View allAll Photos Tagged PushProcessing

2011-03-10

 

Graflex Crown Graphic

Kodak Ektar 127mm f/4.7 lens

Kodak T-Max 100 (200-push) 4x5 film

Kodak Xtol (1+2) developer

20ºC - 12.5min

 

Having some fun testing out Ilford Delta 3200 in a fading light situation. As always, kittens make excellent subject matter. ^__^

 

As seen in The 52 Project, Week 33: Kittens!

www.matmarrash.com/blog/2011/3/30/the-52-project-week-33-...

 

Hasselblad 500C w/ 80mm f/2.8

1/125th @ f/4, closeup filter attached

Ilford Delta 3200 @ 3200

Processed in XTOL 1:1

2014-12-16

 

Model: Valeria Sweet

Hair and Makeup by: Chelsey Bryan

Wardrobe by: Bob Smithey with At The Ritz Costumes

Location provided by: Lentz Ison and Marshall Free House

 

Nikon F3

Nikon Ai 50mm f/1.4 lens

Ilford Delta 400 (800-push) 35mm film

Kodak Xtol (1+1) developer

20ºC - 15.5min

2018-04-07

 

Nikon F90X

Nikon Ai 50mm f/1.4 lens

(expired) Fujifilm Neopan 400 (800-push) 35mm film

Kodak Xtol (1+1) developer

20ºC - 11.5min

Nikon FE-2

Nikkor 50mm f1.8

HP5+ 1600iso

Microphen stock

Tokyo, Japan

 

Olympus OM-2N

G.Zuiko 28mm F3.5

 

F5.6 1/125

 

Fomapan 400 @1600 +2 pushed

 

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2014-12-02

 

Nikon F3

Nikon Ais 85mm f/1.4 lens

Ilford Delta 400 (800-push) 35mm film

Kodak Xtol (1+1) developer

20ºC - 15.5min

2016-01-07

 

Nikon F90X

Nikon Ai 50mm f/1.4 lens

Ilford HP5 400 (800-push) 35mm film

Kodak Xtol (1:1) developer

20ºC - 14.25min

Canon A-1, 50mm, Kodak Tri-X at 1600 ASA

Zeiss Icon 75mm Heriar TX400

My Site here

 

2014-09-12

 

Fujica ST-801

Fujinon EBC 50mm f/1.4 lens

Kodak Tri-X 400 (800-push) 35mm film

Kodak Xtol (1+1) developer

20ºC - 11min

This image has a mesmerizing, otherworldly quality. The delicate wireframe of the human head rendered in stark white lines against the deep black background evokes a feeling of digital transmutation—like a study in the intersection between the organic and the virtual. It almost feels like a 3D model frozen in a moment of contemplation, which is beautifully enhanced by the subtle gesture of the hand pressing against the lips in a gesture of silence. The tonal range is striking, with the bright lines sharply contrasting the pure black space, making the contours of the face stand out as if sculpted from light itself.

 

Technically, the choice to push Kentmere 400 to 1600 adds a gritty, high-contrast texture to the scene that amplifies the futuristic feel of the subject. Bronica SQ-A's square format works well here, adding balance and symmetry to a composition that might otherwise feel too abstract. The grain introduced by the pushed film lends an analog roughness, grounding what might otherwise feel purely digital. This tension between the old-school film technique and the modern subject matter creates a captivating visual dialogue, pulling you in and keeping your gaze locked.

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Bronica SQ-A, Kentmere 400 forced to 1600, Ilfosol 3.

Epson Perfection V850 with Vuescan, SmartConvert and Lightroom.

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Tokyo, Japan

 

Rolleiflex Automat MX

Carl Zeiss Jena Tessar 75mm F3.5

Kenko Skylight

Marumi PL

 

F11 1/250 +3

 

Ilford Delta 100 @400 +2 pushed

 

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Kiev-4 with Helios 103 lens; Ilford Pan 100, rated 200, developed in Ilfotec LC29 1+19 for 9 minutes at 20ºC.

 

photo-analogue.blogspot.co.uk/2018/05/ilford-pan-100.html

2019-01-20

 

Nikon F3

Nikon Ai 50mm f/1.4 lens

Kodak Tri-X 400 (800-push) 35mm film

Kodak Xtol (1+1) developer

20ºC - 11min

Leica M2, Summarit 90, Ilford XP2 Super, ISO 100, Kodak HC-110, one Impact strobe, Hasselblad X1 scan.

Nikon L35AF

Ektar 100 @ 400

camera: hasselblad 501cm

film: fuji acros 100 (@200)

lens: zeiss 60mm

filter: 3-stop graduated ND + 10-stop ND

2018-04-07

 

Nikon F90X

Nikon Ai 50mm f/1.4 lens

(expired) Kodak T-Max 400 (800-push) 35mm film

Kodak Xtol (1+1) developer

20ºC - 10min

2015-07-02

 

Nikon F90X

Nikon Ais 85mm f/1.4 lens

Agfapan APX 100 (200-push) 35mm film

Adox Adonal (1+25) developer

20ºC - 11min

Olympus xa 3 35mm zuiko ilford hp5 @800 iso rodinal

More from that roll of Ilford 3200. I'm enjoying it quite a great deal-- I just wish it were available in bulk.

 

This contraption in the Port Authority Bus Terminal has always amused me. I'm glad it is working again.

