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Sony A7R RAW Photos of Pretty, Tall Blond Bikini Swimsuit Model Goddess in Laguna Beach! Victoria Beach! Carl Zeiss Sony FE 55mm F1.8 ZA Sonnar T* Lens & Lightroom 5.3
New Instagram! instagram.com/45surf
New blog celebrating my philosophy of photography with tips, insights, and tutorials!
Ask me any questions! :)
Sony A7R RAW Photos of Pretty Brunette Bikini Swimsuit Model Goddess! Carl Zeiss Sony FE 55mm F1.8 ZA Sonnar T* Lens! Lightroom 5.3 ! Pretty Hazel Eyes & Silky Brown / Black Hair!
And here're a couple of HD video movies I shot of the goddess with the 4K Sony:
Enjoy! Be sure to watch in the full 1080P HD!
The epic goddess was tall, thin, fit, tan, and in wonderful shape (as you can see).
Check out my greatest hits compilation, and let me know what you think:
www.elliotmcguckenphotography.com/45surf/45SURF-Heros-Ody...
Epic Goddess Straight Out of Hero's Odyssey Mythology! Pretty Model! :) Tall, thin, fit and beautiful!
Welcome to your epic hero's odyssey! The beautiful 45surf goddess sisters hath called ye to adventure, beckoning ye to read deeply Homer's Iliad and Odyssey, whence ye shall learn of yer own exalted artistic path guided by Hero's Odyssey Mythology. I wouldn't be saying it if it hadn't happened to me.
New 500px!
500px.com/herosodysseymythology
New instagram! instagram.com/45surf
Pretty Swimsuit Bikini Model Goddess! :)
Follow me on facebook! facebook.com/elliot.mcgucken
Nikon D300 Photos of Beautfiul Sexy Hot Brunette!
She was a beauty--a gold 45 goddess for sure! A Gold 45 Goddess exalts the archetypal form of Athena--the Greek Goddess of wisdom, warfare, strategy, heroic endeavour, handicrafts and reason. A Gold 45 Goddess guards the beauty of dx4/dt=ic and embodies 45SURF's motto "Virtus, Honoris, et Actio Pro Veritas, Amor, et Bellus, (Strength, Honor, and Action for Truth, Love, and Beauty," and she stands ready to inspire and guide you along your epic, heroic journey into art and mythology. It is Athena who descends to call Telemachus to Adventure in the first book of Homer's Odyssey--to man up, find news of his true father Odysseus, and rid his home of the false suitors, and too, it is Athena who descends in the first book of Homer's Iliad, to calm the Rage of Achilles who is about to draw his sword so as to slay his commander who just seized Achilles' prize, thusly robbing Achilles of his Honor--the higher prize Achilles fought for. And now Athena descends once again, assuming the form of a Gold 45 Goddess, to inspire you along your epic journey of heroic endeavour.
ALL THE BEST on your Epic Hero's Odyssey from Johnny Ranger McCoy!
Modeling the Gold 45 Revolver Gold'N'Virtue swimsuit. :)
A laid-back,classic, socal lifestyle shoot!
May the 45surf goddesses inspire you along am artistic journey of your own making!
All 45surf Hero's Odyssey Mythology Photography is shot in the honor of Truth, Beauty, and the Light of Physicist Dr. E's Moving Dimensions Theory's dx4/dt=ic . The fourth dimension is expanding relative to the three spatial dimensions at the rate of c. Ergo relativity, time, entropy, and entanglement.
All the best on your Epic Hero's Odyssey from Johnny Ranger McCoy!
New blog celebrating my philosophy of photography with tips, insights, and tutorials!
Ask me any questions! :)
Sony A7R RAW Photos of Pretty Brunette Bikini Swimsuit Model Goddess! Carl Zeiss Sony FE 55mm F1.8 ZA Sonnar T* Lens! Lightroom 5.3 ! Pretty Hazel Eyes & Silky Brown Black Hair!
All the best on your Epic, Homeric, Heroic Odyssey into the Art of Photography from Johnny Ranger McCoy!
