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Feeling single, with many wrinkles this elder questions a former impulse, or what was done with conscience nearing guilt causing tears ... (or blood spilled?)
Invercargill and the province of Southland.
A puzzled question is why does a city of 50,000 people exist on the southernmost tip of NZ which has the bleakest climate? Invercargill is the coolest, most bleak and cloudiest city in NZ. It averages just 1,600 hours of sunshine a year compared with 1,500 for London, 2,050 in Christchurch, 2,800 in Adelaide and 3,200 in Perth WA. It has around 200 mm of rain every month of the year and it is a very windy city. It is in fact one of the largest southern cities in the world only surpassed by Ushuaia and Punta Arenas in Argentina and Chile respectively. But because of its latitude it has long summer days. Even in mid-October when we visit the length of day will be around 13.5 hours with the sun setting around 8:20 pm. In high summer twilight ends around 10:30 pm with a 16 hour long day like in Scotland. At this time of the year one can often see the Aurora Australis or Southern Lights an atmospheric phenomena of subarctic regions. Like Dunedin Invercargill was settled by the Scots. Many of its streets and families have Scottish names. It developed as an offshoot of Scottish Otago. The Surveyor General of Otago selected the site for a new town in 1856 and laid out the streets in a grid pattern on this very flat city. The first land was sold in 1858 and by 1861 Invercargill was a very small but flourishing town. Why? Because it had three main riches, apart from some gold found in the hinterland in 1860: it had the largest most fertile plains of NZ; it had a coastline rich with oysters, lobsters, cod fish and abalone( paua); and it had heavily forested mountains with hardwoods which were in great demand throughout the world- rimu, totara, silver beech etc. These basic factors meant that the province of Southland when it separated from Otago in 1861 had a bright future. The land, rainfall, soils and seas would provide for the people as it had done for the Maoris before the whites arrived. Southland consequently has had a rich and varied agricultural past ranging from sheep pastoralism, grain growing especially oats for porridge and barley for illicit whisky making (how could the Scots survive in this cold climate without whisky?) ,linen flax growing and milling, dairying and milk processing, fish and seafood canning, timber cutting and timber mills, and meat freezing and butchering works. These rural industries necessitated railways and like Dunedin Invercargill become a major rail head with lines going north to Lumsden, Kingston and Queenstown in the Alps, across to Gore, and west towards Fjordland and the richly forested valleys adjacent to it. Timber in particular needed the railways. Invercargill established railway workshops and the manufacturing steam engines for the railways of NZ. Its first railway line was built in 1867 to the Bluff, the port for Southland. It was connected to Christchurch by 1878.
In the 20th century Southland has developed hydroelectricity which in turn has attracted industry to the region. Possums introduced from across the Tasman in 1858 have become a major pest but they have also spawned a new industry- possum textiles and woollens; red deer were introduced from Europe in 1901 to Fjordland and now with the advent of helicopters and helicopter farming they are “farmed” for venison and processed near Invercargill. The story of Southland and Invercargill is one generally of success and success based on the climate and the resources of the land. For example, dairying has been strong since the early 1880s and continues today with Fonterra Milk processing mainly for export to Asia; linen flax milling continued until 1956; flourmills have processed wheat and the oat mill in Gore produced porridge oats; and Chewings Fescue was found to thrive in Southland and has become a major industry producing lawns for houses around NZ. Southland introduced prohibition in 1905 which lasted until 1945 and the illegal moonshine or whisky making in the hills east of Invercargill near Gore continued whilst that was in place. But the really big success has been hydroelectricity which began with Lake Monowai Power station in 1925. It still powers Invercargill and feeds into the national power grid. More recently the enormous Manapouri Power Station 200 metres below the water level of Lake Manapouri near Te Anau in Fjordland was completed in 1971 after work commenced in 1964. It is the largest hydroelectric station in NZ and the second largest power station in NZ. It was developed for Comalco to erect an aluminium smelter and refinery at the Bluff near Invercargill which is now run by Rio Tinto and employs nearly 3,000 people from Invercargill but its financial viability is shaky and the plant has been threatened with closure. Another major industry of Invercargill is fertiliser production.
•Invercargill is a Scottish settlement. 40% of Invercargill’s suburbs and nearby towns have Scottish names and the first Presbyterian Church was the leading church of the province. The current church replaced an earlier 1863 church in 1915 when it was completed. It is built of brick with a domed roof, a 100 foot high tower and it is in the Italian Romanesque style. It is on the highway from Dunedin at 151 Tay St. Next on the right is St Johns Anglican Church( 108 Tay St) in red brick built in 1887; almost next door is the impressive Town Hall and Theatre ( 88 Tay St) built 1906 in classical style; next is the YMCA building of 1910 at 77 Tay St; at the roundabout (the location of the Boer War Memorial) at the end of the street is the old Bank of NSW built in 1904 on the right whilst on the left is the former Cornerstone Bank of NZ building from 1879 ; as you turn right into Dee St. you will see a plethora of brightly painted heritage buildings all in good repair – partly because the city’s young mayor from Auckland some years ago supported and encouraged this to revitalise the city. At 136 Dee St is the Blackman building with the large black swan on the roof line and further along (178 Dee St.) is the Gothic St Pauls Presbyterian Church built in 1876 and added to in 1881. In Victoria Ave is the former but now closed Information Centre and Southland Museum. Here also is Queens Park with its rhododendron dell rock garden, magnificent trees etc. Nearby is the City water Tower (a flat city needed a tower for water pressure) built in 1888 with 300,000 red, yellow and black bricks. 101 Doon St.
Other heritage buildings include:
How do you Flickr Peeps feel about your images being included in Tumblr accounts?
I have an image that (for some reason) has thousands of views and notes on Tumblr which is lovely, however, they have the main image hosted there without a link back to the main file on Flickr.
25.media.tumblr.com/aa690c7206e7822a92385dc5c44f9261/tumb...
it's kinda bugging me as I recently went through lots of grief trying to get a company to remove one of my images from their website.
For some reason I thought the Tumblr community would always retain information relating to the original author / photographer.
Any Thoughts?
One of the most fun and least expected shoots of last year, one of those a friend randomly calls you, you just go in and start shooting, no one knows you (except for the friend), no one asks any questions and everyone does what you say if you say something....
Thanks to Victor for the invite ;)
"Chinese socialism is founded upon Darwin and the theory of evolution." Mao Tse-tung (1893 – 1976). Kampf um Mao's Erbe (1977.)
Some of the famous atheists in the atheist Hall of Shame.
