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Sweet berries ready for two ghosts are no different than you.
Ghosts are now waiting for you.
Are you...
Are you...
Dreaming! Dreaming the night! Dreaming all right!
Do we! Do we know, when we FLY?
When we, when we go
Do we die?
A Question Mark butterfly almost in its summer colors. Question Marks are in the "Brushfoot" family of butterflies.
by Francis de Tuem
Released on 27.3.16
Ashmith da Cruz
d/o Aplon Rebello
more on the Tiatr here goo.gl/Q7fhXl
A 1,723 pound (782 kg) pumpkin at the Alaska State Fair, supposedly the fourth biggest pumpkin ever, if it didn't have a small hole on the bottom, which disqualified it from the record. My question, then and now, is how the hell do you load this thing to get it to the fair?
ODC2 - On the road
27/03/11
I have to say I'm quite pleased with how this turned out. I love old vintage photography, there's something romantic and poetic about it, that I just love! Now when I know I can get a pretty good result it's definatley not the last time you'll see this kind of processing from me.lol If you've got time hit the L key.
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Sony A7R RAW Photos of Pretty, Tall Blond Bikini Swimsuit Model Goddess in Laguna Beach! Victoria Beach! Carl Zeiss Sony FE 55mm F1.8 ZA Sonnar T* Lens & Lightroom 5.3
New Instagram! instagram.com/45surf
New blog celebrating my philosophy of photography with tips, insights, and tutorials!
Ask me any questions! :)
Sony A7R RAW Photos of Pretty Brunette Bikini Swimsuit Model Goddess! Carl Zeiss Sony FE 55mm F1.8 ZA Sonnar T* Lens! Lightroom 5.3 ! Pretty Hazel Eyes & Silky Brown / Black Hair!
And here're a couple of HD video movies I shot of the goddess with the 4K Sony:
Enjoy! Be sure to watch in the full 1080P HD!
The epic goddess was tall, thin, fit, tan, and in wonderful shape (as you can see).
Check out my greatest hits compilation, and let me know what you think:
www.elliotmcguckenphotography.com/45surf/45SURF-Heros-Ody...
Epic Goddess Straight Out of Hero's Odyssey Mythology! Pretty Model! :) Tall, thin, fit and beautiful!
Welcome to your epic hero's odyssey! The beautiful 45surf goddess sisters hath called ye to adventure, beckoning ye to read deeply Homer's Iliad and Odyssey, whence ye shall learn of yer own exalted artistic path guided by Hero's Odyssey Mythology. I wouldn't be saying it if it hadn't happened to me.
New 500px!
500px.com/herosodysseymythology
New instagram! instagram.com/45surf
Pretty Swimsuit Bikini Model Goddess! :)
Follow me on facebook! facebook.com/elliot.mcgucken
Nikon D300 Photos of Beautfiul Sexy Hot Brunette!
She was a beauty--a gold 45 goddess for sure! A Gold 45 Goddess exalts the archetypal form of Athena--the Greek Goddess of wisdom, warfare, strategy, heroic endeavour, handicrafts and reason. A Gold 45 Goddess guards the beauty of dx4/dt=ic and embodies 45SURF's motto "Virtus, Honoris, et Actio Pro Veritas, Amor, et Bellus, (Strength, Honor, and Action for Truth, Love, and Beauty," and she stands ready to inspire and guide you along your epic, heroic journey into art and mythology. It is Athena who descends to call Telemachus to Adventure in the first book of Homer's Odyssey--to man up, find news of his true father Odysseus, and rid his home of the false suitors, and too, it is Athena who descends in the first book of Homer's Iliad, to calm the Rage of Achilles who is about to draw his sword so as to slay his commander who just seized Achilles' prize, thusly robbing Achilles of his Honor--the higher prize Achilles fought for. And now Athena descends once again, assuming the form of a Gold 45 Goddess, to inspire you along your epic journey of heroic endeavour.
ALL THE BEST on your Epic Hero's Odyssey from Johnny Ranger McCoy!
Modeling the Gold 45 Revolver Gold'N'Virtue swimsuit. :)
A laid-back,classic, socal lifestyle shoot!
May the 45surf goddesses inspire you along am artistic journey of your own making!
All 45surf Hero's Odyssey Mythology Photography is shot in the honor of Truth, Beauty, and the Light of Physicist Dr. E's Moving Dimensions Theory's dx4/dt=ic . The fourth dimension is expanding relative to the three spatial dimensions at the rate of c. Ergo relativity, time, entropy, and entanglement.
All the best on your Epic Hero's Odyssey from Johnny Ranger McCoy!
New blog celebrating my philosophy of photography with tips, insights, and tutorials!
Ask me any questions! :)
Sony A7R RAW Photos of Pretty Brunette Bikini Swimsuit Model Goddess! Carl Zeiss Sony FE 55mm F1.8 ZA Sonnar T* Lens! Lightroom 5.3 ! Pretty Hazel Eyes & Silky Brown Black Hair!
All the best on your Epic, Homeric, Heroic Odyssey into the Art of Photography from Johnny Ranger McCoy!
All 45surf Hero's Odyssey Mythology Photography is shot in the honor of Dynamic Dimensions Theory's First Law and equation: The fourth dimension is expanding relative to the three spatial dimensions at the rate of c: dx4/dt=ic.
I'm thinking of repainting these figs. Should I? If so, what colors or camouflages?
Also, I ordered from BrickWarriors last night (11:37 I think it was ;P) and I'm getting:
4 pairs of much needed Black Vambraces,
5 Mystery Packs,
1 Black Muscled Cuirass,
and 1 Steel lobster Armor
Thanks BrickWarriors!
I'm really sorry that I haven't posted any thing in a couple of months but I have been really busy with school and haven't have time to build any thing.
I haven't built any thing on my halo frigate sadly but I'm about 70% done whit my scorpion tank.
So now for the question:
In the picture you can se my Swedish military vehicles. Do you think I should keep them or use the parts to build more halo vehicles?
Kauai is without question Hawaii's hidden gem, and one of the most remarkably gorgeous destinations in all of the Pacific.
I have to give a huge thank you to the Kauai Visitors Bureau for hosting, and to McNeil Wilson Communications for putting together a brilliant itinerary.
Flash Parker Photography:
"Question: Who’d you rather have a marguerita with? Georgia O’Keeffe or Alfred Morang?" That's the beginning of Tom Collins' lovely review of our Alfred Morang show in today's Albuquerque Journal North: ow.ly/GbuSV
New Instagram! instagram.com/45surf
New blog celebrating my philosophy of photography with tips, insights, and tutorials!
Ask me any questions! :)
Sony A7R RAW Photos of Pretty Brunette Bikini Swimsuit Model Goddess! Carl Zeiss Sony FE 55mm F1.8 ZA Sonnar T* Lens! Lightroom 5.3 ! Pretty Hazel Eyes & Silky Brown / Black Hair!
And here're a couple of HD video movies I shot of the goddess with the 4K Sony:
Enjoy! Be sure to watch in the full 1080P HD!
The epic goddess was tall, thin, fit, tan, and in wonderful shape (as you can see).
Check out my greatest hits compilation, and let me know what you think:
www.elliotmcguckenphotography.com/45surf/45SURF-Heros-Ody...
Epic Goddess Straight Out of Hero's Odyssey Mythology! Pretty Model! :) Tall, thin, fit and beautiful!