All 45surf Hero's Odyssey Mythology Photography is shot in the honor of Dynamic Dimensions Theory's First Law and equation: The fourth dimension is expanding relative to the three spatial dimensions at the rate of c: dx4/dt=ic.
Persona, étrangement humain
musée du Quai Branly
Du 26 janvier au 13 novembre 2016
Amulettes, doudous, robots, objets d'art ou du quotidien, anciens ou contemporains : nombreux sont les objets auxquels les êtres humains attribuent le statut de personne. Le Musée du Quai Branly en a réuni plus de 200 dans une exposition intitulée "Persona" qui se propose d'analyser le contexte et le processus de transformation d'un objet inanimé et les questions que cela pose. A voir jusqu'au 13 novembre 2016
Wanderling Acoe. Wanderling - That's what the size will be called I think. Has anyone used that?
Acoe is the molds name. Like Chloe only with an A and without the L XD
I hope to focus on odd worldly faces that don't seem to have a place, but you feel like they belong somewhere. For example, is Acoe from asia, maybe somewhere in africa? Northern europe? I like faces like that. I like it when people can't just say "You're white, you're black, you're asian" etc. It's a big change the world is going through, and I don't think some people like it when they can't put people into corners based on race or nationality. Suck it, right? XD
Copy paste from Tumblr:
Her head is almost done. Just got to work on the body now. She’s going to be somewhere between 35-40cm tall, but yosd sized torso with longer legs and arms. She’ll have two sets of feet - one pair will be yosd sized, and the other will be momoko/pullip sized, so there’d be a nice selection of shoes. I’m hoping that she’ll fit yosd clothes, they’ll just be super short. So like, dresses will be fine, and shorts/bloomers/shirts, but things like jeans and such will have to be made specifically for her. She would also come with a sleeping face, and I plan on doing an elf head and a sleeping elf head, though the open eyed will still have a different shape to her eyes than the non-elf. Eventually I hope to have her professionally cast but the first few will be cast by me.
Her ears have also been moved after this and her eyes are a different shape. I’LL SHOW YOU SOON. Thoughts? Would you buy a doll like this for $350-$400?
I’m also thinking of casting her in porcelain but I’m not sure about selling her in that medium, would anyone be interested in a spring-‘strung’ porcelain version?
Do you think my faceups would be good enough to offer as default faceups?
I know it’s hard to gauge but I’m doing so much thinking now and I thought I may as well ask. I know I consider buying dolls based purely on progress shots sO I figure I can’t be the only one.
ANYWAY. I hope you like her! ^^
I cannot tell who's being interviewed in this particular threesome, but the two younger folks were definitely paying attention.
This photo has been on explore: Nov 18, 2009 #495
Please View On Black
Sorry - could not resist.
Saumacus asked for big cows in Germany: www.flickr.com/photos/rschuetz/4114809100/in/photostream/...
Now - here we have a REAL big cow ;-)
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MARS MAPS MUD
MUD | Market-driven Unintentional Development
The city: man’s greatest invention, or clumsy byproduct of civilization? China’s historic building frenzy is a hallmark of man’s dominance over the landscape. With speed and efficacy its urban spaces have been planned and then built, rolling out the modern cityscapes that are shaping our future. However, observing the outcome of three decades of flash urbanization reveals a disturbing reality. While every block is meticulously planned, the resulting urban form is not. The amorphous cities printed on these tables undermine the staunch belief we have control over the urbanization process.
Through GIS data we traced the footprints of eight urban clusters for the year 2000, and their expansion by 2010. The resulting patterns are wholly unintentional, revealing an organic logic at best. Moreover, the speed of their expansion has outpaced any strategy to streamline development: in ten short years Shanghai has doubled its built-up area. As the periphery merges with countryside, eluding planners in it wake, the profession finds itself in crisis. The urban edges fragmented, activities scattered, these oozing entities defy the very notion of the city. Set against the backdrop of China’s goal for new ecocities, this raises a fundamental question: if we cannot plan our cities, how do we plan ecocities?