Stalin, Marx, Lenin, Kim Jong IL, Mao, Kim Jong Un, Pol Pot, Kruschev, Brezhnev, Honecker, Ceaușescu
Atheism proved itself, in the 20th century, to be the most horrendous, barbaric, murderous and criminal ideology the world has ever experienced. Countless millions suffered and died at the hands of this hideous ideology, they must never be forgotten.
The promised atheist/socialist utopia ... the idea of an atheist Heaven on Earth resulted in a diabolical Hell on Earth.
Who, but a complete idiot would want to resurrect such a monstrous, no-hope philosophy?
Present day, so-called 'new' (improved?) atheists (and communists) try to disassociate themselves from the disastrous record of the world's, first ever, official, atheist states, established in the great, atheist experiment of the 20th century.
But all the examples we have of official, atheist rule are horrendous. And, the tyranny still continues, wherever atheism is the dominant, ruling ideology, as in North Korea.
The ‘new’ atheists try to blame the 20th century’s persecution and brutality completely on communism. They claim it had nothing to do with atheism.
But, although communism is a disastrous economic system, there is no intrinsic reason why it should be brutal, or why it should hate religion, or why it should destroy churches and persecute and murder millions of Christians and people of other faiths.
That is the hallmark of atheist ideology, not of an economic system.
Communism is fatally flawed as an economic system. And, as it thrives on envy, class hatred and division, it is a an anathema to Christianity, and any other religion which preaches love for everyone. Consequently, it is the ideal bedfellow for atheism, but that is different from requiring an intrinsic hatred of God and religion as a matter of state, endorsed policy. That is essentially an atheist ideal.
If communists weren't atheists, why would they outlaw and attack all religion? Karl Marx, the founder of communism, hated religion, because he was also an atheist. He understood that communist, dialectic materialism, class war etc. is incompatible with most religions, so, it could be argued, that to be a bona fide communist, he also had be an atheist.
Lenin was a self-declared atheist who, together with his Soviet Bloc, atheist successors, tried to eliminate religion with brutal repression and wholesale murder.
Thus, history tells us that the atheist experiment has been tried and, from beginning to end, was a brutal and diabolical failure. The new atheists may say: “it's nothing to do with us gov.”
But who wants to risk such devastation again, by giving the atheist ideology another chance? Only a complete idiot would want to take that gamble.
However, it was only to be expected and it could easily have been predicted beforehand, that the inevitable result of atheism's lack of an absolute ethical or moral yardstick would be to wreak havoc on the world - and that is exactly what it did. .
Atheism hasn't changed at all in that respect, because it can't.
Atheism and secular humanism categorically reject the concept of intrinsic right and wrong. Therefore, the ephemeral values, moral relativism and situational ethics of atheism are the ideal recipe for abuse.
We can see from the belligerent, intolerant, rabble rousing rhetoric and anti-religious ranting of today's militant, new atheist zealots, that the leopard hasn't really changed its spots. Let no one doubt it - atheism has an horrendous and hideously, barbaric record... we must never let it happen again.
Moreover, it is a singularly perverse ideology that motivates its adherents to waste so much time of the only life they believe they have, trying to convince everyone else that they are doomed to eternal oblivion. The ultimate reward for atheists is to never know if they got it right, only if they got it wrong.
There is certainly no moral or rational defence for the atheist cult, past or present.
But what do atheists themselves say about their ethical and moral values?
They claim that they DO have an ethical and moral yardstick, and cite the Humanist Manifesto as representing the ethics and moral code of atheism.
So is it really true?
The Humanist Manifesto looks good at first glance, but like most proposals atheists have come up with, when examined closely, it is full of holes.
Problems, problems ....
1. You don’t have to sign up to the Humanist Manifesto to be an atheist.
2. Even if you do sign up to it, there is no incentive to follow it. No reward for following it, and no penalty for not following it. You are not going to be barred from being an atheist because you reject or break the rules of the Humanist Manifesto. It is not enforced in any way.
3. It borrows any desirable ethics, it may have, from Judeo-Christian values, there is no atheist, moral code per se.
Atheism is the ideology of naturalism. Genuine, naturalist, ethical values are basically the Darwinian, ‘law of the jungle’. Progressive evolution and improvement through the survival of the fittest/strongest, and the elimination of any who are weaker or unable to adapt - nature red in tooth and claw, In societal terms - the most powerful, wealthiest, most influential, most cunning, dominate and rule for their own benefit. Anything else in the Humanist Manifesto is actually a contradiction of social Darwinism and naturalism. Any socially desirable or compassionate ethics, which may be included in the H.M, are wholly inconsistent with atheist, materialist, naturalist, and evolutionist ideology.
4. By far the biggest flaw in the Humanist Manifesto is the fact that it is entirely ephemeral. It advocates 'situational ethics' and 'moral relativism'. And that major flaw makes it a worthless scrap of paper.
Why?
Because .....
Situational ethics is based on what people want or find desirable, not on any adherence to what is intrinsically right or wrong.
A good, example of humanist style, situational ethics in practice, is the gender selection abortions now being blatantly carried out in abortion clinics in Britain. It primarily discriminates against female babies, who are especially targeted for killing, because most of the parents who want it, prefer to have boys for cultural reasons.
The abortion clinics openly admit to it happening, and claim it is legal.
www.independent.co.uk/news/uk/home-news/pro-choice-aborti...
The abortion act of 1967 certainly did not intend that, and the Government admits it was not intended.
So we have a Government that knows it is going on, it also knows it is not what the abortion law intended, yet it is still reluctant to do anything about it.
Why?
Because it is wedded to the secularist concept of situational ethics, i.e. whatever people want, people get. Any concept of intrinsic right and wrong has to take a back seat, to whatever is the spirit of the times. And that is an example happening right now, in a so-called democracy.
The Nazi persecution of the Jews and other races they considered ‘inferior’ became popular through brainwashing of the public, and was eventually supported by a good proportion of the public.
Hitler cleverly used situational ethics to do what he had persuaded people was right and good.
So, all in all, the Humanist Manifesto and its purported ethical values, is a very dangerous document.
It gives carte blanche to any so-called ethical values, as long they become the fashionable or consensus opinion. Whatever people want, people get, or what a government can claim people want, they are justified in giving to them.
And for that reason it would not stop; a Lenin, a Stalin, a Hitler, a Mao, or a Pol Pot, even if they had signed up 100% to abide by the Humanist Manifesto.