Welcome to your epic hero's odyssey! The beautiful 45surf goddess sisters hath called ye to adventure, beckoning ye to read deeply Homer's Iliad and Odyssey, whence ye shall learn of yer own exalted artistic path guided by Hero's Odyssey Mythology. I wouldn't be saying it if it hadn't happened to me.
New 500px!
500px.com/herosodysseymythology
New instagram! instagram.com/45surf
Pretty Swimsuit Bikini Model Goddess! :)
Follow me on facebook! facebook.com/elliot.mcgucken
Nikon D300 Photos of Beautfiul Sexy Hot Brunette!
She was a beauty--a gold 45 goddess for sure! A Gold 45 Goddess exalts the archetypal form of Athena--the Greek Goddess of wisdom, warfare, strategy, heroic endeavour, handicrafts and reason. A Gold 45 Goddess guards the beauty of dx4/dt=ic and embodies 45SURF's motto "Virtus, Honoris, et Actio Pro Veritas, Amor, et Bellus, (Strength, Honor, and Action for Truth, Love, and Beauty," and she stands ready to inspire and guide you along your epic, heroic journey into art and mythology. It is Athena who descends to call Telemachus to Adventure in the first book of Homer's Odyssey--to man up, find news of his true father Odysseus, and rid his home of the false suitors, and too, it is Athena who descends in the first book of Homer's Iliad, to calm the Rage of Achilles who is about to draw his sword so as to slay his commander who just seized Achilles' prize, thusly robbing Achilles of his Honor--the higher prize Achilles fought for. And now Athena descends once again, assuming the form of a Gold 45 Goddess, to inspire you along your epic journey of heroic endeavour.
ALL THE BEST on your Epic Hero's Odyssey from Johnny Ranger McCoy!
Modeling the Gold 45 Revolver Gold'N'Virtue swimsuit. :)
A laid-back,classic, socal lifestyle shoot!
May the 45surf goddesses inspire you along am artistic journey of your own making!
All 45surf Hero's Odyssey Mythology Photography is shot in the honor of Truth, Beauty, and the Light of Physicist Dr. E's Moving Dimensions Theory's dx4/dt=ic . The fourth dimension is expanding relative to the three spatial dimensions at the rate of c. Ergo relativity, time, entropy, and entanglement.
All the best on your Epic Hero's Odyssey from Johnny Ranger McCoy!
New blog celebrating my philosophy of photography with tips, insights, and tutorials!
Ask me any questions! :)
Sony A7R RAW Photos of Pretty Brunette Bikini Swimsuit Model Goddess! Carl Zeiss Sony FE 55mm F1.8 ZA Sonnar T* Lens! Lightroom 5.3 ! Pretty Hazel Eyes & Silky Brown Black Hair!
All the best on your Epic, Homeric, Heroic Odyssey into the Art of Photography from Johnny Ranger McCoy!
All 45surf Hero's Odyssey Mythology Photography is shot in the honor of Dynamic Dimensions Theory's First Law and equation: The fourth dimension is expanding relative to the three spatial dimensions at the rate of c: dx4/dt=ic.
I have consulted my Kaufman fieldguide to Butterflies of North America, and I believe this to be a Question Mark Comma also known as angelwings. The fieldguide says this is its winter form. Larval plantfood: Hops, nettles, elms, and hackberries.
Sony A7R RAW Photos of Pretty, Tall Blond Bikini Swimsuit Model Goddess in Laguna Beach! Victoria Beach! Carl Zeiss Sony FE 55mm F1.8 ZA Sonnar T* Lens & Lightroom 5.3
New Instagram! instagram.com/45surf
New blog celebrating my philosophy of photography with tips, insights, and tutorials!
Ask me any questions! :)
Sony A7R RAW Photos of Pretty Brunette Bikini Swimsuit Model Goddess! Carl Zeiss Sony FE 55mm F1.8 ZA Sonnar T* Lens! Lightroom 5.3 ! Pretty Hazel Eyes & Silky Brown / Black Hair!
And here're a couple of HD video movies I shot of the goddess with the 4K Sony:
Enjoy! Be sure to watch in the full 1080P HD!
The epic goddess was tall, thin, fit, tan, and in wonderful shape (as you can see).
Check out my greatest hits compilation, and let me know what you think:
www.elliotmcguckenphotography.com/45surf/45SURF-Heros-Ody...
Epic Goddess Straight Out of Hero's Odyssey Mythology! Pretty Model! :) Tall, thin, fit and beautiful!
Welcome to your epic hero's odyssey! The beautiful 45surf goddess sisters hath called ye to adventure, beckoning ye to read deeply Homer's Iliad and Odyssey, whence ye shall learn of yer own exalted artistic path guided by Hero's Odyssey Mythology. I wouldn't be saying it if it hadn't happened to me.
New 500px!
500px.com/herosodysseymythology
New instagram! instagram.com/45surf
Pretty Swimsuit Bikini Model Goddess! :)
Follow me on facebook! facebook.com/elliot.mcgucken
Nikon D300 Photos of Beautfiul Sexy Hot Brunette!
She was a beauty--a gold 45 goddess for sure! A Gold 45 Goddess exalts the archetypal form of Athena--the Greek Goddess of wisdom, warfare, strategy, heroic endeavour, handicrafts and reason. A Gold 45 Goddess guards the beauty of dx4/dt=ic and embodies 45SURF's motto "Virtus, Honoris, et Actio Pro Veritas, Amor, et Bellus, (Strength, Honor, and Action for Truth, Love, and Beauty," and she stands ready to inspire and guide you along your epic, heroic journey into art and mythology. It is Athena who descends to call Telemachus to Adventure in the first book of Homer's Odyssey--to man up, find news of his true father Odysseus, and rid his home of the false suitors, and too, it is Athena who descends in the first book of Homer's Iliad, to calm the Rage of Achilles who is about to draw his sword so as to slay his commander who just seized Achilles' prize, thusly robbing Achilles of his Honor--the higher prize Achilles fought for. And now Athena descends once again, assuming the form of a Gold 45 Goddess, to inspire you along your epic journey of heroic endeavour.
ALL THE BEST on your Epic Hero's Odyssey from Johnny Ranger McCoy!
Modeling the Gold 45 Revolver Gold'N'Virtue swimsuit. :)
A laid-back,classic, socal lifestyle shoot!
May the 45surf goddesses inspire you along am artistic journey of your own making!
All 45surf Hero's Odyssey Mythology Photography is shot in the honor of Truth, Beauty, and the Light of Physicist Dr. E's Moving Dimensions Theory's dx4/dt=ic . The fourth dimension is expanding relative to the three spatial dimensions at the rate of c. Ergo relativity, time, entropy, and entanglement.
All the best on your Epic Hero's Odyssey from Johnny Ranger McCoy!
New blog celebrating my philosophy of photography with tips, insights, and tutorials!
Ask me any questions! :)
Sony A7R RAW Photos of Pretty Brunette Bikini Swimsuit Model Goddess! Carl Zeiss Sony FE 55mm F1.8 ZA Sonnar T* Lens! Lightroom 5.3 ! Pretty Hazel Eyes & Silky Brown Black Hair!
All the best on your Epic, Homeric, Heroic Odyssey into the Art of Photography from Johnny Ranger McCoy!
All 45surf Hero's Odyssey Mythology Photography is shot in the honor of Dynamic Dimensions Theory's First Law and equation: The fourth dimension is expanding relative to the three spatial dimensions at the rate of c: dx4/dt=ic.
