View allAll Photos Tagged Quadraphonic,
Roger Waters is coming back to Toronto! The state-of-the-art theatrical stagings, projections, a 3D quadraphonic sound system and 240-foot-wide and 35-foot-tall and tumbling walls are once again being set up inside the Rogers Center this June 2012 when Roger Waters returns to Toronto to perform the classic Pink Floyd album 'The Wall' in its entirety!!! This massive tour is on another leg around the world with stops in South Ameria and all across the US and Canada. The last time Roger Waters stopped in Toronto, in late 2010, it was the first time The Wall was performed in its entirety since the fall of the Berlin Wall, so Toronto is sure to be another special stop on the tour and definitely not one to miss out on, especially if you weren't able to make the last one.
Up every evening 'bout
Half eight or nine
I give my complete attention
To a very good friend of mine
He's quadraphonic, he's a
He's got more channels
So hologramic, oh my TVC one five
I brought my baby home, she, she sat around forlorn
She saw my TVC one five, baby's gone, she
She crawled right in, oh my, she crawled right in my
So hologramic, oh my TVC one five
Oh, so demonic, oh my TVC one five
Institute of Musical Arts just off Crenshaw Blvd in the Park Mesa Heights neighborhood of Los Angeles, California.
The Institute of Musical Arts (IMA) was founded in 1922 as a music training facility by German immigrant Raymond G. Hand who operated a music school in the facility for almost 20 years.
As the demographics of the neighborhood shifted, the area soon reflected the rich culture of the significant number of Japanese Americans who resided and owned business in the area, which became known as the Angeles Mesa section of the general Crenshaw area.
Another demographic shift in the late 1950s and early 1960s brought larger numbers of Black Americans into the area, and in 1972, Ray G. Clark and Oliver P. Brown (both Howard University engineering graduates) built a Quantum Quadraphonic Audio Mixing console and completely remodeled the IMA, converting it into a state-of-the-art music recording studio. Clark and Brown applied their aerospace engineering knowledge and skills to develop innovative techniques to recording popular artists, campaign ads and corporate training materials.
Despite Ray Charles and Ike and Tina Turner running nearby studios, it was widely regarded as THE place to record, and was known for having the “best sound in town”. Its long list of recording alumni include, Marvin Gaye, Bobby Womack, Nancy Wilson, Ernie Watts, Billy Davis, Ndugu Chancler and Patrice Rushen.
-IMA Los Angeles
Voigtländer Vitessa 1950's rangefinder on cross-processed Kodak Elite Chrome 35mm slide film.
The circular lighting rig and projection screen, used for the 3D part of the show, in quadraphonic sound.
Australian Pink Floyd, Birmingham , 21/3/2011
Institute of Musical Arts just off Crenshaw Blvd in the Park Mesa Heights neighborhood of Los Angeles, California.
The Institute of Musical Arts (IMA) was founded in 1922 as a music training facility by German immigrant Raymond G. Hand who operated a music school in the facility for almost 20 years.
As the demographics of the neighborhood shifted, the area soon reflected the rich culture of the significant number of Japanese Americans who resided and owned business in the area, which became known as the Angeles Mesa section of the general Crenshaw area.
Another demographic shift in the late 1950s and early 1960s brought larger numbers of Black Americans into the area, and in 1972, Ray G. Clark and Oliver P. Brown (both Howard University engineering graduates) built a Quantum Quadraphonic Audio Mixing console and completely remodeled the IMA, converting it into a state-of-the-art music recording studio. Clark and Brown applied their aerospace engineering knowledge and skills to develop innovative techniques to recording popular artists, campaign ads and corporate training materials.
Despite Ray Charles and Ike and Tina Turner running nearby studios, it was widely regarded as THE place to record, and was known for having the “best sound in town”. Its long list of recording alumni include, Marvin Gaye, Bobby Womack, Nancy Wilson, Ernie Watts, Billy Davis, Ndugu Chancler and Patrice Rushen.
-IMA Los Angeles
Porst Compact Reflex SP with the Vivitar 20mm f/3.8 wide-angle lens on Arista EDU Ultra 100 (Fomapan 100) film.
Up every evening 'bout half eight or nine
I give my complete attention to a very good friend of mine
He's quadraphonic, he's a, he's got more channels, a
So hologramic, oh, my TVC 15
I brought my baby home, she, she sat around forlorn
She saw my TVC 15, baby's gone, she
She crawled right in, my, my, she crawled right in my
So hologramic, oh, my TVC 15
Oh, so demonic, oh, my TVC 15
Memphis | Tennessee | USA
Elvis purchased his first personal plane, a Convair 880, from Delta Air Lines for $250,000 (approximately $1.2 million today) in April 1975. The plane, named the ‘Lisa Marie’ after his daughter, Lisa Marie Presley, underwent extensive refurbishment. The interior was customised with a lavish yellow, green, and gold theme, featuring gold-plated belt buckles, leather-topped tables, and suede sofas. Modern amenities included a sky-to-ground phone and a quadraphonic eight-track stereo system.