In fact, the 20th century, atheist tyrants even called their regimes ... Democratic People's Republics. They claimed they were representing people's wishes, and thus carried out their 'situational ethics' on behalf of the people.
What about the common, atheist tactic of highlighting alleged crimes and wrongdoing committed by Christians?
The point is ....
Christians who do wrong, go against the teachings of Christianity. It is recognised as ‘sin’. If they blatantly and deliberately go against the intrinsic moral values and teaching of Christianity, they forfeit the right to continue to call themselves Christian. And they can even be excommunicated by the Church, if they fail to admit their actions are wrong.
And, without sincere sorrow and repentance, they don't get to go to the Christian Heaven.
End of story!
Atheists who do wrong, go against nothing, unless it is against the law of the land.
You cannot be chucked out of atheism for doing wrong, you cannot even be censored by atheism for doing wrong, it is a complete free for all, you can simply act with impunity according to your own desires and opinion. Atheists don’t recognise sin, right and wrong is not intrinsic or absolute. Atheism has no, unchanging, moral code. Right and wrong is, ultimately, just a matter of opinion
The atheist 'heaven' is right here on earth, and far from being a 'heaven' it is an horrendous nightmare. Anyone with any sense would call it a hell.
And even the law of the land need not stop atheists .....
Whenever, atheists get into a position of power they change the law to suit their situational ethics. Then they can do whatever they want.
That is what Stalin and all the other atheist tyrants did in their people's DEMOCRATIC republics.
And the atheist thirst for blood does not cease when they live in the so-called 'real' democracies, it is simply sanitised by atheist inspired, situational ethics.
They use their 'humanist' ethics to change the law, accompanied by 'newspeak' and propaganda.
So that what was once considered evil, is not only made legal, it is actually turned around so it is considered a virtue.
The wholesale and brutal slaughter, of the most vulnerable in society ... millions of unborn babies, is callously shrugged off as necessary, for 'free choice'.
Of course murder is always a free choice for the killer, only the dangerous, warped, atheist style, situational ethics could value a killer's free choice to kill, above the victim's right not to be killed, and make murder legal.
The callous slaughter of the unborn, which in most cases, was not even put to the people democratically (it was imposed on them by a handful of secularist politicians, lawyers and bureaucrats), is accompanied by the usual atheist lies and devious propaganda.
Doctors acting illegally over abortions get off scot-free ....
www.dailymail.co.uk/news/article-2609950/Scandal-doctors-...
So the secularists simply laugh off democracy, it doesn't stop them, if it gets in the way of their ideology, they just ignore it, like they do with science.
"Democratic societies" how do they impact on situational ethics?
We see, in practice, that democracy is treated with utter contempt .....
Why ask the people? They are apparently not qualified to consider such difficult matters of right and wrong, like whether babies should live or die? You can't give those ignorant peasants, plebs and rednecks a vote on it, ... leave it to the secularist EXPERTS and their wonderful, situational ethics based on 'reason' and 'science'.
We are told by atheist moralists that the unborn baby is not fully human, it is only a blob of jelly, which has, and deserves, NO rights. As usual, they deliberately ignore, or twist, the scientific facts.
And we are also told, anyone who supports the rights of the unborn babies not to be brutally ripped limb from limb is evil and a ‘far right’ fanatic, because they are interfering with free CHOICE.
So the atheist leopard certainly hasn't changed its deceitful, devious, brutal and murderous spots, even in so-called 'real' democratic societies. It simply legalises and sanitises evil and murder and makes it appear good.
Then it can claim atheism is extremely ethical and virtuous, with its own, beautiful, humanist code of morals and conduct .... Yeah Right!
Remind you of anyone?
Always remember ....
Atheist/humanist so-called ethics and morals depend entirely on OPINION, and that is why they are so extremely dangerous.
Atheism has no moral or ethical yardstick, no concept of God-given, human rights ... only OPINION.
But WHOSE opinion?
My opinion?
Your opinion?
Or maybe Richard Dawkins opinion?
Or Sam Harris's opinion?
Or how about Barrack Obama's opinion?
Or why not STALIN'S or POL POT'S opinion?
So don't be fooled by the relentless chorus from the 'new' atheists and humanists, that atheism has its own code of ethics and morals, their code of ethics is based on the OPINION of one or more of the following ... whoever is: the most vociferous, the most charismatic, the most cunning, the most influential, the most powerful, the wealthiest, the most successful propagandist, the most persuasive, the most repressive, or the most brutal.
www.flickr.com/photos/101536517@N06/14797003191
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Unjust laws/evil laws (such as legalised abortion) are effectively null and void. They should not be accepted by any right-thinking person. In any just society, the legalisation of abortion has to be regarded as a crime against humanity, and those guilty will surely be held to account by a more enlightened society.
“civil law cannot contradict right reason without losing its binding force on conscience. Every humanly-created law is legitimate insofar as it is consistent with the natural moral law, recognized by right reason, and insofar as it respects the inalienable rights of every person”. —St. Thomas Aquinas, Summa Theologiae, I-II, q. 95, a. 2.w
Why satanism is now on the center stage in the culture war.
www.crisismagazine.com/2019/why-satanism-is-now-on-the-ce...
EUbabel. The shocking occult symbolism of the European Union.
peuplesobservateursblog.wordpress.com/2017/09/23/togo-all...
The Thuringian question ......
Left or right?
Tunnel branch in an abandoned ore mine under Thuringia / Germany
This A&W drive-in location in Ravenna, Ohio was opened on May 5th, 1956. This season was its 60th year of operation. Sometime over the years, A dining room was added to the drive-in. This A&W location still remains a seasonal operation today. This location has been upkept very well, seems pretty busy, has good food, and is more of a vintage A&W location.
A&W Drive-in - East Main Street - Ravenna, Ohio
*Feel free to use this photo, or any others in this photostream, for any use that is non-commercial. Please make sure to provide credit for the photo(s). Please contact me at eckhartnicholas@yahoo.com for questions or permission for commercial use.*
Ippio Payo & Genelabo performen Nobody Ansers Questions - an audiovisual journey
Video by : Genelabo
Music by : Ippio Payo
Underdeck !!! is 3- rd track from the audio-visual album :"Nobody Answers Questions"
Format: LP/CD
Label: Echokammer EK092 & Geenger Records GNGR 094
VÖ: 20.08.2021
After countless collaborations between Josip Pavlov (Ippio Payo) and Gene Aichner (Genelabo) over the last 17 years,
"Nobody Answers Questions" represents uncharted waters for both of them. With only the most basic equipment, they face the passage......