A portrait of saxophonist Saul Cline for my Leading Questions project. This was shot for an area arts magazine that ran four musicians in a print version of the project. It came out in June.
Saul is a really fantastic musician his interview is insightful and can be found here:
Asked someone a very simple question the other day.
And it was actually very innocent of me. You see I was rather impressed with the myriad of clothing he/she has. And I wanted to compliment. I thought to have a wardrobe that intense, You would surely must be living full time female.
Simple. And people here know I view life in it's most simple ways.
well I got back this message talking about I'm this and and I'm that and finally coming to the final stroke of genius from Mr./Mrs. Sanctimonious ( I'll leave that to you out there) the question. Who am I and how do I live..........
I've answered this question a thousand times. I am Raven. I am a female. I live as a female 24/7. I work as a female. Not as a hooker. But as a well paid Construction Consultant. I go to gym as female' I shop as a female. I live everyday life as a female. For 17 years, wearing female attire. Always female in public and private.
See....... It's not a hard question to answer. And one last point. I do not think it's for everyone. Quite the opposite. Its filled with lots of disappointment and heartache. And I respect those who do very much. But to the part timers. I understand that completely also.
The bottom line is we're all made by God. And if he didn't want. He wouldn't have put that in our DNA. And as long as you don't harm another person, including yourself. Go for it.
I choose this pic for a reason. This is me at home. Just a girl lying around relaxing watching the tube..... Can't be more female than that
A Vörös Gárda Péterváron 1917-ben. Ismeretlen fényképész felvétele. A Vörös Gárdáról In: allpowertothesoviets.wordpress.com/2017/11/03/the-red-gua... Hozzáférés: 2020.12.14
The Red Guard and the October Revolution:
Posted on November 3, 2017 by allpowertothesoviets
What force did the Petrograd workers offer from a military point of view? This raises the question of the Red Guard. It is time to speak of this in greater detail, for the Red Guard is soon to come out on the great arena of history.
Deriving its tradition from 1905, the Workers’ Guard was reborn with the February revolution and subsequently shared the vicissitudes of its fate. Kornilov, while Commander of the Petrograd military district, asserted that during the days of the overthrow of the monarchy, 30,000 revolvers and 40,000 rifles disappeared from the military stores. Over and above that, a considerable quantity of weapons came into the possession of the people during the disarming of the police and by the hands of friendly regiments. Nobody responded to the demand to restore the weapons. A revolution teaches you to value a rifle. The organized workers, however, had received only a small part of this blessing.
During the first four months the workers were not in any way confronted with the question of insurrection. The democratic régime of the dual power gave the Bolsheviks an opportunity to win a majority in the soviets. Armed companies of workers formed a constituent part of the militia. This was, however, more form than substance. A rifle in the hands of a worker involves a totally different historic principle than the same rifle in the hands of a student.
The possession of rifles by the workers alarmed the possessing classes from the very beginning, since it shifted the correlation of forces sharply to the advantage of the factory. In Petrograd, where the state apparatus supported by the Central Executive Committee was at first an indubitable power, the Workers’ Militia was not much of a menace. In the provincial industrial regions, however, a reinforcement of the Workers’ Guard would involve a complete change of all relations, not only within the given plant but all around it. Armed workers would remove managers and engineers, and even arrest them. Upon resolutions adopted by a factory meeting the Red Guard would not infrequently receive pay out of the factory exchequer. In the Urals, with their rich tradition of guerrilla fighting in 1905, companies of the Red Guard led by the old veterans established law and order. Armed workers almost unnoticeably dissolved the old government and replaced it with soviet institutions. Sabotage on the part of the property owners and administrators shifted to the workers the task of protecting the plants – the machines, stores, reserves of coal and raw materials. Rôles were here interchanged: the worker would tightly grip his rifle in defense of the factory in which he saw the source of his power. In this way elements of a workers’ dictatorship were inaugurated in the factories and districts some time before the proletariat as a whole seized the state power.
Reflecting as always the fright of the property owners, the Compromisers tried with all their might to oppose the arming of the Petrograd workers or reduce it to a minimum. According to Minichev, all the arms in the possession of the Narva district consisted of “fifteen or twenty rifles and a few revolvers.” At that time robberies and deeds of violence were increasing in the capital. Alarming rumours were spreading everywhere heralding new disturbances. On the eve of the July demonstration it was generally expected that the district would be set fire to. The workers were hunting for weapons, knocking at all doors and sometimes breaking them in.
red guard detachment petrograd 1917
Red Guard detachment in Petrograd, 1917
The Putilov men brought back a trophy from the demonstration of July 3rd: a machine-gun with five cases of cartridgebelt. “We were happy as children,” said Minichev. Certain individual factories were somewhat better armed. According to Lichkov, the workers of his factory had 80 rifles and 20 big revolvers. Riches indeed! Through the Red Guard headquarters they got two machine-guns. They put one in the dining-room, one in the attic. “Our commander,” says Lichkov, “was Kocherovsky, and his first assistants were Tomchak, who was killed by White Guards in the October Days near Tsarskoe Selo, and Efimov, who was shot by White bands near Hamburg.” These scant words enable us to glance into the factory laboratory where the cadres of the October revolution and the future Red Army were forming, where the Tomchaks and Efimovs were being chosen out, tempered, and were learning to command, and with them those hundreds and thousands of nameless workers who won the power, loyally defended it from its enemy, and fell subsequently on all the fields of battle.
The July Days introduced a sudden change in the situation of the Red Guard. The disarming of the workers was now carried out quite openly – not by admonition but by force. However, what the workers gave up as weapons was mostly old rubbish. All the very valuable guns were carefully concealed. Rifles were distributed among the most reliable members of the party. Machine-guns smeared with tallow were buried in the ground. Detachments of the Guard closed up shop and went underground, closely adhering to the Bolsheviks.
The business of arming the workers was originally placed in the hands of the factory and district committees of the party. It was only after the recovery from the July Days that the Military Organisation of the Bolsheviks, which had formerly worked only in the garrison and at the front, took up the organisation of the Red Guard, providing the workers with military instructors and in some cases with weapons. The prospect of armed insurrection put forward by the party gradually prepared the advanced workers for a new conception of the function of the Red Army. It was no longer a militia of the factories and workers’ districts, but the cadres of a future army of insurrection.
During August, fires in the shops and factories multiplied. Every new crisis is preceded by a convulsion of the collective mind, sending forth waves of alarm. The factory and shop committees developed an intense labor of defending the plants from attacks of this kind. Concealed rifles came out into the open. The Kornilov insurrection conclusively legalized the Red Guard. About 25,000 workers were enrolled in companies and armed – by no means fully, to be sure – with rifles, and in part with machine-guns. Workers from the Schlusselberg powder factory delivered on the Neva a bargeful of hand grenades and explosives – against Kornilov! The compromisist Central Executive Committee refused this gift of the Greeks. The Red Guards of the Vyborg side distributed the gift by night throughout the district.
“Drill in the art of handling a rifle,” says the worker Skorinko, “formerly carried on in flats and tenements, was now brought out into the light and air, into the parks, the boulevards.” “The shops were turned into camps,” says another worker, Rakitov … “The worker would stand at his bench with knapsack on his back and rifle beside him.” Very soon all those working in the bomb factory except the old Social Revolutionaries and Mensheviks were enrolled in the Guard. After the whistle all would draw up in the court for drill. “Side by side with a bearded worker you would see a boy apprentice, and both of them attentively listening to the instructor …” Thus while the old czarist army was disintegrating, the foundation of a future Red Army was being laid in the factories.