Part of the upcoming publication “Manifesto of Mistakes - urban solutions for the new world”.
Exhibition @ Dashilar Beijing Design Week, The Nurturing House Sanjing Hutong 21
Forum: Countryside Revisited @ Dashilar, The Factory, Sat 26, 12.00-19.00 with MARS, OMA, Jiang Jun, Juan Du, et all.
城市到底是人类最伟大的发明，还是文明发展进程中拙劣的副产品？放眼历史，中国城市建设的狂乱将人类对城市景观的支配彰显得淋漓尽致。在中国，城市空间的规划极速而高效，紧接着投入建设，涌现的现代城市风光更塑造着我们的未来。然而，若仔细观察过去三十年间疾速都市化的成果，展现在我们眼前的是一片令人不安的现实。尽管每条道路、每个住宅群、每座工厂、甚至是整个村镇的规划过程都一丝不苟，所生成的都市形态却不尽然。这间小展厅的桌上所印的杂乱而无定形的城市动摇了我们的一种坚定信念，即我们有能力控制都市化的进程。通过采集的GIS数据，我们追踪研究了2000年的八大城市发展中心，以及它们2010年后续产生的城市膨胀。
研究数据证明，中国主要经济群的发展模式是完全无序的，最多象征了一种潜在的有机逻辑。此外，这些城市足迹膨胀的速度彻底超越了任何旨在控制它们发展的规划方案；举例来说，中国最大的城市上海的建成面积在短短十年里足足翻了一倍。城市边缘渗入郊区，发展步伐完全不再受城市规划者和决策者的掌控—城市规划这一专业领域陷入了危机。这一切情有可原。城市边缘的分裂现象极其严重，建设规划分散于城郊中，这些不断渗出的实体向城市这一概念本身发起了挑战。这一发现对城市理论家而言也许仅仅是一片值得玩味的沼泽，但在中国所提出的建设新生态城市的宏伟目标的大背景下，它提出了一个关键问题：如果我们无法规划城市，生态城市规划的愿景要如何实现呢？
该项目是即将问世的《试与错的宣言：新世界中的都市建设方案》的一部分。北京设计周， 大栅栏三井胡同21
HIGHEST POINT
This summer construction reached highest point on the flagship headquarters by MARS Architects. The project, won in an International competition along Sofia's main avenue, is a sustainable proposal that intertwines office program, retail, leisure and indoor climbing into a single continuous folding space. See more on Design Boom and M-A-R-S.asia
何新城建筑事务所设计的旗舰店总部,建设施工在这个夏天达到了最高点。此备受瞩目的国际获奖项目位于保加利亚首都索菲亚主大道上，是将办公楼、零售、休闲和室内攀岩整合在一个连续折叠空间的可持续性规划方案。
NEW | MARS Architects on Wechat ! 何新城建筑事务所的微信二维码
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La première grande rétrospective après la mort de l'artiste Jörg Immendorff, décédé en 2007, s'est déroulée jusqu'au 27 janvier à la Haus der Kunst de Munich. L'œuvre centrale de cette exposition à succès était la sculpture monumentale « Près de la porte de Brandebourg – Question mondiale », prêtée par le Ludwig Forum for International Art. Aujourd'hui, l'œuvre de 4,5 tonnes est revenue « à la maison » et est désormais exposée en permanence dans le hall du Ludwig Forum. Depuis l'ouverture du Ludwig Forum for International Art Aix-la-Chapelle, la grande sculpture en bronze de Jörg Immendorff représente la compréhension de l'art du nouveau musée : l'œuvre « Près de la porte de Brandebourg - Question du monde » a été exposée à la documenta 7 en 1982 et a ensuite été achetée du couple de collectionneurs d'Aix-la-Chapelle Peter et Irene Ludwig
L'œuvre monumentale de Jörg Immendorff « Près de la porte de Brandebourg - Question mondiale » a trois niveaux de signification : il s'agit d'une interface symboliquement visualisée de blocs de pouvoir politiques mondiaux, d'un mémorial historique et d'une expression de l'histoire personnelle de l'artiste.