Firefly, Metallo, Black Adam, Question, Nightwing, Cyborg
Hello all! I've updated some figs and made some new ones as you can see. First, Firefly. I really like how he turned out. He is kind of based off his appearance in "The Batman" tv show. Just with red as a main color. With Metallo I didn't want to make him all Robot so I tried to make him like the Superman Animated Series version. Black Adam is just the New 52 version. Question has a suit and trench coat. Nightwing has EG combat pants. Cyborg doesn't have the robo arm and his head is now the Nick Fury one. Hope you like 'em!
On another note, I now have Skype. If anyone wants my username just fm me and I will send it to you.
Thank you to legoman685 for telling me to make Firefly and Metallo.
“who are you?” he whispered.
His question lingered, hung like smoke curling in the air. Her smile was sincere, a little too sincere. The interest in his tone ignited her soul, for she could not answer. As she herself did not even know. She was young girl of twenty three, with hair of golden sun, and eyes as reflective an emerald jewel, that was a fact she knew. When her smile reached her eyes they glowed intensely against the darkness of any night.
‘I do not know…’ she paused with uncertainty and she curled her arms around him. His heart beating, humming into her ear, like a love song only she could hear. His chest rose and he inhaled deep, but no words fell from his lips as she waited for him to speak. when her mind knew he was just as confused, she loved him that little bit more than the minute that passed by a moment before. If you could read someone by their eyes, her life would horrify. His heart sung and his mind ticked, but his body relaxed under her loving grip. She knew who she wanted to be, she knew who she was, and she knew who she had become. Each relationship she knew who they wanted her to be. She let them mould her, to love her, to own her and in-turn to control them.
‘Power is not in the person who thinks they have control, but in the person who is being controlled.’ A passage which she read once upon a time, and could release the taste of them from her mind. The sharp wind slapped her hair and it whipped her face, his hands raised and held her safe. This was the start of a beautiful mistake.
A pleasant end-of-summer surprise was finding this Question Mark nectaring on the Heptacodium….along with a couple of Monarchs and Hummingbirds.
Questioning the question and the intention behind it; is it from
the heart? It should be shouldn’t it? It could be… Or was it a
childhood crush that grew into a something that never should
have been? Past heartbreaks make us weary, but there is a
reason for the hurt. It has to happen for us to be the people
we are today. The question has been raised again… and the
answer is clear. Or is it?
-A heartfelt Honest ramble
This is without question the most daring photograph I have ever uploaded to my Flickr stream, and I don't think I am ever going to try to outdo it for audacity. I was actually quite hesitant to upload it at all, in large part because of the well-known fact that I do not like tattoos or other forms of body art, and do not wish to appear to be endorsing or encouraging them in any way. But while I don't know if I will leave it here, I finally decided to add it to my stream, for several reasons. First, this very personable woman was obviously enjoying herself at Comicon and was a good sport about posing for me. I gave my Flickr URL to her and her husband, and I think she deserves to have her picture here at least long enough for her to check it out and see if she likes it. Second, laying aside for the moment her tattoos, this is probably only marginally more revealing than the bellydance photos I uploaded about three years ago, and which are going to stay on my Flickr page, partly because my wife happens to like them. (She was with me when I took those, in fact.) Third, I know that at least a few of my regular viewers will applaud me for stepping outside the box and doing something truly out of the ordinary, at least for me. And finally, with regard to the tattoos themselves, my feelings about them do not require me to ignore the fact of their increasing popularity, or to fail to acknowledge the artistic talent that goes into creating them. For what it's worth, even my friend Marietta, who is one of my favorite models, has one, and the tattoo appears in some of my pictures of her.
So with all of that in mind, I add this to my stream, at least on a provisional basis. If it gets a lot of good feedback, I will most likely leave it here; if not, it will probably come down in a few days at most. But either way, don't expect to see many images like this one posted by me in the future.
There has been a long standing question between for photographers since the advent of digital technologies. Do you shoot Film or Digital and which do you prefer? Well to be honest in my case, both and neither. Film and digital both have their place and ultimately are tools for our creativity,...
stewartmarsden.co.uk/2017/05/07/lightroom-film-style-pres...
The Schloss Drachenburg first captured my imagination over a year ago when I stumbled upon it in my Twitter feed. My first question was - is this even real? I was shocked I had never seen the beautiful structure before, and from that moment on, I was pretty well set on bringing this hidden gem to life.
I've been told several times that I'm "obsessed" with this castle, and perhaps that's true. I started by making several Minecraft variants of the structure, one of which is one of (if not the tallest) structure ever made in the game at 671 blocks tall. If I could make a massive version in Minecraft in 9 months, surely I could make a LEGO one in under a year!
So I started designing this in LDD shortly after Brickworld 2018. That was my first mistake. I've never made a MOC in LDD before, and it's hard to get a sense of scale in the program, and also hard to know which bricks you do and don't have. Also, owning 2 modular Town Halls made me realize that dark orange is not as common as I thought. Thus the Bricklink orders ensued, as well as the random E-Bay hauls. Dark orange and medium dark flesh was a far more limited brick palette than I'm used to, but I think it's in those limitations that I was able to make this build something special.
The final model comes out to approximately a 4 x 2 foot base, with the clocktower being 3 feet tall. The 30,000 piece count makes this my second largest MOC, behind the behemoth that was the Tunnels Project in 2016.
Yet in what probably adds up to about 20 days total of build time, I was able to pull off what I regard as my best MOC. Without further ado, a proudly present my rendition of German's Schloss Drachenburg.
Come see it at Brickworld Chicago 2019!
This will be your last photo that you will produce in this competition. This is your last chance to show me that you are Bratz Next Top Model.
Requirements:
- Only you can be in the photo
- High fashion!
That's all the requirements basically. This is your chance to show different sides of you that I haven't seen, so take it!
Erin, show me that you are not just a sweet girls, that you can do super high fashion as well.
Ravon, show me that you're not just an one trick pony, that you have other different interesting angles of your face.
Danielle, don't just rely on your beauty. Pose for your life!
If you have questions or need help, just let me know.
Deadline: 20/12
Good luck girls! :)
Now, this is where I ask the question of questions. Who here has ever taken a drill to their DSLR camera? Come on, lets see a show of hands.
Ok, so after seeing some whispy clouds on the horizon to the East, I ventured out to Alki for sunset. I was set up down by the rocks and taking some long exposures to smooth out the water a little. After taking a few pictures, I noticed my camera was a little crooked on the head. So I turned the camera a little.