As soon as the Kornilov danger passed, the Compromisers tried to slow up on the fulfillment of their promises. To the 30,000 Putilov men, for instance, only 500 rifles were given out. Soon the giving out of weapons stopped altogether. The danger now was not from the right, but the left; protection must be sought not among the proletarians but the junkers.
An absence of immediate practical aims combined with the lack of weapons caused an ebbing of workers from the Red Guard, but this only for a short interval. The foundation cadres had been laid down solidly in every plant; firm bonds had been established between the different companies. These cadres now knew from experience that they had serious reserves which could be brought to their feet in case of danger.
The going over of the Soviet to the Bolsheviks again radically changed the position of the Red Guard. From being persecuted or tolerated, it now became an official instrument of the Soviet already reaching for the power. The workers now often found by themselves a way to weapons, asking only the sanction of the Soviet. From the end of September on, and more especially from the 10th of October, the preparation of an insurrection was openly placed on the order of the day. For a month before the revolution in scores of shops and factories of Petrograd an intense military activity was in progress – chiefly rifle practice. By the middle of October the interest in weapons had risen to a new height. In certain factories almost every last man was enrolled in a company.
The workers were more and more impatiently demanding weapons from the Soviet, but the weapons were infinitely fewer than the hands stretched out for them. “I came to Smolny every day,” relates the engineer, Kozmin, “and observed how both before and after the sitting of the Soviet, workers and sailors would come up to Trotsky, offering and demanding weapons for the arming of the workers, making reports as to how and where these weapons were distributed, and putting the question: ‘But when does business begin?’ The impatience was very great …”
Formally the Red Guard remained non-party. But the nearer the final day came, the more prominent were the Bolsheviks. They constituted the nucleus of every company; they controlled the commanding staff and the communications with other plants and districts. The non-party workers and Left Social Revolutionaries followed the lead of the Bolsheviks.
However, even now, on the eve of the insurrection, the ranks of the Guard were not numerous. On the 16th, Uritzky, a member of the Bolshevik Central Committee, estimated the workers’ army of Petrograd at 40,000 bayonets. The figure is probably exaggerated. The resources of weapons remained still very limited. In spite of the impotence of the government it was impossible to seize the arsenals without taking the road of open insurrection.
On the 22nd, there was held an all-city conference of the Red Guard, its hundred delegates representing about twenty thousand fighters. The figure is not to be taken too literally – not all those registered had shown any sign of activity. But at a moment of alarm volunteers would pour into the companies in large numbers. Regulations adopted the next day by the conference defined the Red Guard as “an organisation of the armed forces of the proletariat for the struggle against counter-revolution and the defense of the conquests of the revolution.” Observe this: that twenty-four hours before the insurrection the task was still defined in terms of defense and not attack.
The basic military unit was the ten; four tens was a squad, three squads, a company; three companies, a battalion. With its commanding staff and special units, a battalion numbered over 500 men. The battalions of a district constituted a division. Big factories like the Putilov had their own divisions. Special technical commands – sappers, bicycles, telegraphers, machine-gunners and artillery men – were recruited in the corresponding factories, and attached to the riflemen – or else acted independently according to the nature of the given task. The entire commanding staff was elective. There was no risk in this: all were volunteers here and knew each other well.
The working women created Red Cross divisions. At the shops manufacturing surgical supplies for the army, lectures were announced on the care of the wounded. “Already in almost all the factories,” writes Tatiana Graff, “the working women were regularly on duty as nurses with the necessary first-aid supplies.” The organisation was extremely poor in money and technical equipment. By degrees, however, the factory committees sent material for hospital bases and ambulances. During the hours of the revolution these weak nuclei swiftly developed. An imposing technical equipment was suddenly found at their disposal. On the 24th the Vyborg district soviet issued the following order: “Immediately requisition all automobiles … Take an inventory of all first-aid supplies, and have nurses on duty in all clinics.”
A growing number of non-party workers were now going out for shooting drill and maneuvers. The number of posts requiring patrol duty was increasing. In the factories sentries were on duty night and day. The headquarters of the Red Guard were transferred to more spacious rooms. On the 23rd at a pipe foundry they held an examination of the Red Guard. An attempt of a Menshevik to speak against the insurrection was drowned in a storm of indignation: Enough, enough The time for argument is passed The movement was irresistible. It was seizing even the Mensheviks. “They were enrolling in the Red Guard,” says Tatiana Graff, “participating in all duties and even developing some initiative.” Skorinko tells how on the 23rd, Social Revolutionaries and Mensheviks, old and young, were fraternizing with the Bolsheviks, and how Skorinko himself joyfully embraced his own father, who was a worker in the same factory. The worker Peskovoi says that in his armed detachment, “there were young workers of sixteen and old men of fifty.” The variety of ages gave “good cheer and fighting courage.”
The Vyborg side was especially fervent in preparing for battle. Having stolen the keys of the drawbridges, studied out the vulnerable points of the district, and elected their military revolutionary committee, the factory committees established continuous patrols. Kayurov writes with legitimate pride of the Vyborg men: “They were the first to go to battle with the autocracy, they were the first to institute in their district the eight-hour day, the first to come out with a protest against the ten minister-capitalists, the first to raise a protest on July 7th against the persecution of our party, and they were not the last on the decisive day of October 25th.” What is true is true. The history of the Red Guard is to a considerable extent the history of the dual power. With its inner contradictions and conflicts, the dual power helped the workers to create a considerable armed force even before the insurrection. To cast up the general total of the workers’ detachments throughout the country at the moment of insurrection is hardly possible, at least at the present moment. In any case, tens and tens of thousands of armed workers constituted the cadres of the insurrection. The reserves were almost inexhaustible.
The organisation of the Red Guard remained, of course, extremely far from complete. Everything was done in haste, in the rough, and not always skilfully. The Red Guard men were in the majority little trained; the communications were badly organized; the supply system was poor; the sanitary corps lagged behind. But the Red Guard, recruited from the most self-sacrificing workers, was burning to carry the job through this time to the end. And that was the decisive thing. The difference between the workers’ divisions and the peasant regiments was determined not only by the social ingredients of the two – many of those clumsy soldiers after returning to their villages and dividing the landlords’ land will fight desperately against the White Guards, first in guerrilla bands and afterwards in the Red Army. Beside the social difference there existed another more immediate one: Whereas the garrison represented a compulsory assemblage of old soldiers defending themselves against war, the divisions of the Red Guard were newly constructed by individual selection on a new basis and with new aims.
The Military Revolutionary Committee had at its disposal a third kind of armed force: the sailors of the Baltic Fleet. In their social ingredients they are far closer to the workers than the infantry are. There are a good many Petrograd workers among them. The political level of the sailors is incomparably higher than that of the soldiers. In distinction from the none too belligerent reserves who have forgotten all about rifles, these sailors have never stopped actual service.
For active operations it was possible to count firmly upon the armed Bolsheviks, upon the divisions of the Red Guard, upon the advanced group of the sailors, and upon the better preserved regiments. The different elements of this collective army supplemented each other. The numerous garrisons lacked the will to fight. The sailor detachments lacked numbers. The Red Guard lacked skill. The workers together with the sailors contributed energy, daring and enthusiasm. The regiments of the garrison constituted a rather inert reserve, imposing in its numbers and overwhelming in its mass.