The first major retrospective after the death of the artist Jörg Immendorff, who died in 2007, ran until January 27 at the Haus der Kunst in Munich. The central work of this successful exhibition was the monumental sculpture “Near the Brandenburg Gate – World Question”, on loan from the Ludwig Forum for International Art. Today, the 4.5 ton work has come “home” and is now on permanent display in the lobby of the Ludwig Forum. Since the opening of the Ludwig Forum for International Art Aachen, the large bronze sculpture by Jörg Immendorff has represented the new museum's understanding of art: the work “Near the Brandenburg Gate - Question of the World” was exhibited at documenta 7 in 1982 and was later purchased from the Aachen collector couple Peter and Irene Ludwig
Jörg Immendorff's monumental work “Near the Brandenburg Gate - World Question” has three levels of meaning: it is a symbolically visualized interface of global political power blocs, a historical memorial and a expression of the artist's personal history.
A Question Mark feeding on decaying fruit in my backyard feeder log. Our beautiful world, pass it on.
I was watching this new show called 500 Questions last night and when I saw this question I think half the neighborhood heard me scream the answer. I just thought it was cool to see Kmart get mentioned in a question on the show. I tried to take a picture of the TV screen last night when this popped up but by the time the camera app loaded, the screen had already changed, so this screen grab I got from YouTube will have to do.
Katya:
Hmm... There´s so many flower prints this season in fashions..
Olga:
There sure is! I am not sure about that... In a way I do like them but... I dunno..
But I´ve been wondering, which flower or a plant I´d be?!
Katya:
Which flower you´d be...
Olga:
Yeah!
What is environmental art?
Before we can answer this (if we can) the question must be divided into two questions:
1) What is art? and 2) What is environment?
1) What is art?
Art is a language, a means of communication.
What is communication?
Communication is listening and saying with the other. It is how life survives.
What does art communicate?
Art is language that interrogates language. When languages stagnate - when survival is threatened - art communicates the threat in a way that offers a solution.
How does language stagnate and how does this threaten survival?
A language stagnates when that which is written or spoken in the language becomes merely an ordering of things; at which point each iteration becomes an order as such, and not a means of communication - where none are actually listening or saying, and evolution ceases.
Communication is an ethical transaction in which each one must justify its saying in this moment and in the presence of a listening other. A language stagnates when all writing and all saying has been reduced to an ‘It is Written!’ or an ‘It is Said!’. (This could be thought of as a kind of fascism of the word.)
But where and how is such a catastrophe occurring?
It is happening right here in the lines of this text. Each of these words is the ideal object in which a rich variety of awkwardness is compressed. Each could be interrogated back into its roots, and beyond, into the very structure of things - by which I mean that we could stop here and now, in this moment, and listen in depth to what each word is actually saying. But to do such a thing would itself be counter-productive to the kind of ‘ideal survival’ that this flow of words permits.
So what’s the problem?
If art is for the re-creation of language - a necessary and continual balancing of human languages between the ordering of ideal objects as ‘knowledge’, and unknowable awkwardness of other things, then art is a fundamental human right and responsibility.
Art is the constant and ethical search for a paradigm of ‘awkward survival’; but the problem is that art itself has become the ideal object. The act of linguistic re-creation has been subsumed by the text it once sought to interrogate… art has been commodified, as 'Art!'
But surely that’s just a fact of life?
In recent centuries, in Western cultures, art has been taken out of the hands of people and is nowadays re-presented to them as 'The Art Experience!' - in which the knowing re-creation of language has been ceded to someone ‘creative’ called ‘An Artist!’
But in this move towards the power of an ‘ideal survival’, I have lost touch with the awkwardness of the Other - which would (if I could only understand it) make me what I am. Because the art of re-creating language with the Other has become objectified, the ethical search for an ‘awkward survival’ paradigm has all but ceased for the people of the West.