The Lisa Marie had separate areas, including a spacious master bedroom, a guest bedroom, a lounge area, a conference room, and two and a half baths with gold fixtures.
While sleek and modern inside, the exterior was painted white with a blue and red stripe running from the nose to the tail. The tail featured the US flag colors and an Elvis Presley logo with the acronym TCB (Taking Care of Business). Elvis affectionately referred to this plane as the ‘Flying Graceland’, drawing parallels to his famous home in Memphis.
Pink Floyd Rock Legend Roger Waters at the American Airlines Center, Dallas, TX. Роджер Уотерс и Пинк Флойд в Далласе.
March 23, 1985. The Pros and Cons of Hitchhiking (plus some old Pink Floyd stuff)! Roger Waters was so f...... good, we saw him again at Kingswood Theatre a few years later. We would have seen him again recently if the tickets weren't so pricey.
Barbra's very first rock album featuring songs by the late Laura Nyro, Gordon Lightfoot, Carole King, Randy Newman, and Joni Mitchell.
Barbra's second rock album remixed in SQ featuring a mix of rock and pop standards from Carole King, Laura Nyro, John Lennon, But Bacharach and others.
MoMA PS1 x Other Music x dublab Present: Come Together: Music Festival and Label Market
Sunday, March 24, 2019
12:00 p.m. to 6:00 p.m.
MoMA PS1 and iconic record shop Other Music present the third annual Come Together: Music Festival and Label Market, offering live performances, film, workshops, and panels that celebrate the interactive ecosystem of local and international music communities, and a label market featuring more than 75 record labels. This season’s expanded event is presented across two days, including additional live programming and extended hours. Part of MoMA PS1’s VW Sunday Sessions performance series, Come Together reasserts the central and essential role that communities play in both the creation and consumption of new sounds, recasting the fading record store experience for the current moment.
dublab presents a special quadraphonic audio and video installation organized by co-founder Frosty and producer KamranV with visuals by Alex Pelly.
Concert quadriphonique avec Papier Tigre, Pneu, Eletric Electric et Marvin.
19 mars 2015 - la BAM, Metz
Up every evening 'bout
Half eight or nine
I give my complete attention
To a very good friend of mine
He's quadraphonic, he's a
He's got more channels
So hologramic, oh my TVC one five
I brought my baby home, she, she sat around forlorn
She saw my TVC one five, baby's gone, she
She crawled right in, oh my, she crawled right in my
So hologramic, oh my TVC one five
Oh, so demonic, oh my TVC one five
Concert quadriphonique avec Papier Tigre, Pneu, Eletric Electric et Marvin.
19 mars 2015 - la BAM, Metz
Concert quadriphonique avec Papier Tigre, Pneu, Eletric Electric et Marvin.
19 mars 2015 - la BAM, Metz
This 5x7 inch flat photographic plate contains a half-hour color TV program with quadraphonic sound. It’s part of Battelle’s Optical Digital Recording technology.
Terms of Use: Our images are freely and publicly available for use with the credit line, "Courtesy of Pacific Northwest National Laboratory"; Please use provided caption information for use in appropriate context.
Institute of Musical Arts just off Crenshaw Blvd in the Park Mesa Heights neighborhood of Los Angeles, California.
The Institute of Musical Arts (IMA) was founded in 1922 as a music training facility by German immigrant Raymond G. Hand who operated a music school in the facility for almost 20 years.
As the demographics of the neighborhood shifted, the area soon reflected the rich culture of the significant number of Japanese Americans who resided and owned business in the area, which became known as the Angeles Mesa section of the general Crenshaw area.
Another demographic shift in the late 1950s and early 1960s brought larger numbers of Black Americans into the area, and in 1972, Ray G. Clark and Oliver P. Brown (both Howard University engineering graduates) built a Quantum Quadraphonic Audio Mixing console and completely remodeled the IMA, converting it into a state-of-the-art music recording studio. Clark and Brown applied their aerospace engineering knowledge and skills to develop innovative techniques to recording popular artists, campaign ads and corporate training materials.
Despite Ray Charles and Ike and Tina Turner running nearby studios, it was widely regarded as THE place to record, and was known for having the “best sound in town”. Its long list of recording alumni include, Marvin Gaye, Bobby Womack, Nancy Wilson, Ernie Watts, Billy Davis, Ndugu Chancler and Patrice Rushen.
-IMA Los Angeles
Fujica ST705w with the MC-ARAX 35mm tilt-shift lens on expired Svema Color 125 35mm film.