Now you ever pick an apple from a tree? Know that feeling of the apple coming loose from the stem as you turn it? Yeah, that is what happened to my camera as it separated from the tripod. Luckily it didn't drop, it stayed in my hand, but the baseplate of my tripod was ruined.
Now after swearing for a few seconds becuase I would have to wait until monday to get a new base plate from my tripod, I realized it was worse than that. The screw was still in the base of the camera. Just the screw.
On the drive home, I am trying to figure out different ways to get the screw out. Thankfully, I didn't try my first thought which was to hope it would just fall out after throwning my camera against the wall.
When I get home, I first try a pair of vise grips, but there wasn't enough of the screw to get a good grip on. So, I did the only logical thing I could think of. I pulled out the drill and my set of Grabit set. Thankfully, it worked, and in about 90 seconds, I have the screw out. So now, I just need to pick up a new base plate. Oh, I probably need learn to stop over tightening my stuff.
Hope everyone is having a happy Easter. And speaking of Easter, here is a nice little slide show of some of the most creepy Easter bunnies ever. (pops in new window)
The Rundāle Palace, Latvia.
What you're seeing here is part of the recreation of the interior of the Rundāle Palace, Latvia.. The restoration cost over 8 million Euros, which, when you see the results, doesn't seem nearly enough to produce the splendors one encounters at every turn.
What's not clear to me is whether any of decoration is original and restored and how much is brand new. This always frustrates me because I'm hung up on the concept of authenticity. I'll just come right out and say I don't get the same satisfaction from replicas that I do from originals.
One way to resolve this conundrum is to say this is an authentic replica of an 18th century palace that was, as the text below explains, "demolished in 1812 during the Franco-Russian [Napoleonic] War," and then "demolished [again in 1919] by the men of the Bermondt-Avalov army," which was commanded by a Cossack warlord who decided to take over newly-independent Latvia instead of fighting the Bolsheviks.
Still, this begs the question of the meaning of such a place. A hot take is that it's an expression of Latvian nationalism. However, in the 18th century this region was ruled by Germans and then by Russians. Most ethnic Latvians were serfs. Perhaps the nationalist message is that the Latvians, once free from the rule of Baltic Germans, Czarist Russians, Nazis and the Soviets, had the wherewithal to recreate a palace once owned by an overlord and make it their own. To further make the point, the compound is now a major tourist attraction, so interiors once intended solely for the aristocracy, royalty and their hangers-on and servants are today filled to the brim with tourists like us.
Is is also a acknowledged center for the study of 18th-century interior design? The devil is in the details, and I haven't yet had time to delve into that.
If you're wondering why the point of view in these photos is from the top of the windows to the ceiling, it's because there were mobs of visitors that made it almost impossible to photograph whole walls, much less floors.
Here is the whole history of the construction of the palace from the palace's informative Web site. I recommend visiting it if for no other reason than to see the rooms devoid of visitors. Also, there's a section on the restoration.
The name of Rundāle comes from the German place-name Ruhenthal (Valley of Peace).
The Rundāle Palace built during the 16th century was located on the northern side of the pond. It can be seen in the design of F. B. Rastrelli as a small square field with towers in the corners.
Rundāle Manor was already created at the end of the 15th century. It belonged to the Grotthus family from 1505 to 1681 and the palace was mentioned in the list of Livonian castles in 1555.
Facade finishing components have been found in the territory of the palace – cast fragments and fragments of coats of arms carved in stone dating to the middle of the 17th century. In 1735 Ernst Johann von Biron bought the Rundāle property for 42 000 thalers.
The old palace was completely torn down, and the stones, bricks and even the mortar were used in the construction of the new palace.
Duke Ernst Johann died in 1772, and the palace was inherited by his widow Duchess Benigna Gottlieb; during her time orchards were formed around the palace. Duke Peter did not come to Rundāle often, he mostly resided in the smaller Vircava Palace near Jelgava.
In 1795 Duke Peter gave up his throne and the Duchy of Courland and Semigallia was added to the Russian Empire. Catherine II gave Rundāle Manor as a present to Count Valerian Zubov who died in 1804.
During the distribution of inheritance Rundāle became the property of his brother Prince Platon Zubov, the last favourite of Catherine II.
During the time of Zubov the palace was refurnished, however the building itself remained untouched, only entrance porticos were added to the central building and several fireplaces were built inside.
The palace was demolished in 1812 during the Franco-Russian War – mirrors were smashed, silk wallpaper was torn down, the library given as a present from Catherine II was destroyed.
Prince Platon Zubov died in Rundāle Palace on 7 April 1822. His widow married Count Andrey Shuvalov, and Rundāle Manor belonged to this family until the agrarian reform of the Republic of Latvia in 1920.
The Shuvalovs rarely stayed in the palace, excluding the time period from 1864 to 1866 when Count Pyotr Shuvalov was the governor-general of the Baltic region and used Rundāle Palace as his official summer residence.
During this time unsuccessful renovation of the palace rooms was carried out, however during the 1880’s careful renovation of the interior design was performed. At the end of the 19th century part of the palace’s furniture and works of art was taken to Saint Petersburg.
During the time from 1915 to 1918 a German army commandant’s office and an infirmary was established in the palace. In 1919 the palace was demolished by the men of the Bermondt-Avalov army.
The palace was renovated in 1923 and some of its rooms were used as the primary school of Rundāle Parish. In 1924 Rundāle Palace was handed over to the Latvian Union of Disabled Veterans, but in 1933 it was taken over by the Board of Monuments which started the renovation of the building and the restoration of some of the rooms, and the western building was constructed for the needs of the primary school.
In 1938 the palace was handed over to the State Historical Museum that was planning to create a church art and decorative art museum there. The palace was also open to the public during World War II.
In 1945 a grain storage was formed in the halls of the palace, and the palace was closed to the public after that.
In 1963 some of the palace’s rooms were given to the Museum of Regional Studies and Art of Bauska, but in 1972 a permanent Rundāle Palace Museum was created and its main aim was to renew the whole ensemble of the palace by mainly orientating towards the condition of the palace during the second part of the 18th century.
The first restored rooms in the eastern building of the palace were opened to the public in 1981, gradually being followed by new interiors. Restoration of the palace was finished in 2014.
Construction history
Count Ernst Johann von Biron bought the Rundāle manor complex on 26 June 1735. In August of the same year the court architect of Russia Francesco Rastrelli came to Courland. From September until December agreements were being concluded with carpenters, masons, brickmakers, construction material suppliers, potters – stove makers.