That the ‘ideal survival’ paradigm of Western cultures came to dominate the ethical instinct for ‘awkward survival’ of native American cultures in the 18th-19th century, was a ‘point of no return’ for the West. For these and other Indigenous cultures, things around were and are ethical symbols, imbued with the very awkwardness of the Other. But to the ‘knowing’ Western mind, spirit was and is invested in the image of an ideal - God.
And it is only now, in the aftermath of destructive colonisation, that we see the extent to which that differentiating mindset has led us towards ecological calamity and war. Those languages which enabled us to survive are no longer appropriate for our survival.
What can environmental artists do to improve our chances of survival?
What environmental artists can do, is try to help us solve the problem of this stagnant ‘ideal survival’ paradigm. Let’s face it, all artists are actually environmental artists, we all respond to the contexts in which we find ourselves. What’s required of artists and gallery directors/curators is that they have the will to move out of the so called ‘Art World’, and help the rest of us discover an ‘awkward survival’ paradigm.
How can we do this?
By looking towards that which causes the logic of ideals the most distress - which is the utmost awkwardness of quantum entanglement.
2) What is environment?
Environment is what we mean when we are surrounded by other things.
What is a thing?
A thing is an environment.
So an environment is a thing and a thing is an environment?
Yes, a thing is an awkward environment of things which has not yet be-come an ideal object (which it does when comprehended.) For example, ‘the chair is real’ is an ideal object; whereas the ‘chair is actual’ is an awkward environment of environmental things, extending in all directions to the edges of the universe thing and beyond.
What is quantum entanglement and what has it got to do with all of this?
“Quantum entanglement is the phenomenon whereby a pair of particles are generated in such a way that the individual quantum states of each are indefinite until measured, and the act of measuring one determines the result of measuring the other, even when at a [great] distance from each other.”
If we think of the pair of particles as two real objects apparently ‘separated by a vast distance of space’, then the fact that measuring the condition of one instantly determines the condition of the other is indeed very awkward for our ‘ideal survival’ paradigm - paradoxical in fact. But if we think of the pair of particles and the person doing the measuring as actually being one thing - an environment of environments - a constituent of a universe of infinitely overlapping environments, then the awkwardness is gone and the quantum paradox resolved.
This seems to suggest that space is not real?
On the contrary, space and time - and every ideal object in space and time - are real. It’s just that reality is not the actual state of things.
What is the actual state of things?
In comprehending, we simplify infinitely complex environments into the different ideal objects that we see around us. This comprehending is the be-coming of reality; and it’s not until a fundamental paradox arises in reality, that our way of comprehending is thrown into question.
In comprehending, we grasp together that which is apparently different - we differentiate between ourselves and the other objects which exist around us ‘in space and time’. But quantum entanglement seems to imply that this ‘differentiated reality’ is simply our way of comprehending things, and that our actual state (of which reality is but a condition) is singularity.
A singularity of what?
If our condition of reality means that we comprehend different objects in time and space, then that suggests that our state of actuality must be a state prior to difference - and of which difference is a limited condition. Such a state is understanding. Understanding is the actual state of difference. Difference is the real condition of understanding.
Understanding is the singularity of Otherness for which each other literally stands under (under-stands) all the others. What we comprehend as ‘this reality of objects in time and space’ is merely our differentiation of the actual singularity of understanding.
How can people/environmental artists make use of these things?
We and every other thing around us are actually environments of understanding. We under-stand each other as the flux of things. Each environment as a constituent of all environments. In other words we are one.
What this means is that we constitute, and are constituted by, every other environmental thing in the universe. We are the universe - we don’t just simply live in it. We are this planet Earth - we don’t just simply live on it. We are the others that surround us - we don’t just simply live beside them.
Moment by moment, you under-stand me and I under-stand you. We are entangled environments of understanding. If it is the right and responsibility for each one of us to re-create our means of communicating - our languages - then, on the basis of our unity with all other things, that is exactly what we must strive to disclose. We must learn to speak more slowly, thoughtfully, symbolically.
We are the things that appear to surround us and they us. How people/environmental artists make use of that knowledge would depend on the situations in which they find themselves. Nevertheless, by re-creating the other do we re-create ourself, or by harming the other do we harm ourself.