In contact as they were from day to day with workers, soldiers and sailors, the Bolsheviks were aware of the deep qualitative difference between the constituent parts of this army they were to lead into battle. The very plan of the insurrection was based to a considerable degree upon a calculation of these differences.
The possessing classes constituted the social force of the other camp. This means that they were its military weakness. These solid people of capital, the press, the pulpit – where and when have they ever fought? They are accustomed to find out by telegraph or telephone the results of the battles which settle their fate. The younger generation, the sons, the students? They were almost all hostile to the October revolution. But a majority of them too stood aside. They stood with their fathers awaiting the outcome of the battle. A number of them afterward joined the officers and junkers – already largely recruited from among the students. The property holders had no popular masses with them. The workers, soldiers, peasants had turned against them. The collapse of the Compromise Parties meant that the possessing classes were left without an army.
In proportion to the significance of railroads in the life of modern states, a large place was occupied in the political calculations of both camps by the question of the railroad workers. Here the hierarchical constitution of the personnel leaves room for an extraordinary political variegation, creating favorable conditions for the diplomats of the Compromisers. The lately formed Vikzhel had kept a considerably more solid root among the clerks and even among the workers than, for instance, the army committees at the front. In the railroads only a minority followed the Bolsheviks, chiefly workers in the stations and yards. According to the report of Schmidt, one of the Bolshevik leaders of the trade union movement, the railroad workers of the Petrograd and Moscow junctions stood closest of all to the party.
But even among the compromisist mass of clerks and workers there was a sharp shift to the left from the date of the railroad strike at the end of September. Dissatisfaction with the Vikzhel, which had compromised itself by talking and wavering, was more and more evident in the lower ranks. Lenin remarked: “The army of railroad and postal clerks continues in a state of sharp conflict with the government.” From the standpoint of the immediate tasks of the insurrection that was almost enough.
Things were less favorable in the post and telegraph service. According to the Bolshevik, Boky, “the men in the Post and Telegraph Offices are mostly Kadets.” But here too the lower personnel had taken a hostile attitude toward the upper ranks. There was a group of mail carriers ready at a critical moment to seize the Post Office.
It would have been hopeless in any case to try to change the minds of the railroad and postal clerks with words. If the Bolsheviks should prove indecisive, the advantage would remain with the Kadets and the compromisist upper circles. With a decisive revolutionary leadership the lower ranks must inevitably carry with them the intermediate layers, and isolate the upper circles of the Vikzhel. In revolutionary calculations statistics alone are not enough; the co-efficient of living action is also essential.
The enemies of the insurrection in the ranks of the Bolshevik party itself found, however, sufficient ground for pessimistic conclusions. Zinoviev and Kamenev gave warning against an under-estimation of the enemy’s forces. “Petrograd will decide, and in Petrograd the enemy has … considerable forces: 5,000 junkers, magnificently armed and knowing how to fight, and then the army headquarters, and then the shock troops, and then the Cossacks, and then a considerable part of the garrison, and then a very considerable quantity of artillery spread out fan-wise around Petrograd. Moreover the enemy with the help of the Central Executive Committee will almost certainly attempt to bring troops from the front …” The list sounds imposing, but it is only a list. If an army as a whole is a copy of society, then when society openly splits, both armies are copies of the two warring camps. The army of the possessors contained the wormholes of isolation and decay.
The officers crowding the hotels, restaurants and brothels had been hostile to the government ever since the break between Kerensky and Kornilov. Their hatred of the Bolsheviks, however, was infinitely more bitter. As a general rule, the monarchist officers were most active on the side of the government. “Dear Kornilov and Krymov, in what you failed to do perhaps with God’s help we shall succeed …” Such was the prayer of officer Sinegub, one of the most valiant defenders of the Winter Palace on the day of the uprising. But in spite of the vast number of officers, only single individuals were really ready to fight. The Kornilov plot had already proven that these completely demoralized officers were not a fighting force.
The junkers were not homogeneous in social make-up, and there was no unanimity among them. Along with hereditary fighters, sons and grandsons of officers, there were many accidental elements gathered up under pressure of war-needs even during the monarchy. The head of an engineering school said to an officer: “I must die with you … We are nobles, you know, and cannot think otherwise.” These lucky gentlemen, who did after all succeed in evading a noble death, would speak of the democratic junkers as low-breeds, as muzhiks “with coarse stupid faces.” This division into the blue blood and the black penetrated deeply into the junker schools, and it is noticeable that here too those who came out most zealously in defense of the republican government were the very ones who most mourned the loss of the monarchy. The democratic junkers declared that they were not for Kerensky but for the Central Executive Committee. The revolution had first opened the doors of the junker schools to the Jews. And in trying to hold their own with the privileged upper circles, the sons of the Jewish bourgeoisie became extraordinarily warlike against the Bolsheviks. But, alas, this was not enough to save the régime – not even to defend the Winter Palace. The heterogeneousness of these military schools and their complete isolation from the army brought it about that during the critical hours the junkers began to hold meetings. They began to ask questions: How are the Cossacks behaving? Is anybody coming out besides us? Is it worth while anyway to defend the Provisional Government? According to a report of Podvoisky, there were about 120 socialist junkers in the Petrograd military schools at the beginning of October, and of these 42 or 43 were Bolsheviks. “The junkers say that the whole commanding staff of the schools is counter-revolutionary. They are being definitely prepared in case anything happens to put down the insurrection …” The number of socialists, and especially Bolsheviks, was wholly insignificant, but they made it possible for Smolny to know everything of importance that went on among the junkers. In addition to that, the location of the military schools was very disadvantageous. The junkers were sandwiched in among the barracks, and although they spoke scornfully of the soldiers, they looked upon them with a great deal of dread.
The junkers had plenty of ground for caution. Thousands of hostile eyes were watching them from the neighboring barracks and the workers’ districts. This observation was the more effective in that every school had its soldier group, neutral in words but in reality inclining toward the insurrection. The school storerooms were in the hands of non-combatant soldiers. “Those scoundrels,” writes an officer of the Engineering School, “not satisfied with losing the key to the storeroom so that I had to give order to break in the door, also removed the breech-blocks from the machine-guns and hid them somewhere.” In these circumstances you could hardly expect miracles of heroism from the junkers.
But would not a Petrograd insurrection be threatened from without, from the neighboring garrisons? In the last days of its life the monarchy had never ceased to put its hope in that small military ring surrounding the capital. The monarchy had missed its guess, but how would it go this time? To guarantee conditions excluding every possible danger would have been to make the very insurrection unnecessary. After all, its aim was to break down the obstacles which could not be dissolved politically. Everything could not be calculated in advance, but all that could be, was.
Early in October a conference of the soviets of Petrograd province was held in Kronstadt. Delegates from the garrisons of the environs of the capital – Gatchina, Tsarskoe, Krasnoe, Oranienbaum, Kronstadt itself – took the very highest note set by the tuning-fork of the Baltic sailors. Their resolution was adhered to by the deputies of Petrograd province. The muzhiks were veering sharply through the Left Social Revolutionaries toward the Bolsheviks.
