View allAll Photos Tagged PyrocatHD
Old key in keyhole. Linhof Technika with 150mm Symmar-S on 4x5 Delta 100@100 in Pyrocat HD 100+1+1 16min.
The Acros 100 and the Pyrocat HD works very well. Acros already a "sharp" film and the enhanced sharpness of the Pyrocat HD in semi stand accentuates this. Still holding details in the deep shadow of the overhang too.
Yashica Mat 124G
R72
Rollei IR 400
EI 8
Pyrocat-HD (1:1:100) @ 20° @ 14:30 min. w/ gentle inversions every 3 min.
The compact Heliar 75mm f2.5 was one of the first Cosina lenses that I got - together with the nokton 50mm f1.5 and 35mm f2.5. I also bought a Bessa R - just like a IIIg with a built in meter.
29-Feb-2024 12:50
Ilford Delta 100 rated @ EI 100
Ebony 45SU
Rodenstock APO Sironar S 210mm f5.6
PyrocatHD 1+1+100 semi-stand - 16 mins (N) @ 20C
Stearman Press SP445 Tank
Pre-Wash 3 mins
Inversions first 60 sec then at 4, 7, 10, 13 mins
Two water Stop Baths - 1 min each
John Finch Alkali Fixer (1+4)
Clearing time 60 seconds. Total fix time 120 seconds
Initial wash to remove fixer : 1 min
Washing : 10 mins with frequent water changes
Ilfotol : 1 ml in 500ml for 2 minutes
Front Shift : 15mm up
Front Swing : 15 deg right
Mid tone LV = 7
Highlight = 9
Shadow = 5
Filters : None
Bellows : 310mm - 2.25 times more light required (1 stop)
Due to the small dynamic range, 1 2/3 stops added
Final LV=5 1/3
Reciprocity : 15 sec goes to 31 sec
31 sec @ f24
The convoluted branches of the trees. The Nikkor 85f2 in Rf mount was one of the first lenses Nikon supplied with the original Nikon 1 in the late 40's. Some changes over the decades, coating etc. Still a great short tele lens. Maybe not the scalpel sharpness of some of the newer lenses - but a nice smooth look to it.
Lush tree at Jericho Bech. The 15 is good for shots like this - everything kind of drops away from the main subject. I am most likely only 8-10 frry away from the tree!
It is also a lens, just like the 12mm that is unforgiving when it comes to holding straight. Even the slightest tilt will show up!
Photographed August 2018 / Rolleiflex 1 with Carl Zeiss Jena Triotar 7.5cm/3.8 , film was Ilford 3200 DELTA PRO metered at ASA 1000 developed in PYROCAT-HD (5ml A + 25ml B > 600ml, 8min 15sec @ 20*C). Negative was illuminated on a light panel and 'scanned' with an iPad mini using Film Scanner app. The image was processed & finished in Flickr.
I don't know if these are modelled after the people working at City Hall - indicating the line up for services there.
Hope everyone's ready for some more barbershops, because here they come!
This is the ninth, and final, in a series of images I was allowed to take over the course of a long afternoon at the Allstate Barber College in downtown Cleveland, OH. For the past 35 years, All State has been serving the community, providing experience for hundreds of barbers each year while offering quality, discount hair styling to all that stop in.
Apparently, the one day I'd chosen to photograph this barber college was the day before midterm exams! Stoops! >__< It explains the bewildered looks I received from many students when I asked them for a portrait, but of them, some were still happy to oblige. Did I mention there's always a need for female barbers in Ohio? ^__^
Eastman Commercial B 8x10
Fujinon W 210mm f/5.6
1/8 sec @ f/11 + front fall
Ilford HP5+, N Development
Pyrocat HD 1:1:100
Mamiya RZ67 Pro II
2.8/110mm Mamiya-Sekor Z W
Ilford FP4+
EI 160
Pyrocat-HD (1:1:100) @ 20° @ 21 min. w/ gentle agitation every 3 min.
Outside the Lamborghini store. Obviously Aston's can't share the showroom with the Italian products.Looks pretty good - though the best looking of the Aston's was the DB4 Zagato "double bubble". The new ones lack the presence of that car.
Between 1935 and 1949 Leica produced one of the more interesting lenses in their line-up. The 90mm f2.2 Thambar. It came with a filter with a centre spot that cut out the central rays of light - the image was created by the off axis rays only. Today it is a highly sought after collectible of course. Less than 3000 made.
I decided to see if I could re-create a Thambar look by sticking a centre "dot" on a 52mm filter and use the Heliar 75f1.8 - and see if it had any effect.
Contrast is softer and there is some effect, but where the Thambar had an almost dreamlike effect - it is less pronounced with the Heliar. I will experiment further - maybe a slightly translucent material for the spot?
I suspect that this combination would work quite well as a "vintage" looking portrait lens too. The original Thambar was designed for that purpose.
Scenes from my visit to the WW & F Railway in Alna, Maine.
Photo Details:
Camera: Pentacon Six TL
Lens: 80mm Biometar
Film: Kodak TMax400
Developer: Pyrocat-HD
...Steamers Beach, Booderee NP.
Toyo-View 45CF, Nikkor-SW 90mm f/8, Shanghai 100, Pyrocat HD stand developed.
Always a sucker for symmetry. I did do some vertical correction to stop it leaning over this was on the 50mm f1.2 Nikkor. Not with original hood, that's a snap on and snaps off I think there was a screw on specific I will investigate.
Photographed 24/X/2014 using a fed-1 type-B camera (1936) with INDUSTAR 26M,50mm/2.8 lens.Film (FOMAPAN 100 @ EI 50) developed in PYROCAT HD (home brewed).75,St Mary Street,Cardiff.
Was photographed September 2017 / Canon L1 rangefinder & Leitz Summarit 5cm/1.5. ILFORD PAN 400 rated ASA 320 developed in PYROCAT-HD (5ml A + 25ml B > 600ml, 7min 40sec, 20*C).Negative scanned in a JUMBL scanner to SD card, loaded to iPad ; image finished in Flickr. Cropped to 4:3 ratio.
(Plouguerneau - Bretagne)
Contax Aria + tessar 45mm
Rollei retro 80s dev in Pyrocat HD 13' (Jobo CPE2)
Epson V750 scan
Photographed January 2018 / Canon-7 rangefinder 35mm film camera with Canon 50mm/1.4 lens. Film was Rollei RPX 400 bulk stock metered ASA 320 developed in PYROCAT-HD (5ml A + 25ml B > 600ml, 7min 10sec, 20*C). Negative was illuminated on a light panel and digitalised via a Pentax k3 DSLR with a Schneider Componon-S 80mm/4 enlarging lens on helicoid extension tubes. The image was edited on an iPad mini using the Snap Seed application. Cropped slightly RHS to balance the composition.
A bright and cold break from the clouds. The Fomapan 100 is quite good and the S Skopar 28mm f3.5 is superb. One of my favourite lenses, both for its compact size and its performance.
The R4M has an almost SLR like faculty for giving what you see with the 28 frame. Even framing tightly you don't loose anything. Most rf-cameras are moore loose with the framing - generally a bit more than the viewfinder shows - the R4 is precise.
It is still one of my favourite bodies to use. Always along for any wide angle lens.
From 'A Process of Reclamation' An ongoing series investigating Natures reclaiming of the Slate Quarries of the English Lake district.
After the Walker Evans show we went to the caffe at the Art Gallery for sustenance. It is actually a good place for luch - or, as in our case - a late eying snack.