Stan Bonnar
31st July 2021
Who here likes X - Files?
The show is unique due to it's character and story development due to it popping small hints here and there during the show's several seasons. To me it is one of the best shows being a unique take on the sci-fi genre with this starting as a show about the supernatural to it becoming wacky as hell with one episode about the main characters crossing over with an episode of cops...
THIS IS AN ACTUAL EPISODE OF THE X - FILES I AM NOT JOKING DUDE
Anyway this show is great and it just gets wacky once you start watching Season 7 due to it being like super crazy and funny at the same time but anyways it is such an amazing show just go and watch it please dude. If you've seen it go and re-watch due to how amazing it is and if you haven't
You're in for a treat just know that
Alright sorry for going on about this for a while but I just love this show so much
Question mark sign in the Minneapolis Sculpture Garden right across from the Walker Art Center. Goes perfectly with the new Writing Topic on red Ravine inspired by playwright and actor Anna Deavere Smith - 3 Questions. Read more about her work at red Ravine.
Minneapolis, Minnesota
Field Number: IMG_7251
full post on red Ravine:
Well, there you have it: the JJ brothers in real life! Sunglasses for ultimate awesomeness, and photo filter 'cuz it's cool. Anyways, time for the obligatory facts:
1) We are fraternal twin brothers born and raised in San Diego, CA.
2) LEGO has been our primary hobby for as long as we can remember (we started at age 3).
3) We are now both 15 years old as of April 22nd.
4) Justin is much taller than Jordan. This picture illustrates that quite nicely.
5) As builders, we like to build, and have built, in a very wide variety of themes and styles. Some days we'll feel like building one theme, and then a couple minutes later, have a great idea for some other theme. We've really tried to go in as many different themes and styles as we can, and that's what's so great about LEGO!
6) We've been to BrickFair Virginia twice, and BrickCon once. BrickCon was our first convention, and unfortunately, we probably won't be able to go to that one again for a while. We will, however, be going to BrickFair Virginia pretty much every year. Speaking of which, we hope to meet a lot of you guys there :D
7) We've won quite a few contests, and entered quite a few more. Contests are great because they push you out of your comfort zone, and make you try new things that you wouldn't have under other circumstances.
8) Some of our favorite musical artists include Coldplay, Train, and many others. Some of our favorite composers include John Williams, Alan Silvestri, Hans Zimmer, Howard Shore, and many others as well.
9) We are both in our school's band program. Justin plays the clarinet, and Jordan plays the bass clarinet. In addition to band, we also play on our school's volleyball and soccer teams.
10) We are Freshmen in high school.
11) We have two cats named Nittany and Paws. Nittany is very obese, but Paws remains in respectable shape. This is probably due to the fact that Nittany sits by his food bowl all day long, and doesn't do any exercise.
12) Some of our friends that go to school with us share our passion for Lego, but don't have flickr accounts.
13) We love our Canon EOS REBEL T3i! We're thinking about getting an expensive macro lens for it soon.
14) Jordan takes all of the pictures. Justin watches Jordan take all of the pictures.
15) The only bad part about having cats is the hair. It gets everywhere (especially on the LEGO).
16) Our hobby is becoming more and more expensive every year.
17) Our collab for BFVA (Homefront) will pretty much take up all of our most useful pieces.
18) We appreciate comments more than favorites on flickr. Our reasoning: it takes one second to click the little star above the picture, but it takes much longer to give a nice, thoughtful comment that lets us know that we did a good job.
19) Number 20 is next. What a shocker
20) Justin's favorite color is green, while Jordan's is red. Hehe Christmas
The End.
___________________________________________________________________________
Added are our closest flickr friends and main inspirations. Obviously we can't tag everyone, so don't be offended if you aren't.
Anyways, on to the question: what do you guys think of us trying a different theme every week this summer? It might be kinda fun. We'll think about it.
Thanks for reading, guys!
Are you...
Dreaming! Dreaming the night! Dreaming all right!
Do we! Do we know, when we FLY?
When we, when we go
Do we die?