At a conference of the Central Committee on the 16th, a party worker in the province, Stepanov, drew a somewhat variegated picture of the state of the forces, but nevertheless with a clear predominance of Bolshevik colors. In Sestroretsk and Kolpino the workers are under arms; their mood is militant. In Novy Peterhoff the work in the regiment has fallen off; the regiment is disorganised. In Krasnoe Selo the 176th regiment is Bolshevik (the same regiment which patrolled the Tauride Palace on July 4th), the 172nd is on the side of the Bolsheviks, “and, besides, there is cavalry there.” In Luga the garrison of 30,000, after swinging over to the Bolsheviks, is wavering in part; the soviet is still defensist. In Gdov the regiment is Bolshevik. In Kronstadt the mood has declined; the garrison boiled over during the preceding months; the better part of the sailors are in the active fleet. In Schlusselburg, within 60 versts of Petrograd, the soviet long ago became the sole power; the workers of the powder factory are ready at any moment to support the capital.
In combination with the results of that Kronstadt conference of soviets, this information about the first line reserves may be considered entirely encouraging. The radiation of the February insurrection had been sufficient to dissolve discipline over a wide area. And it was now possible to look with confidence upon the nearby garrisons, their conditions being adequately known in advance.
The troops of Finland and the Northern front were among the second line reserves. Here conditions were still more favorable. The work of Smilga, Antonov, Dybenko had produced invaluable results. Along with the garrison of Helsingfors the fleet had become a sovereign in Finnish territory. The government had no more power there. The two Cossack divisions quartered in Helsingfors – Kornilov had intended them for a blow at Petrograd – had come in close contact with the sailors and were supporting the Bolsheviks, or the Left Social Revolutionaries, who in the Baltic Fleet were becoming less and less distinguishable from Bolsheviks.
Helsingfors was extending its hand to the sailors of the Reval naval base, whose attitude up to that time had been indefinite. The Congress of Soviets of the Northern Region, in which also apparently the Baltic Fleet had taken the initiative, had united the soviets of the garrisons surrounding Petrograd in such a wide circle that it took in Moscow on one side and Archangel on the other. “In this manner,” writes Antonov, “the idea was realized of armoring the capital of the revolution against possible attacks from Kerensky’s troops.” Smilga returned from the Congress to Helsingfors to organize a special detachment of sailors, infantry and artillery to be sent to Petrograd at the first signal. The Finland flank of the Petrograd insurrection was thus protected to the last degree. On this side no blow was to be expected, only strong help. On other portions of the front, too, things were wholly favorable – at least far more favorable than the most optimistic of the Bolsheviks in those days imagined. During October committee elections were held throughout the army, and everywhere they showed a sharp swing to the Bolsheviks. In the corps quartered near Dvinsk the “old reasonable soldiers” were completely snowed under in the elections to the regimental and company committees; their places were taken by “gloomy, grey creatures … with angry piercing eyes and wolfish snouts.” The same thing happened in other sectors. “Committee elections are in progress everywhere, and everywhere only Bolsheviks and defeatists are elected.” The governmental commissars began to avoid making trips to their units.
“Their situation is now no better than ours” We are quoting Baron Budberg. Two cavalry regiments of his corps, the Hussar and Ural Cossacks, who remained longest of all in the control of the commanders, and had not refused to put down mutinous units, suddenly changed color and demanded “that they be relieved of the function of punitive troops and gendarmes.” The threatening sense of this warning was clear to the Baron and to everybody else. “You can’t command a flock of hyenas, jackals and sheep by playing on a violin,” he wrote. “The only salvation lies in a mass application of the hot iron …” And here follows the tragic confession: “… a thing which we haven’t got and is nowhere to be gotten.”
If we do not cite similar testimony about other corps and divisions, it is only because their chiefs were not as observant as Budberg, or they did not keep diaries, or these diaries have not yet come to light. But the corps standing near Dvinsk was distinguished in nothing but the trenchant style of its commander from the other corps of the 5th Army, which in its turn was but little in advance of the other armies.
The compromisist committee of the 5th Army, which had long been hanging in the air, continued to send telegraphic threats to Petrograd to the effect that it would restore order in the rear with the bayonet. “All that was mere braggadocio and hot air,” writes Budberg. The committee was actually living its last days. On the 23rd it failed of re-election. The president of the new Bolshevik committee was Doctor Skliansky, a magnificent young organizer who soon developed his talent widely in the work of creating the Red Army, and who died subsequently an accidental death while canoeing on one of the American lakes.
The assistant of the government Commissar of the Northern front reports to the War Minister on the 22nd of October that the ideas of Bolshevism are making great headway in the army, that the mass wants peace, and that even the artillery which has held out to the very last moment has become “hospitable to defeatist propaganda.” This too is no unimportant symptom. “The Provisional Government has no authority” – reports its own direct agent three days before the revolution.
To be sure, the Military Revolutionary Committee did not then know of all these documents. But what it did know was amply sufficient. On the 23rd, representatives of various units at the front filed past the Petrograd Soviet and demanded peace. Otherwise, they answered, they would march to the rear and “destroy all the parasites who want to keep on fighting for another ten years.” Seize the power, the front men said to the Soviet, ’the trenches will support you.”
In the more remote and backward fronts, the South-western and Romanian, Bolsheviks were still rare specimens, curiosities. But the mood of the soldiers here was the same as elsewhere. Efgenia Bosh tells how in the 2nd Corps of the Guards, quartered in the vicinity of Zhmerinka, among 60,000 soldiers, there was one young communist and two sympathizers. This did not prevent the corps from coming out in support of the insurrection in the October days.
To the very last hour the government circles rested their hope in the Cossacks. Hut the less blind among the politicians of the right camp understood that here too things were in a very bad way. The Cossack officers were Kornilovists almost to a man. The rank-and-file were tending more and more to the left. In the government they did not understand this, imagining that the coolness of the Cossack regiments to the Winter Palace was caused by injured feelings about Kaledin. In the long run, however, it became clear even to the Minister of Justice, Maliantovich, that “only the Cossack officers” were supporters of Kaledin. The rank-and-file Cossacks, like all the soldiers, were simply going Bolshevik. Of that front which in the early days of March had kissed the hands and feet of liberal priests, had carried Kadet ministers on its shoulders, got drunk on the speeches of Kerensky, and believed that the Bolsheviks were German agents – of that there was nothing left. Those rosy illusions had been drowned in the mud of the trenches, which the soldiers refused to go on kneading with their leaky boots. “The denouement is approaching,” wrote Budberg on the very day of the Petrograd insurrection, “and there can be no doubt of its outcome. On our front there is not one single unit … which would not be in the control of the Bolsheviks.”
L.D. Trotsky, “The Art of Insurrection,” The History of the Russian Revolution
Kronológia: libcom.org/library/bolsheviks-workers-control-solidarity-...
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The epic goddess was tall, thin, fit, tan, and in wonderful shape (as you can see).
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Welcome to your epic hero's odyssey! The beautiful 45surf goddess sisters hath called ye to adventure, beckoning ye to read deeply Homer's Iliad and Odyssey, whence ye shall learn of yer own exalted artistic path guided by Hero's Odyssey Mythology. I wouldn't be saying it if it hadn't happened to me.