The construction project was ready in January of 1736. The eight pages of the project are located in the graphic art collection “Albertina” in Vienna. It consists of a situation plan, two floor plans, a sketch of four facades and the altar of the palace church.
The first construction period from 1736 to 1740.
On 24 May 1736 the foundation-stone of the palace was set. Construction of the foundation was completed on 6 July, whereas on 13 October the central building was built to the level of the windowsill of the second floor. The construction of 12 brick-kilns and 12 brick storages was finished in June. 268 masons were working in the palace, but Rastrelli requested 500 men.
Construction was stopped on 1 November due to cold.
The construction works were restarted on 12 April 1737. On 28 May the central building was finished, and on 18 June covering was started to be placed on the side buildings, whereas the construction of the central building roof was finished at the end of June.
When the works were stopped on 10 October, one side building was roofed over, and the other one was covered with a temporary roof. The foundations of the stables were also ready. The bricklaying works were finished on 1 October 1737.
After Biron was elected Duke, he ordered to simplify the building. The finishing materials were produced by the master carpenters and woodcarver A. Kamaev of the Imperial Construction Bureau of Saint Petersburg, master potter I. Ushakov of the Neva brick factory with his team and painters I. Mizinov, I. Pilugin and I. Yevdokimov. Austrian potters were working in Vircava. The finishing materials were also being produced in Saint Petersburg.
In 1738 the volume of work in Rundāle decreased, as construction works of Jelgava Palace began. Some of the produced components were also taken to Jelgava. However, the works were moving forward – chimneys and room arches were being built, roofs were being finished.
From 14 June, when the construction of the main residence in Jelgava began, the construction works in Rundāle were moving at a slower pace. Master carpenter Eger had finished oak-wood panels for 33 rooms, as well as 13 oak-wood parquet floors. Ceilings boards were put up in the rooms, so that the plastering works could be started. In September the carpenters started working on the outside staircases. The construction of the gate tower was also started.
Entwurf von Rastrelli: die Nordfassade des Schlosses Rundāle mit dem Torturm
Rastrelli’s design, nothern facade of the palace with the gate tower.
In 1739 the interior plastering works were supposed to be carried out, but the Duke ordered to decrease the amount of plasterers and to simplify the work. Stucco formations were made only for the main staircase rooms and halls, the other rooms were left with smooth ceilings. Only ten craftsmen were working in Rundāle.
On 1 February after the order of Empress of Russia Anna Ioannovna all of the Saint Petersburg Construction Office masons were sent to Courland.
The components made for Rundāle, including carved doors, panels, parquet, Austrian potter stoves, plafonds painted on canvas and cast-iron facade decorations made by Bartolomeo Tarsia that can be seen in the Jelagava Palace facade, were transported to the main residence in Jelgava.
N. Vasilyev assisted Rastrelli in managing the construction works. Russian chamberlain Ernst Johann von Buttlar was in charge of finances and organisation and he was sending reports to Saint Petersburg regarding the work process.
In 1740 the woodcut altar of the palace church was transported to Jelgava. Supposedly the room decoration in the palace had been finished, but not all of the wall panels had been mounted and some of the stoves were also not set up, as a lot of the materials were in storage.
Work was stopped after the palace revolution of 20 November in Russia and the arrest and exile of Duke Ernst Johann. The prepared finishing materials and construction components were sent to Saint Petersburg, and some of the built-in components, such as doors, wall panels and parquet, were broken.
Overall more than a thousand different profession craftsmen and workers were employed in the construction works of the palace.
The second construction period from 1764 to 1770.
In 1762 Ernst Johann von Biron was granted mercy and returned to Courland in January of 1763.
In January of 1764 Johann Gottfried Seidel was appointed the court architect of the Duke, but in August Francesco Rastrelli returned to work for the Duke and was appointed to the position of main administrator of the Duke’s buildings.
During this time he arranged his construction designs and carried out general supervision of the Duke’s construction works.
The unfinished gate tower was torn down and the stable building construction was started. Latvian carpenters and woodworkers were sent from the Duke’s domain manors to Rundāle up until 1768. In 1765 woodworker Blanks, sculptor Zībenbrods, locksmith Šreibfogels, gold plating master Johans Endress, potter Šēfers, locksmith Horstmanis and coppersmith Mēmels were working in the palace.
In 1766 Severin Jensen from Denmark started working as the court architect. His style can be seen in the gateposts and in the stable buildings, which obtained a semicircular shape in contrast to Rastrelli’s rectangular design. A dating – 16 May 1766 – has been made in the keystone of the northern facade window.
In 1768 the gate was built and the forgings were placed.
The palace interior planning was changed slightly. By merging five smaller rooms the grand dining-room – the Grand Gallery – was created, whereas a dance hall known as the White Hall was created in the place of the palace church. Both front staircases, the Small Gallery, the lobby and galleries of the first floor were preserved from the original interiors of the first construction period.
The stucco decorative finishing of the interiors was carried out by the Berlin sculptor and stucco marble master Johann Michael Graff together with his team – his brother Josef and assistants Bauman and Lanz – from 1765 to 1768.
Sculpturesque decorations were made in twenty-seven rooms, but in two rooms of the Duke’s apartments and in the hall – synthetic marble panels. Works were started in the central building first.
The Marble Hall and the marble panel of the Gold Hall in which the dating has been engraved on the door lining, were finished in 1767. In July of 1768 Graff received payment for his final works – the White Hall, Oval Cabinet, Duchess’ Boudoir and vases for the 22 stair banisters.
The ceilings were painted by the Italian painters Francesco Martini and Carlo Zucchi from Saint Petersburg. They started working in August of 1766, but only the name of Martini is mentioned in documents starting with March of 1768. Francesco Martini received his last payment in March of 1769.
Ceilings of eight rooms, as well as the walls of two rooms were painted. One of the ceiling paintings got destroyed. The repainted wall paintings were later uncovered in the Grand Gallery and in the second study of the Duke.
The Duke came to Rundāle Palace in April of 1767 and stayed there until December with interruptions, although the finishing works were still in progress. The palace was also inhabited in 1768. The final works were carried out in 1770 when a fellow of J. M. Graff placed mirrors in the White Hall.
20.04.2018
Boquillas Canyon, Big Bend National Park, Texas. View large on black
Horses are such amazing creatures. Here's the story. At Boquillas Canyon in Big Bend National Park, Mexican Nationals try and earn a living by selling souvenirs at three times less than they sell for in the BBNP shops. They sit across the Rio Grande while their souvenirs sit unattended at the overlook.