Beethoven Fidelio, Berliner Phil., 1971,
Brahms - Tragische Ouverture op.81, 1973,
Wagner - Tristan und Isolde, 1972, Wagner - Die Meistersinger von Nurnberg, Staatskapelle Dresden 1971, EMI Electrola 1C 047-02 381 QUADRO. www.discogs.com/Herbert-von-Karajan-Dirigiert-Beethoven-W...
Up every evening 'bout
Half eight or nine
I give my complete attention
To a very good friend of mine
He's quadraphonic, he's a
He's got more channels
So hologramic, oh my TVC one five
I brought my baby home, she, she sat around forlorn
She saw my TVC one five, baby's gone, she
She crawled right in, oh my, she crawled right in my
So hologramic, oh my TVC one five
Oh, so demonic, oh my TVC one five
If it were 1932 we would have a second speaker up there. Really wish Quadraphonic would have took off in 1969 it was sooo much better than Dolby stadium sound in the 1980's......
Up every evening 'bout
Half eight or nine
I give my complete attention
To a very good friend of mine
He's quadraphonic, he's a
He's got more channels
So hologramic, oh my TVC one five
I brought my baby home, she, she sat around forlorn
She saw my TVC one five, baby's gone, she
She crawled right in, oh my, she crawled right in my
So hologramic, oh my TVC one five
Oh, so demonic, oh my TVC one five
Up every evening 'bout half eight or nine
I give my complete attention to a very good friend of mine
He's quadraphonic, he's a, he's got more channels, a
So hologramic, oh, my TVC 15
I brought my baby home, she, she sat around forlorn
She saw my TVC 15, baby's gone, she
She crawled right in, my, my, she crawled right in my
So hologramic, oh, my TVC 15
Oh, so demonic, oh, my TVC 15
1 of 2 copies
Rogier van Otterloo, Jean Toots Thielemans, Louis van Dyke Piano, Sem Nyveen Violin, Letty de Jong, Mary Duys, Ruud Jacobs Production, Kees de Jong Photos, 1972, Quadrophonie, Quadraphonic, SQ, 4-channel
www.discogs.com/Rita-Reys-Rita-Reys-Sings-Michel-Legrand/...
22-04-11 live at Kingston Rock City - Limassol
fujifilm superia x-tra 400
yashica auto yashinon dx 50mm f/1.4
canon eos 1v
Martinstrompete (valved mouth organ), probably Germany. It actually only plays four notes.
The Musical Instrument Museum in Scottsdale Arizona, more than 6,500 instruments collected from around 200 of the world’s countries and territories, March 2 2017
RAW file processed with RAW Therapee.
_3023444
22-04-11 live at Kingston Rock City - Limassol
fujifilm superia x-tra 400
yashica auto yashinon dx 50mm f/1.4
canon eos 1v
Edition 2022 - Bright Brussels
Circle Totem - Olivier Clausse
A suspended moment for gathering and sharing.
Circle Totem is a poetic, slow and narrative installation. The totem can be appreciated in its own right but also in a broader context. It is, in fact, a suspended moment conducive to gathering and sharing. This artistic proposal aims to re-establish links. First of all, the link with time, by inviting you to contemplate, stop and observe. But also the link with constant rediscovery through the play of lights, colours and intensities. The totems are animated independently and the pool of water at the base of each structure reflects the light and allows for multiple points of view.
Through his unique view of light, Olivier Clausse describes himself as a creative worker and scenographer who constantly sharpens his relationship with the object. Backed by twenty-six years of experience in the performing arts, cinema and crafts, he has forged his own personality. Together with the Afro-American choreographer Nora Chipaumire, he has established himself as an international lighting designer. His minimalist stage designs and raw lighting were praised in 2012 by the New York Times for the piece 'Miriam' performed at the Brooklyn Academy of Music. Olivier Clausse has multiplied his projects in theatre and music, notably with the quadraphonic concert 'La Colonie de Vacances' and 8 years of tours across France.
Copyright:
Design and scenography: Olivier Clausse
Management and production: Charly Bouvet
Atelier Ohm team: Alexandre Aubert, Charly Bouvet, Jules Blouin, Olivier Clausse, Thomas Clausse
The festival of lights in Brussels
Bright Brussels, the festival of lights returns to brighten up the capital this winter!
Four evenings and three routes will take you on a journey to discover of some twenty immersive and poetic artistic works. From 10 to 13 February, the Royal Quarter, the European Quarter and the Flagey neighborhood will be illuminated by enchanting light installations. The festival will also feature a fringe programme, including evening events in the museums.
It's become a tradition for the lights of Bright Brussels to warm us up in the dead of winter and, best of all, it's completely free!
( Bright Brussels is a light festival, a fascinating route through the city consisting of a dozen light installations that are artistic, interactive, playful,... and simply captivating. )