View allAll Photos Tagged PushProcessing

a beautiful quiet island to explore, especially around sunset.

Ektachrome e100 pushed 2 stops, leica 35mm summilux asph fle, zeiss ikon. ektachrome 100 takes a +2 push very well, better than provia 100f does. but gee I sure miss Provia 400X, the best film ever made.

Zenit 122k

Kodak Colorplus 200 (pushed to 400)

New Ektachrome, accidentally exposed it at EI 400, so it's pushed two stops. So in case you're wondering how Ektachrome pushes...

Mamiya RB67 - Sekor C 250mm 1:4,5 - Kodak T-Max 400

2020-07-10

 

Nikon FE2

Nikon Ai 35mm f/2 lens

Kodak Tri-X 400 (800-push) 35mm film

Kodak Xtol (1+1) film

20ºC - 11min

2018-03-17

 

Nikon F90X

Nikon Ai 50mm f/1.4 lens

Kodak Tri-X 400 (800-push) 35mm film

Agfa Rodinal (1+50) developer

20ºC - 16.5min

Canon T70

Fomapan 200@400

Caffenol C-L with more soda

80 min

Using an FD to M42 adapter and some Mir-I and Helios-44 lenses

Minolta Autocord RGv2

Chiyoko Rokkor 75mm f/3.5

Ilford HP5+@800

Processed and scanned at Nation Photo.

September 2016.

 

Rouleau 27 ilford HP5@800

1. 2016-09-11 18:05 12EV 1/60 f/8 porte St Jean rue Brizeux, Vannes

2. 2016-09-11 18:10 12EV 1/60 f/8 rue Brizeux, vue Cathédrale

3. 2016-09-11 18:15 17EV 1/500 f/16 rue Brizeux, Rue des Chanoines, Vannes

4. 2016-09-11 18:25 17EV 1/500 f/16 cathédrale St Pierre de Vannes

5. 2016-09-11 18:30 16EV pour déboucher les ombres 1/500 f/11 place Henri IV

6. 2016-09-11 18:35 rue des Chanoines 17EV 1/500 f/16

7. 2016-09-11 19:15 12EV 1/60 f/8 douves de Vannes

8. 2016-09-11 19:25 11EV 1/60 f/5.6 rickshaw crêperie

9. 2016-09-11 21:05 4EV 15" f/11 douves Vannes (estimé)

10. 2016-09-12 18:10 14EV 1/60 f/16 canon de Pénerf

11. 2016-09-12 18:35 15EV 1/500 f/8 bateau Zoulou au port de Pénerf

12. 2016-09-12 19:35 14.5EV 1/250 f/10 église de Pénerf cellule perdue là

Kodak Tri-X 400 pushed to 800

Pentax MV-1

Tokyo, Japan

 

Rolleiflex Automat MX

Carl Zeiss Jena Tessar 75mm F3.5

Kenko PO0 Yellow green

 

F8 1/250

 

Ilford Delta 100 @400 +2 pushed

 

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Zenit 122k

Kodak Colorplus 200 (pushed to 400)

2010-11-18

 

Nikon F2

Nikon Non-Ai 50mm f/1.4 lens

-blue lens filter

-green lens filter

Arista Premium 400 (800-push) 35mm film

Agfa Rodinal (1+50) developer

20ºC - 16.5min

2015-02-14

 

model: Lizzie Hornshuh

location provided by: Dean Cornelius at Outlawed Restorations

 

Nikon F90X

Nikon Ais 85mm f/1.4 lens

Kodak Tri-X 400 (1000-push) 35mm film

Acufine developer

21ºC - 5.5min

Revueflex AC2

SMC Pentax-M 2.8/35

Kodak Tri-X 400 @ 1600

HC-110H semistand for 25mins @ 20C

Shot in January 2018.

 

Tri-X @ 1600 in D-76 1+1. Scanned by digital camera and lightbox. Pretty much as-scanned.

 

Olympus Infinity Twin.

2016-02-06

 

Nikon F90X

Nikon Ai 50mm f/1.4 lens

Ilford HP5 400 (800-push) 35mm film

Kodak Xtol (1:1) developer

20ºC - 14.25min

Menemsha MA - A dark sunset along Dutcher's Dock in the small fishing village of Menemsha on Martha's Vineyard. This is one of the key locations used in the film Jaws. August 2013.

 

taken on a Canon F-1 slr w/ 50mm FD f1.8 lens + polarizing filter. Ilford HP5 iso 400 film pushed to 1600.