Kiev 80

MC Volna-3

Fuji Acros 100 @ 400

 

Kuala Terengganu,Malaysia

Kiev-4 with Helios 103 lens; Ilford Pan 100, rated 200, developed in Ilfotec LC29 1+19 for 9 minutes at 20ºC.

 

photo-analogue.blogspot.co.uk/2018/05/ilford-pan-100.html

2020-11-14

 

Canon T90

Canon FD 50mm f/1.4 lens

Kodak Tri-X 400 (800-push) 35mm film

Adox Rodinal (1+50) developer

20ºC - 16.5min

2014-01-25

 

model: Megan Porter

wardrobe: Bob Smithey with At The Ritz Costumes

Greensboro, NC

 

Nikon FE2

Nikon Ai 50mm f/1.4 lens

Kodak Tri-X 400 (800-push) 35mm film

Kodak Xtol (1+1) developer

20ºC - 10.5min

2016-03-18

 

Nikon F90X

Nikon Ai 50mm f/1.4 lens

Kodak Tri-X 400 (800-push) 35mm film

Kodak Xtol (1:1) developer

20ºC - 10min

Kiev-4 with Helios 103 lens; Ilford Pan 100, rated 200, developed in Ilfotec LC29 1+19 for 9 minutes at 20ºC.

 

photo-analogue.blogspot.co.uk/2018/05/ilford-pan-100.html

2016-09-13

 

Nikon F2

Nikon Ai 50mm f/1.4 lens

Ilford Delta 400 (800-push) 35mm film

Kodak Xtol (1+1) developer

20ºC - 15.5min

2011-03-04

 

model: Alana Pauw

makeup: Kristen Riek

Light reflector/assistant: John Ryan

 

Mamiya C220

Mamiya-Sekor 55mm f/4.5 lens

Kodak Ektar 100 (400-push) 120 film

 

My lovely girlfriend Rebecca x she is always reluctant to pose for me but does anyway.

This was taken on a Zeiss Ikon Super Ikonta and hp5+ pushed to 1600 for more gain, not out of necessity, oh and developed in microphen 😁

Nikon FE, HP5@1600, Ilfotec LC29.

2015-08-03

 

Nikon F90X

Nikon Ai 50mm f/1.4 lens

Ilford HP5 400 (500-push) 35mm film

Adox Adonal (1+25) developer

20ºC - 7min

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EKTACHROME E100 at EI 100: Ricoh GR1s (C-41 cross processing development)

EKTACHROME E100 at EI 100: Nikon F100 + Nikkor 50mm f/1.8 AF-D (E-6 development)

EKTACHROME E100 at EI 200: Nikon FM3A + Nikkor 50mm f/1.2 AI-S (E-6 development)

  

View the full-sized images at: emulsive.org/photography/35mm-format/kodak-ektachrome-e10...

 

Filed under: #35mmformat, #Photography, #2018November, #ColorReversalSlideFilm, #CrossProcessing, #EI100, #EI200, #EMULSIVEDailyPhoto, #FilmComparison, #Kodak, #KodakEKTACHROME100E100, #Nikon, #NikonF100, #NikonFM3A, #NikonNikkor50MmF12AIS, #PushProcessing, #PushingFilm, #Ricoh, #RicohGR1S, #XPRO

#shootfilmbenice #filmphotography #believeinfilm

2020-07-10

 

Nikon FE2

Nikon Ai 35mm f/2 lens

Kodak Tri-X 400 (800-push) 35mm film

Kodak Xtol (1+1) film

20ºC - 11min

Zenit 122k

Kodak Colorplus 200 (pushed to 400)

For Roll in A Day, June 2013, subject "Doors and Windows" I wanted to shoot primarily in the Jones Mansion, a haven for doors and windows. I thought the look of grain would add to the vintage look so I shot Tri-X @1600. To get the day started I photographed the MECCA, my studio, windows and doors.

 

Film: Tri-X @1600 ASA,

Developed in D-76 stock, 68 degrees, 9.5 minutes

 

Camera: Nikon FE2, Nikkor 50mm 1.4

 

Image by: Leslie Lazenby

12 June 2013, The Jones Mansion, E. Sandusky St. Findlay, OH

"Isolga" hybrid camera.

Info about this camera on my blog.

www.pushprocessed.blogspot.com/

2016-04-04

 

Nikon F2

Nikon Ai 50mm f/1.4 lens

Ilford HP5 400 (800-push) 35mm film

Adox Rodinal (1+50) developer

20ºC - 16min

2011-07-22

 

Hasselblad 500 C/M

Hasselblad 80mm f/2.8 CF T* lens

Kodak Portra 400 (1600-push) 120 film

 

Mamiya C330S

ilford HP5 Plus @ 800

 

Rusila,Marang,

Terengganu,Malaysia

2020-07-10

 

Nikon FE2

Nikon Ai 35mm f/2 lens

Kodak Tri-X 400 (800-push) 35mm film

Kodak Xtol (1+1) film

20ºC - 11min

Agfa Agfamatic 4008 Tele Pocket Sensor camera for 110 format with Lomography Orca 100 ISO black and white film, exposed at the camera's high speed setting by modifying the cassette's tab. Developed in Adox Adonal diluted 1+25 for 14 minutes at 20ºC.

 

photo-analogue.blogspot.com/2022/03/agfa-agfamatic-4008-t...

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