When a "customer" comes, this guy mounts his horse, crosses the Rio Grande and risks arrest by Border Patrol. The horse, knowing what is to come, stops to take a drink in mid-river and the "cowboy" grabs a branch off of one of the shrubs to use as a switch. Then the horse races up a near-vertical cliff side to reach the selling ground. Without question, this steed takes his rider to the top, not missing a beat.
Devils Parchment texture thanks to SkeletalMess.
I've not been as free to shoot as before due to a number of commitments, both at home and at work. I've always found photography as both therapeutic and a way to express my creativity (or the lack of it). I've been my own harshest critic and I often find myself questioning my work, albeit finding faults where improvements are needed.
I haven't found my true niche in photography. Should I stick with landscapes? Should I do portraits? Strobist perhaps? Candids?
I am a poet. And the shutter is my pen.
================================
© COPYRIGHT NOTICE
This photo is copyrighted and may not be reproduced, copied, edited, published, transmitted or uploaded in any way without my consent and permission. All rights reserved.
What do you know about the Moon? This set of infographics illustrates the most frequently asked questions and facts about Earth’s natural satellite.
ESA is teaming up with international partners to explore the Moon as a destination for both robotic missions and human explorers.
Credits: ESA
Makoto: “How do you do that?”
Yuki: “Do what?”
Makoto: “How do you project a question mark above your head?”
Yuki: “Is there a question mark above my head?”
Makoto: “Can’t you see it?”
Yuki: “What if I look up and it disappears? Will that mean you’re hallucinating?”
Makoto: “What if you look up and see it? Will that mean we’re both hallucinating?”
Yuki: “Maybe all these questions have manifested into an astrally-projected phenomenon?
Makoto: “Maybe we are victims of post-processing?”
Yuki: “If it were added in post-processing, why would you be reaching like that toward nothing?”
Makoto: “Maybe it’s time we gave the questions a rest for today?”
Yuki: “Are you thinking what I’m thinking?”
Makoto: “Snacks and a movie?”
Yuki: “How about ‘Dude, Where’s My Car?’”
Makoto: “Maybe a double-feature with ‘Who Framed Roger Rabbit?”
“Yuki: How can I say no to that?”
- - - - -
Created for the We’re Here contemplation of the Question Mark.
To the Zion Narrows and Wall Street! Sony A7RII Fine Art Zion National Park Autumn Winter Hike! Dr. Elliot McGucken Fine Art Landscape Photography!
An important thing to remember is that even though pixel sizes keep getting smaller and smaller, the technology is advancing, so the smaller pixels are more efficient at collecting light. For instance, the Sony A7rII is back-illuminated which allows more photons to hit the sensor. Semiconductor technology is always advancing, so the brilliant engineers are always improving the signal/noise ratio. Far higher pixel counts, as well as better dynamic ranger, are thus not only possible, but the future!
Yes I have a Ph.D. in physics! I worked on phototranistors and photodiodes as well as an artificial retina for the blind. :)
You can read more about my own physics theory (dx4/dt=ic) here: herosodysseyphysics.wordpress.com/
And follow me on instagram! @45surf
Facebook!
www.facebook.com/elliot.mcgucken
Dr. Elliot McGucken Fine Art Photography!
I love shooting fine art landscapes and fine art nature photography! :) I live for it!
Feel free to ask me any questions! Always love sharing tech talk and insights! :)
And all the best on Your Epic Hero's Odyssey!
The new Lightroom rocks!
Beautiful magnificent clouds!
View your artistic mission into photography as an epic odyssey of heroic poetry! Take it from Homer in Homer's Odyssey: "Tell me, O muse, of that ingenious hero who travelled far and wide after he had sacked the famous town of Troy. Many cities did he visit, and many were the nations with whose manners and customs he was acquainted; moreover he suffered much by sea while trying to save his own life and bring his men safely home; but do what he might he could not save his men, for they perished through their own sheer folly in eating the cattle of the Sun-god Hyperion; so the god prevented them from ever reaching home. Tell me, too, about all these things, O daughter of Jove, from whatsoever source you may know them. " --Samuel Butler Translation of Homer's Odyssey
All the best on your Epic Hero's Odyssey from Johnny Ranger McCoy!
Sony A7RII Fine Art Zion National Park Autumn Winter Subway Hike! Dr. Elliot McGucken Fine Art Landscape Photography! Sony A7R2 & Sony 16-35mm Vario-Tessar T FE F4 ZA OSS E-Mount Lens!
No Mysterians though
Question Mark and the Mysterians was a band that had a big hit with "96 Tears" back when I was a teen.
Busted out a handful of stickers last night, getting in the groove!
I have to make alot since people been picking up packs like hotcakes from my store: joshandjosh.bigcartel.com/
The Birth of Venus: Sony A7 R RAW Photos of Pretty, Tall Blond Bikini Swimsuit Model Goddess! Carl Zeiss Sony FE 55mm F1.8 ZA Sonnar T* Lens & Lightroom 5.3
45surf Hero's Odyssey Mythology Photography! & 45surf Hero's Odyssey Mythology Fine Art! :)
New Instagram! instagram.com/45surf
New Instagram!
instagram.com/johnnyrangermccoy
New blog celebrating my philosophy of photography with tips, insights, and tutorials!
Ask me any questions! :)
Sony A7R RAW Photos of Pretty Blonde Bikini Swimsuit Model Goddess! Carl Zeiss Sony FE 55mm F1.8 ZA Sonnar T* Lens! Lightroom 5.3 ! Pretty Hazel Eyes & Silky Blonde Hair!
And here're a couple of HD video movies I shot of the goddess with the 4K Sony:
Enjoy! Be sure to watch in the full 1080P HD!
The epic goddess was tall, thin, fit, tan, and in wonderful shape (as you can see).
Follow me on facebook!
www.facebook.com/45surfAchillesOdysseyMythology
Epic Goddess Straight Out of Hero's Odyssey Mythology! Pretty Model! :) Tall, thin, fit and beautiful!
Welcome to your epic hero's odyssey! The beautiful 45surf goddess sisters hath called ye to adventure, beckoning ye to read deeply Homer's Iliad and Odyssey, whence ye shall learn of yer own exalted artistic path guided by Hero's Odyssey Mythology. I wouldn't be saying it if it hadn't happened to me.
New 500px!