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She was a beauty--a gold 45 goddess for sure! A Gold 45 Goddess exalts the archetypal form of Athena--the Greek Goddess of wisdom, warfare, strategy, heroic endeavour, handicrafts and reason. A Gold 45 Goddess guards the beauty of dx4/dt=ic and embodies 45SURF's motto "Virtus, Honoris, et Actio Pro Veritas, Amor, et Bellus, (Strength, Honor, and Action for Truth, Love, and Beauty," and she stands ready to inspire and guide you along your epic, heroic journey into art and mythology. It is Athena who descends to call Telemachus to Adventure in the first book of Homer's Odyssey--to man up, find news of his true father Odysseus, and rid his home of the false suitors, and too, it is Athena who descends in the first book of Homer's Iliad, to calm the Rage of Achilles who is about to draw his sword so as to slay his commander who just seized Achilles' prize, thusly robbing Achilles of his Honor--the higher prize Achilles fought for. And now Athena descends once again, assuming the form of a Gold 45 Goddess, to inspire you along your epic journey of heroic endeavour.
ALL THE BEST on your Epic Hero's Odyssey from Johnny Ranger McCoy!
All 45surf Hero's Odyssey Mythology Photography is shot in the honor of Truth, Beauty, and the Light of Physicist Dr. E's Moving Dimensions Theory's dx4/dt=ic . The fourth dimension is expanding relative to the three spatial dimensions at the rate of c. Ergo relativity, time, entropy, and entanglement.
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One of the questions I get a lot on Instagram (I have a much more significant following there, and they are much more vocal) is how do I manage to consistently find extremely attractive models year after year. Not just that, but beyond, how is it that I manage to befriend them and build such good relationships with them and their families that they literally before daily parts of my life. I didn't realize this was a struggle for photographers, but I do underhand the importance. If you want to make it on a high level, you need to have a steady stream of extremely high quality models. Preferably ones you don't have to pay. So, if you have any questions about this, feel free to ask. It's not just limited to that though: if you have any questions about me; my photography; or photography in general now is your chance to ask.
A tiatr by Francis de Tuem released on 27.3.16 Easter Sunday
more on the tiatr here goo.gl/Q7fhXl
Lawry Travasso singing
A full interview with the Israeli painter Raphael Perez (in Hebrew Rafi Peretz) about the ideas behind the naive painting, resume, personal biography and CV
Question: Raphael Perez Tell us about your work process as a naive painter?
Answer: I choose the most iconic and famous buildings in every city and town that are architecturally interesting and have a special shape and place the iconic buildings on boulevards full of trees, bushes, vegetation, flowers.
Question: How do you give depth in your naive paintings?
Answer: To give depth to the painting, I build the painting with layers of vegetation, after those low famous buildings, followed by a tall avenue of trees, and behind them towers and skyscrapers, in the sky I sometimes put innocent signs of balloons, kites.
A recurring motif in some of my paintings is the figure of the painter who is in the center of the boulevard and paints the entire scene unfolding in front of him, also there are two kindergarten teachers who are walking with the kindergarten children with the state flags that I paint, and loving couples hugging and kissing and family paintings of mother, father and child walking in harmony on the boulevard.
Question: Raphael Perez What characterizes your naive painting?
Answer: Most naive paintings have the same characteristics
(Definition as it appears in Wikipedia)
• Tells a simple story to absorb from everyday life, usually with humans.
• The representation of the painter's idealization to reality - the mapping of reality.
• Failure to maintain perspective - especially details even in distant details.
• Extensive use of repeating patterns - many details.
• Warm and bright colors.
• Sometimes the emphasis is on outlines.
• Most of the characters are flat, lack volume
• No interest in texture, expression, correct proportions
• No interest in anatomy.
• There is not much use of light and shadow, the colors create a three-dimensional effect.
I find these definitions to be valid for all my naive paintings
Question: Raphael Perez Why do you mainly choose the city of Tel Aviv?
Answer: I was born in Jerusalem, the capital city which I love very much and also paint,
I love the special Bauhaus buildings in Tel Aviv, the ornamental buildings that were built a century ago in the 1920s and 1930s, the beautiful boulevards, towers and modern skyscrapers give you the feeling of the hustle and bustle of a large metropolis and there are quite a few low and tall buildings that are architecturally fascinating in their form the special one
Also, the move to Tel Aviv, which is the capital of culture, freedom, and secularism, allowed me to live my life as I chose, to live in a relationship with a man, Jerusalem, which is a traditional city, it is more complicated to live a homosexual life, also, the art world takes place mainly in the city of Tel Aviv, and it is possible that from a professional point of view, this allows I can support myself better in Tel Aviv than in any other city in Israel.
Question: raphael perez are the paintings of the city of Tel Aviv different from the paintings of the city of Jerusalem
Answer: Most of the paintings of Jerusalem have an emphasis on the color yellow, gold, the color of the old city walls, the subjects I painted in Jerusalem are mainly a type of idealization of a peaceful life between Jews and Arabs and paintings that deal with the Jewish religious world, a number of paintings depict all shades of the currents of Judaism of today
In contrast, the Tel Aviv paintings are more colorful, with skyscrapers, the sea, balloons and more secular motifs
Question: Raphael Perez Tell us about which buildings and their architects you usually choose in your city paintings
Answer: My favorite buildings are those that have a special shape that anyone can recognize and are the symbols of the city and you will give several examples:
In the city of Tel Aviv, my favorite buildings are: the opera building with its unusual geometric shape, the Yisrotel tower with its special head, the Hail Bo Shalom tower that for years was the symbol of the tallest building in Tel Aviv, the Levin house that looks like a Japanese pagoda, the burgundy-colored Nordeau hotel with the special dome at the end of the building, A pair of Alon towers with the special structure of the sea, Bauhaus buildings typical of Tel Aviv with the special balconies and the special staircase, the Yaakov Agam fountain in Dizengoff square appears in a large part of the paintings, many towers that are in the stock exchange complex, the Aviv towers and other tall buildings on Ayalon, in some of the paintings I took plans An outline of future buildings that need to be built in the city and I drew them even before they were built in reality,
In the paintings of Jerusalem, I mainly chose the area of the Old City and East Jerusalem, a painting of the walls of the Old City, the Western Wall, the Church of the Holy Sepulcher, the El Akchea Mosque, the Tower of David, most of the famous churches in the city, the right hand of Moses, in most of the paintings the Jew is wearing a blue shirt with a red male cord I was in the youth movement and the Arab with a galabia, and in the paintings of the religious public then, Jews with black suits and white shirts, tallitas, kippahs, special hats, synagogues and more
I also created three paintings of the city of Haifa and one painting of Safed
In the Haifa paintings I drew the university, the Technion, the famous Egged Tower, the Sail Tower, well-known hotels, of course the Baha'i Gardens and the Baha'i Temple, Haifa Port and the boats and other famous buildings in the city
Question: Have you created series of other cities from around the world?
Answer: I created series of New York City with all the iconic and famous buildings such as: the Guggenheim Museum, the famous skyscrapers - the Chrysler Building, the Empire State Building, Lincoln Center, the famous synagogue in the city, the Statue of Liberty, the flags of the United States and other famous buildings
Two paintings of London and all its famous sites, Big Ben, famous monuments, the Ferris wheel, Queen Elizabeth and her family, the double bus, the famous public telephone, palaces, famous churches, well-known monuments
I created 4 naive paintings of cities in China, a painting of Shanghai, two paintings of the city of Suzhou and a painting of the World Park in the city of Beijing... I chose the famous skyline of Shanghai with all the famous towers, the famous promenade, temples and old buildings, two Paintings of the city of Suzhou with the famous canals, bridges, special gardens, towers and skyscrapers of the city
This one appeared to be sucking up sediments from the gravel with its super long proboscis. And yes, that's its real name.