First I'd like to thank all of you, especially Heather, that took interest in my bizarre story about the Osprey versus Goose...it appears the goose has won!
After having so many questions unanswered I decided to Google, why didn't I think of that in the first place! Here are some very interesting facts! Who would have thought Herons, Eagles and Osprey nests!
Canada geese nest in areas that are surrounded by or close to water
Nest sites vary widely and include the shores of cattail and bulrush marshes, the bases of trees, the tops of muskrat lodges and haystacks, and unoccupied nests of eagles, herons, and ospreys. Nests have produced successful broods of geese and ospreys in the same year.
Other nest sites include planter boxes and nesting structures provided specifically for geese.
The nest is a bowl-shaped depression approximately 1½ feet in diameter lined with grass, leaves, and goose down.
A pair of geese may return to the same nest site in consecutive years.
Adult pairs usually stay together for life unless one dies. Lone geese will find another mate, generally within the same breeding season.
Between one and ten, but normally five to six eggs are laid in the nest in March, April, or May. Eggs are incubated by the goose (female) while the gander (male) stands guard nearby. The female leaves the nest only briefly each day to feed.
Eggs hatch after 25 to 30 days of incubation. The young, called goslings, can walk, swim, and feed within 24 hours.
Both parents (especially the gander) vigorously defend the goslings until they are able to fly, which is at about ten weeks.
I have never seen the male standing guard anywhere, but I will continue to keep watch in hopes of seeing the babies make that 40' leap of fate!
This is 'not the goose in question'!
I have some itchy fingers for sewing, but I'm a bit stuck on what to sew.. what would you like to see here?
I still have the commission list going, but I'm not sure what turns life is going at the moment so I don't feel like I can start it up just yet.. sorry for everyone waiting on it. It is very much on my mind.
Questions for my partner. 1. What do you think about the star colors? Is rainbow okay? 2. Do you like it with or without the background diamonds. If I add them, it will be the size of a 2" hexi. Is that too big? The advantage is I would be able to put a large magnet inside.
I wouldn't normally post a photo with such awful backlighting, but this one was hard to pass up. A boy is looking up at a woman who towers over him threatening to snuff out his torch. Is she the angel of death? Does she have to make room on earth for the baby on her left arm? And what is the kid grabbing with his left hand?
This sculpture is actually called Mother. It was commissioned from Albin Polasek by the cemetery for it's 50th anniversary in 1927. So maybe she's protecting the older child's torch even as a new sibling has joined the family.
Soon, when my Red Hood story line is over, my Scarecrow comics will be on a small hiatus. So, my question is, while that is happening... Should I make comics about Mystic? Comment below your thoughts!
~Scarecrow
¿Qué sabes del procedimiento #fastrope ❓ El #EjércitodeTierra ha organizado las I Jornadas de Formación de Instructores, impulsadas por la #EMMOE_ET y donde doce futuros instructores de Unidades del ET realizaron más de 50 descensos diurnos y nocturnos con #helicópteros #FAMET NH-90, Cougar y #Chinook F. ¡Participa con tus comentarios‼ 🇪🇸 #SomostuEjército
➡ Reportaje #DigitalTierra ejercito.defensa.gob.es/public.../boletin/index.html
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We are so vain that we even care for the opinion of those we don't care for. - Marie Ebner von Eschenbach
Texture from Paurian's Art Textures
Here is my latest drawing! I'm just a hobbyist! I've obviously taken no art classes and don't have a steady hand, nor am I good at perspective, but I still try to create cool images! This is supposed to be on another planet where the planet's crust has just formed. The life on it came from another planet and is very advanced. This particular colony is one of the less developed of the entire species, but it's still impressive to us. The moon-like things in the background are other colonies of the same species living in satellites around the newly crusted planet. They are in a decreasing series because many are under construction still in that order. The mountains in the background are newly formed and have yet to be eroded. The architecture is inspired by humans and is slightly gothic and greek! The sky looks like it is breaking because the upper atmosphere is very violent and sediments are being dispersed in super-super-super tornado like things.