ailleurs dans le soir d'automne. Ils ouvrent leur porte, nous
souhaitent la bienvenue dans un anglais qui sent les épices et brille
comme ces bougies qui flottent, le soir, sur le Gange. Leurs noms nous
emportent :
Pradeep, le père : lumière,
Subashini, la mère : Dieu de la prospérité,
Shreya, la petite fille : connaissance et beauté
Vishvakrit, le petit garçon : créateur du monde
Nous repartons dans la nuit, baignés de la lumière de leur sourire.
(Légende by : Cécile Beauvoir)
Clermont Ferrand / 05 Novembre 2009 / 19h40
Integrated Education Fund (IEF), in conjunction with NICVA, organised an opportunity to discuss the future of education in Northern Ireland. Chaired by BBC journalist and presenter, William Crawley, this debate focused on the challenges and possibilities of building a shared education system in the context of budget cuts and the goals of a shared society.
Teju Cole, The Senses of the City
Lowell Humanities Series
Devlin Hall
Boston College
Chestnut Hill, MA
Photo blogged here
Why do photographers feel they have to Photoshop or edit the pictures until they’re unrecognizable?
This is a question that I used to ask myself, until I started to really understand photography and post processing. I used to think that photography was really easy, but then I became interested in sharing my work and followed many other photographers on Facebook, Twitter, and Google+. A few years ago, Instagram hit the iPhone and at the time it was released, it instantly became the “had to have” app. You started to see more and more photos of food, dogs, cats, babies, anything and everything that could and would be photographed has been uploaded to Instagram. With all of these images, people feel that they need to find a way to stand out in the crowd, so they will use any tool available to them to create a one of a kind image.
Technology has helped in increasing the number photographers out there. Cameras are smaller, cheaper and can produce more megapixels than ever imagined a few years ago. Anyone can go purchase an inexpensive DSLR and start taking photos. Photos are cheap today. The only cost involved today is the cost of the memory card, the camera, and your time. You can purchase post processing tools like Photoshop, Lightroom or Aperture for cheap. This makes it easy for anyone to take an image and just make as many changes to it that they see fit. What works for them, may not always work for you.
HDR or High Dynamic Range is a form of post processing that has taken the photography world by storm. This is where photographers will take multiple shots of the same image at varying exposures and then merge them in post processing to achieve a more dynamic image with a great range in colors from light to dark. When done right, HDR will take an ordinary image into something more realistic. But when done wrong, HDR will ruin an image, you start seeing halos around items and things start to look very cartoon-y.
Below are two images of the same shot that I took of a pile of leaves a few years ago while on a hike. The first image is “as-is” from the camera. The leaves were shot with a proper exposure and they just came out of the camera looking a little dull. I know that while I was out on the hike the fall colors were really popping and there seemed to be a greater contrast in person than what I actually see in the image. This may be for another post, but a camera can only see the dynamic range of one “stop” per exposure. The human eye can see a dynamic range of up to 10-14 “stops”. This is why the fall colors aren’t as vibrant in your image compared to what you physically saw in person.
The second image is of the same pile of leaves. I had actually taken 5 shots (each at a different exposure ranging from -2 to + 2 and merged them together. This caused the dark areas to become darker and the light areas to become lighter. Thus creating the higher dynamic range of colors that you see here.
The Kitsap County Surface and Stormwater Management Program requested signs to explain the functionality of recently installed stormwater features at the Kitsap County Public Works Annex building in Port Orchard, WA. The Watershed Company provided interpretive design for two signs - one for a stormwater pond and another for a bioretention swale. Both signs used custom plan view and cross-section illustrations to explain, step by step, how these green stormwater infrastructure features clean stormwater. The signs highlight the benefits of stormwater projects and address common questions. Funding was provided by a Department of Ecology grant.
A Conversation between Lauren Grodenstein and Steven King sponsored by Algonquin Books and Water Street Bookstore
President John Hennessy takes questions from admitted students and their parents at Memorial Auditorium on Friday.
The Vossen Media Team spends countless hours photographing every wheel model in a variety of finishes in our in-house studio. The Vossen Assets Page contains all of the most current branding elements, logos and files. If you have questions regarding any Vossen brand assets or photography, please email media@vossenwheels.com.
Who are you? How do you see yourself? These are questions we ask one another to this day. Even more so, we ask these questions today especially of ourselves. Whom am I? -- How do I see myself? In our complex world these are not trivial questions. Many people look at us and they really don't want to know who we are; they only see the identity that they would like to see in us. This is truly a reality check- people only see the identity they would like to impose on us!
When the Jews sent priests and Levites to question John, they asked him, Who are you? John recognized the truth and did not deny it. He said, I am not the Messiah.
And they asked him, Then who are you? Elijah? John answered, I am not. They said, Are you the Prophet? And John answered, No! Then they said to him, Tell us who you are, so that we can give some answer to those who sent us. How do you see yourself? And John said, quoting the Prophet Isaiah, I am the voice crying out in the wilderness; Make straight the way of the Lord.
Then they put a further question to John; Then why are you baptizing if you are not the Messiah, or Elijah, or the Prophet? John answered, I baptize you with water, but among you stands one whom you do not know; although he comes after me, I am not worthy to untie the strap of his sandal.
Basically this rings true in our day and age! One does stand among us whom we do not know. We do not know him because we cannot get away with imposing an identity on him- though we try all the time! Jesus the Protestant, Jesus the Catholic, Jesus the Baptist...Yes, John, we too are unworthy to untie the strap of his sandals!
Credits images: Xavier Padrós
Can we continue with the current model of production and consumption of goods and services? Does it make sense to have an economy based on infinite growth in an environment with finite resources?
All of us, whether we are conscious of it or not, determine the sustainability of our society. It is for this reason that we have the responsibility to ask ourselves key questions which take us out of our comfort zone, help us to see the things around us in a new way and rethink society to redirect it towards a more sustainable model through critique and collective awareness.
This is the main purpose of the “BASICS: a path to question ourselves” exhibition, a space commissioned by Alfonso de la Fuente of Pichiglas and Sameera Chukkapali from the Needlab project, where you can explore several installations related to the central topic of the BDW, “revaluation”, and the 2030 Agenda with the United Nations’ Objectives for Sustainable Development. These include responsible consumption and production, more inclusive, safer and more sustainable cities and communities, universal access to water and clean energy, the effects of climate change and the preservation of maritime and terrestrial ecosystems.
The exhibition is made up of five installations that create an open park in which you can walk and ask questions about how each of us can positively contribute towards an individual and collective revaluation. We return to the basics, such as water, air, land and those main elements that we need to live: food, a house and living in a community.
Organised by Barcelona Design Centre
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From World Gk In Hindi.in
This mid-century Sportflite balloon-tire cruiser is always here. So the question is: are the flowers growing around the bike?
President Jacob Zuma replies to questions in the National House of Traditional Leaders in Parliament. (Photo: GCIS)
The Vossen Media Team spends countless hours photographing every wheel model in a variety of finishes in our in-house studio. The Vossen Assets Page contains all of the most current branding elements, logos and files. If you have questions regarding any Vossen brand assets or photography, please email media@vossenwheels.com.