500px.com/herosodysseymythology
Pretty Swimsuit Bikini Model Goddess! :)
She was a beauty--a gold 45 goddess for sure! A Gold 45 Goddess exalts the archetypal form of Athena--the Greek Goddess of wisdom, warfare, strategy, heroic endeavour, handicrafts and reason. A Gold 45 Goddess guards the beauty of dx4/dt=ic and embodies 45SURF's motto "Virtus, Honoris, et Actio Pro Veritas, Amor, et Bellus, (Strength, Honor, and Action for Truth, Love, and Beauty," and she stands ready to inspire and guide you along your epic, heroic journey into art and mythology. It is Athena who descends to call Telemachus to Adventure in the first book of Homer's Odyssey--to man up, find news of his true father Odysseus, and rid his home of the false suitors, and too, it is Athena who descends in the first book of Homer's Iliad, to calm the Rage of Achilles who is about to draw his sword so as to slay his commander who just seized Achilles' prize, thusly robbing Achilles of his Honor--the higher prize Achilles fought for. And now Athena descends once again, assuming the form of a Gold 45 Goddess, to inspire you along your epic journey of heroic endeavour.
Modeling the Gold 45 Revolver Gold'N'Virtue swimsuit. :)
A laid-back,classic, socal lifestyle shoot!
May the 45surf goddesses inspire you along am artistic journey of your own making!
All the best on your Epic, Homeric, Heroic Odyssey into the Art of Photography from Johnny Ranger McCoy!
All 45surf Hero's Odyssey Mythology Photography is shot in the honor of Dynamic Dimensions Theory's First Law and equation: The fourth dimension is expanding relative to the three spatial dimensions at the rate of c: dx4/dt=ic.
All the best on your Epic Hero's Odyssey from Johny Ranger McCoy!
Sony A7R RAW Photos of Pretty, Tall Blond Bikini Swimsuit Model Goddess in Laguna Beach! Victoria Beach! Carl Zeiss Sony FE 55mm F1.8 ZA Sonnar T* Lens & Lightroom 5.3Sony A7R RAW Photos of Pretty, Tall Blond Bikini Swimsuit Model Goddess in Laguna Beach! Victoria Beach! Carl Zeiss Sony FE 55mm F1.8 ZA Sonnar T* Lens & Lightroom 5.3
Fine art swimsuit model, ballerina, and ballet photography!
The Birth of Venus: Sony A7 R RAW Photos of Pretty, Tall Blond Bikini Swimsuit Model Goddess! Carl Zeiss Sony FE 55mm F1.8 ZA Sonnar T* Lens & Lightroom 5.3
45surf Hero's Odyssey Mythology Photography! & 45surf Hero's Odyssey Mythology Fine Art! :)
New Instagram! instagram.com/45surf
New Instagram!
instagram.com/johnnyrangermccoy
New blog celebrating my philosophy of photography with tips, insights, and tutorials!
Ask me any questions! :)
Sony A7R RAW Photos of Pretty Blonde Bikini Swimsuit Model Goddess! Carl Zeiss Sony FE 55mm F1.8 ZA Sonnar T* Lens! Lightroom 5.3 ! Pretty Hazel Eyes & Silky Blonde Hair!
And here're a couple of HD video movies I shot of the goddess with the 4K Sony:
Enjoy! Be sure to watch in the full 1080P HD!
The epic goddess was tall, thin, fit, tan, and in wonderful shape (as you can see).
Follow me on facebook!
www.facebook.com/45surfAchillesOdysseyMythology
Epic Goddess Straight Out of Hero's Odyssey Mythology! Pretty Model! :) Tall, thin, fit and beautiful!
Welcome to your epic hero's odyssey! The beautiful 45surf goddess sisters hath called ye to adventure, beckoning ye to read deeply Homer's Iliad and Odyssey, whence ye shall learn of yer own exalted artistic path guided by Hero's Odyssey Mythology. I wouldn't be saying it if it hadn't happened to me.
New 500px!
500px.com/herosodysseymythology
Pretty Swimsuit Bikini Model Goddess! :)
She was a beauty--a gold 45 goddess for sure! A Gold 45 Goddess exalts the archetypal form of Athena--the Greek Goddess of wisdom, warfare, strategy, heroic endeavour, handicrafts and reason. A Gold 45 Goddess guards the beauty of dx4/dt=ic and embodies 45SURF's motto "Virtus, Honoris, et Actio Pro Veritas, Amor, et Bellus, (Strength, Honor, and Action for Truth, Love, and Beauty," and she stands ready to inspire and guide you along your epic, heroic journey into art and mythology. It is Athena who descends to call Telemachus to Adventure in the first book of Homer's Odyssey--to man up, find news of his true father Odysseus, and rid his home of the false suitors, and too, it is Athena who descends in the first book of Homer's Iliad, to calm the Rage of Achilles who is about to draw his sword so as to slay his commander who just seized Achilles' prize, thusly robbing Achilles of his Honor--the higher prize Achilles fought for. And now Athena descends once again, assuming the form of a Gold 45 Goddess, to inspire you along your epic journey of heroic endeavour.
Modeling the Gold 45 Revolver Gold'N'Virtue swimsuit. :)
A laid-back,classic, socal lifestyle shoot!
May the 45surf goddesses inspire you along am artistic journey of your own making!
All the best on your Epic, Homeric, Heroic Odyssey into the Art of Photography from Johnny Ranger McCoy!
All 45surf Hero's Odyssey Mythology Photography is shot in the honor of Dynamic Dimensions Theory's First Law and equation: The fourth dimension is expanding relative to the three spatial dimensions at the rate of c: dx4/dt=ic.
All the best on your Epic Hero's Odyssey from Johny Ranger McCoy!
Sony A7R RAW Photos of Pretty, Tall Blond Bikini Swimsuit Model Goddess in Laguna Beach! Victoria Beach! Carl Zeiss Sony FE 55mm F1.8 ZA Sonnar T* Lens & Lightroom 5.3Sony A7R RAW Photos of Pretty, Tall Blond Bikini Swimsuit Model Goddess in Laguna Beach! Victoria Beach! Carl Zeiss Sony FE 55mm F1.8 ZA Sonnar T* Lens & Lightroom 5.3
Fine art swimsuit model, ballerina, and ballet photography!
My bodies sending questions to answers you can't give
If you throw me a line I'll only drag you in
(261/365) Press L please
Our Daily Challenge ... the big question.
Why do the days, weeks and years seem to be getting shorter as I get older? I used to be able to get so much more done in a day than I can now. It must be that time is passing more quickly ... I'm sure I'm not getting slower ... not that much anyway!
Thanks to Garth for giving me the info on how to use GIMP for producing this sort of thing.