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Hero's Odyssey Mythology Photography! & Hero's Odyssey Mythology Fine Art! :)
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New blog celebrating my philosophy of photography with tips, insights, and tutorials!
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And here're a couple of HD video movies I shot of the goddess with the 4K Sony:
Enjoy! Be sure to watch in the full 1080P HD!
The epic goddess was tall, thin, fit, tan, and in wonderful shape (as you can see).
Follow me on facebook!
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Epic Goddess Straight Out of Hero's Odyssey Mythology! Pretty Model! :) Tall, thin, fit and beautiful!
Welcome to your epic hero's odyssey! The beautiful 45surf goddess sisters hath called ye to adventure, beckoning ye to read deeply Homer's Iliad and Odyssey, whence ye shall learn of yer own exalted artistic path guided by Hero's Odyssey Mythology. I wouldn't be saying it if it hadn't happened to me.
New 500px!
500px.com/herosodysseymythology
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Pretty Swimsuit Bikini Model Goddess! :)
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Nikon D300 Photos of Beautfiul Sexy Hot Brunette!
She was a beauty--a gold 45 goddess for sure! A Gold 45 Goddess exalts the archetypal form of Athena--the Greek Goddess of wisdom, warfare, strategy, heroic endeavour, handicrafts and reason. A Gold 45 Goddess guards the beauty of dx4/dt=ic and embodies 45SURF's motto "Virtus, Honoris, et Actio Pro Veritas, Amor, et Bellus, (Strength, Honor, and Action for Truth, Love, and Beauty," and she stands ready to inspire and guide you along your epic, heroic journey into art and mythology. It is Athena who descends to call Telemachus to Adventure in the first book of Homer's Odyssey--to man up, find news of his true father Odysseus, and rid his home of the false suitors, and too, it is Athena who descends in the first book of Homer's Iliad, to calm the Rage of Achilles who is about to draw his sword so as to slay his commander who just seized Achilles' prize, thusly robbing Achilles of his Honor--the higher prize Achilles fought for. And now Athena descends once again, assuming the form of a Gold 45 Goddess, to inspire you along your epic journey of heroic endeavour.
ALL THE BEST on your Epic Hero's Odyssey from Johnny Ranger McCoy!
Modeling the Gold 45 Revolver Gold'N'Virtue swimsuit. :)
A laid-back,classic, socal lifestyle shoot!
May the 45surf goddesses inspire you along am artistic journey of your own making!
All 45surf Hero's Odyssey Mythology Photography is shot in the honor of Truth, Beauty, and the Light of Physicist Dr. E's Moving Dimensions Theory's dx4/dt=ic . The fourth dimension is expanding relative to the three spatial dimensions at the rate of c. Ergo relativity, time, entropy, and entanglement.
All the best on your Epic Hero's Odyssey from Johnny Ranger McCoy!
New blog celebrating my philosophy of photography with tips, insights, and tutorials!
Ask me any questions! :)
Sony A7R RAW Photos of Pretty Brunette Bikini Swimsuit Model Goddess! Carl Zeiss Sony FE 55mm F1.8 ZA Sonnar T* Lens! Lightroom 5.3 ! Pretty Hazel Eyes & Silky Brown Black Hair!
All the best on your Epic, Homeric, Heroic Odyssey into the Art of Photography from Johnny Ranger McCoy!
All 45surf Hero's Odyssey Mythology Photography is shot in the honor of Dynamic Dimensions Theory's First Law and equation: The fourth dimension is expanding relative to the three spatial dimensions at the rate of c: dx4/dt=ic.
Join my new Instagrams:
instagram.com/johnnyrangermccoy
All the best on your Epic Hero's Odyssey from Johny Ranger McCoy!
Sony A7R RAW Photos of Pretty, Tall Blond Bikini Swimsuit Model Goddess in Laguna Beach! Victoria Beach!
Beautiful ballerina and professional ballet dancer! You've seen her dancing ballet in other photos! Here the goddess is modeling 45SURF as a surf girl! :)
“How many people have ever lived?” That's the question this graphic tries to answer. I've recently updated it for 2011.
The numbers in this piece are speculative but are as accurate as modern research allows. It’s widely accepted that prior to 2002 there had been somewhere between 106 and 140 billion homo sapiens born to the world. The graphic below uses the conservative number (106 bn) as the basis for a circle graph. The center dot represents how many people are currently living (red) versus the dead (white). The dashed vertical line shows how much time passed between milestones. The spectral graph immediately below this text illustrates the population ‘benchmarks’ that were used to estimate the population over time. Adding the population numbers gets you to 106 billion. The red sphere is then used to compare against other data.
What's different in the 2011 version of Population of the Dead? To start I've included both all time population estimates. White represents the 106 billion conservative estimate while the more liberal estimation of 140 billion is represented by the gray outer zone.
A number of corrections have been included this time around. First, the red circle is actually to scale throughout the image, so all the circles can be easily compared to one another.
When I originally published this, I was eviscerated by a few select mathematicians who pointed out that using the radius or diameter as the basis for scaling the circles was incorrect. One blogger gave me a much appreciated math lesson which motivated me to update the graphic. I'm still not a math guy, so if the numbers are still wrong forgive me. I did use the area this time, not the diameter.
However, I'd also like to restate that proper math isn't exactly the point of this image. One viewer, Andrew Liebchen, says this far more elegantly than I can in a comment he left for me, "In some ways, the circle within the circle is poetic. It implies that in time, all the living will die; the that is red will become white. Meanwhile, new births will forever increase the overall area." In short, the point is to reflect on the scale of life and death. ;-)
Finally, I'd like to thank everyone who's viewed or promoted this image! 111,920 have viewed it on Flickr alone, but it's been posted and reposted all over the web on sites like Visual.ly, Digg, Reddit, Dzone, and DesignFloat. I've also spotted prints in the wild. Thanks everyone, truly flattering!
Research Notes: The research used to create largely came from this article from The Scientific American, published by Ciara Curtin on March 1, 2007. Her article cites Carl Haub, a demographer at the Population Reference Bureau, and Joel Cohen, a professor of populations at the Rockefeller and Columbia Universities in New York City, as sources. A number of other sources were used including research from the Forum of the Future, the Population Reference Bureau, Jeffery Sachs Blog and publications by the United Nations.
View the High Res copy
Update Jan 29, 2010: Fixed Spelling Mistake
Update Feb 11, 2010: Proceeds from this graphic now being donated to One Million Bones
Update Aug 27, 2011: 2011 version released
Originally published at appfrica.net/blog/2009/11/16/population-of-the-dead/
If you have any questions or would like to contribute to this archive, please visit www.underjams.art and contact me on Twitter DM or Telegram ♥
Here is a question. I would really like to know why people throw litter and trash on the ground in beautiful places. Clearly they appreciate the beauty of these locations, because they made the effort to visit them. They must have had at least some sense of the attraction of such a place. But what obtuse mental process then went into them dropping their rubbish on the ground as they enjoyed the nature, the scenery or awe of such a location? I really want to know what they were thinking. This behaviour is not limited to certain places or countries, but is a matter of severe annoyance to me almost every beautiful location I have visited.
Photo taken on a beach on the island of Seokmodo on the west coast of Korea
October 2017