2013-01-15

 

model: Emily Barry

MUA: Pierce Bryant

 

Nikon FE2

Nikon Ai 50mm f/1.4 lens

-yellow lens filter

Kodak Tri-X (1600-push) 35mm film

Kodak Xtol (1+1) developer

20ºC - 13.5min

2017-11-25

 

Nikon FE2

Nikon Ai 50mm f/1.4 lens

Kodak Vision 3 500T (1000-push) 35mm film

-bad development

2011-03-04

 

model: Alana Pauw

makeup: Kristen Riek

Light reflector/assistant: John Ryan

 

Mamiya C220

Mamiya-Sekor 55mm f/4.5 lens

Kodak Ektar 100 (400-push) 120 film

 

Kodak TMAX 400

Canon Elan 7n

50mm f/1.8 II

f/2.8

 

Kodak TMAX 400 / push EI 3200 / TMAX Developer / 1:4 / 13 min / 20 degrees C

Minolta Autocord L

Chiyoko Rokkor 75mm f/3.5

Ilford HP5+ pushed 2 stops to 1600 in X-tol.

Metered with gossen profisix

Processed and scanned at Nation Photo, Paris.

October 2016.

 

Rouleau 30 ilford HP5 400@1600 autocord L

12. 2016-10-22 16EV 1/500 f/11 tronc lac inférieur

 

Canonet QL-17, Kodak T-Max 100@400; yellow filter

I've recently started sneaking out of the office for half an hour or so every day to further familiarize myself with my Olympus XA. I still have very little bad things to say about this camera. On this roll I did find a couple of frames where an object which appears to be one of my fingers disadvantageously protrudes into the frame. Clearly, this is the unavoidable downside of shrinking a device down to the minimum.

 

Other than that, the lens is excellent, the viewfinder is above average and the rangefinder at least usable. One thing I wish was better visibility of the selected shutter speed. One needs to be mindful of the selected aperture and stop down appropriately when conditions are bright or else the camera will happily overexpose the shot and give no indication of doing so.

 

This particular shot I quickly dismissed until I noticed a peculiar and accidental symmetry between the two bikes and the two people waiting in a similar posture. The square crop was necessary to cut off distracting elements, mostly on the left side.

 

This was shot on Fuji Acros pushed one stop to ASA 200. With the Olympus and generally when being in the street I prefer smaller apertures to ensure depth-of-field. This was probably shot at f/16. Developed in Rodinal (1+25) for 9 minutes.

Nikon FE-2

Nikkor 50/1.4

Nikkor 35/2.8

Volna-3 80/2.8

Kodak Tri-X @1600

D-76

 

Focus Aleksievic - Teatro Altrove, 28/29 aprile 2017 Genova

Yashica Mat 124G with Yashinon f3.5/80mm. Kodak Tmax 400 @800 in HC-110 dilution H for 12.5min. 20C

 

The Leeds Kirkgate market is the largest covered market in Europe, I particularly like the Butcher's and the Fish & game Rows.

en.wikipedia.org/wiki/Leeds_Kirkgate_Market

 

First time I push this film with HC-110, not bad but I like more how it looks pushed in D-76 and in Tmax developer.

January 12, 2017

Los Angeles, CA

 

Portra 800 +2

 

Some photos from this set were included in the liner notes of GospelbeacH's excellent 2017 album "Another Summer of Love"

Kodak Tri-X 400 pushed 2 stops in Ilford DD-X.

Minolta SRT200 with HP5 400 pushed two stops

2012-07-15

 

Hasselblad 500C/M

Hasselblad 80mm f/2.8 CF T* lens

Kodak Portra 400 (800-push) 120 film

Praktica LTL-3 with Carl Zeiss Jena 50mm f2.8.

Kodak Portra 160 ISO 35mm film. (push processed).

Processed at home with Tetenal C-41 kit.

Canon EOS 300X

OM Zuiko 35-70 (3.5-4.5)

Kodak T-Max 400 @800

(Rodinal 1:50, 18min at 20C)

2015-07-02

 

Nikon F90X

Nikon Ais 80-200mm f/4 lens

Ilford Delta 400 (800-push) 35mm film

Adox Adonal (1+25) developer

20ºC - 18.5min

Ilford Delta 100 pushed to 200

Canon FTb

Minolta Autocord L

Chiyoko Rokkor 75mm f/3.5

Ilford HP5+ pushed 2 stops to 1600 in X-tol.

Metered with gossen profisix

Processed and scanned at Nation Photo, Paris.

October 2016.

 

Rouleau 30 ilford HP5 400@1600 autocord L

11. 2016-10-22 12EV 1/250 f/4 lac inférieur

Mamiya C33 camera

Mamiya 105mm lens

Nikon Speedlights

Fuji Acros 100 film

exposed @ ISO 400

Dev'd HC-110 (B) 11:45min @ 64degF

Fixed Kodafix

Scanned Epson V500 scanner

Edited Lightroom 3

orwo n75 pushed a few stops, developed in d76 1 + 1 for 16 min

Minolta SR-T102

Kodak Gold 400 @1600

C41 5min

Tokyo, Japan

 

Olympus 35DC

F.Zuiko 40mm F1.7

 

F16 1/500

 

Fomapan 200 @800 +2 pushed

 

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